104 10 1498 https://finearts.uvic.ca/music/archive/files/original/a9b9579ead19cc76f8240f6598b8538c.pdf ede42663f03fc57aa97ba44324f14acd PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents LORNA MCGHEE FLUTE Saturday, January 21, 2017 Masterclass: 10:15 a.m.–11:45 a.m. Concert: 12 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Masterclass: Gillian Newburn Variations sur ‘Nel cor più’, Op.4 Theobald Boehm Alanna Kazdan Sonata Appassionata, Op.140 Sigfrid Karg-Elert Cooper Reed Flute Sonata in B minor, BWV 1030 Jasmine Riseley Syrinx J. S. Bach Claude Debussy S H O RT B R E A K Concert: Sonata BWV 525 i. Allegro ii. Adagio iii. Allegro Le Moment de Cristal East Wind Fantasie Op. 55 Johann Sebastian Bach (1685–1750) (arr. Kirchner) Yuko Uebayashi Schulamit Ran (b.1949) Carl Frühling (1868–1937) Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �BIOGRAPHY Scottish-born Lorna McGhee was appointed principal flute of the Pittsburgh Symphony Orchestra in 2012. Known for her “exceptionally rich and vibrant tone” (Washington Post) Lorna has performed as guest principal with Chicago Symphony, Minnesota Orchestra, London Symphony, London Philharmonic, Academy of St-Martin-in-the-Fields, Chamber Orchestra of Europe and has been fortunate to work with conductors such as Haitink, Gergiev, Rattle, Solti, Harnoncourt, Muti and Honeck. Before immigrating to North America in 1998, Lorna was co-principal flute of the BBC Symphony Orchestra, England. As a soloist, she has given concerto performances with the London Symphony Orchestra, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra in the UK and Manitoba Chamber Orchestra, Toronto Philharmonia, and Victoria Symphony in Canada and the Nashville Chamber Orchestra, Oregon Bach Festival Orchestra, San Luis Obispo Symphony and Pittsburgh Symphony Orchestra in the USA. Career highlights include a performance of Penderecki’s flute concerto with the Oregon Bach Festival Orchestra under the baton of the composer in 2004 and more recently, a performance of the Nielsen Flute Concerto with the Pittsburgh Symphony in 2014 with Maestro Tortelier. As a chamber musician and recitalist, she has performed in Europe, North America, Australia, Singapore and Japan in such venues as London’s Wigmore Hall, Edinburgh International Festival, the Louvre, Paris, the Schubertsaal of Vienna’s Konzerthaus, Ottawa International Chamber Music Festival and the Australian Festival of Chamber Music. Her performances have been broadcast on CBC Radio in Canada, BBC Radio, NPR (USA), Netherlands Radio and ABC (Australia). She has made chamber music recordings for EMI, Decca ASV, Naxos and Meridian. Her recording for Naxos of Bax’ Chamber Music with the group ‘mobius’ was selected as Editor’s Choice in Gramophone Magazine. Along with Duo partner Heidi Krutzen, Lorna has released two CDs on Skylark Music: “Taheke, 20th century Masterpieces for flute and harp” and “Canada, New Works for flute and harp.” As a member of Trio Verlaine (with her husband, violist David Harding and harpist, Heidi Krutzen) Lorna has recorded two CDs: “Fin de Siècle,” the music by Debussy and Ravel, and “Six Departures”, featuring works by Bax and Jolivet as well as new commissions by Schafer and Cotton. Both the Trio and Duo are committed to broadening the repertoire and have contributed eight new commissions to date. Lorna’s first flute and piano recital disc, “ The Hour of Dreaming” with pianist Piers Lane was released on the Beep label in 2014. Having taught at the University of Michigan and the University of British Columbia, Lorna is now a member of the flute faculty at Carnegie Mellon University. She has given master classes at universities, conservatoires and flute festivals in the UK, USA, Japan and Canada, including Julliard School and the Royal Academy of Music. She often teaches at summer schools, including the Pender Island Flute Retreat, the William Bennett International Summer School, and the Galway Flute Festival. Lorna studied with David Nicholson in Scotland, and with Michie and William Bennett at the Royal Academy of Music, London. She is an honorary “Fellow of the Royal Academy of Music.” “Her range of colors was astonishing, not only golden and silvery, but ranging from cool to edgy to filled with human warmth.” Nielsen Concerto, Pittsburgh Symphony, (Pittsburgh Tribune Review) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_1.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_2.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_3.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_4.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts - Lorna McGhee Creator An entity primarily responsible for making the resource Trevor Naumann Date A point or period of time associated with an event in the lifecycle of the resource January 21, 2017 https://finearts.uvic.ca/music/archive/files/original/7940eece04d20f0d79611bc4e347fc98.pdf bf23db78d486181ba1921766b256ec6a PDF Text Text Jay Beaton Karsten Brewka Jesse Reid Todd Morgan SECOND YEAR Matthew Fichter Kayla Izon Michelle Melnicky Michael Vielguth THIRD YEAR Skye Ericksen Connor Stairs FOURTH YEAR Stephen Cramaro UNIVERSITY OF VICTORIA SAXOPHONE CLASS RECITAL FIRST YEAR 2 0 1 7 �UNIVERSITY OF VICTORIA SCHOOL OF MUSIC SAXOPHONE CLASS RECITAL 2pm • January 21, 2017 Students from the Class of Wendell A. Clanton assisted by pianists from the School of Music and the community. 1 6 Concertino by Jean-Baptiste Singelée Karsten Brewka & Michelle Melnicky 7 Grave & Allegro from Sonata #1 by G.F. Handel Todd Morgan & Maureen Chow Closing In from Escapades by John Williams Matthew Fichter & Joy Keeler 2 Vif from Scaramouche by Darius Milhaud Jay Beaton & Joy Keeler 3 2nd Movement from Concerto by Ida Gotkovsky Stephen Cramaro & Matthew Poon 4 Valse Vanité by Rudy Wiedoeft Kayla Izon & Katie Lundin 5 Fantaisie sur Il Pleut, Il Pleut, Bergère by P. A. Genin Jesse Reid & Emily Markwart INTERMISSION 8 Kuku by Barry Cockroft Connor Stairs 9 Aeolian Song from Concertino by Warren Benson Skye Ericksen & Michelle Melnicky 10 Fantaisie sur un Thème Original by Jules Demersseman Michael Vielguth & Ethan Hill 11 Allegro ma non troppo from Divertissement by Roger Boutry Michelle Melnicky & Vanessa Lee � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012117-SaxophoneClassRecital/012117-SaxophoneClassRecital_12.mp3">Track12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saxophone Class Recital Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource January 21, 2017 https://finearts.uvic.ca/music/archive/files/original/1e01eb84222032acfd395bfa5de816a6.pdf 34b793a27b1e5db1794c93bbca30c194 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria . �Piano Class UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Recital Featuring students from the studio of Bruce Vogt Sunday, January 22, 2017 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation finearts.uvic.ca/music/events �PROGRAM Two Sonatas: K. 430 in D Major K. 294 in D Major Domenico Scarlatti (1685–1757) Nancy Xu Arabeske in C Major, Op. 18 (1839) Robert Schumann (1810–1856) Aya Robertson Scottish Legend (1903) Amy Beach (1867–1944) Bonnie Leung Impromptu in F-sharp Major, S. 191 (1872) Franz Liszt (1811–1886) Matthew Sabo Poem in Op. 32, No. 1 in F-sharp Major (1903) Aleksander Skryabin (1872–1915) James Zhang Fantasie in C Major, Op. 17 (1836–39) i. To be played passionately and with fantasy throughout Frances Armstrong-Douglas I NT E R M I S S I O N R. Schumann �Two Sonatas: K. 546 in G minor K. 547 in G Major D. Scarlatti Maureen Chow Romance oubliée (1880) F. Liszt Alec Faris Two Mazurkas: Op. 6, No. 5 in C Major (1830) Op. 