105 10 1498 https://finearts.uvic.ca/music/archive/files/original/0f5f6506d81206c5b388cb574e693ee8.pdf 7d32bceb36828737597458a53355f774 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �Wind Symphony UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Visions of Dance & Light Dr. Gerald King, Conductor David P. Gagnon, Graduate Assistant Conductor Friday, November 25, 2016 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults $20 / Seniors $15 / Students & UVic alumni $10 �PROGRAM Esprit de Corps Luigi Zaninelli Three Dances of Enchantment I. The Via Veneto (Fox Trot) II. He Walks Through the Fair (Waltz) III. The Feast of Saint Rocco (Tarantella) Loch Lomond Robert Jager Frank Tichelli David P. Gagnon, conductor Three Revelations of the Lotus Sutra III. Rejoicing Alfred Reed I NT E R M I S S I O N Liturgical Dances David Holsinger With Each Sunset Richard Saucedo Rolling Thunder Henry Fillmore/F. Fennell Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �BIOGRAPHIES David P. Gagnon Born in Quebec, David studied saxophone and recording at the College de Sherbrooke before graduating from McGill University in Music with Honors in Music Technology. He joined the Canadian Forces Reserve in Sherbrooke in 2003 where he played and eventually conducted until 2012 when he was accepted as a Regular Force member with the Naden Band of the Royal Canadian Navy and moved to Victoria. Since then apart from playing saxophone in the ensemble and as a soloist, you can see him as the Drum Major in front of the Band on parade or in the recording studio when needed. In Quebec, David performed with his saxophone quartet and a variety of big bands and concert bands. He taught saxophone, flute and clarinet and conducted elementary to high school level bands. He also toured Quebec with the well known singer Dan Bigras conducting his big band and performing at the Montreal Jazz Festival. Mr. Gagnon is currently working on a Master of Music Degree in Conducting under the supervision of Dr. Gerald King. Dr. Gerald King Dr. King is Professor of Music at the University of Victoria where he serves as the conductor of the UVic Wind Symphony and is the Head of Music Education. Internationally recognized as one of Canada’s most respected conductors, adjudicators, educators and keynote speakers, Dr. King is the recipient of many prestigious honors and awards. In 2003 he was elected into the prestigious American Bandmasters’ Association, when he served as Guest Conductor of The United States Army Band (Pershing’s Own), in Washington, DC. In 2012 he was appointed as Principal Guest Conductor of the internationally recognized Pacific Symphonic Wind Ensemble in celebration of the ensemble’s 30th anniversary. As well, he received the BC Music Educators’ Association Honorary Life Award and was also inducted into Phi Beta Mu (International Fraternity for Wind Band Conductors). In March 2014 he was chosen to conduct the Ostwald/Sousa award winning composition, Pale Blue on Deep by American composer Aaron Perrine, with the University of South Carolina Wind Ensemble. Also, in 2014, Dr. King was appointed as the International Member of the Western International Band Clinic University Collegiate Advisory Board. In September 2015 Dr. King was inducted as an Honorary Member of the Naden Band of the Royal Canadian Navy. A former student of internationally renowned conductor, Maestro Kazuyoshi Akiyama, Dr. King’s professional career has taken him throughout Canada, the United States, Great Britain, Denmark, Sweden, Holland, Germany, Italy, France, Spain, Japan, Mexico, Hong Kong, Australia, and Switzerland. Dr. King’s conducting appearances with regional, national, international honor, and �professional ensembles have been praised for performance quality, artistry, and creativity. Throughout his career he has been a champion of new music, premiering over 30 compositions. Dr. King is also widely recognized as an expert for his ability to link theory and practice in the field of teaching and learning. Among his many recordings and publications is a chapter in the book, Creativity and Music Education, written by seventeen authors from the United States, Canada, Israel, Australia, Great Britain, Spain, and Scotland. The book includes a forward by noted author on creativity, Mihalyi Csikszentmihalyi. In addition, Dr. King has completed a well-received DVD—The Craft of Conducting. Dr. King is a Yamaha Artist Educator/Conductor. UPCOMING CONCERTS UVIC WIND SYMPHONY University Centre Farquhar Auditorium FRIDAY, FEBRUARY 10 | 8 PM With The Naden Band of the Royal Canadian Navy Changing Currents—Building Community The UVic Wind Symphony (Dr. Gerald King, conductor) & The Naden Band of the Royal Canadian Navy (SLt Vincent Roy, conductor) in concert together. This is the fourth annual collaboration of these two outstanding ensembles—a collaboration that is unique in Canada. The concert