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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�String Chamber
Concert
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Featuring students from the studios
of the Lafayette String Quartet
		

Thursday, November 17, 2016 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
finearts.uvic.ca/music/events

�PROGRAM
Sonata in C for Violin and Continuo, K. 46
	
Allegro and Minuet I and II

Wolfgang Amadeus Mozart
(1756–1791)

Jessica D’Oliveira, violin
Mackenzie Carroll, double bass
Sonata for violin and cello (1922)
	
1. Allegro

Maurice Ravel
(1875–1937)

Natalie Dzbik, violin
Liam Epp, cello
Children’s Album for String Quartet, Op. 39
	
1. Morning Prayer
	
2. Winter Morning
	
3. Playing Hobbyhorse
	
4. Mama
	
5. March of the Wooden Soldiers
	
6. The Sick Doll
	
9. Old French Song

Peter Ilych Tchaikovsky 	
(1840–1893)
Arr. Rostislav Dubinsky
(1923–1997)

Lucy Toews, violin 1
Serena Greenote Jack, violin 2
Eric Mitchell, viola
Tara Rajah, cello
String Quartet No. 12 in F major, Op. 96 “American”
	
Finale: Vivace ma non troppo
Jillaine Orton, violin
Emily MacCallum, violin
Gary Sun, viola
Olivia Brotzell, cello

Antonin Dvořák 	
(1841–1904)

�String Quartet No. 9 in C major, Op. 59, No. 3
	
2. Andante con moto quasi Allegretto
	
4. Allegro molto

Ludwig van Beethoven
(1770–1827)

The Wisteria Quartet:
Amy-Lynne Toth, violin
Jasmine Mather, violin
Jaling Kersen, viola
Claire Dresselhuis, cello
I NT E R M I S S I O N

String Quartet Op. 20, No.4 in D major
	
1. Allegro di Molto

Joseph Haydn
(1732–1809)

Shijin Kim, violin
Francine Hsu, violin
Linda Donn, viola
Bryan Lin, cello
String Quartet in G minor, Op.10
	 1. Animé et très décidé

Claude Debussy
(1862–1918)

Julien Haynes, violin
Ross Ling, violin
Jeanel Liang, viola
Chloe Belle Kersen, cello
String Quartet No.3, Op. 44, No.1 in D major
	
1. Molto allegro vivace
	
3. Andante espressivo ma con moto

Felix Mendelssohn
(1809–1847)

Chloe Kim, violin
Aliayta Foon-Dancoes, violin
Josh Gomberoff, viola
Shiun Kim, cello

Please tell us about your concert experience in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/

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                    <text>UVIC JAZZ
CHORALE
Soprano
Emily Axford
Talise Lindenbach
Sydney McIvor
Emily Mahbobi
Alex Walsh
Yiping Wang
Emma Alsop
Lara Mackie*
Hana Mason
Laura Schack
Esther Walsh
Charlotte Whyte
Alto
Katie Cunningham
Brenaugh Horton*
Emily Jackson
Cassidy Stahr
Marissa Peralta
Skye Eriksen
Han Herre
Olivia Wheeler
Tamara Nemeth
Chiamaka Okere
Rahut Saini
Bailey Finley
Annaliese Meyer
Tenor
Liam Baron-Preston
Dane Berghuis
Evan Chorney
Gary Sun
Daniel MacRae
Nicholas Tsang
Bass
Robert Chamberland
Brendan Ciccone
Ghendon Suzuki
Yanick McKoy
Isaiah Adachi
Kyle Lancaster*
Patrick Schjelderup
* = Section Leader

BLUE

Instrumentalists

Soprano
Allison Kingsley
Maria Milligan*
Alwyn Rutherford
Addie Vasant

Rhythm Section

Alto
Julia Albano-Crockford*
David Bastin-DeCoste
Allie Bertholm
Tenor
Hans Lee
Davis Kyle
Joshua Poon
Will Quinn*
Bass
Zach Smith
Ross Sutherland
Jordan Rettich
Michael Vielguth

RED
Soprano
Micha Fortin*
Natasha Penfield
Melanie Narciso
Alto
Jilaine Orton
Claire Dresselhuis
Jenna Grossman
Tenor
Clayton Dowdell
Ryan Narciso
Nicholas Renaud*
Bass
Taylor Caswell
Kenji Lee
James Waddell

Josh Poon, piano
Blake Palm, bass
DJ Lochead, kit
Kyle Maclean, timbales
Tamara Nemeth, bongos
Horn Section
Trumpet
Allie Bertholm
French Horn
Emily Axford
Trombone
Will Quinn
Saxophones
Michael Vielguth
Matt Fichter