24, No. 3 in A-flat Major (1835) Frédéric Chopin (1810–1849) Carol Zhang Intermezzo, Op. 116, No. 4 in E Major (1892) Johannes Brahms (1833–1897) Gowan McQuarrie Two Pieces from Op. 49 (1905): Etude in E-flat Major Prelude in F Major Nicole Lavallee Preludio – All’ Ungherese (1926) Ethan Hill from Mikrokosmos, Book 6 (1932-9): Minor Seconds, Major Sevenths Ostinato Thomas Nicholson A. Skryabin Béla Bartók (1881–1945) B. Bartók Two Song Transcriptions: George Gershwin The Man I Love (1898–1937) I Got Rhythm Season Wang � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_06.mp3">Track06</a> (tech fault- a clip at 8:15 was removed)<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_12.mp3">Track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012217-PianoRecital_Vogt/012217-PianoClassRecital_13.mp3">Track13</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Class Recital - Bruce Vogt Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource January 22, 2017 https://finearts.uvic.ca/music/archive/files/original/74ad221b1389dcc95fd89cafee0fea05.pdf 8637e3234828af818e5dc65f0cbb30bd PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC FACULTY CONCERT SERIES Deep in the Groove PATRICK BOYLE trumpet & guitar TONY GENGE Hammond B-3 organ KELBY MACNAYR drums With PHIL DWYER saxophone Saturday, January 21, 2017 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $20 / Seniors: $15 / Students & UVic alumni: $10 �PROGRAM NOTES This concert will be in two 45-50 minute halves, with a short intermission. Selections will be announced from the stage. A note from Patrick Boyle: Thank you for making this concert a part of your life. This performance and the week leading up to represent an exciting step forward for jazz at UVic. We were thrilled to enjoy the talents of Tony, Kelby and Phil around the halls this week. These gentlemen are among the finest jazz musicians Canada has produced and they hold strong ties to Vancouver Island and UVic in particular. Learning jazz music, indeed all music, only works when you immerse yourself in the music and people who make it, and none of that comes from a textbook. We have been lucky to stand near the flame of these incredible players this week. Also, this special concert is a warm and loving “welcome back” to UVic for music alumni Tony Genge and Kelby MacNayr, and also to Phil Dwyer who has returned to UVic to work on his law degree. Please sit back, relax, and let yourself fall deep in the groove. Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �BIOGRAPHIES PATRICK BOYLE (trumpet and guitar) Newfoundland trumpeter Dr. Patrick Boyle embodies the jazz spirit by synthesizing a range of influences into a compelling original musical voice. CBC Radio has called him a “trumpet personality” and “one of Canada’s top trumpet players and jazz musicians in general.” Patrick is Associate Professor of Jazz Studies at the University of Victoria where he teaches courses in theory, history, music business, music education and performance. An in-demand sideman unbound by genre, Patrick appears on over 50 recordings on trumpet and guitar, including 3 critically acclaimed solo recordings. Patrick performed at Carnegie Hall with tabla virtuoso Zakir Hussain and drummer Steve Smith. He has also played with Duane Andrews, Great Big Sea, Mickey Dolenz, Bill Frisell, and Fred Penner among others. Patrick composed the music to the play Colony of Unrequited Dreams, based on the acclaimed novel by Wayne Johnston and directed by Head of English Theatre Jillian Keiley, which opens at the National Arts Centre in Ottawa on January 27, 2017. He also co-composed the score for the NFB film 54 Hours about the 1914 sealing disaster off the coast of Newfoundland. In 2010, he was commissioned by the CBC to compose and record Well Enough Alone, a multi-movement suite acknowledging the 60th anniversary of Newfoundland’s confederation with Canada. Patrick is currently documenting the history of jazz music in Newfoundland. After Forgetting, a new vinyl record with Bill Brennan, Mike Downes, and Mike Billard, will be released in 2017. PHIL DWYER (saxophone) Originally from Canada’s West Coast, Phil Dwyer burst on the jazz scene in Canada and internationally in his late teens as a saxophone prodigy and by his early 20s was, to quote former Globe and Mail journalist Mark Miller, “startling jazz audiences with his unprecedented command of both tenor saxophone and piano” and with his “extraordinarily authoritative playing….set the country on it’s ear”. His full time music career started in 1985 and from 1989-2004 Dwyer lived in Toronto, where he was a key fixture in the major jazz clubs, concert halls and recording studios. During that time Dwyer led his own various groups and co-led bands with bassist Dave Young, multi-instrumentalist and composer Don Thompson, and pianist/organist Doug Riley. Bassist Young, well known for his long tenure with Oscar Peterson, had this to say about working with Dwyer…..”Phil Dwyer, in my estimation, is one of the great tenor players of jazz. We worked together in several groups while Phil lived in Toronto and he always brought fantastic energy and creativity to the musical setting �we were involved in. He is a complete musician — a pianist and composer/arranger as well as a reed player. It would be difficult to over estimate the natural talent and commitment of this artist.” While keeping a busy schedule as a performer and ‘first-call’ studio musician in the Toronto scene Phil also found time to travel and perform across North America, Europe, South America, and Asia, including tours with pop music icon Gino Vannelli, trumpet star Ingrid Jensen and with his own groups. In the mid-1990s Dwyer began developing his craft as a composer and arranger, studying composition and orchestration with the eminent composer Michael Colgrass. Subsequent to those studies Dwyer’s work was commissioned and recorded by the Gryphon Trio, Amici, Roberto Occhipinti, CBC Orchestra, Manitoba Chamber Orchestra, Hard Rubber Orchestra, the Art Of Time Ensemble and Duke Trio. A 2010 commission from Mark Fewer and McGill University led to the creation of a major work “Changing Seasons”, a 40 minute concerto for jazz and string orchestras accompanying violin soloist Fewer. The 2011 recording of that piece, featuring Fewer with the Phil Dwyer Orchestra, won a Juno Award for Best Contemporary Jazz Album. Among other Juno winning recordings in Dwyer’s discography are collaborations with Guido Basso, Don Thompson, Molly Johnson, Hugh Fraser, Joe Sealy, Terry Clarke, Diana Panton, and Dave Young. As evidenced by his Order of Canada citation, Dwyer has also been active as an educator. In addition to his work from 1989-2001 as a sessional instructor at York University in Toronto he has also been a guest lecturer/clinician for leading music music programs in Canada, the U.S., and Europe. From 2005-2014 he owned and operated the Phil Dwyer Academy Of Musical And Culinary Arts on Vancouver Island. This innovative program brought together some of Canada’s top young music students with an illustrious faculty comprised of many of the leading names in contemporary jazz music. In the fall of 2014 Dwyer entered his first year of studies in the Faculty of Law at University of New Brunswick. He continues to remain active as a musician and also as an advocate for increased public awareness of mental health issues. TONY GENGE (Hammond B3 organ) Canadian composer and pianist Anthony (Tony) Genge was born in Vancouver in 1952. He worked as a performer of jazz and rhythm and blues for a number of years before studying composition formally. Genge was a student of