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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

UVIC
CHAMBER SINGERS

“Glee”fully
Yours
Susan Young, director

We acknowledge that the land on which we gather is the
traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees)
and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

Saturday, November 3, 2018 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Thomas Morely
(1558-1603)

Sing We and Chant it

Claudio Monteverdi
(1567-1643)

From Lagrime d’Amante al Sepolcro dell Amato	
	
Ditelo voi	
	
Ma te raccoglie, o Ninfa
*

*

*

*

*

*

Non so piu cosa son (The Marriage of Figaro)

W. A. Mozart
(1756-1797)

Gwen Jamieson, soprano

Maude Valerie White
(1855-1937)

How do I Love Thee	
Olivia Duffin, soprano

Franz Schubert
(1797-1828)

Was ist Sylvia?
Spencer van Dellen, tenor

Samuel Barber
(1910-1981)

The Daisies
Desiree Hall, soprano
*

*

*

*

*

*
English Folk Ballad
Arr. Mary Goetze

Scarborough Fair	

Richard Farrant
Arr. John Holler

Hide Not Thy Face	

Soon I Will be Done wi’the Troubles of dis Worl’ 	
Spiritual
Arr. Diane Kolander Loomis
*

*

*

*

*

*

�Dominic Argento
(b. 1927)

Winter
Natasha Gosling, soprano
Die Sternwelten

Franz Schubert

Ian Culling, bass

Serge Rachmaninoff
(1873-1943)

Prelude Op. 32, No. 1
Annika Sauser, piano
*

*

*

*

*

*
Harry Freedman
(1922-2005)

From Three Vocalizes
	
Soliloquy	
	
Chant
*

*

*

*

*

*
Franz Schubert

Der Doppelgänger
Jordan Rettich, bass

Johannes Brahms
(1833-1897)

Von Ewiger Liebe	
Cassidy Stahr, mezzo-soprano
*

*

*

*

*

*
Heinrich Schütz
(1585-1672)

Cantate Domino					

American Folk Song
Arr. Aaron Copland (1900-1990)

Long Time Ago	

Emily Mahbobi, piano

CHAMBER SINGERS PERSONNEL
Rheann Armes
Alica Belakova
Ian Culling
Olivia Duffin
Grady Forsberg
Sophia Friesen
Natasha Gosling

Desiree Hall
Gwen Jamieson
Jaime Kozak
Emily Mahbobi
Rowan McWilliams
Susan Main
Benedict Mendes

Carson Moore
Jordan Rettich
Annika Sauser
Cassidy Stahr
Spencer van Dellen
Xuguang Zhang

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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 2, 2018 • 12:30 p.m.
Featuring School of Music students
“Sonetto 104 del Petrarca” from Années de Pèlerinage 							
	
Jonathan Li, piano
	

Solo de Concours, Op. 10								

Henri Rabaud
(1873 – 1949)

Liam Pistor, clarinet
Wendy Stofer, piano
Sonata for Clarinet	
				
	I. Mäßig bewegt	 		

	
Alec Kan, clarinet
Wendy Stofer, piano

	

	

Carnival of the Animls			
	 		
			
	XIII. Le Cygne (The Swan)						
		
Tark Kim, trumpet
Matyas Sabo, piano

Franz Liszt		
(1811 – 1886)

Paul Hindemith		
(1895 – 1963)

	

	

		

Camille Saint-Saëns 	
(1835 – 1921)

Tableaux de Provence
		
	
					
Paule Maurice		
	II. Cansoun per ma mio						 				 (1910 – 1967)
	III. La boumiano
Ayari Kasukawa, alto saxophone
Ryan Qu, piano

Das Berliner Requiem
		
		
	I. Grosser Dankchoral: Lobet die Nacht	
			
			
	II. Ballade vom ertrunkenen Mädchen: Als sie ertrunken war und hinunterschwamm
	III. Marterl: Hier ruht die Jungfrau Johanna Beck
		
Kieran Foss, soloist
	V. Erster Bericht über den unbekannten Soldaten: Wir kamen von den Gebirgen
		Nolan Kehler, soloist
					Grady Forsberg		Xuguang Zhang
					Carson Moore		Ian Culling
					Kieran Foss		Kyron Basu
					Nolan Kehler		Rowan McWilliams
					Jordan Rettich		
Joshua Amendt-Moylan, guitar
Dr. Kinza Tyrrell, piano
Dr. Steven Capaldo, conductor