Ensemble Managers
CHORALE
Emily Axford
RED
Natasha Penfield

UNIVERSITY OF VICTORIA VOCAL JAZZ

Autumn Showcase 2016

“Liquid Architecture”
8pm
November 20TH
PHILLIP T. YOUNG RECITAL HALL
SCHOOL OF MUSIC

BLUE
Allie Bertholm

Directed by Wendell Clanton

�THE UNIVERSITY OF VICTORIA
JAZZ CHORALE
1. True Colours by Cyndi Lauper arr. for Cadence

ELLAVATION

7. Round Midnight by Thelonius Monk/arr. by Clanton
— featuring Taylor Caswell
with Jilaine Orton, violin &amp; Claire Dresselhuis, violoncello

UVJAZZ RED
8. Words by Anders Edenroth

2. The Man I Love by George &amp; Ira Gershwin
— featuring Annelise Meyer &amp; Emily Axford
Directed by Nic Renaud, with Josh Poon, piano

9. At Last by Mack Gordon &amp; Harry Warren arr. by Jay Althouse
with Josh Poon, piano

3. All of Me by Gerald Marks &amp; Seymour Simons
—conceived &amp; performed by Jilaine Orton &amp; Natasha Penfield
with Blake Palm, bass

10. Africa by Toto arr. by Randy Crenshaw
— featuring Kenji Lee, Nic Renaud &amp; Clayton Dowdell

THE UNIVERSITY OF VICTORIA
JAZZ CHORALE
4. Bien Sabroso by Poncho Sanchez/arr. by Vijay Singh/adapted by Clanton

Bien Sabroso - feel free to sing along!

Para ti mi son montuno esta bien sabroso para bailar.
Para ti mi son montuno esta bien sabroso para gozar.
Translation
For you, my montuno music is very tasty for dancing.
For you, my montuno music is very tasty to enjoy.

UVJAZZ BLUE
5. Do Nothing Till You Hear From Me by Duke Ellington arr. by Darmon Meader
— featuring Julia Albano-Crockford &amp; Ross Sutherland
David Bastin-Decoste &amp; Will Quinn
6. You Make Me Feel So Young by Mack Gordon &amp; Josef Myrow, arr. by Jay
Althouse — featuring Jordan Rettich &amp; Allison Kingsley

INTERMISSION

s

Liquid architecture. It's like jazz - you improvise, you work together, you play
off each other, you make something, they make something. — Frank Gehry

s

UVic Vocal Jazz would like to thank... the Instrumentalists,
especially Blake &amp; DJ
and
Ensemble Managers — Natasha, Allie &amp; Emily
— for their outstanding commitment.
UVIC VOCAL JAZZ ENSEMBLES 2016
Studio Groups: UVJazz Red &amp; UVJazz Blue
The University of Victoria Jazz Chorale
&amp; The UVic Women’s Jazz Chorus (Ellavation)

EVENTS
In the New Year... Jazz Night @ Felicitas, and the Spring Showcase.

Visit us at... uvicvocaljazz.blogspot.ca

�</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

.

�Piano Class
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Recital

Featuring students from the
studio of May Ling Kwok

		

Sunday, November 20, 2016 • 2:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation
finearts.uvic.ca/music/events

�PROGRAM
Concerto No. 19 in F major, K. 459			
	
I. Allegro

W. A. Mozart
(1756–1791)

Suite Bergamasque					 Claude Debussy
	
Clair de lune
(1862–1918)
Carey Wang*
Arabesque No. 2 					
						
Nicole Phanichpant*

Claude Debussy

Ballade 					

Claude Debussy

Sebastian Britneff
Sonata No. 15 in F major, K. 533	
	 I. Allegro

		

W. A. Mozart

Tiffany Cheung
Sonata No. 16 in G major, Op. 31, No.1 		
	
I. Allegro vivace
	
II. Adagio grazioso

L. van Beethoven
(1770–1827)

Carmyn Slater*
Concerto No. 3 in C minor, Op. 37			
	
I. Allegro con brio
Aimi Howden
I NT E R M I S S I O N

L. van Beethoven

�Sonata No. 12 in A flat major, Op. 26			
	
Andante con variazioni

L. van Beethoven	

Joy Keeler
Sonata in E minor, Op. 7 				
	
I. Allegro moderato
	
II. Andante molto

Edvard Grieg
(1843–1907)