Morton Feldman between 1982 and 1985, completing a Ph.D. in composition at the State University of New York at Buffalo. He also studied composition with Bruce Mather at McGill University and Martin Bartlett and Rudolf �Komorous at the University of Victoria. In 1979, he studied with the Japanese composer Jo Kondo in Tokyo. During this time he also visited several Pacific-Rim countries, studying their traditional music. By the 1990s, the style and influences in his music had become increasingly diverse, and since that time his music has been characterized by its distinctive harmonic language, elegant orchestration and postmodern mix of musical elements. Genge’s solo, chamber, and orchestral music, the first of which dates from the mid-1970s, has been performed and commissioned by leading soloists and ensembles throughout Canada, the United States, Europe and Japan, and his music has also been used for dance and film. Currently, he divides his time between Antigonish, Nova Scotia on the East Coast of Canada, where he is Professor of Music at St. Francis Xavier University, and Victoria, B.C., on the Canadian West Coast. In addition to his work as a composer, Genge continues to perform and record as a jazz pianist and can be heard on his critically acclaimed jazz trio recording Blues Walk. KELBY MACNAYR (drums and cymbals) Drummer/composer/band-leader Kelby MacNayr performs groundbreaking original music, soulful swinging jazz, reaching contemporary music and traditional music from around the world. A dynamic and creative musician MacNayr performs in Canada and abroad with leading musicians from New York, Seattle, Portland, Vancouver, Montreal, Toronto & Europe. A faculty member of the renowned Jazz Port Townsend Festival under director John Clayton, staff at the Lionel Hampton International Jazz Festival, Kelby is continually reinventing himself as a performer, composer and educator. In November 2013 the Kelby MacNayr Quintet released the much-anticipated album The Measure of Light featuring Phil Dwyer, Dan Lapp, Miles Black & Tom Wakeling. Recent concert highlights include performances with Larry Fuller, John Clayton, George Colligan, Geoffrey Keezer and more. Born and raised on Canada’s west coast, Kelby is connected to the small but mighty musical community in his home-town, a great and varied musical community across the country and an ever-changing world of musicians in the Pacific Northwest, and across the US. His passion for the human-element in music-making has fostered a love of numerous world-music traditions as well as artists of all styles and mediums. �Dmitri Shostakovich: The Complete String Quartets February 3–9, 2017 The Lafayette String Quartet celebrates its 30th anniversary with the complete cycle of Shostakovich’s 15 String Quartets. FRIDAY, FEBRUARY 3 Nos. 1, 2, 3 SATURDAY, FEBRUARY 4 Nos. 4, 5, 6 MONDAY, FEBRUARY 6 Nos. 7, 8, 9 WEDNESDAY, FEBRUARY 8 Nos. 10, 11, 12, 13 THURSDAY, FEBRUARY 9 Nos. 14, 15 © s van aE d Lin All concerts at 8 PM 7 PM Pre-concert talks by visiting scholars Phillip T. Young Recital Hall, MacLaurin Building, B-Wing, University of Victoria UVIC ORDER YOUR TICKETS TODAY! Single tickets: $25 / 5 concert festival pass: $100 UVic Ticket Centre: 250.721.8480 / tickets.uvic.ca finearts.uvic.ca/music is Dav �UPCOMING EVENTS SUNDAY, JANUARY 22 | 2:30 PM (By donation) Piano Class Recital Featuring UVic School of Music piano students from the studio of Bruce Vogt. Phillip T. Young Recital Hall FRIDAY, JANUARY 27 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments. Phillip T. Young Recital Hall FRIDAY, JANUARY 27 | 8 PM ($10-$20) UVic Orchestra Zsolt Nagy, guest conductor Ernst von Dohnanyi – Symphonic Moments Barber – Knoxville: Summer of 1915, Op. 24 UVic Concerto Competition Winner Margaret Lingas, soprano Julio Lopezhiler – Water, stanzas Premiere performance, Winner of the 2016 UVic Composers’ Competition Dvořák – Carnival ouverture, Op. 92 University Centre Farquhar Auditorium TUESDAY, JANUARY 31 | 12:30 PM (By donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments. Phillip T. Young Recital Hall WEDNESDAY, FEBRUARY 1 | 6:30 PM (By donation) Annual Solo Bach Competition Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury will elect three prizewinners and the audience has the opportunity to vote for the Audience Prize. Come and vote for your favourite! Phillip T. Young Recital Hall FRIDAY, FEBRUARY 3 | 12:30 PM (By donation) Fridaymusic Featuring School of Music string students. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-01.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-02.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-03.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-04.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-05.mp3">Talk5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-06.mp3">Talk6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-07.mp3">Talk7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-08.mp3">Track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-Talk-08.mp3">Talk8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/faculty/012117-FacultyConcert_Boyle/012117-BoyleFaculty-09.mp3">Track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Deep in the Groove Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource January 21, 2017 Contributor An entity responsible for making contributions to the resource Patrick Boyle, trumpet & guitar Tony Genge, Hammond B-3 organ Kelby MacNayr, drums Phil Dwer, saxophone https://finearts.uvic.ca/music/archive/files/original/550fb0ec5e958c6494f3f7d5ed059e3e.pdf fcdf526f3988aa0c1d88d65c1e7f4a01 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents MELIA WATRAS VIOLA & MICHAEL JINSOO LIM VIOLIN Friday, January 20, 2017 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Lament for viola solo (2016) Melia Watras (b. 1969) Luminous Points for violin solo (2013) Melia Watras Esther for violin and viola (2008) Passacaglia, from Viola Sonata, Op. 11, No. 5 Atar Arad (b. 1945) Paul Hindemith (1895–1963) I NT E R M I S S I O N Liquid Voices for violin and viola (2013) Melia Watras Duo in B-flat major for violin and viola, K. 424 Adagio-Allegro Andante cantabile Tema con variazioni W. A. Mozart (1756–1791) Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �PROGRAM NOTES Melia Watras: Lament for viola solo (2016) Lament was written for the memorial service of my father, Joseph Watras, who passed away in 2016 after battling cancer. It is impossible for me to express how much my father meant and continues to mean to me and my music. Joseph Watras was a philosophical man, and following his lead, I began to think of the loss we all experience as human beings when we lose someone close to us. The piece became not only a lament for him, but an expression of a shared sense of mourning that we all feel as part of humanity. —Melia Watras Melia Watras: Luminous Points for violin solo (2013) I began with the image of a mysterious, secret garden, where the night sky, brilliantly studded with unending stars, is reflected in a pond. The sky becomes the water and the water the sky. I wrote Luminous Points for violinist Michael Jinsoo Lim, hoping to imbue the work with his gentle character and molto dolce E string playing. —Melia Watras Atar Arad: Esther for violin and viola (2008) My late mother, Esther, to whom this music is dedicated, was born in Bulgaria to a Sephardic family before moving to Israel at a very young age. I remember her as a woman who could never stop singing: joyful and lively Bulgarian songs for the benefit and delight of her family and friends (hence the inspiration for my Toccatina), or