UPCOMING AT THE SCHOOL OF MUSIC
SATURDAY, NOVEMBER 3 | 2:30 PM | Admission by donation
UVic Chamber Singers: “Glee”fully Yours
Susan Young, director
Enjoy an afternoon of uplifting choral music with the UVic Chamber Singers.
The program features a mix of styles including English and Italian madrigals,
folk song, present-day Canadian works, and a variety of solos from choir members.
Phillip T. Young Recital Hall
TUESDAY, NOVEMBER 6 | 12:30 PM | Admission by donation
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire and instruments
featuring UVic School of Music students.
Phillip T. Young Recital Hall

Kurt Weill		
(1900 – 1950)

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                <text>Jonathan Li&#13;
Liam Pistor&#13;
Wendy Stofer&#13;
Alec Kan&#13;
Tark Kim &#13;
Matyas Sabo&#13;
Ayari Kasukawa&#13;
Ryan Qu&#13;
Grady Forsberg &#13;
Carson Moore &#13;
Kieran Foss &#13;
Nolan Kehler &#13;
Jordan Rettich&#13;
Xuguang Zhang &#13;
Ian Culling&#13;
Kyron Basu&#13;
Rowan McWilliams&#13;
Joshua Amendt-Moylan&#13;
Dr. Kinza Tyrrell&#13;
Dr. Steven Capaldo</text>
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                    <text>STUDENT COMPOSERS CONCERT

Music by students from the composition program
THURSDAY, NOVEMBER 1, 2018 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Admission by donation

PROGRAM
Étude for the Condor 	

Ian Sirias
Mátyás Sabo, piano

Echoes of a Parallel Ghost 	

Pedro Geraldo Samsel
Alex Klassen, cello
Timo Pehkonen, piano

arched back; half-way numinous for quadrophonic tape 	
		
ADVERSUS 	
	I
	II

Assembly!

Sean Kiley
Ethan Hill

Amy Toth, violin
Natalie Dzbik, viola

	

Nick Miskey
Richard Charter, drill
Alex Klassen, cello
Nick Miskey, piano

I NT E R M I S S I O N

hidden/stretch/mold/found (music for sine tones) 	

Timo Pekhonen

�Damage Transactualiser for percussion quartet 	
	
1. Cooling Component
	
2. Impact Component
	
3. Corrobeo

Cashton McGillivray

Keyboard 1 – Brandon Bronson (marimba)
Keyboard 2 – Cashton McGillivray (glockenspiel, xylophone, vibraphone)
Percussion 1 – Lachlan Barry(cymbals, tambourine, congas)
Percussion 2 – Susan Main, Jesse Johnson (suspended cymbal, bass drum,
woodblock, tom toms, triangle, piano)
Saxophones for J.S. 	

Alex Klassen

Todd Morgan, Karsten Brewka, Michael Vielguth, Adam Jaseniuk, saxophones

PROGRAM NOTES
Assembly! by Nick Miskey
The cello and piano move between noise and tone, and the drill is used as a bridge between the two. Both the
timbral content and the emotional effect of the piece were inspired by recent renovations at the School of Music.
ADVERSUS by Ethan Hill
In the effort to make just intonation accessible as well as demonstrate the expressive qualities of natural tuning,
ADVERSUS gradually creates a multi-harmonic space in which new tonal pathways can be explored.
hidden/stretch/mold/found by Timo Pehkonen
‘hidden’ refers to the buried diatonic chord progression that gradually brings itself to fruition piece by piece
throughout. / ‘stretch’ in pitch occurs at a constant rate, either sliding to or from 12 tone equal temperament
frequencies and their closely related harmonic partials of a single low fundamental. / ‘mold’ pertains to the meticulously random compositional approach to the overall arrangement and its resulting ripple effect on how time and
auditory perception is employed. / ‘found’ applies to the repeated chords towards the end that were once fully
realized in not so obvious ways near the beginning.
arched back; half-way numinous by Sean Kiley
Source material comprised of 4 layers (overdubs) of improvisations by two performers, time stretched to 10x as
long, cut, then looped; as well as polyphonic textures of ca. 0.5”–1.5” loops from original + field recordings, drum
samples, synthesizers; all employed quadraphonically with panning automation.