promises to be one of Victoria’s finest events of the year. FRIDAY, MARCH 24 | 8 PM Year End Spectacular—2017! Featuring Dr. Julia Nolan, saxophone soloist, the UVic Chorus, and Dr. Gerald King, conductor Internationally renowned guest artist, Dr. Julia Nolan performs Robert Buckley’s Prestidigitation: Concerto for Alto Saxophone and Wind Ensemble. The UVic Chorus joins the Wind Symphony to perform Robert Buckley’s This Is My Home. Also on the program is Barber’s Commando March. �UVIC WIND SYMPHONY PICCOLO Cooper Reed Charmaine Tai ALTO SAXOPHONE I Connor Stairs* II Michael Vielguth FLUTE I Charmaine Tai* Jasmine Riseley II Jillian Broughton Ashley Porter TENOR SAXOPHONE Skye Eriksen OBOE I Hunter Gillis II Theresa Mothersill Janie Sinn CORNET/ TRUMPET Jordan Smale* Emily McDermid* Tark Kim Ja’Nice Irvine Isabelle Spencer E-FLAT CLARINET Erin Onyschtschuk CLARINET I Alina Liang* Channing Mar II Samuel He III Alyshia Joinson Erin Onyschtschuk BASS CLARINET Austin Nicholl Adam Jasieniuk CONTRABASS CLARINET Adam Jasieniuk BASSOON Jesse Dwyer BARITONE SAXOPHONE Matthew Fichter FRENCH HORN I Collin Lloyd* II Sarah Mullane III Drake Lovett IV Allie Bertholm TROMBONE I Heidi Worrall* II William Quinn III Owen Worby IV Grace Timney EUPHONIUM Jason Gordon TUBA Aidan Fentiman PERCUSSION Tamara Nemeth* Kyle MacLean Josh Mulingbayan Cashton McGillivray Brandon Bronson Joel Chia Steven Cramaro Tristan Holleufer TIMPANI DJ Lochead* PIANO James Yi STAGE MANAGERS DJ Lochead Matthew Fichter LIBRARIAN Joé Lampron-Dandonneau POSTER DESIGN Emily McDermid * Principal ��UPCOMING EVENTS SATURDAY, NOVEMBER 26 | 8 PM ($10-$20) UVic Orchestra: Fall Harmonies Ajtony Csaba, conductor Schumann – Konzertstück for Four Horns and Orchestra, Op. 86 featuring UVic Concerto Competition Winners Sam McNally, Collin Lloyd, Sarah Mullane and Justin Malchow Mendelssohn – Symphony No. 4 in A Major “Italian” University Centre Farquhar Auditorium SUNDAY, NOVEMBER 27 | 2:30 PM (Free admission) Orion Series in Fine Arts presents Krisztina Szabó, mezzo-soprano With Arthur Rowe, piano Hungarian-Canadian mezzo-soprano Krisztina Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft. UVic piano professor Arthur Rowe joins Szabó in a performance of Brahms’s Zigeunerlieder (Gypsy Songs) Op. 103 as well as music by Kodály, de Falla, Kálmán, Lehár and Bizet. Phillip T. Young Recital Hall MONDAY, NOVEMBER 28 | 8 PM (Admission by donation) Guitar Class Recital Featuring UVic School of Music guitar students from the studio of Dr. Alexander Dunn. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 29 | 12:30 PM (Admission by donation) Tuesdaymusic A concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 29 | 8 PM (Free admission) Orion Series in Fine Arts presents Chloe Meyers, baroque violin Alexander Weimann, harpsichord Bach and Before World renowned baroque violinist and concertmaster of the Pacific Baroque Orchestra, Chloe Myers will be joined by harpsichordist and conductor Alexander Weimann, in a special recital featuring music of the baroque era up until the time of Bach. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480 / www.tickets.uvic.ca) & at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony Description An account of the resource UVic's Wind Symphony is recognized as one of the premiere performing wind ensembles in the Pacific Northwest. The ensemble is in constant demand to perform at festivals and conferences. Recently, the Wind Symphony represented Canada at the Annual WesternInternational Band Conference in Seattle in November, 2002. As well, the Wind Symphony has been a featured guest ensemble at the B.C. Music Educators' Conference. The Wind Symphony provides opportunities for all wind and percussion players in the School. Its repertoire includes transcriptions of orchestral works, concerti, chamber ensembles, large symphonic band works and new music for the concert band. The Wind Symphony regularly features student, faculty and guest solo artists, and has given numerous Canadian and world premieres of contemporary works. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_Talk1.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_Talk2.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_Talk3.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_Talk4.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-WindSymphony/112516-WindSymphony_07.mp3">Track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wind Symphony - Visions of Dance & Light Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource November 25, 2016 Contributor An entity responsible for making contributions to the resource Dr. Gerald King, conductor David P. Gagnon, graduate assistant conductor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_Talk_01.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_1.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_2.