29 10 1498 https://finearts.uvic.ca/music/archive/files/original/45cc348e71e9ca8fcbf6dae69e20531b.pdf ebe39a067ea263906e46ea54b8bb49cb PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 2, 2015 • 12:30 p.m. Featuring School of Music students String Quartet in G Minor, Op. 10 Claude Debussy I. Animé et très décidé (1862 - 1918) Chloe Kim, violin Aliayta Foon-Dancoes, violin Evan Hesketh, viola Shiun Kim, cello Sonata in B-flat Major, Op. 22 II. Adagio con molta espressione Ludwig van Beethoven (1770 - 1827) Laura Altenmueller, piano Variations on a Theme of Corelli, Op. 42 Sergei Rachmaninoff (1873 - 1943) Elizabeth Clarke, piano Sun- loom, Op. 853 I. River of Roses II. Wildflower Garden Ian Van Gils, trumpet Sam McNally, horn Iris Hung, piano Carson Cooman (b. 1982) Upcoming at the School of Music Saturday, October 3, 8:00pm - 10:00pm (Admission by donation) EMERGING ARTISTS ALUMNI SERIES: Music by Justin Boechler Featuring compositions by Justin Boechler (M.Mus ‘13) With School of Music alumni performers Brad Justason (saxophone), Alexei Paish (percussion), Kimberley Shepherd (piano), and Anna Shill (soprano) as well as the Proteus Saxophone Quartet. Phillip T. Young Recital Hall Wednesday, October 7, 8:00pm - 10:00pm ($18 Regular, $14 Students & Seniors, Free for UVic Alumni with valid ONECard) ALUMNI CONCERT SERIES: duo526 Featuring Kerry DuWors, violin (B.Mus ‘01) & Futaba Niekawa, piano duo526 is dedicated to creative thought and the art of listening through the performance of a vast repertoire from standard Classical to contemporary music. Performing works by Leoš Janácek, Ottorino Respighi, Elliot Weisgarber and Joaquin Turina. Phillip T. Young Recital Hall Friday, October 9, 12:30pm - 1:20pm (Admission by donation) FRIDAYMUSIC Featuring School of Music piano students Phillip T. Young Recital Hall Tuesday, October 13, 12:30pm - 1:20pm (Free admission) LIEDER AT LUNCH Lang und... An exploration of the German Lied repertoire with Sharon and Harald Krebs. In this recital, the duo compares Josephine Lang’s settings of particular poems with those of other composers. Bring your lunch! MACLAURIN BUILDING - Rm. B037, B-Wing � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/100215-Fridaymusic/100215-Fridaymusic_01.mp3">track1</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100215-Fridaymusic/100215-Fridaymusic_02.mp3">track2</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100215-Fridaymusic/100215-Fridaymusic_03.mp3">track3</a> (program change - Robert Schumann op.133 Gesänge der Frühe)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100215-Fridaymusic/100215-Fridaymusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 2, 2015 https://finearts.uvic.ca/music/archive/files/original/a33d61532dd7cbda080a6372fb32b03c.pdf dad89aae5627d095efd942d16ec3d385 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA ALUMNI CONCERT SERIES duo526 Kerry DuWors (B.Mus ‘01), violin & Futaba Niekawa, piano Wednesday, October 7, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors: $14 Free for UVic Alumni This concert is made possible with generous support from the University of Victoria Alumni Association. �PROGRAM Violin Sonata (1914–15, rev. 1916–22) I. Con moto II. Ballada III. Allegretto IV. Adagio Leoš Janáček (1854–1928) Violin Sonata No. 2 “Sonata Española,” Op. 82 (1934) Joaquín Turina (1882–1949) I. Lento – Tema – Variaziones 1-3 – Andante II. Vivo III. Adagio – Allegro moderato I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Six Miniatures after Hokusai (1972) 1. Dawn at Izawa 2. At Ejiri: windscape 3. Snowy morning at Koishikawa 4. The surface of the water at Misaka 5. The far side of Fuji from the Minobu river 6. The Nihon bridge in Edo Violin Sonata in B minor (1917) I. Moderato II. Andante espressivo III. Passacaglia: Allegro moderato ma energico Elliot Weisgarber (1919–2001) Ottorino Respighi (1879–1936) �BIOGRAPHIES duo526 was founded in 2011 by violinist Kerry DuWors and pianist Futaba Niekawa at the Eastman School of Music (Rochester, NY) where they realized and developed their passion for the art of duo playing. On an intensive musical quest, they worked extensively with professors Jean Barr and Charles Castleman as their mentors and personal coaches. Having performed in the United States and Canada, duo526 was invited to the Banff Centre for the Arts in 2011, 2012 and 2014 as artists-in-residence where they worked with Henk Guittart, Roger Tapping, the Lafayette String Quartet, Hardy Rittner, and Mark Steinberg. They have been featured on numerous radio broadcasts including “Backstage Pass” on WXXI (Rochester, NY) and Classic 107 “Morning Light” (Winnipeg, MB). During the 2014-2015 season duo526 toured Alberta, Manitoba and British Columbia as well as a debut tour of Japan. duo526 is dedicated to creative thought and the art of listening through the study and performance of a vast repertoire from standard classical works to those by contemporary composers across an array of styles. Their joy of collaboration results from the risk-taking, inspiration and spontaneous reactions met along the merging of two people’s passions into one vision. Their name was inspired by Mozart’s last Sonata for Violin and Piano K. 526, the first work that was given to them by Charles Castleman as it embodies DuWors and Niekawa’s equal virtuosic flair and refined musicianship. duo526’s 2014 debut album release, Ballade, exemplifies this spirit through sonatas by Janáček, Enescu and Grieg – pillars in the repertoire that are rarely performed together. �Kerry DuWors Praised for “always finding the music behind the notes” and her “fearless competence” (Winnipeg Free Press), Canadian violinist, Kerry DuWors has performed across Canada, the US, Mexico, Europe, New Zealand and Japan. At home in many musical settings, she has collaborated with internationally-acclaimed soloists, ensembles and composers including James Ehnes, Yo-Yo Ma, Marc-André Hamelin, the St. Lawrence String