Bella Zeng
Sonata No. 2 in B flat minor, Op. 35			
	
Grave. Doppio movimento

Frédéric Chopin
(1810–1949)

Ya Ping Huang*
Concerto in G major				
	
Allegramente

Maurice Ravel
(1875–1937)

Iris Hung
Ballade No. 1 in G minor, Op. 23			

Frédéric Chopin

Jany Lu
*Students of the Victoria Conservatory of Music

Please tell us about your concert experience in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_01.mp3"&gt;Track01&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_02.mp3"&gt;Track02&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_03.mp3"&gt;Track03&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_04.mp3"&gt;Track04&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_05.mp3"&gt;Track05&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_06.mp3"&gt;Track06&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_07.mp3"&gt;Track07&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_08.mp3"&gt;Track08&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_09.mp3"&gt;Track09&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_10.mp3"&gt;Track10&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/112016-PianoClassRecital_Kwok/112016-PianoClassRecital_11.mp3"&gt;Track11&lt;/a&gt;</text>
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                    <text>fridaymusic
Phillip T. Young Recital Hall, University of Victoria
November 18, 2016 • 12:30 p.m.
Featuring School of Music voice students
Ma rendi pur contento				
	
			
Vincenzo Bellini	
													 (1801 - 1835)
Brittney Jette, soprano
Bonnie Leung, piano
Nell									 				 Gabriel Fauré		
										 			 (1845 - 1924)
Zander Felton, baritone
Frances Armstrong, piano
Dans la forêt de Septembre 	 					
				
											
	
Kyron Basu, baritone
Kinza Tyrrell, piano

Gabriel Fauré		
(1845 - 1924)

Chanson Triste
	
	
				
								
				
Jessica Wagner, soprano
Francis Armstrong, piano

Henri Duparc		
(1848 - 1933)

Abendstern
	
			
Franz Schubert		
		 		 						 			 (1797 - 1828)
Katherine Rowlands, soprano
Susan Young, piano
How fair this spot
			
Sergei Rachmaninoff	 	
													 (1873 - 1943)
Ai Horton, soprano
Susan Young, piano
Tune the melodious lute
			
	
G. F. Handel		
								 			 		 (1685 - 1759)
Emlyn Sheeley, soprano
Kinza Tyrrell, piano
			
			
	
	
Alana Hayes, mezzo-soprano
Kinza Tyrrell, piano

Wolfgang Amadeus Mozart		
		
(1756 - 1791)

			
			
	
	
		
Jasmine Lo, mezzo-soprano
Sarah Tao, piano

	
Camille Saint-Saëns		
		
(1835 - 1921)

Non so più cosa son
						

Mon coeur s’ouvre ta voix
				

			
	
		
Samuel Barber		
	
	
		
		
	
(1910 - 1981)
Emily Stewart, soprano
Kimberley Farris-Manning, piano
															
What Good Would the Moon Be
			
	
Kurt Weill		
	
			
	
	
		
		
			
(1900 - 1950)
Eryn Sharpe, soprano
Kimberley Farris-Manning, piano
Solitary Hotel
			

			

When stars are in the quiet sky
	
			

	

	

		
		
Xuguang Zhang, baritone
Iris Hung, piano

			
	
			

Charles Ives		
(1874 - 1954)

�</text>
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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
November 22, 2016 • 12:30 p.m.
Violin Concerto in D Major, Op. 35							
Pyotr Illyich Tchaikovsky		
	
I. Allegro Moderato									 	(1840 - 1893)
Aliayta Foon-Dancoes, violin
Frances Armstrong, piano
Sonata for Oboe and Piano 	 					
	I. Élégie					
	
Anna Betuzzi, oboe
Carol Zhang, piano

	

		
	

Danse de la Chèvre						
				
								
	
			
Taya Haldane, flute

Francis Poulenc		
(1899 - 1963)

Arthur Honegger		
(1892 - 1955)	

Parable for Solo Piccolo
			
		
Vincent Persichetti		
													 (1915 - 1987)
Bailey Finley, piccolo
Sinfonico for 4 Flutes
			
				
Anton Reicha		
												 	(1770 - 1836)
Jamie Pambrun, flute
Taya Haldane, flute
Jasmine Risely, flute
Ashley Whelpton, flute
When Irish Eyes Are Smiling
			
		
										 		
Brass Choir Personnel

Chauncey Olcott		
arr. George Graff

Jazz Chorale
			
		
				
								 		
	
		
Brass Choir Personnel

Ulrich Nehls		
(b. 1959)