We acknowledge that the land on which we gather is the traditional territory
of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and
Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

�</text>
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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
October 30, 2018 • 12:30 p.m.
Featuring School of Music students
Symphony for Five-Part Brass Choir
II. Adagio - Allegro Vivace					
	
Benjamin Parker, trumpet
Ekaterina Della Vedova, trumpet
Emily Axford, horn
William Quinn, trombone
Jason Gordon, euphonium
Scott Gordon, tuba

	

		

		

Victor Ewald		
(1860 - 1935)

Libertango 												 Astor Piazolla
(1921 - 1992)
Michael Vielguth, soprano saxophone
Connor Stairs, alto saxophone
Skye Eriksen, tenor saxophone
Kayla Izon, baritone saxophone
String Quartet No. 12 in E-flat Major, Op. 74
Ludwig van Beethoven		
	I. Poco Adagio - Allegro										 (1770 – 1827)
Jeanel Liang, violin
Talia Sinclair, violin
Seth McMillan, viola
Shiun Kim, cello
String Quartet No. 4, Sz. 91
		
Béla Bartók 	
	I. Allegro											 (1881 - 1946)
Ilya Gotchev, violin
Carlos Quijano, violin
Felix Alanis, viola
Manuel Cruz, cello
String Quartet No. 10 in A-flat Major, Op. 118 					
	
Dmitri Shostakovich		
	III. Adagio			
							
(1906 – 1975)	
Amy-Lynne Toth, violin
Jasmine Mather, violin
Maki Yamagata, viola
Claire Dresselhuis, cello
		
Serenade for String Trio in C Major, Op. 10							
Ernst von Dohnányi
I. Marcia: Allegro										 (1877 - 1960)
II. Romanza: Adagio non troppo
Julien Haynes, violin
Jaling Kersen, viola
Bryan Lin, cello

	
	

	

Kanonische Sonatine, Op. 31, No. 3
			
I. Munter		
							
Ada Qian, flute
Emily Morse, flute

“Danse des petits cygnes” from Swan Lake
		 	
							
Jasmine Riseley, flute
Jessica Shaw, flute
Suite Americana
	III. Vals Peruano	 			

			
		
	
Tark Kim, trumpet
Ryan Lau, trumpet
Ada Qian, flute
Emily Morse, flute

		

Paul Hindemith		
(1895 – 1963)

	
Pyotr Illyich Tchaikovsky
			
(1840 – 1893)
		
			

UPCOMING AT THE SCHOOL OF MUSIC
THURSDAY, NOVEMBER 1 | 8 PM | Admission by donation
Student Composers Concert
A concert featuring original compositions by students in the UVic School of Music Composition program
performed by Music students.
Phillip T. Young Recital Hall

Enrique Crespo
(b. 1941)

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Phillip T. Young Recital Hall, University of Victoria
October 26, 2018 • 12:30 p.m.
Featuring School of Music brass students
Canterbury Flourish	
			

	

										 Gordon Jacobs 	
(1895 – 1984)

Rouse Thyself, My Weak Spirit 									
Trumpet Choir
Marianne Ing, Ekaterina Della Vedova, Ryan Lau, Abha Marie Parmar,
Benjamin Parker, Evan Overman, Wayland Shepard, Tark Kim
Earth Song (2007)	
		

	

J. S. Bach	
(1685 – 1750)

				
	 		
		
Trombone Choir				
Will Quinn, Erin Marsh, Heidi Worrall, Jason Gordon, Ben Pakosz

Hands Across the Sea			
	 		
								

			
		

	

	

	

John Philip Sousa		
(arr. D. Warren)

	

Anton Bruckner
(arr. D. Sabourin)

Ave Maria											
					
Jason Gordon, euphonium
Liam Mulligan, euphonium
Jacob Tkachuk, tuba
Scott Gordon, tuba
Trio in C Major Op. 87	
	II. Adagio cantabile			

“Round Dance” from For Children, Sz. 42
	I. Allegretto				

		
	
			
Evan Overman, trumpet 				
Christine Beattie, horn
Will Quinn, trombone

		
	
Marianne Ing, trumpet		
Isabelle Spencer, trumpet
Gillian Ramage, horn
Erin Marsh, trombone
Aidan Fentiman, tuba

	

Ludwig van Beethoven
(arr. R. King)

		

Béla Bartók		
(1881 – 1945)

		

John Cheetham		
(b. 1939)

			
		

Gustav Holst		
(arr. D. Sabourin)

	
			
					
Abha Marie Parmar, trumpet
Wayland Shepard, trumpet
Tyrell Loster Peitszche, horn
Ben Pakosz, trombone

Scherzo
	
		
		
								
				
Tark Kim, trumpet
Ryan Lau, trumpet
Christine Beattie, horn
Heidi Worrall, trombone
Jacob Tkachuk, tuba
Second Suite in F, Op. 28, No. II
	II. Song Without Words			