Quartet, Martin Beaver, Colin Carr, Denise Djokic, and Krzysztof Penderecki. Notable performances at Jordan Hall (Boston), Zankel Hall at Carnegie Hall, Beethovenfest (Bonn), Sumida Triphony Hall (Tokyo), RadialSystem V (Berlin), Semperoper (Dresden), Baryshnikov Arts Center (NY), National Arts Centre, Montreal Chamber Music Festival, Vancouver Recital Society. She has been a soloist with the Winnipeg, Red Deer and Saskatoon Symphonies, Montreal Chamber Orchestra, Manitoba Chamber Orchestra During studies at the University of Victoria, University of Toronto, and Banff Centre, Kerry received many prestigious awards including grand prize at the 26th Eckhardt-Gramatté Competition, Eaton Graduate Scholarship, Felix Galimir Award for Chamber Music Excellence and two Canada Council Career Development Grants. Associate Professor of Violin at Brandon University since 2003, Ms. DuWors is also pursuing a Doctor of Musical Arts degree at the Eastman School of Music (Rochester, NY). Futaba Niekawa Japanese pianist Futaba Niekawa is versatile as a soloist, collaborative artist, improviser, and harpsichordist. She has performed throughout the United States, Canada, England, Taiwan, and Japan. As a collaborator, Ms. Niekawa is currently involved in three duo ensembles: duo526 with Kerry DuWors; Duo Feathers, with pianist/composer Hwaen Chu’uqi, released its first CD in 2012, featuring the newly composed Twenty-Five Preludes by Hwaen; and Duo Oto with violinist Yuka Sato has performed both in Japan and the United States since 2008 and has also commissioned and premiered a trio work by Sheridan Seyfried in 2012. �Ms. Niekawa was twice appointed as a collaborative pianist for the summer masterclasses at the Banff Centre for the Arts. She also frequently takes part in the free improvisation scene in the New England area. Ms. Niekawa has earned her Doctorate degree at the Eastman School of Music with a minor in harpsichord and served both as a teaching assistant to Professor Natalya Antonova and an accompanying assistant to Dr. Jean Barr. Ms. Niekawa has conducted masterclasses at institutions such as the University of Northern Colorado, Middle Tennessee State University, the University of Calgary, and Brandon University. Starting in the fall of 2015, Ms. Niekawa has accepted the position as Visiting Assistant Professor of Collaborative Piano at the Jacobs School of Music at Indiana University. ��UPCOMING EVENTS Friday, October 9, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music piano students in a concert of varied repertoire. Phillip T. Young Recital Hall Tuesday, October 13, 12:30 p.m. (Free admission) LIEDER AT LUNCH: Lang und… An exploration of the German Lied repertoire with Sharon and Harald Krebs. In this recital, the duo compares Josephine Lang’s settings of particular poems with those of other composers. Bring your lunch! Rm. B037, MacLaurin Building, B-Wing Wednesday, October 14, 8:00 p.m. (Admission by donation) EMERGING ARTISTS ALUMNI SERIES Hale & Hearty Hale & Hearty is husband-and-wife fiddler duo, Rachel Capon (B.Mus ’07) and Eli Bender, performing North American and European fiddle focused repertoire on cellos, fiddle and voice. Traditional Quebecois, Appalachian, and Scottish melodies compliment Hale & Hearty’s original compositions also written in these styles. Phillip T. Young Recital Hall Friday, October 16, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music string students in a concert of varied repertoire. Phillip T. Young Recital Hall Friday, October 16, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA WIND SYMPHONY: Fall Colours Dr. Gerald King, conductor With Spectrum Community School Senior Concert Band Featuring student soloists Marcella Barz and Erin Onyschtschuk performing Mendelssohn’s Concertpiece No. 2, Op. 114. The program also includes works by Eric Whitacre, Julie Giroux, and others. University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/100715-AlumniConcert_DuWors/100715-AlumniConcert_DuWors_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/100715-AlumniConcert_DuWors/100715-AlumniConcert_DuWors_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/100715-AlumniConcert_DuWors/100715-AlumniConcert_DuWors_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/100715-AlumniConcert_DuWors/100715-AlumniConcert_DuWors_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alumni Concert Series - duo526, Kerry DuWors (B.Mus '01), violin; Futaba Niekawa, piano Creator An entity primarily responsible for making the resource Brennan MacKay Date A point or period of time associated with an event in the lifecycle of the resource October 7, 2015 Contributor An entity responsible for making contributions to the resource Kerry DuWors, violin; Futaba Niekawa, piano https://finearts.uvic.ca/music/archive/files/original/a1cca079a98e1edf4b16c745928a096b.pdf d91d548d188a2b97c03d693c53c95ae4 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 9, 2015 • 12:30 p.m. Featuring School of Music keyboard students Sonata K. 481 in F Minor Domenico Scarlatti (1685 - 1757) Sonata K. 119 in D Major Iris Hung, piano Étude Op. 10 No. 1 in G Major Frédéric Chopin (1810 - 1849) Sophia Stoney, piano Étude-Tableau Op. 33, No. 8 The Rails, Op. 16 Sergei Rachmaninoff (1873 - 1943) Vladimir Mikhaylovich Deshevov (1889 - 1955) Liam Pistor, piano Étude 8 pour les agréments Claude Debussy (1862 - 1918) Louise Hung, piano Variations on a Theme of Corelli, Op. 42 Elizabeth Clarke, piano Upcoming at the School of Music Tuesday, October 13, 12:30pm - 1:20pm (Free admission) LIEDER AT LUNCH Lang und... An exploration of the German Lied repertoire with Sharon and Harald Krebs. In this recital, the duo compares Josephine Lang’s settings of particular poems with those of other composers. Bring your lunch! MACLAURIN BUILDING - Rm. B037, B-Wing Wednesday, October 14, 12:30 - 2:20pm (Free admission) FLUTE MASTERCLASS WITH DR. SUZANNE SNIZEK A flute masterclass open to all serious flutists of any age with School of Music Professor, Dr. Suzanne Snizek. Featured performers will include two current UVic students and up to four visiting students playing solo flute works. An informal reception will follow. Visiting flutists interested in performing should contact Dr. Snizek at ssnizek@uvic.ca. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Wednesday, October 14, 8:00 - 9:30pm (Admission by donation) EMERGING ARTISTS ALUMNI SERIES Hale & Hearty Hale & Hearty is husband-and-wife fiddler duo, Rachel Capon (B.Mus ’07) and Eli Bender, performing North American and European fiddle focused repertoire on cellos, fiddle and voice. Traditional Quebecois, Appalachian, and Scottish melodies compliment Hale & Hearty’s original compositions also written in these styles. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Sergei Rachmaninoff (1873 - 1943) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/100915-Fridaymusic/100915-Fridaymusic_07.mp3">track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 9, 2015 https://finearts.uvic.ca/music/archive/files/original/b135ae123ce053e51b0ebbfd7e07419b.pdf 75ce49da25d37413251a8b09de4c2427 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Emerging Artists Alumni Series Hale & Hearty RACHEL CAPON (B.Mus ‘07) cello and voice & ELI BENDER cello and voice Wednesday, October 14, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �SET LIST Fifer in the Dark Eli Bender/Nate Bliton Dixon Time Rachel Capon Charleston No. 1/Take Me back to Georgia I’ve Endured Ola Belle Reed Chain Cotillion French traditional 250 to Vigo/Dot the Dragon’s Eyes Brothers French Balfolk Set Make me a pallet on the ground Road to Columbus/Saltspring Balluchon Pasture of Plenty Narmour&Smith/ traditional Old-Time Shooglenifty/ Hanneke Cassel Rachel Capon Traditional French dance music Mississippi John Hurt Kenny Baker/John Reischman Eli Bender Woody Guthrie �BIOGRAPHIES RACHEL CAPON A native of Gabriola Island, BC, Canadian multi-genre cellist Rachel Capon is currently based in Victoria, BC. At the University of Victoria, studying with cellists Pamela Highbaugh Aloni & Paula Kifner, Rachel excelled in both the jazz and classical ensembles. Since 2010, after relocating to Toronto, Rachel pushed her musical territory beyond the classical realm. In 2011, with the guidance of Yo-Yo Ma, Rachel traveled to New York City to study with avantgarde cellist Mike Block. Later that year, studying with celtic cellist Natalie Haas and five-string fiddle-star Lauren Rioux, Rachel found herself immersed in the world of North American fiddle styles and discovering new territories for the beloved cello. Today Rachel works on a wide range of musical projects — she has performed live with hip-hop artist k-os on MTV, toured as the solo cellist for Illusion Theatre’s production of My Antonia, and travelled to the Edmonton Fringe Festival with the Alchemical Opera Project, a one-man opera based on Die Winterreise for which she wrote and performed the solo cello score. Currently Rachel is working with her new ensemble The Sound Accord on an album—to be released in fall 2016—and is looking forward to their upcoming tours in Canada and the US. For the past four years, Rachel worked at the Dixon Hall Music School with a class of cellists as well as the string orchestra for inner-city Toronto youth. In the fall of 2014, Rachel and husband Eli Bender released their first full length album, Always We Rambled, as their cello duo Hale & Hearty. Having recently relocated to Victoria, Rachel is excited to reconnect with with old colleges within the industry and looks forward to meeting future collaborators. ELI BENDER Cellist, educator, and composer, Eli Bender has recently relocated to Victoria, BC, where he is the new music director at Selkirk Montessori School. Having completed his studies in Music Education at Michigan State University where his growth as a cellist was overseen by Suren Bagratuni, his work in the realm of creative musicianship led him to study with cello masters such as Mike Block, Natalie Haas, and Rushad Eggleston. This balance of classical pedagogy and creative musicianship has offered him opportunities to teach and perform with a variety of ensembles including the Marquette Symphony Orchestra, the band Gifts or Creatures, interning with the Fiddlers Restrung of Saline, and acting as Music Director for the Illusion Theater of Minneapolis. www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_01.mp3">track1</a> <br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_02.mp3">track2 </a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101415-EmergingArtist_Capon/101415-EmergingArtist_Capon_12.mp3">track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series - Hale & Hearty, Rachel Capon (B.Mus '07), cello & voice; Eli Bender, cello & voice Creator An entity primarily responsible for making the resource Pascale Mendes Date A point or period of time associated with an event in the lifecycle of the resource October 14, 2015 https://finearts.uvic.ca/music/archive/files/original/fd1a5441412b45b6da449ba0e9aa26da.pdf 0a241d2ab0075afeead50ef2a4ffddc2 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 16, 2015 • 12:30 p.m. Featuring School of Music string students Cello Suite No. 2 I. Prelude Fahlon Smith, viola Suite V for Cello in C Minor, BWV. 1011 I. Prelude J.S. Bach (1685 - 1750) J.S. Bach (1685 - 1750) Ella Hopwood, cello Suite in the Old Style II. Balleto III. Minuetto IV. Fuga V. Pantomima Raina Saunders, violin Laura Altenmueller, piano Alfred Schnittle (1934 - 1998) String Quartet No. 2 in C Major, Op. 20 Joseph Haydn I. Moderato (1732 - 1809) IV. Fuga a quattro soggetti Aliayta Foon-Dancoes, violin Chloe Kim, violin Evan Hesketh, viola Shiun Kim, cello Upcoming at the School of Music Friday, October 16, 8:00pm - 10:00pm ($15 Regular / $10 Seniors & Alumni / $5 Students) UNIVERSITY OF VICTORIA WIND SYMPHONY Fall Colours Featuring student soloists