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                    <text>UVIC CHAMBER SINGERS

UVIC

SUNDAY, MARCH 6, 2022 | 8 PM

Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria
Admission by donation

PROGRAM 					DR. KINZA TYRRELL DIRECTOR
Carmina Burana Carl Orff (1895–1982)
Fortuna Imperatrix Mundi
	
1. O Fortuna
	
2. Fortune plango vulnera

Scan the QR code
for texts &amp; translations

Part 1 – Primo vere
	
3. Veris leta facies
	
4. Omnia Sol temperat		
					
	
5. Ecce gratum

Soloists: Andrew Wolf, John Mills, Leif Bradshaw, Carter Martin, Grisha 		
Krivchenia, Tim Carter, Max Niiranen, Clayton Butler, Spencer Van Dellen

Uf dem anger
	
6. Tanz 				
Soloists: Jeannie Kim and Kinza Tyrrell, piano
	
7. Floret silva nobilis
	
8. Chramer, gip die varwe mir
	
9a. Reie 			
Soloists: Grisha Krivchenia and Jenny Sunderland, piano
	
9b. Swaz hie gat umbe
	
9c. Chume, chum, geselle min
	
9d. Swaz hie gat umbe (reprise)
	
10. Were diu werlt alle min
I NT E R M I S S I O N
Part 2 – In Taberna
	
11. Estuans interius 		
	
12. Olim lacus colueram 	
	
13. Ego sum abbas 		
					
	
14. In taberna quando sumus 	
Part 3 – Cour d’amours
	
15. Amor volat undique 		
	
16. Dies, nox et omnia 		
	
17. Stetit puella 		
					
	
18. Circa mea pectora 		
	
19. Si puer cum puellula
	
20. Veni, veni, venias
	
21. In trutina 			
	
22. Tempus est iocundum 	
	
23. Dulcissime

Soloists: tenors and baritones
Soloist: Andrew Wolf
Soloists: Clayton Butler, Max Niiranen, Carter Martin, Grisha Krivchenia,
John Mills, Leif Bradshaw, Tim Carter, Spencer Van Dellen, Andrew Wolf
Soloists: tenors and baritones
Soloists: sopranos
Soloists: Clayton Butler, Spencer Van Dellen, Tim Carter
Soloists: Grace Vermette, Naomi Sehn, Abby Corpus, Lauren Steinmann,
Madison Blackman, Annalysa Tylor, Melissa Irvine, Bella Kershaw
Soloists: mezzo-sopranos, tenors and baritones
Soloists: sopranos and mezzo-sopranos
Soloist: Leif Bradshaw

Blanziflor et Helena
	
24. Ave formosissima
Fortuna Imperatrix Mundi
	
25. O Fortuna (reprise)

UVIC CHAMBER SINGERS PERSONNEL
SOPRANO 1
Madison Blackman
Erika Buban
Abby Corpus
Sihana Dorfsman
Dahliea Greeve
Melissa Irvine
Akina Kishiyama
Annalysa Tylor
Isolde Welby

SOPRANO 2
Chloe Hoffman
Bella Kershaw
Jeannie Kim
Lindsay Kolke
Naomi Sehn
Lauren Steinmann
Grace Vermette

