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                    <text>FIRST YEAR GRADUATE RECITAL
Hao Guo, Flute
Morgan Sheeley, guitar
Ran Bi, piano
Tuesday, April, 5, 2022 | 12:30 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Air

Toru Takemitsu
(b.1930)

Appassionata

Sigfrid Karg-Elert
(1877-1933)

Four Macedonian Pieces (Alto Flute)

Miroslav Tadic
(b.1959)

I. Zajdi, zajdi
Morgan Sheeley, guitar
Zwölf Stücke (Miniaturen)
I.
II.
III.
IV.
V.
VI.

Mieczyslaw Weinberg
(1919-1996)

Improvisation
Arietta
Burleske
Capriccio
Nocturne
Walzer
Ran Bi, piano

Hao Guo is from the class of Dr. Suzanne Snizek.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220405-FirstYearRecitalHaoGuo/20220405-FirstYearRecitalHaoGuo_1.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220405-FirstYearRecitalHaoGuo/20220405-FirstYearRecitalHaoGuo_2.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220405-FirstYearRecitalHaoGuo/20220405-FirstYearRecitalHaoGuo_3.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220405-FirstYearRecitalHaoGuo/20220405-FirstYearRecitalHaoGuo_4.wav"&gt;Track 4&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>Hao Guo, Flute&#13;
Morgan Sheeley, guitar&#13;
Ran Bi, piano</text>
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                    <text>GRADUATE RECITAL
Ben Litzcke, conductor
Wednesday, April 6, 2022, 12:30 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Sinfonia for Winds

Gaetano Donizetti
(1797-1848)

Seascape Op. 53

Ruth Gipps
(1921-1999)
ed. Rodney Winther

Machiavelli’s Conscience

Michael Markowski
(b. 1986)

Pavane for 10 Winds

Katahj Copley
(b. 1998)

Divertimento in E-flat for Wind Octet
March
Sarabande on a Ground
Rondo

Gordon Jacob
(1895-1984)

MUSICIANS
Connie Goetz, flute
Ainsley Mercer, flute
Kiara Hosie, oboe
Andrew Montgomery, oboe and English horn
Devin Hawthorne, bassoon
Holly Edquist, bassoon
Erin Onyschtschuk, clarinet
Channing Mar, clarinet
Chris Ollinger, bass clarinet

Sylvan Wilkinson, soprano saxophone
Tessa Bell, alto saxophone
Cole Davis, tenor saxophone
Xavier Marican, baritone saxophone
Allie Bertholm, horn
Tyrell Loster Peitzsche, horn
Mark Barr, trumpet
Alicia Ellis, trumpet
Tyler Schmit, trombone
Amaya Sydor, bass trombone

Ben Litzcke is from the class of Dr. Steven Capaldo
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

Please silence all electronic devices.

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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)_04.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)/20220406-FirstYear-Recital-Ben-Litzcke-conducting(MMus)_05.wav"&gt;Track 5&lt;/a&gt;</text>
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                <text>Ben Litzcke, conductor&#13;
Connie Goetz, flute&#13;
Ainsley Mercer, flute&#13;
Kiara Hosie, oboe&#13;
Andrew Montgomery, oboe and English horn&#13;
Devin Hawthorne, bassoon&#13;
Holly Edquist, bassoon&#13;
Erin Onyschtschuk, clarinet&#13;
Channing Mar, clarinet&#13;
Chris Ollinger, bass clarinet&#13;
Sylvan Wilkinson, soprano saxophone&#13;
Tessa Bell, alto saxophone&#13;
Cole Davis, tenor saxophone&#13;
Xavier Marican, baritone saxophone&#13;
Allie Bertholm, horn&#13;
Tyrell Loster Peitzsche, horn&#13;
Mark Barr, trumpet&#13;
Alicia Ellis, trumpet&#13;
Tyler Schmit, trombone&#13;
Amaya Sydor, bass trombone</text>
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                    <text>...A WIDE RANGE...