Marcella Barz and Erin Onyschtschuk performing Mendelssohn’s Concertpiece No. 2, Op. 114. The program also includes works by Whitacre and Giroux. UVic’s Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. UNIVERSITY CENTRE - Farquhar Auditorium Saturday, October 17, 8:00 - 10:00pm ($18 Regular / $14 Students, Seniors, and Alumni) FACULTY CONCERT SERIES Patrick Boyle, trumpet With the Capital City Syncopators Avram Devon-McGatherty – banjo and vocals Ruben Weir – guitar and vocals Chris Herbst – lap steel and vocals Don Cox – sousaphone Matt Pease – drums and percussion An unforgettable evening guaranteed to swing! The Capital City Syncopators play prohibition-era jazz and country swing but with a distinct modern edge. This eccentric 5-piece band plays hot jazz, novelty songs, and hits from the 1980’s. All proceeds from this concert will go towards the UVic Community Matching Fund for Refugee Assistance. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Sunday, October 18, 2:30pm - 4:00pm (Admission by donation) VIOLIN CLASS RECITAL Featuring students from the studio of Sharon Stanis. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-Fridaymusic/101615-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-Fridaymusic/101615-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-Fridaymusic/101615-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101615-Fridaymusic/101615-Fridaymusic_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 16, 2015 https://finearts.uvic.ca/music/archive/files/original/592e72fde8b4ec5f24cab93930e630c4.pdf 066b9309afd4cfc47768b9fdba4cf3f6 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CONCERT SERIES Patrick Boyle, trumpet With The Capital City Syncopators Avram Devon McCagherty, banjo & vocals Rueben Wier, guitar & vocals Chris Herbst, lap steel & vocals Don Cox, sousaphone Matt Pease, drums And special guests UVic Swing Dance Club led by Meaghan Allen Saturday, October 17, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 ** Ticket proceeds will benefit the UVic Community ** Matching Fund for Refugee Assistance Beverages and snacks available at the concession during intermission �BIOGRAPHIES DON COX Don Cox plays tuba, double bass, and electric bass. He is one of the most indemand musicians in Victoria, BC. Don is an integral member of the Capital City Syncopators: a modern take on prohibition-era jazz and country swing. Don’s tuba lays down the foundation of this eccentric 5-piece band playing hot jazz, novelty songs, and hits from the 1980’s. CHRIS HERBST Chris Herbst is a Victoria, BC based musician who specializes in dobro, lap steel and guitar. He plays many acoustic and electric styles including blues, bluegrass, Hawaiian, swing and rock. He started playing the guitar at age 12 and soon formed a bluesy rock band that stayed together until the end of high school. He went on to study music for several years at Vancouver Community College and graduated with a diploma in Jazz guitar performance. Around this time he became increasingly interested in country blues, ragtime and bluegrass. He had been playing bottle neck slide for many years but when he got a square neck dobro, Chris felt like he had found his calling. He has since gone on to perform all across Canada with a variety of acts including the Gruff, Kent McAlister and the Iron Choir, the Bluesberries, the Boot Screeffers, Flash in the Pan, Skagway and the Stowaways. Currently he is playing Hawaiian and western swing with Maui Waui, bluegrass with the Moonshiners, swing with the Capital City Syncopators, performing solo and teaching from his home. MATT PEASE Matt Pease credits his musical eccentricity to growing up with a jazz musician father and playing in punk bands. Currently, Matt plays drums with the Capital City Syncopators, Fans and Motor Supply Co. (roots rock), Aidan Miller and the Burn (funk and EDM) and many others. Matt has played with artists Daniel Lapp, Mark Atkinson, Michael Kaeshammer, Juno award winner Lee Aaron, Hugh Fraser, Oliver Swain, Zora Young, Louise Rose, Kenny “Blues Boss” Wayne, Brian Nova, Ian McDougall, James Harman and the Twisters. Matt has previously played at the DuMaurier and Toronto Dominion JazzFests and many other jazz, blues and folk festivals around western Canada. When Matt was just starting out he shared a stage with Edgar Winter, the Wailers, and Green Day as a member of the Victoria band Fungkus. Matt studied with the great Canadian drummer Claude Ranger. Matt is known for his musicality and, through his many years of experience, the ability to play confidently in any style. �DEVON MCCAGHERTY After several years of tutelage from Victoria’s finest guitarists, fingerstyle virtuoso Ron Forbes-Roberts, and the now infamous Gypsy Swing master Marc Atkinson, Avram Devon McCagherty became a full-time professional performer and teacher of music. Avram has founded and fronted The Stomp Club, The Original Stomp Club, The House Band and the Devon McCagherty Trio. He is presently playing in some of Victoria’s most successful groups including Casey Ryder & Twango, The Yiddish Columbia State Orchestra, and Gene Hardy & the Pipsqueak Orchestra. He can also on occasion be found playing with the Flying Saucers, the eleven-piece ‘20s orchestra Belvedere Broadcasters, and CanUs Hot Jazz Band, renowned on the American jazz festival circuit. Avram taught for 10 years at Old Town Strings. REUBEN WIER Reuben Wier is a multi-faceted musician based in Victoria, BC. He compliments his fiery yet unpretentious guitar playing with husky-smooth as honey vocals. With influences ranging from swing to soul, gospel to manouche, blues to jazz, he has captivated audiences around the world. Reuben is known for his complex but accessible improvisations, driving rhythms and a nostalgic dreamy aesthetic. He has toured internationally with the critically-acclaimed Marc Atkinson Trio, led the Montreal-based Griffintown Hotclub and played with The Ambassadors and FNK Orchestra.