Frank Ticheli		
(b. 1958)

Symphony for Brass											
	I. Moderato			
Benjamin Parker, trumpet					
Ekaterina Della Vedova, trumpet
Emily Axford, horn
Will Quinn, trombone
Jason Gordon, euphonium
Scott Gordon, tuba

Victor Ewald
(1860 - 1935)

Five Movements from Divertimento (1976) 							
Raymond Premru
	I. Of Knights and Casltes 										 (1934 - 1998)
	II. A Tale from Long Ago
	
III. Petite March
Brass Choir
Benjamin Parker, Tark Kim, Ryan Lau, Marianne Ing, trumpet
Christine Beattie, horn
Will Quinn, Heidi Worrall, Jason Gordon, Ben Pakosz, trombone
Jacob Tkachuk, tuba
Erin Marsh, conductor

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Phillip T. Young Recital Hall, University of Victoria
October 23, 2018 • 12:30 p.m.
Featuring School of Music guitar students from the studio of Alexander Dunn
Andante Largo, Op. 5, No.V
											
Josh Hu, guitar

	

	 	

Fernando Sor		
(1778 - 1839)

Cello Suite No. 4 in E-flat Major, BWV 1010								
J. S. Bach		
	I. Prelude									 		(1685 - 1750)
Tiento Antigua 											

Joaquin Rodrigo
(1901 - 1999)

Mark Beattie, guitar

	

Étude Op. 60, No. II
		
Matteo Carcassi		
													 (1792 – 1853)
Jordyn Hutchings, guitar
Étude Op. 60, No. III
		
Matteo Carcassi		
													
Matthew Graumans, guitar
Cavatina	
						
				
Stanley Meyers		
													 (1930 – 1993)
Francisco Tarrega
(1852 - 1909)

Recuerdos de la Alhambra									
Nima Kolmohammadi, guitar
Prelude, Fugue and Allegro in E-flat Major, BWV 998
	
I. Prelude		
							
	
II. Fugue
Fraser Gibson, guitar

		

	

UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, OCTOBER 26 | 12:30 PM | Admission by donation
Fridaymusic
A concert of varied repertoire featuring UVic School of Music brass students.
Phillip T. Young Recital Hall
FRIDAY, OCTOBER 26 | 8 PM | Adults $20 / Seniors $15 / Students &amp; UVic Alumni $10
UVic Orchestra
Amy-Lynne Toth, violin (UVic Concerto Competition winner)
Ajtony Csaba, conductor
Haydn – Overture in D Major, Hob Ia:7; Brahms – Variations on a Theme by Haydn, Op. 56;
Vieuxtemps – Violin Concerto No. 5, Op. 37, with Amy-Lynne Toth, violin;
Ginastera – Estancia; Kodály – Dances of Marosszék
The Farquhar at UVic, University Centre
TUESDAY, OCTOBER 30 | 12:30 PM | Admission by donation
Tuesdaymusic: Chamber Music
Take an afternoon break to enjoy a concert of chamber music featuring UVic School of Music students.
Phillip T. Young Recital Hall
THURSDAY, NOVEMBER 1 | 8 PM | Admission by donation
Student Composers Concert
A concert featuring original compositions by students in the UVic School of Music Composition program
performed by Music students.
Phillip T. Young Recital Hall

J. S. Bach		
(1685 – 1750)

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Phillip T. Young Recital Hall, University of Victoria
October 19, 2018 • 12:30 p.m.
Featuring School of Music woodwind students
Three Preludes for Solo Flute	 	
	
II. Andante molto		

							
	
Jessica Shaw, flute

Robert Muczynski
(1929 – 2010)

		
				

Armando Ghidoni
(b. 1959)

Canonic Sonatina			
	
		
				
										
		
Emily Morse, flute
Ada Qian, flute

Paul Hindemith
(1895 – 1963)

Preghiera	
				
			
		
		

		
Ai Horton, soprano
Channing Mar, clarinet
Emily Markwart, piano

	

Sonata in A Minor, H. 562	
		
	
			
CPE Bach
	
III. Allegro 											 (1714 – 1778)
Rhiannon Jones, flute
	
			
					
Rhiannon Jones, flute
Jasmine Risely, flute
Charlotte Hale, piano
Two Portraits
	
		
		
	
I. Psalm								
				
Todd Morgan, alto saxophone
Emily Markwart, piano

Franz Doppler	 	
(1821 – 1883)

	
			

Kazuo Fukushima		
(b. 1930)

Andante et Rondo, Op. 25
							

Requiem for Solo Flute
					

	
		