UVIC

Featuring students from MUS 105: Introduction to Composition
Anthony Tan and Christopher Butterfield, instructors
FRIDAY, APRIL 8, 2022 | 7:30 PM

Phillip T. Young Recital Hall, MacLaurin Building, University of Victoria
Admission by donation
We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

PROGRAM
Adam Baines

Setting the Stage	
Craig Matterson, piano
Koshi Thompson &amp; Chris Stewart, stage percussion
Tobo Vergara Ulloa, drums
It Might be Over Soon	

Spacey III: Final 	

Untitled	

Blue Garden	

Over-Easy	

Rush	

Magnetic Resonance Imaging 	

Film Music 	

In Your Darkest Hour	

Tenzin Clegg &amp; Sarah Carey, clarinets
Craig Matterson, piano
Brogan Koh, piano
Equia Doller, glockenspiel
Sabrina Lee, triangle
Sonia Ng, electronics
Marc Micu, trumpet
Maia Copley, horn
Tyler Schmit, trombone
Aaron Kruger, tuba
Jayda Thor, cello
Artemis Gallegos, double bass
Evan Wright, piano
Sarah Carey, clarinet
David Dennis, trumpet
Tobo Vergara Ulloa, drum kit
Sam Brouwer, piano
Sonia Ng, violin
Soleil Carrillo, cello
Theo Kim, piano
Soleil Carrillo, cello
Tobo Vergara-Ulloa, percussion
Craig Matterson, piano
Nicole Phanichphant, cello
Liam Baird, piano
Ace Mayeux, guitar
Craig Matterson, piano

Koshi Thompson

Sonia Ng

Carling Riley

Evan Wright

Tobo Vergara Ulloa

Soleil Carrillo

Chris Stewart

Liam Baird

Ace Mayeux

�PROGRAM NOTES (Selected works)
Spacey III: Final - Sonia Ng
The idea behind SPACEY III is to utilize both electronic and acoustic sounds in order to create contrasting
ambience and changing melodies. Starting as a lively duet between piano and glockenspiel, the second half
of the piece introduces electronic elements along with a change of atmosphere before finally returning
back to form. The piece contains several changing elements, creating an unpredictable direction of where
the piece is heading. SPACEY III is a blend of experimental noise and classical harmonies.
Blue Garden - Evan Wright
Blue Garden is piece based on minimalism, inspired by the likes of Arvo Pärt, Philip Glass, and Henryk
Mikołaj Górecki. Blue Garden is supposed to feel like an experience, like walking through a garden of your
own emotions.
Over-Easy - Tobo Vergara Ulloa
This piece was written to embody the feeling of an early morning breakfast with the people you love.
As the composition develops the voices of the instruments begin to intertwine, symbolizing the chatter
around a breakfast table.
Magnetic Resonance Imaging - Chris Stewart
Magnetic Resonance Imaging is a piece inspired by an MRI scan that Chris underwent in the beginning of
2022. The piece aims to not only capture the sounds that MRI machines produce, but also the emotions
that he felt while inside the machine. It is music of both curiosity and wonder, but also claustrophobia and
anxiety. He hopes you enjoy.

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_04.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_05.wav"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_06.wav"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_07.wav"&gt;Track 7&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_08.wav"&gt;Track 8&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_09.wav"&gt;Track 9&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220408-Composers'Recital/20220408-Composers'Recital_10.wav"&gt;Track 10&lt;/a&gt;</text>
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                <text>Adam Baines&#13;
Craig Matterson, piano&#13;
Koshi Thompson &amp; Chris Stewart, stage percussion&#13;
Tobo Vergara Ulloa, drums&#13;
Koshi Thompson&#13;
Tenzin Clegg &amp; Sarah Carey, clarinets&#13;
Sonia Ng&#13;
Brogan Koh, piano&#13;
Equia Doller, glockenspiel&#13;
Sabrina Lee, triangle&#13;
Sonia Ng, electronics&#13;
Carling Riley&#13;
Marc Micu, trumpet&#13;
Maia Copley, horn&#13;
Tyler Schmit, trombone&#13;
Aaron Kruger, tuba&#13;
Evan Wright&#13;
Jayda Thor, cello&#13;
Artemis Gallegos, double bass&#13;
Evan Wright, piano&#13;
Tobo Vergara Ulloa&#13;
Sarah Carey, clarinet&#13;
David Dennis, trumpet&#13;
Tobo Vergara Ulloa, drum kit&#13;
Sam Brouwer, piano&#13;
Soleil Carrillo&#13;
Sonia Ng, violin&#13;
Soleil Carrillo, cello&#13;
Theo Kim, piano&#13;
Chris Stewart&#13;
Sonia Ng, violin&#13;
Soleil Carrillo, cello&#13;
Theo Kim, piano&#13;
Liam Baird&#13;
Nicole Phanichphant, cello&#13;
Liam Baird, piano&#13;
Ace Mayeux&#13;
Ace Mayeux, guitar&#13;
Craig Matterson, piano</text>
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                    <text>FOR SUCH A TIME AS THIS DEGREE RECITAL
Melissa Irvine, Soprano
Dr. Kinza Tyrrell, Piano
Grace Vermette, Soprano
Wednesday, April 13, 2022 | 8:00PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
The Fairy Queen
Hark the Ech’ing Air
The Indian Queen
I Attempt from Love’s Sickness
King Arthur
Fairest Isle