“Nimrod,” from The Enigma Variations
			
								 		
Brass Choir Personnel

		
			

UPCOMING AT THE SCHOOL OF MUSIC
WEDNESDAY, NOVEMBER 23 | 8 PM | Free Admission
Graduating Recital: Aliayta Foon-Dancoes, violin
Violinist Aliayta Foon-Dancoes presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 25 | 12:30 PM | Admission by donation
Fridaymusic
Featuring new music by UVic School of Music composition students.
Phillip T. Young Recital Hall

Sir Edward Elgar		
(1857 - 1934)

�</text>
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                    <text>DEGREE RECITAL
	

	Aliayta	Foon-Dancoes,	violin	
Frances	Armstrong,	piano		

	

Wednesday,	November	23,	2016,	8pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

	

PROGRAM
	

	
Sonata	No.2	in	A	minor,	BWV	1003		
		
								 																																													Johann	Sebastian	Bach	
Andante,	Allegro																																																																																																																							(1685-1750)	
	
city	+	city	
	
																																																																																																																										Liam	Gibson	
(b.	1990)	
	
Violin	Concerto	in	D	major,	Op.	35	
	
																																																										Pyotr	Ilyich	Tchaikovsky																														
Allegro	moderato																																																																																																																								(1840-1893)	
	
Frances	Armstrong,	piano	
	
	
	

—	INTERMISSION	—	

Four	Pieces	
	
																																																																																																																					Anton	Webern	
1.	Sehr	Langsam																																																																																																																										(1883-1945)	
2.	Rasch	
3.	Sehr	Langsam	
4.	Bewegt	
Frances	Armstrong,	piano	
	
Sonata	No.	1	in	A	Major,	Op.	13									 																																																																																											Gabriel	Fauré																														
															1.	Allegro	molto																																																																																																																										(1845-1924)	
2.	Andante	
3.	Allegro	vivo	
4.	Allegro	quasi	presto	
																													
																																																																				Frances	Armstrong,	piano	
	
	
Aliayta	Foon-Dancoes	is	from	the	class	of	Professor,	Ann	Elliott-Goldschmid	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	Performance	program.	
	
Reception	to	follow	at	4012	Loyola!	
	

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�Son ic
Lab
UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

Ajtony Csaba, director

Saturday, November 19, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Cornelius Cardew

Autumn ’60
for unspecified ensemble

Elliott Carter

Canon for three equal instruments

Toru Takemitsu

Masque for two flutes
	
Continu
	Incidental

Karlheinz Stockhausen

Knabenduett

4 Pieces for Violin and Piano, Op. 7
	
Sehr Langsam
	Rasch
	
Sehr Langsam
	Bewegt
All’aure in una lontananza

Anton von Webern

Salvatore Sciarrino

Allanna Kazdan, solo flute
Sonatina for piano four hands
	Allegro
	Andante
	Vivace

György Ligeti

I NT E R M I S S I O N

Barcarolle (2016)

Brandon Chow

*Premiere performance

Jessica Wagner, soprano
Thomas Nicholson, conductor
Symphonie de Chambre, Op. 33
Ian VanGils, trumpet

George Enescu

�SONIC LAB PERSONNEL
Allanna Kazdan flute
Jillian Broughton flute
Berlin Janzen oboe
Alina Liang clarinet
Adam Jaseniuk saxophone
contrabass-clarinet
Seán Maynard saxophone
Lee Whitehorne bassoon
Ian VanGils trumpet
Collin Lloyd horn
Samuel McNally horn

Amy-Lynne Toth violin
Emily MacCallum violin
Aliayta Foon-Dancoes violin
Joshua Gomberoff viola
Mackenzie Carroll double bass
Tristan Holleufer percussion
Keenan Mittag-Degala percussion
Frances Armstrong-Douglas piano
Ethan Hill piano
Thomas Nicholson piano
conducting
Jessica Wagner soprano
Ajtony Csaba conducting
cello

BRANDON CHOW
Brandon Chow began his university music education at the University of Victoria in
2012. His compositions won awards at the Greater Victoria Performing Arts Festival
and the Langley Pulse Music Festival. His music has been performed by members of
the Civic Orchestra of Victoria, Victoria Symphony, Turning Point Ensemble, Land’s
End Chamber Ensemble, and UVic. He studied percussion with Willliam Linwood,
conducting with Ajtony Csaba, electronic music with Dr. Andrew Schloss, and
composition with Drs. Rodney Sharman and Dániel Péter Biró. He participated in
the 2015 SALT festival, where his music was read by Ensemble Tsilumos and he was
mentored by Samir Odeh-Tamimi. His orchestral work, Tilikum, was premiered by
the Greater Victoria Youth Orchestra in commemoration of their 30th Anniversary.
Current projects include Grey Waters, an electroacoustic piece based on military
number stations, and Regnvejr I Skoven, which includes live electronics as a means of
extending the capabilities of the human voice.