					
Jamie Crystal, flute

UPCOMING AT THE SCHOOL OF MUSIC
TUESDAY, OCTOBER 23 | 12:30 PM | Admission by donation
Tuesdaymusic: Guitar Studio Recital
Featuring UVic School of Music guitar students from the studio of Alexander Dunn.
Phillip T. Young Recital Hall
FRIDAY, OCTOBER 26 | 12:30 PM | Admission by donation
Fridaymusic
A concert of varied repertoire featuring UVic School of Music brass students.
Phillip T. Young Recital Hall
FRIDAY, OCTOBER 26 | 8 PM | Adults $20 / Seniors $15 / Students &amp; UVic Alumni $10
UVic Orchestra
Amy-Lynne Toth, violin (UVic Concerto Competition winner)
Ajtony Csaba, conductor
Haydn – Overture in D Major, Hob Ia:7; Brahms – Variations on a Theme by Haydn, Op. 56;
Vieuxtemps – Violin Concerto No. 5, Op. 37, with Amy-Lynne Toth, violin;
Ginastera – Estancia; Kodály – Dances of Marosszék
The Farquhar at UVic, University Centre

Joseph Turrin		
(b. 1947)

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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
October 16, 2018 • 12:30 p.m.
String Quartet in G Minor, Op. 10	
						
Claude Debussy	 	
	I. Animé et très decidé										 (1862 – 1918)
	II. Assez vif et bien rythmé								
Ilya Gotchev, violin
Carlos Quijano Vasquez, violin
Felix Alanis, viola
Manuel Cruz, cello
Revolution									 			 Marc Mellitis		
	II. Mara’s Toys								
			
(b. 1966)	
Michael Vielguth, soprano saxophone
Connor Stairs, alto saxophone
Skye Eriksen, tenor saxophone
Kayla Izon, baritone saxophone
	
Shepherds of Provence	
		
Eugène Bozza		
	I. Pastorale Provençale										 (1905 – 1991)
Anna Betuzzi, oboe
Janie Sinn, english horn
Requiem for Solo Flute
	
Kazuo Fukushima		
													
(b. 1930)
Jamie Crystal, flute
	

Cello Suite No. 6 in D Major, BWV 1012
I. Prelude		
							
Maki Yamagata, viola

Piano Sonata No. 28 in A Major, Op. 101
I. Etwas lebhaft, und mit der innigsten Empfindung. Allegretto, ma non troppo	
II. Lebhaft, marschmäßig. Vivace alla marcia					
Liam Pistor, piano

	
	

	

	

Cello Concerto No. I in E-flat Major, Op. 107
	
I. Allegretto		
							
Claire Dresselhuis, cello
Ethan Hill, piano
UPCOMING AT THE SCHOOL OF MUSIC
FRIDAY, OCTOBER 19 | 12:30 PM | Admission by donation
Fridaymusic
A concert of varied repertoire featuring UVic School of Music woodwind students.
Phillip T. Young Recital Hall
TUESDAY, OCTOBER 23 | 12:30 PM | Admission by donation
Tuesdaymusic: Guitar Studio Recital
Featuring UVic School of Music guitar students from the studio of Alexander Dunn.
Phillip T. Young Recital Hall
FRIDAY, OCTOBER 26 | 12:30 PM | Admission by donation
Fridaymusic
A concert of varied repertoire featuring UVic School of Music brass students.
Phillip T. Young Recital Hall
FRIDAY, OCTOBER 26 | 8 PM | Adults $20 / Seniors $15 / Students &amp; UVic Alumni $10
UVic Orchestra
Amy-Lynne Toth, violin (UVic Concerto Competition winner)
Ajtony Csaba, conductor
Haydn – Overture in D Major, Hob Ia:7; Brahms – Variations on a Theme by Haydn, Op. 56;
Vieuxtemps – Violin Concerto No. 5, Op. 37, with Amy-Lynne Toth, violin;
Ginastera – Estancia; Kodály – Dances of Marosszék
The Farquhar at UVic, University Centre

Johann Sebastian Bach		
(1685 – 1750)

Ludwig van Beethoven		
(1770 – 1827)	 	
	
	

	

Dmitri Shostakovich		
(1906 – 1975)

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                <text>Ilya Gotchev&#13;
Carlos Quijano Vasquez&#13;
 Felix Alanis&#13;
 Manuel Cruz&#13;
Michael Vielguth&#13;
Connor Stairs&#13;
Skye Eriksen&#13;
Kayla Izon&#13;
Anna Betuzzi&#13;
Janie Sinn&#13;
Jamie Crystal&#13;
Maki Yamagata&#13;
Liam Pistor&#13;
Claire Dresselhuis&#13;
Ethan Hill&#13;
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CHAMBER MUSIC
SERIES