Henry Purcell
(1659–1695)

Canzone d’arte selezionata
Spesso vibra
Su, venite a consiglio
All’acquisto di gloria

Giuseppe Domenico Scarlatti
(1685–1757)

Acis and Galatea
As When the Dove Laments her Love
Giulio Cesare
V’adoro pupille

George Frideric Handel
(1685–1759)

— INTERMISSION —
Der Schauspieldirektor
Bester Jüngling

Wolfgang Amadeus Mozart
(1756–1791)

Le nozze di Figaro
Via resti servita

Grace Vermette, soprano

Ausgewählte Lieder
An die Laute, D.905
An die Musik, D.547
Frühlingsglaube, D.686

Franz Schubert
(1797–1828)

Song Cycle Songs from Op 3 &amp; 25
Music When Soft Voices Die, Op 25, No 5
Love’s Philosophy, Op 3, No 1
Now Sleeps the Crimson Petal, Op 3, No 2

Roger Quilter
(1877–1953)

Deux Romances
Romance, No 1
Les Cloches, No 2

Achille Claude Debussy
(1862–1918)

The Ballad of Baby Doe
The Willow Song

Douglas Moore
(1893–1969)

Melissa Irvine is from the class of Professor Anne Grimm.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Reception to follow in the Lounge.

�</text>
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                <text>Melissa Irvine, Soprano&#13;
Dr. Kinza Tyrrell, Piano&#13;
Grace Vermette, Soprano</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220414-Computer-Music-Concert/20220414-Computer-Music-Concert_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220414-Computer-Music-Concert/20220414-Computer-Music-Concert_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220414-Computer-Music-Concert/20220414-Computer-Music-Concert_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220414-Computer-Music-Concert/20220414-Computer-Music-Concert_04.wav"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220414-Computer-Music-Concert/20220414-Computer-Music-Concert_05.wav"&gt;Track 5&lt;/a&gt;</text>
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                <text>Ila Zbarsky</text>
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                <text>Thomas Mcquarrie, electronics, guitar&#13;
Brendan Marney, electronics&#13;
Matt Shamas, electronics&#13;
Ila Zbarsky, electronics&#13;
Marco Neri, piano, electronics</text>
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                    <text>VIOLIN GRADUATION RECITAL
Thursday, April 21, 2022 | 2PM
Philip Manning – Violin
Jeannie Kim – Piano
Robert Holliston – Piano
Murray Adaskin
(1906-2002)

Sonatine Baroque
i. Adagio
ii. Andante
iii. Allegro

Felix Mendelssohn Bartholdy

Violin Concerto in E minor, Op. 64
i. Allegro molto appassionato
ii. Andante
iii. Allegretto non troppo-Allegro molto vivace

(1809-1847)

Myroslav Skoryk
(1938-2020)

Melody from “The High Pass”
Dedicated to the people of Ukraine
INTERMISSION

J. S. Bach
(1685-1750)

Partita No. 1 in B minor, BWV 1002, for solo violin
i. Allemanda
ii. Double
iii. Corrente
iv. Double
v. Sarabande
vi. Double
vii. Tempo di Bourree
viii. Double

Johannes Brahms
(1833-1897)

F-A-E Sonata for Violin and Piano in C minor, Op. WoO2
iii. Scherzo

Philip Manning is from the class of Professor Ann Elliott Goldschmid.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