Currently, he plays with The Capital City Syncopators, Brishen, The Red Hot Swing Set, and Trio Swing Futur. DR. PATRICK BOYLE Dr. Patrick Boyle embodies the jazz spirit by synthesizing a range of influences into a compelling original voice. He has been aptly referred to as a “trumpet personality” and “one of Canada’s top trumpet players and jazz musicians” by CBC Radio. At the University of Victoria, Patrick is Graduate Advisor and teaches courses in Music Business, Jazz Theory, Jazz Pedagogy, Improvisation, Arranging, Jazz History and Jazz Orchestra. An in-demand session player not bound by genre, Patrick can be heard on more than 50 recordings and three critically acclaimed solo albums: Patrick recently performed at Carnegie Hall with tabla virtuoso Zakir Hussain and drummer Steve Smith. He has also performed with Uri Caine, Mickey Dolenz, Bill Frisell, Great Big Sea, Mike Downes, Andrew Downing, Jeff Johnston, Mike Murley, Jim Vivian, and Ken Whitely in styles ranging from gospel to rock to bluegrass. �Patrick balances life as a performer with a strong dedication to academics. He completed his Doctorate of Musical Arts in Performance at the University of Toronto in 2012. His primary research interest is how improvisation, particularly collective improvisation in organizations, can help students negotiate situations of tension and anxiety, inside and outside of music. Patrick also holds an M.A. in Ethnomusicology from York University and a B.Mus from Memorial University. Patrick is a regular contributor to Canadian Musician magazine and an active clinician throughout North America. Patrick also composes music for film, television, radio, and theatre. “Home” by Warsan Shire no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. �you have to understand that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on a newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied. no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off �of the words are more tender than fourteen men between your legs of the insults are easier to swallow than rubble than bone than your child body in pieces i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hungry beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying – leave run away from me now i don’t know what i’ve become but i know that anywhere is safer than here �UPCOMING EVENTS Sunday, October 18, 2:30 p.m. (Admission by donation) VIOLIN CLASS RECITAL Featuring students from the studio of Sharon Stanis. Phillip T. Young Recital Hall Tuesday, October 20, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, October 23, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music guitar students in a concert of varied repertoire. Phillip T. Young Recital Hall Saturday, October 24, 8:00 p.m. / Pre-concert talk at 7:15 p.m. ($18 & $14) FACULTY CHAMBER MUSIC SERIES Featuring School of Music Performance Faculty A program chosen by and in celebration of Dr. Michelle Fillion, Head of Musicology, on her retirement. Works by Beethoven, Schubert and Gordon Mumma. Phillip T. Young Recital Hall Sunday, October 25, 8:00 p.m. (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall Tuesday, October 27, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_11.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_12.mp3">track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_13.mp3">track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_14.mp3">track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_15.mp3">track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101715-FacultyRecital/101715-FacultyRecital_Boyle_16.mp3">track16</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Patrick Boyle, trumpet with the Capital City Syncopators Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 17, 2015 Contributor An entity responsible for making contributions to the resource Patrick Boyle, trumpet; Avram Devon McCagherty, banjo & vocals; Rueben Wier, guitar & vocals; Chris Herbst, lap steel & vocals; Don Cox, sousaphone; Matt Pease, drums https://finearts.uvic.ca/music/archive/files/original/c0418166fb7f4217f6185c851f61b26f.pdf 55f6ca1870e14e249701fa8a102e2f4b PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �Violin SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Class Recital Students from the studio of Sharon Stanis Sunday, October 18, 2015 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Melodie in E-flat Major, Op. 42, No. 3 Sin Lung Ling, violin Esther Lee, piano Sonata in G minor Largo Allegro con spirito Pyotr Illych Tchaikovsky (1840–1893) Henry Eccles (1670–1742) Francine Hsu, violin Vincy Ip, piano Adagio in E Major, K. 261 Wolfgang Amadeus Mozart (1756–1791) Linda Donn, violin Austin Warren, piano Violin Sonata in A Major Allegretto ben moderato César Franck 
(1822–1890) Nanau Loewen, violin
 Josh Herrett, piano
 Legende, Op. 17 Jasmine Mather, violin Iris Hung, piano Partita No. 2 in D minor, BWV 1004 Sarabanda Giga Ciaconna Chloe Kim, violin I NT E R M I S S I O N Henryk Wieniawski (1835–1880) Johann Sebastian Bach (1685–1750) �Sonata No. 5 for Two Violins in E minor Allegro ma poco Andante Presto Chloe Kim, violin Aliayta Foon-Dancoes, violin Jean-Marie Leclair (1697–1764) Concerto in E minor, Op. 64 Andante Felix Mendelssohn (1809–1857) Jasmine Mather, violin Liam Pistor, piano Two pieces for violin and piano Nocturne Cortège 
 Natalie Dzbik, violin
 Thomas Nicholson, piano
 La fille aux cheveux de lin (The Girl with the Flaxen Hair) 
Lili Boulanger (1893–1918)