Wind &amp;Song
Merrie Klazek &amp; Marianne Ing,* trumpets
Allison Zaichkowski,* horn
Scott MacInnes, trombone
Paul Beauchesne, tuba
Suzanne Snizek, flute
Shawn Earle, clarinet
Wendell Clanton, saxophone
Simon MacDonald,* violin
Alex Olson, bass
Kelby MacNayr,* percussion
Arthur Rowe &amp; Yoomi Kim,* piano
Benjamin Butterfield, tenor
*Guest performer

Saturday, October 13, 2018 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $25 / Seniors: $20 / Students &amp; UVic alumni: $10

�PROGRAM
Divertissement, Op. 50				
	
I. Intrada 	
	
II. Headache Scherzo
	
III. Pastorale
	
IV. Tin-Ear Rag

James Barnes
(b. 1949)

Merrie Klazek &amp; Marianne Ing, trumpets
Allison Zaichkowski, horn
Scott MacInnes, trombone
Paul Beauchesne, tuba
Sonatine en trio, Op. 85 				
Suzanne Snizek, flute
Shawn Earle, clarinet
Yoomi Kim, piano

Florent Schmitt
(1870–1958)

Lonely at the top	
				 Randy Newman
Marie 	
(b. 1943)
Simon Smith and the amazing dancing bear
Benjamin Butterfield, tenor
Arthur Rowe, piano

I NT E R M I S S I O N
Concession open in the lounge

We acknowledge that the land on which we gather is the
traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees)
and Wyomilth (Esquimalt) peoples of the Coast Salish Nation.

�Concerto da Camera					
	
I. Giocoso 	
	
II. Lento
	
III. Vivace

Fisher Tull
(1934–1994)

Wendell Clanton, alto saxophone
Merrie Klazek &amp; Marianne Ing, trumpets
Allison Zaichkowski, horn
Scott MacInnes, trombone
Paul Beauchesne, tuba

Partita in G						
	
I. Prelude 	
	
II. Cake Walk
	
III. Mazurka
	
IV. Tango
	
V. Waltz
	
VI. One-Step
Simon MacDonald, violin
Shawn Earle, clarinet
Merrie Klazek, trumpet
Wendell Clanton, tenor saxophone
Scott MacInnes, trombone
Alex Olson, bass
Arthur Rowe, piano
Kelby MacNayr, percussion

Don Sweete
(b. 1945)

�BIOGRAPHIES
Paul Beauchesne is Principal Tuba of the Victoria Symphony and teaches tuba &amp;
euphonium at both the University of Victoria and the Victoria Conservatory of Music.
Born in Montreal, he grew up on Canada’s west coast and played his first notes on the
tuba at age 13. Prior to moving to Victoria in 2005 he was tubist in Calgary’s Foothills
Brass Quintet, touring across North America and working on numerous recording
projects. He has performed with many orchestras including the Boston, Santa Fe, and
Vancouver Symphony Orchestras. Two years as Principal Tuba of the KwaZulu-Natal
Philharmonic Orchestra took him to Durban, South Africa, where he learned to SCUBA dive and took time to explore the country, including the vineyards near Capetown.
Since moving to Victoria he has remained active as a clinician for Yamaha Canada and
an instructor at PRISMA, an orchestral training program located in Powell River. He
holds a Master’s Degree from the University of New Mexico and a Bachelor’s from
UVic where he was honoured as a Distinguished Alumni in 2011.
Praised by The New York Times as “clarion-voiced and vibrant,” Benjamin Butterfield
is recognized internationally as one of Canada’s finest tenors having performed with
the world’s finest ensembles and conductors, in operas, concerts and recitals throughout North America and Europe as well as in Ukraine, the Middle East, Asia and New
Zealand. He is also featured on over 30 CDs and DVDs. Professor Butterfield is head
of voice and co-head of Performance at UVic’s School of Music. He was the 2015
recipient of the Craigdarroch Award for Artistic Expression and in 2018 was named a
Fellow of the Royal Society of Canada. Recent engagements include directing Puccini’s
Gianni Schicchi at the Amalfi Coast Music Festival in Naples, Italy; performing Mozart’s
Requiem with the Baltimore Symphony under Marin Alsop; performing Jeffrey Ryan’s
Afghanistan: Requiem for a Generation with the Calgary Philharmonic, and recording works
of Bach and Handel with the Bach Choir of Bethlehem for Analekta. Mr. Butterfield is
represented by Schwalbe and Partners in New York City.
Wendell A. Clanton is Assistant Teaching Professor of Saxophone and Vocal Jazz
at the University of Victoria’s School of Music. An important area of interest to him
is working with students to develop engaging course content and opportunities for
learning, performance, education and leadership. Wendell graduated from Northwestern University where he studied with the legendary saxophonist Dr. Frederick L.
Hemke and Mr. John Paynter, preeminent conductor of symphonic wind repertoire.
Canadian clarinetist Shawn Earle is currently an instructor at the University of Victoria and performs regularly as a soloist, chamber, and orchestral musician. Dr. Earle
completed his Doctor of Musical Arts at the University of British Columbia examining
contemporary Canadian clarinet music. He also holds a Masters degree from UVic, a
Bachelor of Education from the University of Toronto, and a Bachelor of Music from
Acadia University. Dr. Earle is committed to music education having been Assistant
Professor at the University of Virginia, Lecturer at Washington and Lee University, a
high school music teacher, clarinet instructor at the El Sistema inspired Saint James