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_3.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_4.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_5.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_6.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_7.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_8.mp3">Track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120416-NewMusicRecital/120416-MUS462562_9.mp3">Track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource New Music Class Recital Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource December 4, 2016 https://finearts.uvic.ca/music/archive/files/original/cba4a0eb28afa62ae79c2899e8c983f1.pdf b89dd5227bf92ff7f606342007a22c49 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Jazz Ensemble Live Music for Silent Film: Charlie Chaplin’s “The Kid” FEATURING: FLUTE Bailey Finley ALTO SAX Jay Beaton Stefan Bichlmaier Evan Chorney Jesse Reid BARITONE SAX Karsten Brewka TENOR SAX Adam Jasieniuk Michael Vielguth TRUMPET Emily McDermid Anthony Shackell TROMBONE Will Quinn DRUMS Myim Bakan-Kline GUITAR Fraser Gibson Hart Parnell ELECTRIC BASS/DIRECTOR Dr. Patrick Boyle Saturday, December 3, 2016 • 8:00 pm Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults $20 / Seniors $15 / Students & UVic alumni $10 �program Notes THE KID (1921) Directed by Charlie Chaplin This concert is an immersive sonic experience. We present a fulllength feature film by Charlie Chaplin. The Kid (1921) was selected for preservation by the Library Congress for being “culturally, historically, or aesthetically significant.” Innovative for its combination of comedic and dramatic elements, The Kid is widely considered one of the greatest films of the silent era. The UVic Jazz Ensemble has composed an original and entirely unique soundtrack to be performed live to this presentation. It has never been performed in exactly this way before, nor will it ever again. In workshop settings, the group created strategies for improvisation that accompany, support, and disrupt the narrative. What we present straddles composition and improvisation. To that end, this score is an example of comprovisation. Comprovisation offers a set of techniques for uniting the composer’s and the player’s approach in making new music together. It draws equally on techniques from written composition and from structured improvisation, distilled from music traditions around the globe. In addition to original compositions and strategies for performance, the group will also incorporate pieces by John Coltrane, Sonny Rollins, Duke Ellington, and others in this live score performance. The running time for the film is 53 minutes. There is no intermission. Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �UPCOMING EVENTS SUNDAY, DECEMBER 4 | 8 PM (By donation) New Music Class Recital The New Music Performance class presents new pieces by UVic composition students written for UVic performance students as well as important works from the 20th and 21st centuries. Phillip T. Young Recital Hall THURSDAY, DECEMBER 8 | 8 PM ($10-$20) Alumni Concert Series Presented by The Canadian Music Centre and the University of Victoria Rudolf Komorous Celebration A concert of distinguished School of Music alumni performing music by legendary Czech-Canadian composer, bassoonist, and teacher Rudolf Komorous, in celebration of his 85th birthday. Rudolf Komorous is a former Director of the UVic School of Music. Phillip T. Young Recital Hall SATURDAY, DECEMBER 10, 1–3 PM (By donation) TubaChristmas Paul Beauchesne, conductor Victoria kicks off the holiday season with the annual TubaChristmas fundraiser. 70 tubas and euphoniums play your Christmas favourites with donations benefitting the Times Colonist Christmas Fund. Market Square (560 Johnson Street) SUNDAY, DECEMBER 11 | 8 PM (By donation) TubaChristmas Reprise Paul Beauchesne, conductor Featuring UVic School of Music tuba and euphonium soloists and ensembles from the studio of Paul Beauchesne. Money raised will benefit UVic tuba and euphonium projects. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480 / www.tickets.uvic.ca) & at the door. � To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Orchestra Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120316-JazzEnsemble/120316-JazzEnsemble_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120316-JazzEnsemble/120316-JazzEnsemble_02.mp3">Track2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jazz Ensemble Creator An entity primarily responsible for making the resource Tyson Foster Date A point or period of time associated with an event in the lifecycle of the resource December 3, 2016 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120216-Fridaymusic/120216-PercFridayMusic_07.mp3">Track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Colin Malloy Date A point or period of time associated with an event in the lifecycle