MEZZO-SOPRANO 1
Katherine Allen
Paige McKay
Jenny Sunderland
Yvonne Usseni

TENOR 1
Clayton Butler
Carter Martin
Spencer Van Dellen
Andrew Wolf

MEZZO-SOPRANO 2
Kiyomi Asano
Olivia Jackson
Eva Smith

TENOR 2
Tim Carter
Leif Bradshaw
Max Niiranen
John Mills

BARITONE
Grisha Krivchenia

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                <text>UVic Chamber Singers - Carmina Burana</text>
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                <text>Ila Zbarsky</text>
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                <text>SOPRANO 1&#13;
Madison Blackman&#13;
Erika Buban&#13;
Abby Corpus&#13;
Sihana Dorfsman&#13;
Dahliea Greeve&#13;
Melissa Irvine&#13;
Akina Kishiyama&#13;
Annalysa Tylor&#13;
Isolde Welby&#13;
SOPRANO 2&#13;
Chloe Hoffman&#13;
Bella Kershaw&#13;
Jeannie Kim&#13;
Lindsay Kolke&#13;
Naomi Sehn&#13;
Lauren Steinmann&#13;
Grace Vermette&#13;
MEZZO-SOPRANO 1&#13;
Katherine Allen&#13;
Paige McKay&#13;
Jenny Sunderland&#13;
Yvonne Usseni&#13;
MEZZO-SOPRANO 2&#13;
Kiyomi Asano&#13;
Olivia Jackson&#13;
Eva Smith&#13;
TENOR 1&#13;
Clayton Butler&#13;
Carter Martin&#13;
Spencer Van Dellen&#13;
Andrew Wolf&#13;
TENOR 2&#13;
Tim Carter&#13;
Leif Bradshaw&#13;
Max Niiranen&#13;
John Mills&#13;
BARITONE&#13;
Grisha Krivchenia</text>
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                    <text>SAXOPHONE ENSEMBLE RECITAL
From the studio of Dr. Erik Abbink
Saturday, March 5th, 2022, 2:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Fragments of Brazil
I.
Choro
II.
Bossa Nova
III.
Baião

Cassio Vianna
(b. 1976)
Kayleigh Francis, soprano saxophone
Meghan Pimm, alto saxophone
Connor Baumann, tenor saxophone
Isaiah Doyle, baritone saxophone

Quartet #1 in Three Movements
I.
Allegretto
II.
Slowly

Bob Mintzer
(b.1953)

Quatour pour Saxophones
I.
Allegro non troppo

Alfred Desenclos
(1912-1971)

Sylvan Wilkinson, soprano saxophone
Madison Wang, alto saxophone
Beth Tran, tenor saxophone
Xavier Marican, baritone saxophone
Three Kicks for Saxophone Quartet
I.
Deco Jibe
II.
On the Rocks
III.
Funk Assimilation

Polar Vortex
I.
II.

Colin Bradley Pridy
(b. 1978)

Ethan Slogotski, soprano saxophone
Hannah Stanwood, alto saxophone
Emerson Jong, tenor saxophone
Rhys Batstone, baritone saxophone
Snowfall
Bloodthirsty Blizzard
Ayari Kasukawa, soprano saxophone
Sylvan Wilkinson, alto saxophone
Kayleigh Francis, tenor saxophone
Cole Davis, baritone saxophone
Please silence all electronic devices.

Chris Evan Hass
(b. 1993)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220305-Saxophone-Ensemble-Recital/20220305-Saxophone-Ensemble-Recital_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220305-Saxophone-Ensemble-Recital/20220305-Saxophone-Ensemble-Recital_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220305-Saxophone-Ensemble-Recital/20220305-Saxophone-Ensemble-Recital_03.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220305-Saxophone-Ensemble-Recital/20220305-Saxophone-Ensemble-Recital_04.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220305-Saxophone-Ensemble-Recital/20220305-Saxophone-Ensemble-Recital_05.mp3"&gt;Track 5&lt;/a&gt;</text>
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                <text>Kayleigh Francis, soprano saxophone&#13;
Meghan Pimm, alto saxophone&#13;
Connor Baumann, tenor saxophone&#13;
Isaiah Doyle, baritone saxophone&#13;
Sylvan Wilkinson, soprano saxophone&#13;
Madison Wang, alto saxophone&#13;
Beth Tran, tenor saxophone&#13;
Xavier Marican, baritone saxophone&#13;
Ethan Slogotski, soprano saxophone&#13;
Hannah Stanwood, alto saxophone&#13;
Emerson Jong, tenor saxophone&#13;
Rhys Batstone, baritone saxophone&#13;
Ayari Kasukawa, soprano saxophone&#13;
Sylvan Wilkinson, alto saxophone&#13;
Kayleigh Francis, tenor saxophone&#13;
Cole Davis, baritone saxophone</text>
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                    <text>FACULTY CONCERT SERIES

UVIC

SATURDAY, MARCH 5, 2022 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria
Admission by donation

Lang sings Lang
JENNIFER LANG MEZZO-SOPRANO
HARALD KREBS PIANO
PROGRAM
Josephine Lang (1815–1880)
Mignons Klage, Op. 10, No. 2	
Abschied, Op. 10, No. 6	
Die Schwalben, Op. 10, No. 3
O sehntest du dich so nach mir, Op. 14, No. 1
Und wieder ist ein Tag dahin, WoO
Ach, ich denke, WoO
Vögelein, Op. 14, No. 5	
Auf dem See in tausend Sterne, Op. 14, No. 6
Ob ich manchmal dein gedenke, Op. 27, No. 3
Mein Stern, Op. 34, No.1
Das Paradies, Op. 25, No. 6
Die Wolken, Op. 25, No. 5
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