melancholic, tender, sweet Sephardic tunes while on her own, mostly when working on her paintings (she was a well known artist). Esther, I believe, is a brief nostalgic reflection on my childhood and the music I used to hear a long time ago. —Atar Arad Melia Watras: Liquid Voices for violin and viola (2013) Liquid Voices takes its inspiration from Virginia Woolf ’s short story, The Fascination of the Pool. Woolf has been a profound, influential and special author to me. Her experimental nature and ever-changing writing style make her elusive. She was lyrical, poetic and forward thinking. I was taken with the story’s fluidity, imagery and depth, which helped shape the structure and basic concept for my piece: voices floating on top of each other. The pitch centers of Liquid Voices are taken from the harmonic series played by the violin in the first few measures of the work. —Melia Watras �BIOGRAPHIES MEILA WATRAS Hailed by Gramophone as “an artist of commanding and poetic personality” and described as “staggeringly virtuosic” by The Strad, violist Melia Watras has distinguished herself as one of her instrument’s leading voices. She has performed in major venues such as Carnegie Hall, Weill Recital Hall, and Alice Tully Hall, while achieving acclaim as an important recording artist. Watras has recorded 5 albums, while performing on 13 others as a chamber musician. Recent and upcoming highlights include the release of her latest disc from the Sono Luminus label, 26, which features world premiere recordings of her own compositions, and video projects with violist Garth Knox (performing with Knox on his duos, Viola Spaces for Two) and video artist Ha Na Lee. Watras’s discography has received considerable attention and praise from the media. Ispirare, which features the world premiere recording of Pulitzer Prize-winner Shulamit Ran’s Perfect Storm (a piece that was written for Watras), made numerous Best of 2015 lists, including the Chicago Reader’s (“Watras knocked the wind out of me with the dramatically dark beauty of this recording”). Short Stories was a Seattle Times Critics’ Pick, with the newspaper marveling at her “velocity that seems beyond the reach of human fingers.” Of her debut solo CD (Viola Solo), Strings praised her “stunning virtuosic talent” and called her second release (Prestidigitation) “astounding and both challenging and addictive to listen to.” As a composer, Watras’s music has been performed in New York City, Chicago, Seattle, Bloomington (IN), Denmark and Spain, by artists such as violist Atar Arad, cellist Sæunn Thorsteinsdóttir and violinist Michael Jinsoo Lim, and has been recorded for two upcoming CDs. With the Corigliano Quartet, Watras has concertized and recorded extensively, with the ensemble’s Naxos label CD being named one of the Ten Best Classical Recordings of the Year by The New Yorker. She is violist of Frequency, for whom she has also composed, and a member of Open End, with whom she has performed in France, Denmark and the United States and recorded for Albany Records. Watras studied with Atar Arad at Indiana University and served as a teaching assistant to the Juilliard String Quartet while at the Juilliard School. She is currently Professor of Viola and chair of Strings at the University of Washington School of Music, where she holds the Adelaide D. Currie Cole Endowed Professorship and was previously awarded the Donald E. Petersen Endowed Fellowship and the Royalty Research Fund. Watras has given viola and chamber music classes at schools such as Indiana University, Cleveland Institute of Music, Strasbourg Conservatoire (France), and Chosun University (South Korea). She has thrice returned to her alma mater, Indiana, to teach as a guest professor. �MICHAEL JINSOO LIM Violinist Michael Jinsoo Lim has been praised by Gramophone for playing with “delicious abandon” and described as “bewitching” by the Seattle Times. He is concertmaster and solo violinist of the Pacific Northwest Ballet Orchestra (“surely the best ballet band in America”—New York Times) and is in-demand as a chamber musician and performer of new music. Hailed by the Los Angeles Times as a “conspicuously accomplished champion of contemporary music” for his work as co-founder of the renowned Corigliano Quartet, Lim is also artistic director and violinist of the Seattle-based ensemble Frequency. Recent performance highlights include the world premiere of Andrew Waggoner’s violin concerto (written for Lim), live performances on Danish Public Radio and appearances as soloist for the Stravinsky violin concerto at New York’s City Center, as part of Pacific Northwest Ballet’s 2016 NYC tour. Lim’s 2016-17 season will include performances of concertos by Prokofiev and Stravinsky with PNB. As a member of the Corigliano Quartet, Lim has won numerous awards, including the Grand Prize at the Fischoff Chamber Music Competition and the ASCAP/CMA Award for Adventurous Programming, and has performed in the nation’s leading music centers, including Carnegie Hall, Weill Recital Hall, and the Kennedy Center. The quartet’s Naxos label CD was honored as one of The New Yorker’s Ten Best Classical Recordings of the Year. As a theater artist, Lim appeared in director Nick Schwartz-Hall’s Tempo of Recollection, a show about composer Erwin Schulhoff, and served as music consultant for Seattle Repertory Theatre’s production of Opus, directed by Braden Abraham. Lim has performed onstage with Pacific Northwest Ballet in George Balanchine’s Duo Concertante and Christopher Wheeldon’s After the Rain. Lim has also worked as a record producer on three critically acclaimed albums by violist Melia Watras and co-producer on a fourth. Lim attended Indiana University, where he was a pupil of the legendary Josef Gingold. He later studied chamber music at the Juilliard School and taught there as an assistant to the Juilliard String Quartet. He currently serves on the faculty of Cornish College of the Arts. Lim has recorded for Naxos, DreamWorks, Albany, Bridge, CRI, Bayer Records, RIAX and New Focus, and has been heard on NPR programs such as Performance Today and All Things Considered. �Dmitri Shostakovich: The Complete String Quartets February 3–9, 2017 The Lafayette String Quartet celebrates its 30th anniversary with the complete cycle of Shostakovich’s 15 String Quartets. FRIDAY, FEBRUARY 3 Nos. 1, 2, 3 SATURDAY, FEBRUARY 4 Nos. 4, 5, 6 MONDAY, FEBRUARY 6 Nos. 7, 8, 9 WEDNESDAY, FEBRUARY 8 Nos. 10, 11, 12, 13 THURSDAY, FEBRUARY 9 Nos. 14, 15 © L a ind ns Eva All concerts at 8 PM 7 PM Pre-concert talks by visiting scholars Phillip T. Young Recital Hall, MacLaurin Building, B-Wing, University of Victoria UVIC ORDER YOUR TICKETS TODAY! Single tickets: $25 / 5 concert festival pass: $100 UVic Ticket Centre: 250.721.8480 / tickets.uvic.ca finearts.uvic.ca/music is Dav �UPCOMING EVENTS SATURDAY, JANUARY 21 (Free admission) Orion Series in Fine Arts presents Lorna McGhee, flute Known for her “exceptionally rich and vibrant tone” (Washington Post), Scottish-born flutist Lorna McGhee has been principal flute of the Pittsburgh Symphony Orchestra since 2012. Masterclass: 10:15 AM–11:45 AM | Phillip T. Young Recital Hall Concert: 12 PM | Phillip T. Young Recital Hal Performing J.S. Bach’s Sonata BWV 525, Le Moment de Cristal by Yuko Uebayashi, East Wind by Schulamit Ran and Carl Frühling’s Fantasie Op. 55. Reception to follow SATURDAY, JANUARY 21 | 2:30 PM (By donation) Saxophone Class Recital Featuring saxophone students from the studio of Wendell Clanton. Phillip T. Young Recital Hall SATURDAY, JANUARY 21 | 8 PM ($10-$20) Faculty Concert Series Deep in the Groove: Organ Jazz with the Patrick Boyle/Tony Genge Trio Patrick Boyle, trumpet/guitar Tony Genge, Hammond B3 organ Kelby MacNayr, drums With Phil Dwyer, saxophone A concert of classic compositions by organ giants Jack McDuff and Jimmy Smith, as well as original compositions. Let’s get deep in the groove! Phillip T. Young Recital Hall SUNDAY, JANUARY 22 | 2:30 PM (By donation) Piano Class Recital Featuring UVic School of Music piano students from the studio of Bruce Vogt. Phillip T. Young Recital Hall FRIDAY, JANUARY 27 | 12:30 PM (By donation) Fridaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_Talk_01.mp3">Talk</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012017-Orion_WatrasLim/012017-OrionWatrasLim_06.mp3">Track6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts - Melia Watras and Michael Jinsoo Lim Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource January 20, 2017 Contributor An entity responsible for making contributions to the resource Melia Watras, viola Michael Jinsoo Lim, violin Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/120816-AlumniConcert_Komorous/120816-KomorousCelebration_Talk_01.