of the resource December 2, 2016 https://finearts.uvic.ca/music/archive/files/original/c0f59ceb894a2b1e49534d6d604916f5.pdf f296f0b6cedd15e233e93cf9a6d89cbd PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents Bach & Before CHLOE MEYERS BAROQUE VIOLIN & ALEXANDER WEIMANN HARPSICHORD Tuesday, November 29, 2016 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission finearts.uvic.ca/music/events �PROGRAM Giovanni Battista Fontana (1571–1630) Sonata Seconda Francesco Rognoni (1570–1626) Diminutions on “Vestiva i Colli” Ciacona Bernardo Storace (1637–1707) Sonata Seconda (from Sonatae unarum fidium) Johann Heinrich Schmelzer (1623–1680) I NT E R M I S S I O N Passacaglia (from Mystery-Sonatas) Chaconne (from Trois Leçons) Heinrich Ignaz Franz Biber (1644–1704) George Frederic Handel (1685–1759) Sonata No. 4 in C minor, BWV 1017 Johann Sebastian Bach Largo (Siciliano), Allegro, Adagio, Allegro (1685–1750) �BIOGRAPHIES CHLOE MEYERS Heralding her beginnings as a true northern Albertan, violinist Chloe Meyers began her training at the age of three with the full intention of catching up to her older sister. Her training followed through the University of Victoria, and then McGill University, where she was introduced to and fell in love with the baroque violin. Chloe now plays a major role in the Montreal and North American early music scene. Chloe is the concertmaster of Vancouver’s prestigious baroque orchestra, Vancouver Pacific Baroque Orchestra, she is the presiding concertmaster of Montreal’s Le Nouvel Opera, and is the first violinist and founding member of Les Voix Baroques. She also plays principal violinist with the Theatre of Early Music, and holds the principal second violin position with the Arion Orchestra in Montreal.With countless tours, concerts, and CDs behind her, Chloe can be heard with record labels ATMA, Deutschland Funk, Analekta, CBC Records, earlymusic.com and on Bravo television. ALEXANDER WEIMANN Alexander Weimann is one of the most sought-after ensemble directors, soloists, and chamber music partners of his generation. After traveling the world with ensembles like Tragicomedia, Cantus Cölln, the Freiburger Barockorchester, the Gesualdo Consort and Tafelmusik, he now focuses on his activities as Artistic Director of the Pacific Baroque Orchestra in Vancouver, and as music director of Les Voix Baroques, Le Nouvel Opéra and Tempo Rubato. Recently, he has conducted the Montreal-based baroque orchestra Ensemble Arion, Les Violons du Roy, and the Portland Baroque Orchestra; both the Orchestre Symphonique de Québec and the Montreal Symphony Orchestra have regularly featured him as a soloist. He has repeatedly conducted the Victoria Symphony and Symphony Nova Scotia. Alexander Weimann can be heard on some 100 CDs. He won worldwide acclaim from both the public and critics for his 2001 release of Handel’s Gloria (ATMA Classique). Volume 1 of his recordings of the complete keyboard works by Alessandro Scarlatti appeared in May 2005 and in the following year it was nominated for an Opus Prize as the best Canadian early music recording. His album with Karina Gauvin and Arion Baroque Orchestra (Prima Donna) won a Juno Award in 2013, and a complete recording of Handel’s Orlando was released in the fall of 2013 with an exciting group of international star soloists and the Pacific Baroque Orchestra. Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112916-Orion_MeyersWeimann/112916-OrionConcertSeries_07.mp3">Track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series presents Bach & Before Date A point or period of time associated with an event in the lifecycle of the resource November 29, 2016 Contributor An entity responsible for making contributions to the resource Chloe Meyers, baroque violin Alexander Weimann, harpsichord https://finearts.uvic.ca/music/archive/files/original/935a1f51f11b153b07ba9c9d3ee75213.pdf edf53a31fcecd573de02688f19fc23ed PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Guitar Class Recital Featuring students from the studio of Dr. Alexander Dunn Monday, November 28, 2016 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation finearts.uvic.ca/music/events �PROGRAM Bachianas Brasileiras No. 5 Ária Heitor Villa-Lobos (1887–1959) arr. R. Dyens Alexander Dunn, Andrei Burdeti, Mikhail Smirnov, Isaiah Brabazon, Douglas Hensley Prelude, BWV 999 J.S. Bach (1685–1750) Dominic Ferreira Three Études: Étude Op. 60, No. 2 Matteo Carcassi (1792–1853) Derek Valenciano Étude Op. 48, No. 8 Mauro Giuliani (1781–1829) Yanick McCoy Étude Op. 60, No. 19 Matteo Carcassi Dante André-Kahan Le Gondolier Op. 65, No. 3 J. K. Mertz (1806–1856) Jackson Tseng Sonata Op. 31, No. 6 Allegro non molto Scherzo — Allegro molto Finale — Allegretto Wenzel Matiegka (1773–1830) Fraser Gibson Variations on a Theme of Cabezón Theme Var. 1 Var. 2 Var. 3 Moderato Var. 4 Più lento Fughetta Dominic Ferriera Manuel Ponce (1882–1948) �Quartet No. 3 “Mishima” (1985) 1957: Award Montage Mishima/Closing Phillip Glass (b. 1937) arr. E. Cormier Simon Farintosh, Isaiah Brabazon, Dominic Ferriera, Josh Amendt-Moylan I NT E R M I S S I O N Estudio sencillo No. 10 Leo Brouwer (b. 1939) Adrian Chen Joaquin Rodrigo (1901–1999) Bajando de la Meseta Isaiah Brabazon Benjamin Britten (1913–1976) Nocturnal after John Dowland Op. 70 1. Musingly 2. Very agitated 3. Restless 4. Uneasy 5. March-like 6. Dreaming 7. Gently rocking 8. Passacaglia 9. Slow and quiet Josh Hu Caprichos de Goya Op. 195 Mario Castelnuovo-Tedesco (1895–1968) Brabisimo! (Bravo!) Obsequio a el Maestro (Gift to the Master) No hubo Remedio (There was no remedy) Simon Farintosh What Matters? Anon/Ulrich/Hetfield arr. Dunn Douglas Hensley, Andrei Burdeti, Mikhail Smirnov, Isaiah Brabazon 1111111 This concert is dedicated to the memory of Roland Dyens – un véritable ami et le génie de la guitare 1955-2016. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_06.mp3">Track06</a><br />(the next two entries in the program were not played)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112816-GuitarClassRecital/112816-GuitarClassRecital_12.mp3">Track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guitar Class Recital Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource November 28, 2016 https://finearts.uvic.ca/music/archive/files/original/17ce8e336e044eca9b3e367c5b6dedaa.pdf 3190016d9d3bf22a442a54e2f6d54249 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents Krisztina Szabó Mezzo-soprano & Arthur Rowe Piano Sunday, November 27, 2016 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission finearts.uvic.ca/music �PROGRAM Zigeunerlieder J. Brahms He! Zigeuner (1833–1897) Hochgetürmte Rimaflut, wie bist so trüb Wisst ihr, wann mein Liebster am besten mir gefällt? Lieber Gott du weisst, wie oft in stiller Nacht Brauner Bursche führt zum Tanze Röslein dreie in der Reihe blühn so roth Kommt dir manchmal in den Sinn, mein süsses Lieb Rote Abendwolken ziehn am Firmament Az hól én elmegyek Z. Kodály A rossz feleség (1882–1967) Kitrákotty mese Magas kösziklának I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Siete Canciones Populares Españolas El paño moruno Seguidilla murciana Asturiana Jota Nana Canción Polo Manual de Falla (1876–1946) Countess Maritza: E. Kálmán Luck is a Golden Dream (1882–1953) Giuditta: F. Lehár Meine Lippen sie Küssen so Heiß (1870–1948) Carmen: G. Bizet Habañera (1838–1875) Seguidilla �TRANSLATIONS Brahms: Zigeunerlieder Translations by Martha Gerhart 1. Hey, gypsy, strike up on the strings! Play the song of the unfaithful girl! Let the strings weep and wail, sadly anxious, Until the hot tears moisten this cheek! 2. High flooding Rima tide, how turbid you are! On the bank, I cry out loud for you, my love! Waves are fleeing, waves are rushing, Roaring up to the shore to me. On the bank of the Rima let me Forever weep for her! 3. Do you know when my dear little child is loveliest of all? When her sweet little mouth jokes and laughs and kisses. Little girl, you are mine; fervently I kiss you. Kind heaven created you only just for me! Do you know when I like my lover best of all? When he holds me closely entwined in his arms. Sweetheart, you are mine; fervently I kiss you. Kind heaven created you only just for me! 4. Dear God, you know how often I have regretted that I once gave my beloved a little kiss. My heart bid that I must kiss him; I shall remember, as long as I live, that first. Kiss. Dear God, you know how often in the still of night I have, in pleasure and pain, thought of my darling. Love is sweet, though bitter also is remorse. My poor heart will remain forever, ever true to him. 5. A swarthy lad leads to the dance his blue-eyed, beautiful dear one. As he boldly clicks his spurs, a Czardas melody begins. He kisses and caresses his sweet little dove, whirls her, leads her, shouts and leaps, and throws three shiny silver guilders on the cimbalom, so that it resounds. 6. Three little roses in a row are blooming so red. For the lad to go visit his girl there is no forbidding! Dear God, if that were forbidden, the beautiful wide world would have ceased to exist long ago. Were it a sin to remain single! The loveliest town in Alföld is Kecskemét; there, there are a good many trim, nice girls. Friends, choose for yourselves there a little bride; woo her for her hand in marriage and establish your household; drink up cups of joy! �7. Do you sometimes recall, my sweet love, what you once, on sacred oath, vowed to me? Deceive me not, leave me not; you don’t know how much I love you. Do you love me as I, you; then God’s grace will pour down upon you! Kodaly (Translations by Krisztina Szabó) Wherever I roam Wherever I roam even the trees are weeping. From their weak branches, the leaves fall. Fall, leaves; hide me, for my sweetheart weepingly searches for me. The road weeps