�TRANSLATIONS
By Sharon and Harald Krebs
JOSEPHINE LANG (1815–1880)
Mignons Klage (Mignon’s Lament), Op. 10, No. 2	
Only those familiar with yearning
Know what I suffer!
Alone and separated
From all joy,
I gaze at the firmament
Toward every side.
Ah, he who loves and knows me
Is far away.
I am growing dizzy,
My innards are on fire.
Only those familiar with yearning
Know what I suffer!
Abschied (Farewell), Op. 10, No. 6
I loved you, and ah, I must renounce [you].
I do not rage at you, I rage at fate.
If you shall ever ask me about my tears,
You may just give yourself the answer back.
I loved you, I do not wish to conceal it,
Even if pain was the only end of the long yearning.
Is love not the lot of beautiful souls,
And is feeling not rewarded with feeling?
I love you, and I cannot forget you;
Yet I shall remain silent with restrained pain,
I shall press all my grief into a single tear,
Into a single sigh my crushed heart.
As my ideal you shall now hover before me:
What I thought and felt I shall dedicate to you.
You shall fan the embers of my imagination,
You shall be my song and my muse.
Leave me the joy of worshipping you in spirit,
Of embracing your image in sweet dreams,
Leave me the comfort of the quiet tears of melancholy,
The wondrously sweet delusion of nearness of spirits!
So fare thee well! never shall your image desert me,
Even if your heart soon forgets mine;
I have forgiven you and fate,
And I am gladdened, if only you are happy.

Die Schwalben (The Swallows), Op. 10, No. 3
The snow is gone, has flowed away
Into the great, vast ocean.
The swallows have returned,
They came back, I know not whence.
I only know that they found each other again,
Because love does not abandon love,
And they are setting up house here,
For love builds a nest for love.
Often when they had flown away,
And the time of flowers approached,
Then they came flying back again;
They came, what concern was it of mine?
I was happiest when I saw them leave
For a warmer clime far away.
I could not stand their chatter,
Of which I as yet understood nothing.
O sehntest du dich so nach mir (Oh, if you yearned for me),
Op. 14, No. 1
Oh, if you yearned for me
As I yearn for you,
You would come to me.
My eye is nothing but a beam [of light] seeking you,
Full of sweet torture.
Oh come to me just once!
In my ear, everywhere,
Constantly echoes
Your dear word!
If you yearned for me
As I for you,
You would already be here!
Und wieder ist ein Tag dahin (And again a day has passed),
WoO
And again a day has passed,
And still no word from you -I know not how I crept about
All day until evening!
I know not how I stood and walked,
What my eye did and my ear,
For oh, before my soul there hung
A black shroud.
I know not what I thought in my pain,
For whatever I wanted to think,
It was as if a hammer struck my heart,
As if it was about to burst!

�Ach, ich denke (Oh, I think), WoO
Oh, I think of,
Oh I lose myself,
In her image day and night!
And no greeting
From the sweet one, -Oh, I would never have thought [that this could happen]!
Oh, I gaze
Deep into the blue heavens
Until my eye is filled with tears.
Oh, I listen to discover
If there is a swishing of her garments
Even though she is far from me.
To the birds, the breezes,
Clouds, scents,
I impart the most profoundly meaningful messages,
But heedlessly
You permit them
To roam and ramble past you.
Thus you miss,
Thus you dream away
The only thing that gives me peace?
You feel no pain
In your heart?
You have ceased to love so soon?
Vögelein (Little Bird), Op. 14, No. 5	
A little bird
Flies above the Rhine
And waves it wings
In the sunshine.
It sees vineyards
And green water.
How enjoyable it is
To be up so high
In the morning breeze!
If only I, too, could be
Up there with the little bird!
Auf dem See in tausend Sterne (Upon the Lake into
a Thousand Stars), Op. 14, No. 6
On the lake the sun has fragmented itself
Into a thousand stars,
Such that, far and wide, the lake
Quivers like a sea of fire.
Thus into the waves of my life
Your dear image sank down,
And from a thousand wellsprings of joy
New songs constantly burst forth.
Fair sailor-maiden, do you dare
To enter into this shimmering sea?
Come, oh come! And let it always
Glowingly crash about you!