Please tell us about your concert experience in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/

�</text>
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                    <text>Tuesdaymusic
Phillip T. Young Recital Hall, University of Victoria
November 14, 2016 • 12:30 p.m.
Piano Concerto in G Major	 							
Maurice Ravel
	I. Allegramente											 (1875–1937)
Iris Hung, piano
May Ling Kwok, piano
Violin Sonata No. 1, Op. 13 in A Major	
	
III. Allegro vivo	 			
	
IV. Allegro quasi presto

	

			
	

	

Gabriel Fauré
(1845–1924)

Aliayta Foon-Dancoes, violin
Frances Armstrong, piano
			
	

Flute Sonata in B minor, BWV 1030						
	
I. Andante									
Cooper Reed, flute
Muzi Xu, piano

	

J. S. Bach
(1685–1750)

			
	

Franz Liszt
(1811–1886)

Partita in A minor for solo flute, BWV 1013
	Sarabande									
	
Bourrée Angloise
Jasmine Riseley, flute

Widmung (Dedication)						
	
									
Emily Armour, piano
Aubade
	
									
Bailey Finley, flute
Theresa Mothersill, oboe
Samuel He, clarinet

J. S. Bach
(1685–1750)

	

Paul de Wailly
(1854–1953)

UPCOMING AT THE SCHOOL OF MUSIC
NOVEMBER 17-18
Orion Series in Fine Arts
Peter Golub, composer
THURSDAY, NOVEMBER 17 | 1–3:45 PM | Free admission
Music and Emotion: A Composer’s Perspective
Golub discusses the links between music and emotion from a composer’s perspective,
deriving from his experience in writing music for film and theatre.
This will include his hypotheses about whether evoked emotional responses to music are learned or intrinsic.
Rm. B120, MacLaurin Building, B-Wing
Lecture: FRIDAY, NOVEMBER 18 | 11:30 AM–12:30 PM | Free admission
Music Technology Meets Hollywood: How technology has transformed the work of a composer
Golub discusses the use of technology and audio engineering in film and television,
how the art has been transformed by technology, and where it is going.
He will also discuss his work as the Director of the Sundance Film Music Program.
Rm. A169, MacLaurin Building, A-Wing

�</text>
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                    <text>�Bridging Time
Chamber Winds Recital

Special Thanks
Conductor, David P. Gagnon
—
Solo Alto Saxophone, Austin Nicholl
Solo Bb Clarinet, Rebecca Hissen

to Dr Gerald King, for your guidance
to the Naden Band, for your support
to Daniella Pilossof, for the amazing design of the poster
to the soloists of the evening, Rebecca Hissen and Austin Nicholl
and especially to the performers for your efforts, musicality &amp; friendship

David P. Gagnon is from the class of Professor, Dr. Gerald King.

This recital is presented in partial fulfillment of the requirements for the
Master of Music in Performance (Conducting).

Reception to follow in the lounge.

Please turn off all cell phone, camera, laptop, and audio &amp; video recording devices.
Their use is strictly prohibited during events.

�Program

Performers

Concerto for Alto Saxophone and Chamber Wind Ensemble
by Zachary Smith
Solo Alto Saxophone, Austin Nicholl

Conductor, David P. Gagnon

Little Threepenny Music (for Wind Ensemble)
by Kurt Weill
1. Overture
2. The Moritat Of Mack The Knife
3. The Instead-of Song
4. The Ballad Of The Easy Life
5. Polly’s Song
5a. Tango-Ballad
6. Cannon Song
7. Threepenny Finale

FLUTE - PICCOLO
Michelle Cox
Gillian Newburn
CLARINET
Rebecca Hissen
Mélanie Paré
William Constable
Marielle Audet
BASS CLARINET
Kylie Flower
Lee Whitehorne
BASSOON
Robyn Jutras
Lee Whitehorne
SOPRANO SAXOPHONE
Barrie Sorensen

INTERMISSION

Ebony Concerto
by Igor Stravinsky
Solo Clarinet, Rebecca Hissen

ALTO SAXOPHONE
Barrie Sorensen
Seán Maynard
TENOR SAXOPHONE
Roy Styffe
Robyn Jutras
Lee Whitehorne
BARITONE SAXOPHONE
Zachary Smith