before me, The path grieves, And it says: May God bless you. May God bless you with all goodness, Like the violets in the garden, with their beautiful scents. The Cock-a-doodle Story To the market I went with a hapenny in my hand. A rooster I bought with a hay penny in my hand. My rooster says: Cock-ri-coo! Cock-a-doodle, my sweet rooster And still I have a haypenny in my hand! To the market I went with a haypenny in my hand. A chicken I bought with a haypenny in my hand. My chicken says: cheep, cheep, cheep, my rooster says: Cock-ri-coo! Cock-a-doodle, my sweet rooster And still I have a hay penny in my hand! To the market I went with a hay penny in my hand. A turkey I bought with a hay penny in my hand. My turkey says: Gobble, gobble My chicken says: cheep, cheep, cheep, My rooster says: Cock-ri-coo! Cock-a-doodle, my sweet rooster And still I have a hay penny in my hand! To the market I went with a hay penny in my hand. A lambkin I bought with a hay penny in my hand. My lambkin says: Baa-a, baa-a My turkey says: Gobble, gobble My chicken says: cheep, cheep, cheep, My rooster says: Cock-ri-coo! Cock-a-doodle, my sweet rooster And still I have a hay penny in my hand! To the market I went with hay penny in my hand. A piglet I bought with a hay penny in my hand. My piglet says: Oink, oink, oink My lambkin says: Baa-a, baa-a My turkey says: Gobble, gobble My chicken says: cheep, cheep, cheep, My rooster says: Cock-ri-coo! Cock-a-doodle, my sweet rooster And now, my hay penny is spent! �The Bad Wife “Come home, dearest mother. Father is very ill!” “Wait, my daughter, just a little while. Let me dance a while longer. Soon I will be coming! Just a turn or two more and I will soon be home!” “Come home, dearest mother. Father has had his last confession!” “Wait, my daughter, just a little while. Let me dance a while longer. Soon I will be coming! Just a turn or two more and I will soon be home!” “Come home, dearest mother. Father has died!” “Wait, my daughter, just a little while. Let me dance a while longer. Soon I will be coming! Just a turn or two more and I will soon be home!” “Come home, dearest mother. Father has been buried.” “Oh no! My best sheet! My beautiful, white sheet! Another husband I will get, but not so another good linen. I cannot sew, and a new sheet I cannot make!” High up in the mountains High up in the mountains, from the rocky mountainside grows an antidote to love’s pain. It heals my heart, my weak countenance, and always renews me. Whoever has not felt love Can only find it in dreams. Oh, how beautiful it is More sweet than anything; An unfading rose In whose shadow, in whose fragile shelter my head finds rest. But it departs from me, suddenly it fades -That which gives my life its greatest support. As long as I live, Always my love, will I love you. Though I leave you now, on my heart is written your sacred name. My heart will be in darkness, my soul will weep Until I see you again. May God punish whoever has dealt me such a blow as to tear me away from you. From God in the highest Heaven, may no blessing fall on him. But you, my dearest, may the fidelity of your heart keep you with me forever. De Falla: Siete Canciones Populares Españolas (Translations by Claudia Landivar Cody except “Jota” and “Cancion” by Anne Evans) El paño moruno: The Moorish Cloth On the fine cloth in the store a stain has fallen; It sells at a lesser price, because it has lost its value. Alas! Seguidilla Murciana Who has a roof of glass should not throw stones to their neighbor’s (roof). Let us be muleteers; It could be that on the road we will meet! For your great inconstancy I compare you to a [coin] that runs from hand to hand; which finally blurs, and, believing it false, no one accepts! �Asturiana To see whether it would console me, I drew near a green pine, To see whether it would console me. Seeing me weep, it wept; And the pine, being green, seeing me weep, wept. Jota They say we don’t love each other because they never see us talking But they only have to ask both your heart and mine. Now I bid you farewell your house and your window too and even ... your mother Farewell, my sweetheart until tomorrow. Nana Go to sleep, Child, sleep, Sleep, my soul, Go to sleep, little star Of the morning. Lulla-lullaby, Lulla-lullaby, Sleep, little star of the morning. Canción: Song Because your eyes are traitors I will hide from them You don’t know how painful it is to look at them. “Mother, I feel worthless, Mother.” They say they don’t love me and yet once they did love me “Love has been lost in the air Mother, all is lost It is lost, Mother.” Polo Ay! I keep a... (Ay!) I keep a... (Ay!) I keep a sorrow in my breast, I keep a sorrow in my breast Ay! that to no one will I tell. Wretched be love, wretched, Wretched be love, wretched, Ay! And he who gave me to understand it! Ay! Lehar: My lips, they kiss so hotly (Translation is by Linda Godry) I don’t