Ob ich manchmal dein gedenke (Do I sometimes
think of you), Op. 27, No. 3
Do I sometimes think of you?
If you only knew how often!
Draw unto yourself even the shadows
Of my dreaming thoughts!
Day and night, and at all hours,
Oh, all those words do not express it;
You alone, since we found each other,
Are the substance of my utterances.
I see everything else wafting
About me like dreams and illusions!
To think of you is my very life!
To love you is my existence.
Mein Stern (My Star), Op. 34, No.1
Why should I hanker after the stars
Up above so far from me?
My star shines here,
Not in the remote distance!
You are my star; close to me,
The constant star – that is you,
The star about which I always revolve,
The star to which I belong.
But just as never
Star unites with star,
I am, alas, so near
And yet so far from your shimmering light.
Das Paradies (Paradise), Op. 25, No. 6
In paradise there must flow
A river of eternal love!
And every tear of longing
Must be a pearl within it.
In paradise there must waft
A zephyr that stills pain!
And every sorrow, and yours as well,
Must dissolve and disappear in it!
There stands the cool tree of peace,
Planted in green spaces,
And under that tree it must be possible to dream
A quiet dream of rest and happiness.
Die Wolken (The Clouds), Op. 25, No. 5
Quickly as arrows they go by.
Oh, if you but knew how far and whereto!
You would be so glad to fly from here!
Lightly as birds in the airy expanse,
You would fly there at the edge of the clouds,
To attain light and life!

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                <text>Jennifer Lang, mezzo soprano&#13;
Harald Krebs, piano</text>
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                    <text>School of
Music

fridaymusic
Phillip T. Young Recital Hall, University of Victoria
MARCH 4, 2022 | 12:30 PM
Featuring School of Music string students
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Cello Suite No. 6, BWV1012				
	
Allemande 	
						

Johann Sebastian Bach
(1685–1750)

Julien Haynes, viola

Serenade in C
								
	
I. Marcia									

Erno Dohnányi
(1877–1960)

Claire Sparrow-Clarke, violin
Helen Young, viola
Jayda Thor, cello
Violin Concerto in E minor, Op. 64				
	
Andante 	

Felix Mendelssohn
(1809–1847)

Iryna Peleshchyshyn, violin
Kinza Tyrrell, piano
						
Sonata pour violoncello et piano				
	Prologue	

Claude Debussy
(1862–1918)

Jose Enrico Tuazon, cello
Theo Kim, piano
						
Sonata in D Major, Op. 137, No. 1, D.384			
	
Andante 	

					

Franz Schubert
(1797–1828)

Joyce Tsai, violin
Claudia Mok, piano

Concerto for Double Bass				
		
	
I. Allegro moderato							
Luca Carbone Smith, double bass
Leon Fei, piano

UPCOMING AT THE SCHOOL OF MUSIC
SATURDAY, MARCH 5 | 2 PM (By donation)
Saxophone Ensemble Recital
A concert featuring the UVic School of Music saxophone choir and quartets from the studio of Erik Abbink
Phillip T. Young Recital Hall
SUNDAY, MARCH 6 | 8 PM (By donation)
UVic Chamber Singers: Carmina Burana
The UVic Chamber Singers, directed by Kinza Tyrrell, perform Carl Orff ’s infamous cantata, Carmina Burana.
Phillip T. Young Recital Hall

Antonio Capuzzi
(1755–1818)

�</text>
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                <text>Julien Haynes, viola&#13;
Claire Sparrow-Clarke, violin&#13;
Helen Young, viola&#13;
Jayda Thor, cello&#13;
Iryna Peleshchyshyn, violin&#13;
Kinza Tyrrell, piano&#13;
Jose Enrico Tuazon, cello&#13;
Theo Kim, piano&#13;
Joyce Tsai, violin&#13;
Claudia Mok, piano&#13;
Luca Carbone Smith, double bass&#13;
Leon Fei, piano</text>
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                    <text>ANNUAL SOLO
BACH COMPETITION

UVIC

WEDNESDAY, MARCH 2, 2022 | 6:30 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Johann Sebastian Bach
(1685–1750)
Sonata No. 2 in A minor, BWV 1003
I. Grave
II. Fuga
III. Andante
IV. Allegro