Prelude, Fugue and Riffs
by Leonard Bernstein
Solo Clarinet, Rebecca Hissen

FRENCH HORN
Collin Lloyd

TRUMPET
Alastair Chaplin
Steve Donegan
Miguel Valdes De La Hoz
Merrie Klazek
John Ellis
TROMBONE
Alon Soraya
Shawn Wright
Marcus Hissen
Robert McNally
EUPHONIUM
Robert Fearnley
TUBA
Paul Beauchesne
ACCORDION
Marielle Audet
PIANO
Olivier Néron-Bilodeau
James Jinkyu
GUITAR
Steve MacDonald
STRING BASS
Ross Macdonald
PERCUSSION
Richard Lang
DJ Lochead

�Program Notes

Program Notes

Concerto for Alto Saxophone and Chamber Wind Ensemble

Ebony Concerto
The score notes indicate that Igor Stravinsky composed this work out of
admiration for Woody Herman’s Big Band and wanted to write for the
ensemble. A different account of the origin of the piece is presented by
the Chicago Tribune which says that a member of Herman’s band met
Stravinsky, had him listen to music from the jazz band and was so
amazed that he wanted to write for it. In the end, a story probably
closer to the reality has Stravinsky’s and Herman’s mutual publisher
arrange for a commission for the composer who was in a difficult
financial situation.

was composed last year by Zachary Smith, then studying composition at
the University of Victoria. The work is divided into four movements
leading into each other in seamless transitions. Different characters are
presented; a flamboyant opening, full of energy and subtleties, lush
melodies over marked gestures surprising the listener; moving into an
almost mechanical feel, very short rhythms, Stravinsky-esque melodic
lines; bringing us into a distant texture, a reflective movement with a
free-flowing melody; followed by a re-exposition and combination of the
material of the first movement, bringing airy ambiences and effects and
ending sparsely, but still hinting at the uneasiness felt previously. For
this performance you will be hearing the saxophonist for which the
concerto was composed, Austin Nicholl.

Little Threepenny Music (for Wind Ensemble)
was rearranged by Kurt Weill on a request from Otto Klemperer, then
conductor of the Kroll Opera in Berlin and soon to become musical
director of the LA Philharmonic. He asked him to create a concert suite
in the tradition of opera suites for winds from Mozart’s day, all being
based on the famous work "Die Dreigroschenoper" (The Threepenny
Opera). The opera is portraying and in a certain way celebrating the
crooks, the vilain, the criminals of the era. Weill composed the music in
1928 to words by Bertolt Brecht. This wind ensemble arrangement
came only one year after the premiere of the original. For the occasion,
Weill did not limit himself to reorchestration. He took the opportunity to
bring in some musical material which he had sketched but proven to be
too hard to sing by the actors of the play. He also modified the order of
the movements.
Over the years, music from "The Threepenny Opera" has become part
of the American popular music culture. One of the most recognizable
theme is "The Moritat Of Mack The Knife", which has been recorded
countless times by many greats as Ella Fitzgerald, Frank Sinatra, Louis
Armstrong and more lately, Sting.

Irrespective of the origin of this work, Stravinsky’s intent was to
compose a jazz-based version of a Concerto Grosso, adding some
instruments not traditionally used in a Big Band. A common
misconception is that the title refers to the solo instrument of the
piece, the clarinet, but the composer’s opinion is different on this
subject. Jazz and blues meant African culture to him and made the title
of the piece reflect this affinity between the musical genre and the
people. The premiere was performed by the Woody Herman Big Band
under the direction of Walter Hendl on March 25, 1946 in Carnegie Hall.

Prelude, Fugue and Riffs
by Leonard Bernstein was commissioned by Woody Herman in 1949.
Unfortunately, the ensemble dissolved before the work was even
finished. The first time the piece was heard was on CBS’ television show
Omnibus on October 16, 1955, where Bernstein was explaining jazz to
the audience. The renowned Benny Goodman performed the solo
clarinet part.
Bernstein introduces a driving brass section in the Prelude, then moves
to the intense and intricate Fugue for saxophones to finally end with the
solo clarinet Riffs, who is then joined by the full ensemble. We can hear
the Bernstein sounds from "West Side Story" and the Stravinsky
influences throughout.

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Austin Nicholl, alto sax&#13;
Rebecca Hissen, clarinet</text>
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