�Music Academy, delivering numerous masterclasses, and maintaining a private studio.
Among his numerous accolades for performance and research, Dr. Earle has received
grants from the British Columbia Arts Council, Canada Council, and the Nova Scotia
Talent Trust Award.
Originally from Vancouver Marianne Ing has been performing in Victoria for thirty
years. This year she is a first year Master’s of Music student at the University of Victoria. When not at UVic Marianne divides her time between teaching band, strings and
choir at Central Middle School and playing trumpet professionally. She plays prinicipal
trumpet with The Palm Court and The Sooke Philharmonic orchestras. Marianne also
plays often with the Victoria Symphony, the Gilbert and Sullivan Society and the Victoria Operatic Society.
Pianist, conductor, and composer Yoomi Kim received a Doctor of Musical Arts degree in Piano Performance at the University of Cincinnati where she also completed
her Master of Music degree in Conducting with choral emphasis. In addition, she had
the privilege of working with Dr. Joel Hoffman, composition faculty chair at the University of Cincinnati, for her cognate degree in Composition. Dr. Kim holds her Bachelor
and Master of Music degrees in Piano Performance from the Peabody Conservatory
of Johns Hopkins University and the University of Montreal respectively. She has studied piano under the tutelage of Robert McDonald, Marc Durand, and Eugene and
Elisabeth Pridonoff. Her conducting skills have been developed under the guidance of
Earl Rivers, Stephen Coker, Kenneth Kiesler and Ed Spanjaard.
Merrie Klazek is a versatile and respected artist in the world of music performance
and education. A professional trumpeter in orchestral, chamber, solo, traditional, and
popular music, Merrie joined the full-time faculty at UVic’s School of Music as Assistant
Professor in 2016. Merrie holds a BMus from her native Calgary and an MMus from
Northwestern University in Chicago, where she studied with the late Vincent Cichowicz. Her musical travels have taken her around the globe with performance highlights
including the Spoleto Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s
Bunka Kaikan hall, Hungary’s Niyrbator Festival, and numerous solo appearances with
Canadian orchestras. Merrie was principal trumpet with the Thunder Bay Symphony
(1999-2017), the Victoria Symphony and Orchestra London Canada and spent 14
years on sessional faculty at Lakehead University. Merrie’s first solo recording, Songs to
the Moon, has been featured on TVO Studio 2 and CBC Radio.
Violinist Simon MacDonald began his studies and Victoria in 1980 and in 2017 returned home to assume the role of String Faculty Department Head and Artistic
Director of the Young Artists Collegium at the Victoria Conservatory of Music. Before
returning to BC, Simon was active in Western Canada as a first violinist in the Winnipeg Symphony Orchestra, Principal Second Violin of the Manitoba Chamber Orchestra, and most recently, Concertmaster of the Regina Symphony Orchestra. Simon
loves playing anything put in front of him; he has premiered numerous new works
after 17 years at the Winnipeg New Music Festival, initiated the first ever Beethoven
Quartet Cycle in the city of Regina with the Regina Symphony Chamber Players, and