Sonata No. 2 in A minor, BWV 1003
I. Grave
III. Andante
IV. Allegro

Libby Wyse, violin

Noah Mellemstrand, violin

Suite No. 6 in D Major, BWV 1012
I. Prelude
II. Allemande
III. Courante
IV. Sarabande
V. Gavotte I &amp;II
VI. Gigue
Jose Enrico Tuazon, cello

ADJUDICATORS:

Simon MacDonald (violin), Mieka Michaux (viola), Alasdair Money (cello)

CAST YOUR VOTE!
Following the program, please cast a ballot for the Audience Prize while the judges confer (5-10 minutes).
Ballots are available by the Recital Hall entrance and will be counted once all ballots are received.
Audience is invited to stay for the Presentation of Awards. The Audience Prize winner
will receive an honorarium in the amount collected from this evening’s donations.

�ADJUDICATOR BIOGRAPHIES
Simon MacDonald
Simon MacDonald began playing the violin at seven, in Victoria, British Columbia. Following studies with Frona Colquhoun and
Sydney Humphreys, Simon earned his AVCM Teacher and Performance Diploma from the VCM, Bachelors degree from New
England Conservatory in Boston, and Masters degree from the Schulich School of Music, at the University of McGill. Another
integral part of Simon’s musical education was found at summer music festivals. Simon has been invited to perform at Schleswig
Holstein (Germany), both the Spoleto Festivals (Italy and Charleston SC), the National Orchestral Institute, the National Repertory Orchestra, and Tanglewood (USA). After 18 seasons with several North American orchestras, including the Louisiana
Philharmonic (New Orleans), Winnipeg Symphony Orchestra, Manitoba Chamber Orchestra, and as Concertmaster of the
Regina Symphony Orchestra, Simon moved back to Victoria in 2017 to take on the duties of Head of Strings and Artistic Director of the Young Artists Collegium at the Victoria Conservatory of Music. Simon is thrilled to be teaching and making music
in Victoria again.
Mieka Michaux
Originally from Victoria, BC, Mieka Michaux is a versatile orchestral and chamber musician performing in many ensembles on
both modern and baroque viola. Mieka has been a member of the Victoria Symphony since 2001. She is a founding member of
the Emily Carr String Quartet (2006) and Victoria Baroque (2011). She is also a member of the Aventa Ensemble and Pacific
Baroque Orchestra and has toured both nationally and internationally, and recorded with these ensembles. Mieka received a
Bachelor of Music from the University of Victoria (1998) and a Master of Music from Rice University in Houston, Texas (2001).
She attended the Music Academy of the West, the Banff Centre for the Arts, Orford Centre for the Arts, and the Tafelmusik
Baroque Summer Institute. Her principal teachers have included Joanna Hood, Karen Ritscher, and Karen Tuttle.
Alasdair Money
Cellist Alasdair Money grew up in Victoria and studied with James Hunter for many years at the Victoria Conservatory of Music.
He graduated in 1991 from the Associate in Musical Arts Diploma program and went on to complete a Bachelor of Music
degree at the New England Conservatory of Music in Boston. While there, he studied with Lawrence Lesser and Michael Haber.
After graduating from NEC in 1995, Alasdair went to England to study in London with Raphael Wallfisch at the Guildhall School
of Music and Drama where he received a post-graduate diploma in cello performance. Alasdair also completed a Master of
Music in cello performance at the University of Victoria where he studied with Pamela Highbaugh Aloni and Paula Kiffner.
Alasdair has attended such festivals as Banff and Orford in Canada and the Dartington, Evian and Verbier music festivals in England and in Europe. While back in Canada, Alasdair works with the Victoria and Vancouver Island symphonies, the Emily Carr
String Quartet, the Aventa Ensemble and has played with the Vancouver Symphony Orchestra.

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                <text>Libby Wyse, violin&#13;
Noah Mellemstrand, violin&#13;
Jose Enrico Tuazon, cello&#13;
&#13;
ADJUDICATORS:&#13;
Simon MacDonald (violin), Mieka Michaux (viola), Alasdair Money (cello)</text>
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                    <text>DEGREE RECITAL
Qinyue Zheng, flute
Hao Guo, flute
Daniel Jordan, piano
Thomas Evoy, percussion
Tuesday, March 1, 2022 | 12:30 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Andante Appassionato

Elisenda Fábregas
(b. 1955)

Partita in a minor
I.
II.
III.
IV.