understand myself, why they keep talking of love, if they come near me, if they look into my eyes and kiss my hand. I don’t understand myself, Why they talk of magic, you fight in vain, if you see me If you pass me by. But if the red light is on In the middle of the night And everybody listens to my song, Then it is plain to see: My lips, they give so fiery a kiss, My limbs, they are supple and white, It is written for me in the stars: Thou shalt kiss! Thou shalt love! My feet, they glide and float, My eyes, they lure and glow, And I dance as if entranced, ‘cause I know! My lips give so fiery a kiss! In my veins runs a dancer’s blood, Because my beautiful mother Was the Queen of dance in the gilded Alcazar1. She was so very beautifull, I often saw her in my dreams, If she beat the tamburine, to her beguiling dance All eyes were glowing admiringly! She reawakened in me, mine is the same lot. I dance like her at midnight And from deep within I feel: My lips, they give so fiery a kiss! My limbs, they are supple and white, It is written for me in the stars: Thou shalt kiss! Thou shalt love! My feet, they glide and float, My eyes, they lure and glow, And I dance as if entranced, ‘cause I know! My lips give so fiery a kiss! �BIOGRAPHIES KRISZTINA SZABÓ In 2016-17 Krisztina Szabó appears as soloist and actor in Canadian Stage/Necessary Angel Theatre’s All But Gone, an innovative new production featuring plays by Samuel Beckett and music by Kaija Saariaho and Garrett Sholdice; as soloist in Messiah with Tafelmusik; as the title role in Rossini’s Cenerentola with Edmonton Opera; as soloist for a world premiere of a work by Gary Kulesha with the NAC Orchestra, Ottawa; as soloist in Mahler’s Symphony No. 2 with Ottawa Symphony Orchestra; as soloist with Music of the Baroque, Chicago; as Sofiya in Tapestry New Opera’s Oksana G; and in recital and masterclass at the University of Victoria, University of Alberta and Mount Allison University. Last season highlights include appearances with the Canadian Opera Company in three leading roles (Thisbe/Arianna/Clorinda) in Pyramus and Thisbe and she reprised the role of Judith in Bartók’s Bluebeard’s Castle with Samuel Ramey for the Colorado Music Festival. In 2015, she was nominated twice for a Dora Award for Outstanding Female Performance for her work with the Canadian Opera Company and with Tapestry Opera. Ms. Szabó is a member of the Voice Faculty at the University of Toronto. ARTHUR ROWE Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist, soloist with orchestra and chamber musician. He has recorded with various artists for the Crystal, ebs, Innova, GM and Fanfare labels. His Schubert recording on the Centaur label (available on iTunes), was reviewed by Fanfare magazine, which said, “Rowe’s reading (of the posthumous B flat Sonata) is one of the most beautiful I have heard… The D. 899 Impromptus are equally impressive…his purling right-hand runs recall Schnabel’s velvety sound…” A highly respected chamber musician, Mr. Rowe regularly collaborates with artists and chamber ensembles across North America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in France, New Zealand, and Yugoslavia. In 2004 The Harrington String Quartet joined forces with Arthur Rowe and William Preucil in New York for a performance of the Chausson Concerto for Violin, Piano and String Quartet, which was reviewed by Harris Goldsmith as a “reading that rivaled the benchmark recordings by Franzescatti/ Casadesus/Pascal, and Heifetz/Sanroma/New Arts”. 2016/17 performances include recitals with William Preucil, Concertmaster of the Cleveland Orchestra, Vancouver’s Vetta Ensemble, and the Dover and Cecilia Quartets, both past winners of the Banff International String Quartet competition. Having previously held positions at the University of Iowa and the University of Western Ontario, Arthur Rowe is Professor of Piano at the University of Victoria and the Artistic Director of the Victoria Summer Music Festival. Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_Talk_01.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_Talk_02.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_Talk_03.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_Talk_04.