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120816-AlumniConcert_Komorous/120816-KomorousCelebration_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120816-AlumniConcert_Komorous/120816-KomorousCelebration_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120816-AlumniConcert_Komorous/120816-KomorousCelebration_Talk_02.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120816-AlumniConcert_Komorous/120816-KomorousCelebration_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120816-AlumniConcert_Komorous/120816-KomorousCelebration_04.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alumni Concert Series - Rudolf Komorous Celebration Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource December 8, 2016 Contributor An entity responsible for making contributions to the resource Cathy Fern Lewis, voice Mary Byrne, flute & alto flute Erin Marks, oboe Heather Roche, clarinet & bass clarinet Tyson Doknjas, violin Alasdair Money, cello Alex Rempel, bass Tzenka Dianova, piano Carlie Graham, percussion Christopher Butterfield, percussion Owen Underhill, conductor Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_07.mp3">Track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/121116-TubaXmasReprise/121116_TubaXmasReprise_08.mp3">Track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tuba Christmas Reprise Creator An entity primarily responsible for making the resource Alex Klassen Date A point or period of time associated with an event in the lifecycle of the resource December 11, 2016 Contributor An entity responsible for making contributions to the resource Paul Beauchesne, conductor https://finearts.uvic.ca/music/archive/files/original/553a1066a3fcbf82125857072071fc41.pdf 774dba2325d56feaa0a1eff1cd9c3ce2 PDF Text Text DEGREE RECITAL Betty Allison, voice Frances Armstrong-Douglas, piano Aliayta Foon-Dancoes, violin Shiun Kim, cello 11, 1, 2017, 12:30 Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM La Bonne Chanson, Op. 61 Une sainte en son auréole Puisque l’aube grandit La lune blanche luit dans les bois J’allais par des chemins perfides J’ai presque peur, en vérité Avant que tu ne t’en ailles Donc, ce sera par un clair jour d’été N’est-ce pas? L’hiver a cessé Gabriel Fauré (1845-1924) Frances Armstong-Douglas, piano Seven Tableaux from the Song of Songs Srul Irving Glick (1934-2002) O, let him kiss me (I:1-3) I am dark but lovely (I:5-6) King Solomon’s wedding procession (III:6, 9-11) How beautiful you are my love (I:16-17) The little foxes (II:15) He took me to the wine garden (II:4-7) Set me as a seal upon your heart (VIII:6-7) Frances Armstrong- Douglas, piano Aliayta Foon- Dancoes, violin Shiun Kim, cello Betty Allison is from the class of Professor, Benjamin Butterfield This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/011117-GradRecital_Allison/011117-BettyAllison_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011117-GradRecital_Allison/011117-BettyAllison_02.mp3">Track2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Betty Allison, voice Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource January 11, 2017 https://finearts.uvic.ca/music/archive/files/original/521e532416f4c0e3cdb645698205846a.pdf 3624284714edd36c0bc8d0cc18407e3c PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Emerging Artists Alumni Series Featuring: Sydney Tetarenko, clarinet (B.Mus ‘13) Jiten Beairsto, violin (B.Mus ‘14) Emily Burton, cello (B.Mus ‘11) Natalie Lo, piano Saturday, January 7, 2017 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Quatuor pour la Fin du Temps Olivier Messiaen I. Liturgie de cristal (1908–1992) II. Vocalise, pour l’Ange qui annonce la fin du Temps III. Abîme des oiseaux IV. Intermède V. Louange à l’Éternité de Jésus VI. Danse de la fureur, pour les sept trompettes VII. Fouillis d’arcs-en-ciel, pour l’Ange qui annonce la fin du Temps VIII. Louange à l’Immoralité de Jésus I NT E R M I S S I O N Contrasts, Sz. 111 Béla Bartók I. Verbunkos (Recruiting Dance) (1885–1945) II. Pihenö (Relaxation) III. Sebes (Fast Dance) �PROGRAM NOTES FOREWORD Today, music students are about as likely to encounter Messiaen and Bartók in a musicology textbook as a concert hall. Perhaps these composers deserve some of the blame: this is music that is often easier to analyze than to perform. Messiaen, especially early in his career, was exceptionally keen to explain his compositional systems, and Bartók was, for a while, held in higher esteem as an ethnomusicologist than as a composer. The similarities continue: both composers were fascinated by complex rhythms, symmetrical constructions, modal harmonies, and, most significantly, the music of non-Western European cultures. All of Bartók’s music finds its roots in the folk music of his native Hungary, while Messiaen absorbed influences from all across the globe. To take but one example, the complex rhythms found in the Quartet, which have perplexed a great many classically-trained musicians, are standard fare in Indian music. None of this adequately explains why so many performers — and audiences — do in fact choose to brave the difficulties and experience this music live. Nor, for that matter, does it explain how the two pieces programmed tonight are so spectacularly different in affect. Messiaen’s Quartet is most often ethereal and serene, with tempi oscillating between slow and impossibly slow. Its harmonies, while highly unusual, strike the listener as lush more than discordant. Its gaze is inevitably skyward — either towards birds, as in the clarinet movements (I. and III.) or towards God, as in the solo string movements (V. and VIII.). In those string movements especially, we can hear what sustains this piece most of all over the course of eight movements and fifty minutes: incredibly long, beautiful melodies and the love they represent. Bartók’s Contrasts, meanwhile, is driven by one quality the Quartet lacks: play. Play on the part of the composer, undoubtedly, but even more on the part of the performers. Despite all the academic fascinations held within, Contrasts is a fantastically fun way for players to show off their chops. The outer movements, both dances, are viscerally thrilling, if occasionally obnoxious. To my ears, it is a celebration of humanity, as earth-bound as the Quartet is otherworldly. There is, however, one other unifying thread that ties these two works together, one that offers what might be the most important way in for the listener: a common purpose. Both works were composed facing the spectre of war and