�</text>
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                <text>Ila Zbarsky</text>
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                <text>Philip Manning, violin&#13;
Jeannie Kim, piano&#13;
Robert Holliston, piano</text>
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                    <text>DEGREE RECITAL
Sandra Espínola, cello
Jany Lu, piano
Heather Byford, voice
Thursday, April 21, 2022, 8:00 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
“Out there, we’ve walked quite friendly up to Death;
Sat down and eaten with him, cool and bland, –
Pardoned his spilling mess-tins in our hand.
We’ve sniffed the green thick odour of his breath, –
Our eyes wept, but our courage didn’t writhe.
He’s spat at us with bullets and he’s coughed
Shrapnel. We chorused when he sang aloft;
We whistled while he shaved us with his scythe.
Oh, Death was never enemy of ours!
We laughed at him, we leagued with him, old chum.
No soldier’s paid to kick against his powers.
We laughed, knowing that better men would come […]”
Wilfred Owen

Cello Suite No. 2 in D minor, BWV 1009
Prelude
Courante
Gigue

Johann Sebastian Bach
(1685- 1750)

“Not just that every day more of our life is used up and less and less of it is left, but this too: if we live longer, can
we be sure our mind will still be up to understanding the world—to the contemplation that aims at divine and
human knowledge? If our mind starts to wander, we’ll still go on breathing, go on eating, imagining things, feeling
urges and so on. But getting the most out of ourselves, calculating where our duty lies, analyzing what we hear and
see, deciding whether it’s time to call it quits—all the things you need a healthy mind for . . . all those are gone.
So we need to hurry.”

Cello Suite no. 1 Op. 72
Canto Primo
Fuge
Lamento
Canto Secondo
Serenata
Marcia
Canto Terzo
Bordone
Moto Perpetuo e Canto Quarto

Marcus Aurelius Antoninus

Benjamin Britten
(1913-1976)

�— INTERMISSION —

This piece focuses on the concept of becoming whole as an individual, through weeding out the unwanted ideas
and learned behaviour with a meditation-like process. The first movement is a depiction of the process as it may
seem from the outside.
Deniz Pekmezci

I whether Me

Deniz Pekmezci
(b. 1989)
Heather Byford, voice

“Even if you’re going to live three thousand more years, or ten times that, remember: you cannot lose another life
than the one you’re living now, or live another one than the one you’re losing. The longest amounts to the same as
the shortest. The present is the same for everyone; its loss is the same for everyone; and it should be clear that a
brief instant is all that is lost. For you can’t lose either the past or the future; how could you lose what you don’t
have? […] the longest-lived and those who will die soonest lose the same thing. The present is all that they can
give up, since that is all you have, and what you do not have, you cannot lose.”
Marcus Aurelius Antoninus

Sonata No. 2 in F Major Op. 99
Allegro vivace
Adagio affettuoso
Allegro passionato
Allegro molto

Johannes Brahms
(1833- 1897)

Jany Lu, piano

Sandra Espínola is from the class of Professor Pamela Highbaugh-Aloni.
recital is presented in partial fulfillment of the requirements
for the Master of Music Performance program.

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220421-DegreeRecital-SandraEspinola(MMus)/20220421-DegreeRecital-SandraEspinola(MMus)_01.wav"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220421-DegreeRecital-SandraEspinola(MMus)/20220421-DegreeRecital-SandraEspinola(MMus)_02.wav"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220421-DegreeRecital-SandraEspinola(MMus)/20220421-DegreeRecital-SandraEspinola(MMus)_03.wav"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/20220421-DegreeRecital-SandraEspinola(MMus)/20220421-DegreeRecital-SandraEspinola(MMus)_04.wav"&gt;Track 4&lt;/a&gt;</text>
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Jany Lu, piano&#13;
Heather Byford, voice</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_01.mp3"&gt;Track 1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_02.mp3"&gt;Track 2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_03.mp3"&gt;Track 3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_04.mp3"&gt;Track 4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_05.mp3"&gt;Track 5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_06.mp3"&gt;Track 6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/031714-GradRecital/031714-CruickshankGuitarRecital_07.mp3"&gt;Track 7&lt;/a&gt;</text>
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                    <text>UVIC

FACULTY CONCERT SERIES
SUNDAY, APRIL 24, 2022 | 2:30 PM
Phillip T. Young Recital Hall, MacLaurin Building
University of Victoria
Admission by donation