 Claude Debussy (1862–1918) Emily MacCallum, violin Frances Armstrong, piano Suite in the Old Style Pastorale Ballet Menuet Fuga Pantomime Alfred Schnittke (1934–1998) Raina Saunders, violin Laura Altenmueller, piano www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_08.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_09.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_10.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_11.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_12.mp3">track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/101815-ViolinClassRecital_Stanis/101815%20-%20ViolinClassRecital(Stanis)_07.mp3">track12</a> (not on program - Jessica d'Oliviera: Adaskin - Sonatine Baroque (Andante) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Class Recital - Students from the studio of Sharon Stanis Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 18, 2015 https://finearts.uvic.ca/music/archive/files/original/c833a1386f2e6ca87a306fa40896ead7.pdf 14613231f688ca7cb492a46d369109c0 PDF Text Text Tuesdaymusic Phillip T. Young Recital Hall, University of Victoria October 20, 2015 • 12:30 p.m. Petit Quatuor Pour Saxophones Jean Françaix I. Gaguenardise (1912 – 1997) Skye Eriksen, soprano saxophone Michelle Melnicky, alto saxophone Michael Vielguth, tenor saxophone Matt Fichter, baritone saxophone Scherzo Iris Hung, piano Oskar Morawetz (1917 – 2007) Sonata in D Major, K. 284 I. Allegro Jany Lu, piano W. A. Mozart (1756 – 1791) Prelude and Fugue in C Sharp Minor, BWV. 873 J. S. Bach (1685 – 1750) Louise Hung, piano Cello Sonata in C Major, Op. 119 Sergei Prokofiev I. Andante Grave (1891 – 1953) Ella Hopwood, cello Jany Lu, piano Sonata for Flute and Piano, No. 1 Philippe Gaubert I. Modèrè (1879 – 1941) Cooper Reed, flute Zinna Kwon, piano Upcoming at the School of Music Friday, October 23, 12:30 p.m. - 1:20 pm (Admission by donation) FRIDAY MUSIC: Guitar Featuring School of Music guitar students in a concert of varied repertoire. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Saturday, October 24, 8:00 pm - 10:00pm ( $18 Regular / $14 Students. Seniors. & Alumni) FACULTY CHAMBER MUSIC SERIES Featuring School of Music Performance Faculty A program chosen by and in celebration of Dr. Michelle Fillion, Head of Musicology, on her retirement. Works to include Beethoven’s Piano Trio in B-flat Major, Op. 97, Archduke, and An die ferne Geliebte, Op. 98, Schubert’s Quartettsatz D. 703 and Faisandage et Galimafrée Suite by Gordon Mumma. Dr. Fillion will share her thoughts and insights on the works selected for the program in a pre-concert talk at 7:15 p.m. in the Recital Hall. Sunday, October 25, 8:00 p.m. - 9:30 pm (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/102015-Tuesdaymusic/102015%20-%20TuesdayMusic-01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102015-Tuesdaymusic/102015%20-%20TuesdayMusic-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102015-Tuesdaymusic/102015%20-%20TuesdayMusic-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102015-Tuesdaymusic/102015%20-%20TuesdayMusic-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102015-Tuesdaymusic/102015%20-%20TuesdayMusic-05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102015-Tuesdaymusic/102015%20-%20TuesdayMusic-06.mp3">track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuesdaymusic Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource October 20, 2015 https://finearts.uvic.ca/music/archive/files/original/fa7e42cdc172a469ad60d8c8c3b4a101.pdf 7e8f5845aa8e32ab74bdc92c97f0c252 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria October 23, 2015 • 12:30 p.m. Featuring School of Music guitar students Tiento Antiguo En los Trigales Josh Hu, guitar Sonata BWV. 1001 Adagio Fuga Joaquin Rodrigo (1901 - 1999) J.S. Bach (1685 - 1750) Hart Parnell, guitar Romanze, Op. 13, No.10 Diferencias sobre Guadarme las Vacas J. K. Mertz (1806 - 1856) Luis de Narváez (fl. c. 1526 - 1549) Jackson Tseng, guitar Homenaje, pour le Tombeau de Debussy Manuel de Falla (1876 - 1946) Minstrels Claude Debussy (1862 - 1918) (arr. Castelnuovo-Tedesco)(1895 - 1968) Simon Farintosh, guitar Suite, BWV. 1009 J. S. Bach I. Prelude (1685 - 1750) II. Allemande III. Courante IV. Sarabande V. Bourées 1- II VI. Gigue Natasha Paschenko, guitar Quartet No. 3 ‘Mishima’ I. Award Montage Cuarteto Vidrio Michael Chambers, guitar Iain Emslie, guitar Isaiah Brabazon, guitar Joshua Amendt-Moylan, guitar Upcoming at the School of Music Saturday, October 24, 8:00 pm - 10:00pm ( $18 Regular / $14 Students. Seniors. & Alumni) FACULTY CHAMBER MUSIC SERIES Featuring School of Music Performance Faculty A program chosen by and in celebration of Dr. Michelle Fillion, Head of Musicology, on her retirement. Works to include Beethoven’s Piano Trio in B-flat Major, Op. 97, Archduke, and An die ferne Geliebte, Op. 98, Schubert’s Quartettsatz D. 703 and Faisandage et Galimafrée Suite by Gordon Mumma. Dr. Fillion will share her thoughts and insights on the works selected for the program in a pre-concert talk at 7:15 p.m. in the Recital Hall. Sunday, October 25, 8:00 p.m. - 9:30 pm (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. MACLAURIN BUILDING - Phillip T. Young Recital Hall, B-Wing Philip Glass (b. 1937) (arr. Eugene Cormier) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/102315-Fridaymusic/102315-Fridaymusic_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Shaquille Davis Date A point or period of time associated with an event in the lifecycle of the resource October 23, 2015 https://finearts.uvic.ca/music/archive/files/original/4003bdf0b3da4c9520d0225740786585.pdf a6ca8c295ed573c71999f2d63d5bd17f PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CHAMBER MUSIC SERIES A program of music selected by Dr. Michelle Fillion in celebration of her retirement. FEATURING: Benjamin Butterfield, tenor Suzanne Snizek, flute Shawn Earle, clarinet & bass clarinet Alexander Dunn, guitar Michelle Mares, piano & The Lafayette String Quartet: Ann Elliott-Goldschmid & Sharon Stanis, violins Joanna Hood, viola Pamela Highbaugh-Aloni, cello Saturday, October 24, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �PROGRAM Quartettsatz in C minor, D. 703 Allegro assai Franz Schubert (1797–1828) The Lafayette String Quartet Faisandage et galimafrée, divertimento in eight movements (1984) Fanfare Gordon Mumma (b. 1935) Bagatelle Hommage March Waltz Minuetto al Rovescio e Trio Extruduto Notturno Romanza Scherzo Fanfare Suzanne Snizek, flute Shawn Earle, clarinet and bass clarinet Alex Dunn, guitar Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello An die ferne Geliebte (To the distant beloved), op. 98 Auf dem Hügel sitz ich, spähend Wo die Berge so blau Leichte Segler in den Höhen Diese Wolken in den Höhen Es kehret der Maien, es blühet die Au Nimm sie hin denn, diese Lieder