Nazism, albeit much more literally in the case of Messiaen. In what is probably the most dramatic origin story of any piece of classical music, he composed and premiered the Quartet in 1940-41 while imprisoned in a prisoner-of-war camp in Germany. Contrasts was composed only a couple years earlier, shortly before Bartók, horrified at what he saw taking place in Europe, chose to flee to the United States and entered an extended period of compositional unproductivity. The music itself is of lasting power and importance, but so is the simple fact that two great artists, confronted with the worst of humanity, chose to continue making great art. — Jiten Beairsto �Quartet for the End of Time (1941) Olivier Messiaen (1908–1992) I. Crystal liturgy. Between three and four in the morning, the awakening of birds: a solo blackbird or nightingale improvises, surrounded by a shimmer of sound, by a halo of trills lost very high in the trees. Transpose this onto a religious plane and you have the harmonious silence of Heaven. II. Vocalise, for the Angel who announces the end of Time. The first and third parts (very short) evoke the power of this mighty angel, a rainbow upon his head and clothed with a cloud, who sets one foot on the sea and one foot on the earth. In the middle section are the impalpable harmonies of heaven. In the piano, sweet cascades of blue-orange chords, enclosing in their distant chimes the almost plainchant song of the violin and cello. III. Abyss of the birds. Clarinet solo. The abyss is Time with its sadness, its weariness. The birds are the opposite to Time; they are our desire for light, for stars, for rainbows, and for jubilant songs! IV. Interlude. Scherzo. Of a more outgoing character than the other movements but related to them, nonetheless, by various melodic references. V. Praise to the Eternity of Jesus. Jesus is considered here as the Word. A broad phrase, “infinitely slow,” on the cello, magnifies with love and reverence the eternity of the Word, powerful and gentle, “whose time never runs out.” The melody stretches majestically into a kind of gentle, regal distance. “In the beginning was the Word, and Word was with God, and the Word was God.” VI. Dance of fury, for the seven trumpets. Rhythmically, the most characteristic piece of the series. The four instruments in unison imitate gongs and trumpets (the first six trumpets of the Apocalypse followed by various disasters, the trumpet of the seventh angel announcing consummation of the mystery of God). Use of added values, of augmented or diminished rhythms, of non-retrogradable rhythms. Music of stone, formidable granite sound; irresistible movement of steel, huge blocks of purple rage, icy drunkenness. Hear especially the terrible fortissimo of the augmentation of the theme and the changes of register of its different notes, towards the end of the piece. VII. Cluster of rainbows, for the angel who announces the end of Time. Here certain passages from the second movement recur. The angel appears in full force, especially the rainbow that covers him (the rainbow, symbol of peace, wisdom, and all luminescent and sonorous vibration). – In my dreams, I hear and see ordered chords and melodies, known colors and shapes; then, after this transitional stage, I pass through the unreal and submit with ecstasy to a gyrating vortex of superhuman sounds and colours. These swords of fire, this blue-orange lava, these sudden stars: there is the tangle, there are the rainbows! VIII. Praise to the Immortality of Jesus. Large violin solo, counterpart to the violoncello solo of the 5th movement. Why this second eulogy? It is especially aimed at the second aspect of Jesus, Jesus the Man, the Word made flesh, immortally risen for our communication of his life. It is all love. Its slow ascent to the acutely extreme is the ascent of man to his god, the child of God to his Father, the being made divine towards Paradise. �And I repeat anew what I said above: “All this is mere striving and childish stammering if one compares it to the overwhelming grandeur of the subject!” Original descriptions by Olivier Messiaen, translation from https://en.wikipedia.org/wiki/Quatuor_pour_la_fin_du_temps Contrasts (1938) Béla Bartók (1881–1945) Though this work was officially commissioned by jazz clarinetist Benny Goodman, it was Hungarian violinist Joseph Szigeti who originated talk of a new work with Bartók. The original performance omitted the second movement and named the work “Rhapsody,” but following this premiere, Bartók retitled the piece and performed the full three movements alongside Goodman and Szigeti. This piece demonstrates the folk influences that are so much a part of Bartók’s unique compositional style. I. Verbunkos. This movement is composed in the style of a Recruiting Dance, used to recruit citizens to the army. Hence it has a steady, measured rhythm, and memorable melody, which is heavily embellished upon. Many characteristics of the music are derived from military marches. II. Pihenö. Titled relaxation, this movement is atmospheric and lacks a clear, steady pulse, in stark contrast to the surrounding material. III. Sebes. Notably featuring scordatura or “mistuned” violin to emulate the sound of a folk musician, this fast dance drives to the very end, making only a small detour into a more lyrical (but still forward moving) section with additive Bulgarian rhythms. — Sydney Tetarenko BIOGRAPHIES SYDNEY TETARENKO Sydney Tetarenko (B.Mus ‘13) is a clarinetist currently residing in Vancouver, British Columbia. She is a musician with great passion for both performing and educating. Sydney completed her Bachelor of Music with distinction, majoring in clarinet performance at the University of Victoria under the tutelage of Professor Patricia Kostek, and has a Masters in Orchestral Music Performance from the University of British Columbia, from the studio of Jenny Jonquil. Sydney has performed with the Vancouver Symphony Orchestra, Vancouver Metropolitan Orchestra, Vancouver Island Symphony Orchestra, Victoria Chamber Orchestra, and Chilliwack Symphony Orchestra, among many others. Sydney also plays in chamber groups of all sizes and instrumentation, most notably the Fireside Quintet, of which she is a core member. Sydney maintains a private clarinet studio and also teaches clinics at schools in the Victoria, Sooke and Calgary areas. She is currently the clarinet instructor at the Mozart School of Music. �JITEN BEAIRSTO Jiten Beairsto (B.Mus ‘14), a Vancouver native, is currently enrolled in the Master of Music program at the University of British Columbia under the instruction of David Gillham. At the University of Victoria he studied with Sharon Stanis and won the UVic Concerto Competition in 2012. He has participated in the National Youth Orchestra of Canada and has performed with ensembles such as the Victoria Symphony and the Galiano Ensemble. Jiten’s academic and professional interests extend far beyond classical music: he has completed a Bachelor’s degree in English and French literature and earns part of his living as a rope access technician. Like many classical musicians, Jiten enjoys performing a wide variety of genres, from symphonies to musical theatre, but none more so than chamber music, a passion he certainly attributes to his time spent studying with the Lafayette String Quartet. EMILY BURTON Emily Burton (B. Mus ‘11) grew up in Vernon, BC and attended the University of Victoria to earn degrees in both Cello Performance and Biochemistry. At UVic, she studied with Professor Pam Highbaugh-Aloni. Her musical studies have taken her to the Aspen Music Festival, Morningside Musicbridge