�has enjoyed playing in everything from Baroque orchestras to touring Broadway Productions. Simon is thrilled to be back on the West Coast and very grateful to join the
amazing community of musicians who live here.
Scott MacInnes received his MMus from the University of Victoria (2011) and his
BMus at the University of Toronto (2005). Scott moved to Victoria after winning a
one-year bass trombone position with the Victoria Symphony for the 2005/6 season.
The following year Scott secured the position of Principal Bass Trombone with the
Vancouver Island Symphony. Scott is an extremely active chamber musician both as
a member of the Pinnacle Brass Quintet and iTromboni. Demonstrating his great
versatility Scott can also been seen playing jazz, pop and rock around Victoria, as well
as in most of the musical theater pits. As an instructor Scott holds positions at both
the University of Victoria and the Victoria Conservatory where he teaches chamber
music, a pep band and private instruction.
Percussionist Kelby MacNayr graduated from UVic in 2004. MacNayr has a love
of drum set and percussion and specializes in jazz and world music. He performs at
festival and concerts across North America and his work can be heard on national
radio and television in Canada and the U.S. MacNayr studied percussion and drum set
at the University of Toronto, the Banff Centre and UVic and conducts research and
study in Cuba, New York and L.A. MacNayr works as a performer, composer, music
director and educator, teaching as a guest faculty with the Port Townsend Jazz Festival
and University of Idaho Lionel Hampton Jazz Festival.
Alex Olson is pleased to be the current sessional string bass teacher in the UVic
School of Music. 1976-77 was his first season with the Victoria Symphony but after
departing for further studies in Vancouver and New York he returned to be contracted continuously with the VS since 1982.
Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist,
soloist with orchestra and chamber musician. He has recorded with various artists for
the Crystal, ebs, Innova, GM and Fanfare labels. A highly respected chamber musician,
Mr. Rowe regularly collaborates with artists and chamber ensembles across North
America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in France, New Zealand, and Yugoslavia. 2016/17
performances included recitals with William Preucil, Concertmaster of the Cleveland
Orchestra,Vancouver’s Vetta Ensemble, and the Dover, and Cecilia Quartets, both past
winners of the Banff International String Quartet competition. Having previously held
positions at the University of Iowa and the University of Western Ontario, Arthur
Rowe is Professor of Piano at the University of Victoria and the Artistic Director of
the Victoria Summer Music Festival.

�Award winning flutist Suzanne Snizek (Flute Talk Magazine Competition, the New
York Flute Club Competition, the Mid-South Young Artist Flute Competition) is currently an Associate Professor of Music at the University of Victoria. Dr. Snizek’s research on “Suppressed Music” has been published by Böhlau Verlag- Vienna, Routledge - New York, Armand Colin- Paris, and World ORT and presented internationally
including at the Chutzpah! Festival (Vancouver), Cambridge University (UK), Forum
Voix Étoufées (Strasbourg and Berlin) and l’Ecole Militaire (Paris). The excellence of
her creative research was recognised by the University of Victoria’s 2017 REACH
award. In 2018-19 Snizek will be a guest musician at the Loja Festival in Ecuador, a
guest teacher and artist at Suzhou University in China and the featured guest artist of
the 2019 Edmonton Flute Festival.
Allison Zaichkowski of White Rock, BC, began her horn studies at age 22 quite by
chance when she met Dr. Wayne Jeffrey at Kwantlen University College. He encouraged her to switch to this precarious instrument and her life as a horn player began
there. After studying horn with him for 2 years, she completed degrees at UBC and
U of Calgary, focusing on solo competitions. She premiered in Canada James Beckel’s
Horn Concerto The Glass Bead Game with the University of Calgary Wind Ensemble.
After completing her MMus, she joined the army reserves in 2009 and moved to Ottawa. In 2012, she transferred to the regular forces and joined the Central Band of
the Canadian Armed Forces. After 8 years in Ottawa, she was excited to be posted
back to BC in 2016, joining the Naden Band of the Royal Canadian Navy in Esquimalt.
Since then, the Naden Band has taken her to many exciting places such as Dieppe
(France) and Hawaii and she is looking forward to going to Belgium and Chile this
coming November.

COMING UP
FRIDAY, OCTOBER 26 | 8 PM ($10-$20)

UVic Orchestra

Amy-Lynne Toth, violin (UVic Concerto Competition winner)
Ajtony Csaba, conductor
Joseph Haydn – Overture in D Major, Hob Ia:7	
Johannes Brahms – Variations on a Theme by Haydn, Op. 56
Henri Vieuxtemps – Violin Concerto No. 5, Op. 37, with Amy-Lynne Toth, violin
Alberto Ginastera – Estancia
Zoltán Kodály – Dances of Marosszék
The Farquhar at UVic

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