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112716-Orion_Szabo/112716-OrionSzaboAndRowe_06.mp3">Track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series - Krisztina Szabó Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource November 27, 2016 Contributor An entity responsible for making contributions to the resource Krisztina Szabó, mezzo-soprano Arthur Rowe, piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-GradRecital_Armour/112516_EmilyArmour_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-GradRecital_Armour/112516_EmilyArmour_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-GradRecital_Armour/112516_EmilyArmour_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-GradRecital_Armour/112516_EmilyArmour_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-GradRecital_Armour/112516_EmilyArmour_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Emily Armour Creator An entity primarily responsible for making the resource Alex Klassen Date A point or period of time associated with an event in the lifecycle of the resource November 25, 2016 Contributor An entity responsible for making contributions to the resource Emily Armour, piano https://finearts.uvic.ca/music/archive/files/original/f4c7e96d2616e497fb0e90069a6bcd88.pdf e6be1c41fa9766bcf3e891986bd75d07 PDF Text Text fridaymusic Phillip T. Young Recital Hall, University of Victoria November 25, 2016 • 12:30 p.m. Featuring School of Music composition students 2Ricercars: SoloCello Alex Klassen Alex Klassen, cello everything’s going to be alright Natalie Dzbik, violin Voix céleste Thomas Nicholson, violin Ethan Hill, viola Natalie Dzbik Ethan Hill Julio Lopezhiler, voice Jordie Shier, electonics Julio Lopezhiler Thomas Nicholson, 13 limit justly tuned piano Thomas Nicholson Char (BE)NEATH UPCOMING AT THE SCHOOL OF MUSIC FRIDAY, NOVEMBER 25 TO SUNDAY, NOVEMBER 27 Orion Series in Fine Arts presents Krisztina Szabó, mezzo-soprano Hungarian-Canadian mezzo-soprano Krisztina Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft. Masterclass: FRIDAY, NOVEMBER 25 | 2:30–3:20 PM | Free admission Krisztina Szabó conducts a masterclass with UVic School of Music voice students. Phillip T. Young Recital Hall Concert: SUNDAY, NOVEMBER 27 | 2:30 PM | Free admission With Arthur Rowe, piano UVic professor Arthur Rowe joins Szabó in a performance of Brahms’s Zigeunerlieder (Gypsy Songs), Op. 103 as well as music by Kodály, de Falla, Kálmán, Lehár and Bizet. Phillip T. Young Recital Hall FRIDAY, NOVEMBER 25 | 8 PM | Free Admission Graduating Recital: Emily Armour, piano Pianist Emily Armour presents her Masters of Music graduating recital. Phillip T. Young Recital Hall FRIDAY, NOVEMBER 25 | 8 PM | Adults $20 / Seniors $15 / Students & UVic alumni $10 UVic Wind Symphony Variations of Dance and Light Dr. Gerald King, conductor Repertoire to includes Zanninelli’s Three Dances of Enchantment, Holsinger’s Liturgical Dances, and Reed’s Three Revelations of the Lotus Sutra. University Centre Farquhar Auditorium � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-Fridaymusic/112516_FridayMusic_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-Fridaymusic/112516_FridayMusic_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-Fridaymusic/112516_FridayMusic_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-Fridaymusic/112516_FridayMusic_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112516-Fridaymusic/112516_FridayMusic_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Fridaymusic Creator An entity primarily responsible for making the resource Seán Maynard Date A point or period of time associated with an event in the lifecycle of the resource November 25, 2016 https://finearts.uvic.ca/music/archive/files/original/04b124b63d3c9c51a33f61cce9247e21.pdf 2e8666bbf119f3a38feffc0b7b5fcad3 PDF Text Text DEGREE RECITAL Collin Lloyd, Horn Jany Lu, Season Wang, piano Aliayta Foon-Dancoes, violin Sam McNally, Sarah Mullane, Jus>n Malchow, horn Monday, November 21st, 2016, 8PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Parable VII for Solo Horn Vincent PersicheI (1915-1987) Concerto, Op. 495 Wolfgang Amadeus Mozart I. Allegro Moderato (1756-1791) Jany Lu, piano Rêverie, Op. 24 Alexander Glazunov (1865-1936) Season Wang, piano — INTERMISSION — Overture to The Magic Flute Wolfgang Amadeus Mozart (1756-1791) Sam McNally, Sarah Mullane, Jus>n Malchow, horn Trio, Op. 40 Johannes Brahms III. Adagio Mesto (1833-1897) IV. Allegro con Brio Aliayta Foon-Dancoes, violin Jany Lu, piano Collin Lloyd is from the class of Professor Kurt Kellan. This recital is presented in parAal fulfillment of the requirements for the Bachelor of Music (Performance) program. RecepAon to follow in the Lounge. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112116-DegreeRecital_Lloyd/112116_CollinGradRecital_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112116-DegreeRecital_Lloyd/112116_CollinGradRecital_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112116-DegreeRecital_Lloyd/112116_CollinGradRecital_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112116-DegreeRecital_Lloyd/112116_CollinGradRecital_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112116-DegreeRecital_Lloyd/112116_CollinGradRecital_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Collin Lloyd Creator An entity primarily responsible for making the resource Seán Maynard Date A point or period of time associated with an event in the lifecycle of the resource November 21, 2016 Contributor An entity responsible for making contributions to the resource Collin Lloyd, horn