in Shanghai, and the Quartet Program in New York. She has performed concertos with the Okanagan Symphony, Kamloops Symphony and UVic Orchestra. Emily is currently living in Vancouver and is in her 3rd year of pharmacy school at UBC. NATALIE LO Natalie Lo is a recent graduate of the University of British Columbia, where she has received her Bachelor Degree in Piano Performance, having studied with Dr. Corey Hamm. Upon graduation from UBC, she was awarded the Director’s Graduation Prize in Piano Performance. She has been highly successful in her competitive career including First and Top prizes at the Vancouver International Russian Music Festival, the Seattle International Piano Competition, the Canadian Music Competition, and the Stravinsky Awards Piano Competition of North America. Most recently, Natalie found success as a finalist at the Shean Competition, winning Fourth prize as well as the award for the Best Performance of the Test Piece. Natalie has been awarded the Youth Arts Award by the City of Richmond in recognition of her artistic achievements and her contributions to the cultural community. She has also been invited to perform at various showcases and charities, including the Vancouver 2010 Olympics. Natalie has performed concerti with various orchestras including the Vancouver Symphony Orchestra, the Vancouver Metropolitan Orchestra, the Seattle Symphony Orchestra, the Philharmonia Northwest of Seattle, and the UBC Symphony Orchestra. Natalie will be performing with the Vancouver Metropolitan Orchestra once again in their 2016/2017 concert season with Saint-Saëns’ second piano concerto. �UPCOMING EVENTS SUNDAY, JANUARY 8 | 2:30 PM ($10-$20) Faculty Concert Series: The Brass Menagerie Scott MacInnes, trombone & Paul Beauchesne, tuba Music by Vaughan-Williams, Pryor, Ewazen, Morricone and more. Proceeds will benefit the Eugene Dowling Scholarship for Tuba and Euphonium. Phillip T. Young Recital Hall WEDNESDAY, JANUARY 11 | 12:30 PM (Free Admission) First Year Graduate Recital: Betty Allison, soprano Soprano Betty Allison presents her first year Masters of Music graduate recital. Phillip T. Young Recital Hall FRIDAY, JANUARY 20 | 8 PM (Free admission) Orion Series in Fine Arts presents Melia Watras, viola & Michael Jinsoo Lim, violin Melia Watras is Professor of Viola and Chair of Strings at the University of Washington. Watras is also a composer and founding member of the Corigliano Quartet. She will be joined by Pacific Northwest Ballet Concertmaster and violinist of the Corigliano Quartet, Michael Jinsoo Lim, in a recital featuring works by Hindemith, Watras, and Mozart. Phillip T. Young Recital Hall SATURDAY, JANUARY 21 (Free admission) Orion Series in Fine Arts presents Masterclass (10:15 AM) and Concert (12 PM) Lorna McGhee, flute Scottish-born Lorna McGhee was appointed principal flute of the Pittsburgh Symphony Orchestra in 2012 and is principal flute of the Toronto Symphony Orchestra. Reception to follow Phillip T. Young Recital Hall SATURDAY, JANUARY 21 | 2:30 PM (Admission by donation) Saxophone Class Recital Featuring students from the studio of Wendell Clanton. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/010717-EmergingArtists/010717-EmergingArtistsBeairsto_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/010717-EmergingArtists/010717-EmergingArtistsBeairsto_Talk_01.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/010717-EmergingArtists/010717-EmergingArtistsBeairsto_02.mp3">Track2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Emerging Artists Alumni Series - Beairsto et al Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource January 7, 2017 Contributor An entity responsible for making contributions to the resource Sydney Tetarenko, clarinet Jiten Beairsto, violin Emily Burton, cello Natalie Lo, piano https://finearts.uvic.ca/music/archive/files/original/1ce77b121c59a79093938c40a700cf00.pdf 0f3dec7169d3e5ef10c9151006ab1f20 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �Orchestra UNIVERSITY OF VICTORIA Fall Harmonies With UVic Concerto Competition Winners Samuel McNally, horn Sarah Mullane, horn Collin Lloyd, horn Justin Malchow, horn Students from the studio of Kurt Kellan Ajtony Csaba, Conductor Saturday, November 26, 2016 • 8:00 p.m. University Centre Farquhar Auditorium University of Victoria Adults: $20 / Seniors: $15 / Students & UVic alumni: $10 �PROGRAM Robert Schumann (1810–1856) Konzertstück für Vier Hörner und Orchester, Op. 86 (Concertpiece for Four Horns and Orchestra) I. Lebhaft - Sehr lebhaft II. Romance. Zienlich langsam, doch nicht schleppend III. Sehr lebhaft Horn soloists: Samuel McNally, Sarah Mullane, Collin Lloyd and Justin Malchow Sergei Prokofiev (1891–1953) Symphony No. 1, Op. 25 (“Classical”) I. Allegro II. Intermezzo. Larghetto III. Gavotte. Non troppo allegro IV. Finale. Molto vivace I NT E R M I S S I O N Felix Mendelssohn-Bartholdy (1809–1847) Symphony No. 4, Op. 90 (“Italian”) I. Allegro vivace II. Andante con moto III. Con moto moderato IV. Saltarello. Presto �BIOGRAPHIES SAM MCNALLY is a fourth year music student at UVic pursuing a Bachelors degree in Music Performance. From his native Calgary, he began playing horn at the age of 11 in his middle school band. A few years later he began to take lessons from Laurie Matiation, with whom he was able to win his age divisions in the Calgary and Alberta Provincial Kiwanis Festivals, partake in honour bands, and ultimately end up in auditioning at the University of Victoria. Also in Calgary he was a member in both the Calgary Youth Orchestra and the Mount Royal Conservatory’s Academy of Music. Now at UVic, studying with Kurt Kellan, Sam enjoys having played in both the UVic Orchestra and Wind Symphony along with various solo and chamber performance settings. In Fall 2015 he began his first season as Principle Horn of the Kamloops Symphony Orchestra. As a previous winner of the UVic Concerto Competition, Sam performed Strauss’s Horn Concerto No. 1, Op. 11 with the UVic Orchestra in January 2016. SARAH MULLANE is a second year music student at UVic. She started playing horn at age twelve in her hometown Calgary. In high school she was a member of an award winning wind ensemble that performed and competed internationally. She also took lessons with Laurie Matiation at the Mount Royal Conservatory, played in honor bands, and won her category in the Kiwanis Music Festival in 2015. Sarah is now pursuing a Bachelors degree in Music Performance studying with Kurt Kellan at the University of Victoria. She is thrilled to have been given the opportunity to perform Schumann’s Concertpiece in her first year of university and is grateful for the privilege of performing with the UVic Orchestra. COLLIN LLOYD is a fourth year music student at the University of Victoria pursuing a Bachelor degree in Music Performance. Born in Victoria and raised in Courtenay, BC, Collin was handed the horn by his seventh grade band teacher at the age of 13 because there were already enough trumpets. Collin got his start in orchestral performance with the community-based Strathcona Symphony Orchestra in 2011 and attended the Comox Valley Youth Music Centre for 3 years while in high school. Since beginning his studies at the University of Victoria while studying under Kurt Kellan, Collin has enjoyed performing with the UVic Wind Symphony and Orchestra as well as the Greater Victoria Youth Orchestra. For the past two summers Collin has successfully auditioned for the National Youth Orchestra of Canada, and was this past summer awarded with a 2016 Award of Excellence. JUSTIN MALCHOW has completed his Bachelor of Music Performance and is currently