J. S. Bach
(1685–1750)

Allemande
Corrente
Sarabande
Bourrée anglaise

Bati l'gani(I have come into my garden)

Meira Warshauer
(b. 1949)

Thomas Evoy, percussion
Au-delà du temps

Yuko Uebayashi
(b. 1958!

I. "#, $%&amp;La lumière lointaine de nuit'

Hao Guo, flute
'
Daniel Jordan, piano

Qinyue Zheng is from the class of Dr. Suzanne Snizek,
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220301-QinyueZhengDegreeRecital/20220301-QinyueZhengDegreeRecital_1.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220301-QinyueZhengDegreeRecital/20220301-QinyueZhengDegreeRecital_2.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220301-QinyueZhengDegreeRecital/20220301-QinyueZhengDegreeRecital_3.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220301-QinyueZhengDegreeRecital/20220301-QinyueZhengDegreeRecital_4.wav"&gt;Track 4&lt;/a&gt;</text>
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Hao Guo, flute&#13;
Daniel Jordan, piano&#13;
Thomas Evoy, percussion</text>
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                    <text>In the Garden of Love - BMus RECITAL
Ayari Kasukawa, saxophone

Simi Luttrell, piano
Jono Devey, piano
Yousef Shadian, piano

Wednesday, April 20, 2022, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

I acknowledge and respect the Lekwungen peoples on whose traditional territory the
university stands and the Songhees, Esquimalt and WSÁNEĆ peoples whose historical
relationships with the land continue to this day.

PROGRAM

Bug

Bruno Mantovani
(b. 1974)

Sonate pour saxophone et piano
I. Allegro
II. Lento

Edison Denisov
(1929-1996)
Yousef Shadian, piano

Sonate pour violon et piano
I. Allegretto ben moderato

César Franck
(1822-1890)
(adapted by Jean-Yves Fourmeau)
Jono Devey, piano

— INTERMISSION —
Garden of Love

Jacob ter Veldhuis
(b.1951)

Mysterious Morning III

Fuminori Tanada
(b. 1961)

Concertino pour flûte

Cécile Chaminade
(1857-1944)
Simi Luttrell, piano

This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

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Simi Luttrell, piano&#13;
Jono Devey, piano&#13;
Yousef Shadian, piano</text>
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Harald Krebs, piano</text>
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                    <text>SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA

FACULTY CONCERT SERIES

Faculty
Composers
INSTALLATION &amp; CONCERT

We acknowledge and respect the Lekwungen peoples on
whose traditional territory the university stands and the Songhees,
Esquimalt and WSÁNEĆ peoples whose historical relationships
with the land continue to this day.

SATURDAY, FEBRUARY 12, 2022
7:15pm Installation / 8:30pm Concert
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
PRE-CONCERT
7:15 – 8:15 PM
Christopher Butterfield (b. 1952)
Sound for Room for Mystics
For 15 open-baffle speakers and two sub-woofers
RECITAL
8:30 – 9:30 PM
Quietly • Intently • Repeating
ANTHONY TAN PIANO
Improvisation
For solo piano
With Taylor Brook and the “Scuffed Computer Improvisor”
Linda Catlin Smith (b. 1957)
A Nocturne
For solo piano
Christopher Butterfield (b. 1952)
For Lisa
For solo piano
With Christopher Butterfield on sine tone generator
Beat Furrer (b. 1954)
Voicelessness (the snow has no voice)
For solo piano
Anthony Tan (b. 1978)
Endlessnessnessness
For solo piano and electronics