Ludwig van Beethoven (1770–1827) Benjamin Butterfield, tenor Michelle Mares, piano I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Piano Trio in B-flat Major, op. 97 (“Archduke”) Allegro moderato Scherzo - Allegro Andante cantabile, ma però con moto Allegro moderato Ann Elliott-Goldschmid, violin Pamela Highbaugh Aloni, cello Michelle Mares, piano Ludwig van Beethoven (1770–1827) �PROGRAM NOTES Franz Schubert Quartettsatz in C minor, D. 703 Schubert’s single quartet movement of December 1820, the first movement of a projected but never completed string quartet in C minor, lies at the gateway to Schubert’s late chamber music. Biographer Brian Newbould justifiably considers it to be the first work of Schubert’s full maturity as a composer of instrumental music and the highpoint of his transition years 1820–21. As boldly original as the “Unfinished” Symphony, it stands alone in performance no less than the “Unfinished” for many of the same reasons, not the least that it conveys both satisfying completion and unfulfilled promise. Why Schubert never added the following movements to this monumental Romantic fragment remains a mystery. Was it his preoccupation with intractable operatic projects around this time? Or its tangible connections to Beethoven’s “Quartetto serioso” in F minor op. 95, which would have required a continuation of equal distinction? That he broke off its slow movement after only forty measures and abandoned several other major instrumental works around this time, including two symphony projects, suggest that Schubert may have been grappling with problems of large-scale instrumental form during these years. Yet the Quartettsatz belies any hint of uncertainty. Here is the Schubert of the “Death and the Maiden” Quartet of 1824, intense, poignant, impassioned, and in full control of the quartet medium. Its spacious sonata form exposition features three thematic areas in the manner of Schubert’s late instrumental music. It opens with a restless theme in C minor outlining a tragic lament figure, followed by a haunting lyrical song planted in a distant key (Schubert “sang” at his sweetest in foreign keys). A destructive modulating interlude interrupts the lyrical dream-state, rife with his characteristic string tremolos and stabbing accents. It yields to a bittersweet closing theme in G major poised over the chromatic lament theme; its bewitching harmonic shifts and multi-layered textures predate by a half-century the string quartet writing of Johannes Brahms. The second half of the movement is ambiguous owing to several new themes added to the development section, and Schubert’s stunning avoidance of the tonic C minor and the first theme throughout the recapitulation. By withholding the double return of the home key and first theme until the very closing measures, Schubert assures that his movement will end as it had begun and with a final dip into the tragic C minor mood. Surely this delayed return to the opening gesture is one of the reasons that this magnificent torso so effectively stands alone. �Gordon Mumma Faisandage et galimafrée, divertimento in eight movements (1984) American composer Gordon Mumma (born 1935) has been a Canadian resident since 2002, having accompanied his wife Michelle Fillion to Victoria. Since then he has provided support for new music in Victoria and casual mentoring to young composers at the University of Victoria. Although known especially for his path-breaking electronic music and his poetic piano works, Mumma has also composed for chamber ensembles in the tradition of Hausmusik. Among these is his suite Faisandage et galimafrée, composed in 1984 for premiere in Santa Cruz, California, by members of the faculty of the University of California, Santa Cruz, where Mumma was for many years Professor of Music. Modeled on the classical divertimento, Faisandage et galimafrée consists of eight short movements with variable scoring. The instruments are determined by the performers from available resources, with the one proviso that high, medium, and low ranges be represented – here strings, woodwinds, and guitar. The performers also select the order of movements. Tonight’s musicians have decided to frame their performance with the “Fanfare,” played by all in call-and-response. At the centerpoint comes the ironic “Minuetto al rovescio e Trio extruduto,” a madcap distortion of Haydn’s famous palindromic minuet and trio from the Symphony no. 47. Allusions to other composers appear as well in the “Hommage” to Luigi Dallapiccola and the “Notturno,” based on a 12-tone row used by Aaron Copland. The fleet “Scherzo” serves as a virtuoso climax to the set. Its ensemble performs together in what Mumma calls “articulation unity,” three independent voices that strictly coincide in rhythm and meter. The tongue-in-cheek title of the work derives from the classic Larousse gastronomique. There “faisandage” is defined as the ancient gastronomic practice of aging pheasants by hanging them by the tail until putrefied: “A pheasant killed on Shrove Tuesday will make perfect eating by Easter.” More appetizing is the Renaissance recipe for a “galimafrée,” a mutton stew with ginger and mustard. By the writer’s time, however, it had taken on the pejorative meaning of “a badly cooked stew made from scraps.” Tonight’s performance of Faisandage et galimafrée celebrates Mumma’s eightieth birthday this year and the release this month of his book Cybersonic Arts: Adventures in American New Music, edited by Michelle Fillion and published by the University of Illinois Press. �Ludwig van Beethoven An die ferne Geliebte, op. 98 – To the distant beloved In May 1816 Beethoven wrote to his friend Ferdinand Ries: “Unfortunately I have no wife. I have found only one whom no doubt I shall never possess.” This was likely in reference to the woman known only as the “Immortal Beloved,” with whom Beethoven’s rupture in late summer 1812 remained a source of bitter regret. It may be that his work on the song cycle An die ferne Geliebte, composed in April 1816 — a month before the letter to Ries — had revived those feelings of loss. Personal experience may likewise have attracted Beethoven to