completing his second major in Germanic Studies at the University of Victoria. He began playing the horn at 14 in his high school band and later studied privately with Laurie Matiation of the Calgary Philharmonic Orchestra. Justin was also a member of the Mount Royal Conservatory’s Academy of Music as well as the Calgary Youth Orchestra, with which he travelled and performed internationally. Justin left his native Stavely Alberta to further his horn studies with Kurt Kellan at the University of Victoria. Here he has enjoyed the opportunity to play in a full range of both large and small ensembles. Currently Justin plays with the Meridiem Wind Ensemble, the Greater Victoria Youth Orchestra, and the UVic Orchestra. He is also a member of a newly founded woodwind quintet. �AJTONY CSABA, born in Cluj, Romania, began his studies on the cello and later pianoand composition in Budapest at the Academy of Music. He began studying conducting in Vienna and Budapest with Uroš Lajovic, Peter Eötvös, Zoltán Pesko, Zsolt Nagy, Lucas Vis and Antoni Wit. He was awarded many prizes as a conductor and composer and was a semi-finalist in the first competition for opera in Cluj, Romania. Csaba was the assistant conductor and tutor of the Academy Orchestra Budapest and in 2005 was invited to be the assistant conductor of the Hungarian National Philharmonic Orchestra with their contempo-rary program. He made his conducting debut in the Viennese Musikverein with the RSO (Radio-Symphonieorchester, Wien) in 2007. Since 2006 Csaba has served as the chief conductor of the Central European Chamber Orchestra and led the orchestra on a tour in China (performances including halls in Shenzhen, Lanzhou and in the Parliament in Beijing), with return engagements in 2007 and 2009. Ajtony Csaba has been the leader of the Vienna Jeunesse Choir since 2007. In 2008 he conducted at the Darmstadt Summer Courses for New Music and was assistant at the Salzburg Festspiele. In 2008 he conducted the EuroMed Youth Orchestra in Damaskus, Syria. In the past seasons Csaba conducted the hr-sinfonieorchester (Frankfurt Radio Orchestra), the Hungarian Symphony Orchestra, Ensemble Tsilumos at the Montreal New Music Festival and the Brazilian SiMN Festival in Curitiba, and the music theatre ensemble of the Darmstadt Festival for New Music’16. Csaba has served as music director of the University of Victoria Orchestra and Sonic Lab since 2010, where he also teaches conducting and the history of conducting. Your contribution makes a difference! The arts have always benefited from the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Samantha Krzywonos. 250.721.6305 | skrzywon@uvic.ca finearts.uvic.ca/music/donations �ORCHESTRA PERSONNEL VIOLIN 1 Chloe Kim* Aliayta Foon-Dancoes* Amy Toth* Jeanel Liang Jay Orten Jasmine Mather Linda Donn Isobel Glover Ross Ling Shijin Kim Francine Hsu VIOLIN 2 Aliayta Foon-Dancoes* Amy Toth* Chloe Kim* Michelle Hoskin Gary Sun Amanda Steinemann Lucy Toews Emilly MacCallum Jessica d’Oliveira Serena Jack VIOLA Josh Gomberoff* Jaling Kersen Natalie Dzbik Eric Mitchell CELLO Claire Dresselhuis* Shiun Kim § Olivia Brotzel Chloe Kersen Bryan Lin Liam Epp Tara Rajah DOUBLE BASS Lukas Peladeau* Mackenzie Carroll PICCOLO Rhiannon Jones FLUTE Gillian Newburn* Monica Mun* OBOE Berlin Janzen* Anna Betuzzi* CLARINET Liam Pistor* Mark Kim* BASSOON Heather Fisher* § Eric Boulter HORN Sam McNally* Emily Aford Justin Malchow James Waddell TRUMPET Ian VanGils* Heather Richardson TROMBONE Zachary Power* Erin Marsh Grace Timney TIMPANI Tristan Holleufer* Brandon Chow LIBRARIANS Betty Allison Monica Mun STAGE MANAGERS Tristan Holleufer James Waddell Liam Epp ASSISTANT Shabahang Saffari * Principal § Community member �Dmitri Shostakovich: The Complete String Quartets February 3–9 The Lafayette String Quartet celebrates its 30th anniversary with the complete cycle of Shostakovich's 15 String Quartets presented over 5 evenings! UVIC Journey through Shostakovich’s life as experienced through his quartets — from the optimism of the first to the desolation and hopelessness of his final quartet. This cycle documents Shostakovich’s creative life and spans his compositional career from the late 1930s until his death in 1975. The Lafayette String Quartet will share its special heritage with this music as received from their mentor Rostislav Dubinsky who knew and worked closely with Shostakovich. Gain further insight into these works in pre-concert talks and lectures by visiting scholars. FRI, FEB 3 Nos. 1, 2, 3 SAT, FEB 4 Nos. 4, 5, 6 MON, FEB 6 Nos. 7, 8, 9 WED, FEB 8 Nos. 10, 11, 12, 13 THU, FEB 9 Nos. 14, 15 Phillip T. Young Recital Hall, MacLaurin Building, B-Wing, University of Victoria All concerts at 8 PM Tickets: $25 / 5 concert festival pass: $100 available at the UVic Ticket Centre: BY PHONE: 250.721.8480 u ONLINE: tickets.uvic.ca u IN PERSON: Located in the University Centre | Mon–Fri, 9:30am–4pm finearts.uvic.ca/music �UPCOMING EVENTS SUNDAY, NOVEMBER 27 | 2:30 PM (Free admission) Orion Series in Fine Arts presents Krisztina Szabó, mezzo-soprano With Arthur Rowe, piano Hungarian-Canadian mezzo-soprano Krisztina Szabó has become highly sought after in both North America and Europe as an artist of supreme musicianship and stagecraft. UVic piano professor Arthur Rowe joins Szabó in a performance of Brahms’s Zigeunerlieder (Gypsy Songs) Op. 103 as well as music by Kodály, de Falla, Kálmán, Lehár and Bizet. Phillip T. Young Recital Hall MONDAY, NOVEMBER 28 | 8 PM (Admission by donation) Guitar Class Recital Featuring UVic School of Music guitar students from the studio of Dr. Alexander Dunn. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 29 | 12:30 PM (Admission by donation) Tuesdaymusic A concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall TUESDAY, NOVEMBER 29 | 8 PM (Free admission) Orion Series in Fine Arts presents Chloe Meyers, baroque violin Alexander Weimann, harpsichord Bach and Before World renowned baroque violinist and concertmaster of the Pacific Baroque Orchestra, Chloe Myers will be joined by harpsichordist and conductor Alexander Weimann, in a special recital featuring music of the baroque era up until the time of Bach. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480 / www.tickets.uvic.ca) & at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orchestra Description An account of the resource Since its inception in 1969, the Orchestra has performed most of the standard repertoire, including all nine Beethoven symphonies, most of the later compositions of Haydn and Mozart, as well as major works of Brahms, Schubert, Stravinsky, Bruckner, Schoenberg, and others. Each year, members of the orchestra join with performance faculty to form the "Concerto Orchestra" to present the annual Concerto Concert, which features student soloists selected by competition. Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/112616-Orchestra/112616-Orchestra_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112616-Orchestra/112616-Orchestra_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112616-Orchestra/112616-Orchestra_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/112616-Orchestra/112616-Orchestra_04.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource UVic Orchestra - Fall Harmonies Creator An entity primarily responsible for making the resource Adam Jasieniuk Date A point or period of time associated with an event in the lifecycle of the resource November 26, 2016 Contributor An entity responsible for making contributions to the resource Samuel McNally, horn Sarah Mullane, horn Collin Lloyd, horn Justin Malchow, horn Ajtony Csaba, conductor