Grimm sings Grimm &amp; Lang sings Lang
ANNE GRIMM SOPRANO
JENNIFER LANG MEZZO-SOPRANO
HARALD KREBS PIANO
PROGRAM
Josephine Lang
(1815–1880)

Mignons Klage, Op. 10, No. 2	
Abschied, Op. 10, No. 6	
Die Schwalben, Op. 10, No. 3
O sehntest du dich so nach mir, Op. 14, No. 1
Und wieder ist ein Tag dahin, WoO
Ach, ich denke, WoO
Jennifer Lang, mezzo-soprano
Harald Krebs, piano

Julius Otto Grimm
(1827–1903)

Sechs Lieder und Gesänge, Op. 18 	
	
Es kommen die Tage	
	
Ständchen
	
Dämmrung senkte sich von oben
	
Jetzt ist er hinaus in die weite Welt
	Frühlingsgedränge
	
Der Traum
Sechs Lieder, Op. 1
	
In der Mondnacht
	
Ach, es sitzt mein Lieb und weint
	
Am See
Anne Grimm, soprano
Harald Krebs, piano
Vögelein, Op. 14, No. 5	
Auf dem See in tausend Sterne, Op. 14, No. 6
Ob ich manchmal dein gedenke, Op. 27, No. 3
Mein Stern, Op. 34, No.1
Das Paradies, Op. 25, No. 6
Die Wolken, Op. 25, No. 5
Jennifer Lang, mezzo-soprano
Harald Krebs, piano

We acknowledge and respect the Lekwungen peoples on whose traditional territory
the university stands and the Songhees, Esquimalt and WSÁNEĆ peoples
whose historical relationships with the land continue to this day.

Josephine Lang

�</text>
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                <text>Anne Grimm, soprano&#13;
Jennifer Lang, mezzo-soprano&#13;
Harald Krebs, piano</text>
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                    <text>DEGREE RECITAL: OF MOTHERS AND CHILDREN
Annalysa Tylor, soprano
Kelly Charlton, piano
Dr. Kinza Tyrrell, harpsichord
Max Niiranen, tenor
Leif Bradshaw, tenor
Rowan Mcwilliams, bass
Monday 11, April 2022, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Lamento della Ninfa
I. Non havea Febo ancora
II. Amor, dicea
III. Si, tra sdegnosi pianti

Claudio Monteverdi
(1567-1643)

Dr. Kinza Tyrrell, harpsichord
Max Niiranen, tenor
Leif Bradshaw, tenor
Rowan Mcwilliams, bass
Restino imbalsamate
From La Calisto

Francesco Cavalli
(1602-1676)
Dr. Kinza Tyrrell, harpsichord

Not all my torments
If music be the food of love
Sweeter than roses
From silent shades (Bess of Bedlam)

Henry Purcell
(1659-1695)

Dr. Kinza Tyrrell, harpsichord
Blumengruss
Frühling übers Jahr
Mignon Lieder
I. Mignon I
II. Mignon II
III. Mignon III

Hugo Wolf
(1860-1903)

Kelly Charlton, piano
Please silence all electronic devices.

�— INTERMISSION —
Selections from Clairières dans le ciel
V. Au pied de mon lit
VI. Si tout ceci n’est qu’un pauvre rêve
VII. Nous nous aimerons tant
VIII. Vous m’avez regardé avec toute votre âme

Lili Boulanger
(1893-1918)

Kelly Charlton, piano
Selections from Of Mothers and Children
I. The Woman With Child
II. Lullaby of the Woman of the Mountain
III. Cradle Song
V. A Little Boy in the Morning

Imant Raminsh
(1943—)

Kelly Charlton, piano
Laurie’s Song
From The Tender Land

Kelly Charlton, piano

Annalysa lovingly dedicates this recital to her mother, Elyza.
Annalysa Tylor is from the class of Professor Anne Grimm.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.

Please silence all electronic devices.

Aaron Copland
(1900-1990)

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Kelly Charlton, piano&#13;
Dr. Kinza Tyrrell, harpsichord&#13;
Max Niiranen, tenor&#13;
Leif Bradshaw, tenor&#13;
Rowan Mcwilliams, bass</text>
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