�PROGRAM NOTES (select works)
Room for Mystics
Room for Mystics was a mixed media collaboration by visual artist Sandra
Meigs and composer Christopher Butterfield that opened at the Art Gallery
of Ontario in late 2017, and ran for three months. It comprised paintings and
banners and 17 purpose-built loudspeakers playing a 57-minute recording of
instruments throughout each day of the installation. Tonight you will hear the
acoustic component of Room for Mystics in a very different kind of space to
the one it was originally intended for; the intended impression is one of a rich
ambient shifting spectral chord built on a fundamental F-sharp.
The Scuffed Computer Improviser
The SCI is an audio-corpus-based AI improviser that listens and learns by
analyzing the incoming sound and then improvises music based on what it has
heard. In other words, our human improviser teaches the computer how to
be musical in each performance.
The “Scuffed Computer Improviser” is rough around the edges and the imperfection and fuzziness of the AI system is a feature of the software, which is
designed to push their improvising partner stylistically.
A Nocturne
Commissioned by and dedicated to Eve Egoyan.
For Lisa
For Lisa, for solo piano and sine wave, was written in 2001 for Lisa Anderson,
a student at UVic. I am grateful to Anthony Tan for including it on his program
tonight.
Endlessnessnessness
“It soared, a bird, it held its flight, a swift pure cry, soar silver orb it leaped
serene, speeding, sustained, to come, don’t spin it out too long long breath he
breath long life, soaring high, high resplendent, aflame, crowned, high in the effulgence symbolistic, high, of the ethereal bosom, high, of the high vast irradiation everywhere all soaring all around about the all, the endlessnessnessness...”
— James Joyce, Ulysses

�PARTICIPANT BIOGRAPHIES
Taylor Brook writes music for the concert stage, electronic music, music for
robotic instruments, as well as music for video, theatre, and dance.
Described as “gripping” and “engrossing” by the New York Times, Brook’s compositions have been performed around the world by ensembles and soloists
including the TAK ensemble, JACK Quartet, Mivos Quartet, Nouvel Ensemble
Moderne, Quatuor Bozzini, Talea Ensemble, and others.
Brook studied composition with Brian Cherney in Montreal, with Luc Brewaeys
in Brussels, and with George Lewis and Georg Haas in New York. In 2008, he
studied Hindustani music and performance with Debashish Bhattacharya in
Kolkata. His music is often concerned with finely tuned microtonal sonorities.
In 2018 Brook completed a Doctor of Musical Arts (DMA) in music composition at Columbia University with Fred Lerdahl and was a 2020 Guggenheim
Fellow in music composition. Currently Brook is a Banting Fellow at the University of Victoria and the technical director of TAK ensemble.
Christopher Butterfield’s music has been performed across Canada and in
Europe, and is recorded on the CBC, Artifact and Collection QB labels. He
studied composition with Rudolf Komorous at the University of Victoria and
with Bülent Arel at the State University of New York at Stony Brook. While
living in Toronto from 1977-1992, he was active as a performance artist, rock
guitar player, and composer. In 1979/1980 he taught in the graduate visual arts
department at Concordia University in Montreal, and in 1986 and 1989 he
taught in the School for the Contemporary Arts at Simon Fraser University
in Vancouver. In 1992 he was appointed Assistant Professor of composition
at UVic. He has collaborated with choreographers Bill Coleman, Laurence
Lemieux and Jennifer Mascall, and visual artist Sandra Meigs. His translations of
plays by Georges Ribemont-Dessaignes was published in the USA by Wakefield Press in 2015.
Joining the UVic School of Music faculty in 2020, Anthony Tan intersects
instrumental practice with signal processing, synthesized models, acousmatics, and field recording, resulting in music that explores the identity of sound,
formal perception, and the fluidity of genre. Tan holds a PhD from McGill
University, the Meisterklasse from the Hochschule für Musik Carl Maria von
Weber (Dresden, Germany), and a BMus from the University of Calgary. He
was a fellow of the Radcliffe Institute for Advanced Study, Harvard University
(RI’17) and previously served as Assistant Professor at the University of Colorado Colorado Springs (USA).

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                    <text>DEGREE RECITAL
Ada Qian, flute
Daniel Jordan, piano
Enrico Tuazon, cello
Monday, February 28, 2022, 8 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Poem for flute solo

Chi-Jen Chang
(b. 1945)

Poem for dance No. 1

An-lun Huang
(b. 1949)
Daniel Jordan, piano

Sori for flute solo

Isang Yun
(1917-1995)

— INTERMISSION —
Suite for flute and cello

Yuko Uebayashi
(b. 1958)

I.Allegro vivace
II. Adagio
III. Allegro vivace
IV. Menuet
V. Berceuse
VI. Allegro
Enrico Tuazon, cello

Ada Qian is from the class of Dr. Suzanne Snizek.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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Daniel Jordan, piano&#13;
Enrico Tuazon, cello</text>
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