the poetic cycle sent to him by amateur poet Alois Jeitteles, a medical student from Brno then studying in Vienna. Set in a musical landscape of pastoral loveliness, its six songs tell the tale of separated lovers from the vantage point of a rustic poet-composer. His are songs of tender recollection interrupted by flashes of resignation and yearning for his “distant beloved.” By the fifth song he reaches a point of hopelessness when the rebirth of nature proves cold consolation: “Though springtime brings together all lovers, our love alone knows no spring.” In the end music provides a fragile connection between them: “Take my songs and sing them,” he urges her in the concluding song, evoking its power to bridge physical separation. In response to the simplicity of Jeitteles’s verses, which “flow from the heart without artistic pretension,” Beethoven’s songs are rooted in the German folk-song, though transformed by a uniquely sophisticated structure. Beethoven’s use of the subtitle Liederkreis — circle of songs — in the Steiner first edition of An die ferne Geliebte points to its circular design. Performed without breaks and beginning and ending in the key of E flat, the inner songs are connected by related keys and by improvisatory piano transitions, a stunning novelty in the song cycle. Moreover the first song, “Auf dem Hügel,” is a set of variations the opening phrases of which provide a network of thematic material for the rest of the cycle, the fruit of long compositional sketching. The theme of musical “connection” carries through to the sixth song, “Nimm sie hin denn, diese Lieder,” which alludes to fragments of the earlier songs before its climactic recall of Song 1 at the words: “Then what has parted us must yield to these songs.” This insight unlocks a jubilant close for singer and pianist, whose impassioned reiterations of the final verse strive to persuade one another – and us – that music can provide the consolation that life withholds. �Ludwig van Beethoven Piano Trio in B-flat, op. 97 “Archduke” Beethoven’s last piano trio was composed in 1810–11 and dedicated to Archduke Rudolph of Austria, Beethoven’s benefactor, student, and friend. Although Rudolph was an excellent pianist, Beethoven himself played the piano part for the premiere of the “Archduke” trio in Vienna on April 11, 1814 – one of his last major concert appearances as a pianist. By then seriously out of practice and in an advanced stage of deafness, he proved no match for the Trio’s substantial musical and technical challenges. Not even veteran string players Ignaz Schuppanzigh and Joseph Linke were able to save the day. Yet the pianist Ignaz Moscheles, who was in the audience for this historic event, heard through the technical mishaps “many traces of the grand style” in Beethoven’s performance. And grandeur is indeed the prevailing characteristic of the Trio op. 97. From the noble opening gesture of the broad Allegro moderato first movement, the “Archduke” trio unfolds at a pace of unhurried grandeur. The chamber music interaction of all three players is intense, rich, and nearly constant. The Scherzo and Trio second movement is unique in its juxtaposition of contrasting styles. The puckish Scherzo is a rustic German country-dance or deutscher, while the Trio alternates an austere chromatic fugato in the “learned” style with a glittering high-society waltz from the Viennese salons. Beethoven’s indication that the Scherzo-Trio pairing are to be repeated an extra time makes for a long movement indeed, further extended by a Coda in which city and country, fugato and deutscher, collide. In the end the country-dance wins the competition by a hair. The emotional heart of the work is the variation third movement based on an exquisitely harmonized sarabande theme. Four variations progress from slower to faster rhythms until the texture dissolves into shimmering clouds of thirty-second notes. From there, the music returns to the theme as if, to quote T. S. Eliot, “to the well-remembered gate,” now intensified by surprising details. In the fantasialike Coda it is left to the cello to reveal the full implications of the theme, as if at last “we know it for the first time.” This splendid movement marks the beginning of Beethoven’s late variation style. Yet conviviality wins the day in the sparkling sonata-rondo finale, with its quirky off-tonic theme and numerous opportunities for brilliant display by all members of the trio. As a celebration of music-making among friends of the highest ability, the “Archduke” Trio is a fitting close to a concert celebrating warm friendship and collegiality in small ensembles. Notes by Michelle Fillion �NEXT FACULTY CHAMBER MUSIC CONCERT: Saturday, January 9, 2016 • 8:00 p.m. Featuring mixed ensemble works from the Early Twentieth Century, including compositions by Vaughan Williams, Caplet and Martin. Phillip T. Young Recital Hall UPCOMING EVENTS Sunday, October 25, 8:00 p.m. (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall Friday, October 30, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music brass students in a concert of varied repertoire. This concert will be broadcast live at finearts.uvic.ca/music/events/live/ Phillip T. Young Recital Hall Friday, October 30, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA: White Heat Aliayta Foon-Dancoes, violin (UVic Concerto Competition Winner) Ajtony Csaba, conductor Mendelssohn – Die Hebriden, Op. 26 “Fingal’s Cave” Sibelius – Violin Concerto Copland – Rodeo Suite University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. 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URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/102415-FacultyChamberMusicSeries/102415-FacultyChamber_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Chamber Music Series Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource October 24, 2015 Contributor An entity responsible for making contributions to the resource Benjamin Butterfield, tenor; Suzanne Snizek, flute; Shawn Earle, clarinet & bass clarinet; Alexander Dunn, guitar; Michelle Mares, piano; Ann Elliott-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh-Aloni, cello