4 10 42 https://finearts.uvic.ca/music/archive/files/original/bed542ad2b36f04f4c6ec3da359047d0.pdf c88287f9fb2d8b0e5d13c0aa9c385511 PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST CONCERT Teddie Hwang, baroque flute & August Denhard, theorbo Of Arcadian Love, a Flute Playing King, and Parisian Fishwives: Storytelling on the baroque flute This program which draws inspiration from historical sources as well as from our contemporary world. The music reflects on aspects of love, childhood fantasies, and life’s struggles, themes that engage us humans regardless of time or geographical boundaries. Between pieces is Teddie’s unique storytelling, a silver thread that takes the audience to places there and here, to times then and now. We respectfully acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, March 3, 2018 • 12 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �BIOGRAPHIES Teddie Hwang, baroque flute Since 1999 Teddie Hwang has dedicated herself to historical performance, being fascinated by the timbre and vocal qualities of the traverso. She studied with Wilbert Hazelzet and received her Master’s degree in Historical Flute Performance from the Koninklijk Conservatorium in The Hague, Netherlands. She holds a Bachelor’s degree in Music and Germanic Studies from Indiana University, where she studied modern flute with Kathryn Lukas and graduated with high distinction. First-prize winner of the 2004 Baroque Flute Artist Competition held by the National Flute Association of America, she has also adjudicated its Baroque Flute Masterclass Competitions. Currently living in Germany, Teddie collaborates with a wide spectrum of chamber ensembles and orchestras, playing repertoire ranging from 17th century airs de cour to Beethoven symphonies. As a featured soloist, Teddie can be heard on the CD Beautiful Baroque: Music for Weddings and Special Moments, as well as the latest CD from the Boston-based ensemble Les Bostonades entitled Amours contrariées, featuring tenor Zachary Wilder. Teddie has been guest lecturer and performer at institutions such as the Irish World Academy of Music and Dance in Limerick, the International San Francisco Flute Festival, as well as given masterclasses at the San Francisco Conservatory of Music, the Escuela Superior in Mexico City, and Tunghai University in Taiwan. Teddie is the founding member of the chamber music ensemble Le Mercure, consisting of traverso, violin, viola da gamba, and harpsichord. Projects have included multiple recording productions with the Bayerischer Rundfunk of Germany, as well as concerts in Germany, the Netherlands, Poland, and Mexico. Teddie takes inspiration from songs of turtledoves and blackbirds. She believes in the power of music to heal and to inspire creativity and endless vitality. August Denhard, theorbo As a performer on lute, theorbo and Baroque guitar, August Denhard has appeared with Baroque Northwest, Seattle Baroque, the Concord Ensemble, Chicago Music of the Baroque, the Indianapolis Baroque Orchestra, Camarata Pacifica Baroque, and many other ensembles specializing in early music. He is an accompanist/coach for 16th and 17th century song at Ars Vocalis Mexico in Morelia, Michoacan. Mr. Denhard has given numerous solo recitals and is in demand as an accompanist of 17th century vocal music. He performs regularly in a lute song duo with tenor Eric Mentzel, with the Turkish udist/composer, Münir Nurettin Beken, and with the Japanese kugo harpist Tomoko Sugawara. Mr. Denhard is a three-time recipient of the Artist Support Grant from Jack Straw Productions in Seattle and has released two CDs, Cusp of the Baroque for solo lute, and A Meeting Place: Medieval and Renaissance Music for Lute and Ud on the Sono Luminus label. A third CD with tenor Eric Mentzel is in progress. In addition to his activities as a performer, August Denhard is the Executive Director of the Early Music Guild of Seattle, the Pacific Northwest’s oldest and largest presenter of early music. He has held the position for 18 years. �UPCOMING EVENTS SATURDAY, MARCH 3 | 8 PM (Free) Orion Series in Fine Arts Works Not Written by Men Amy Horvey, trumpet Amy Horvey (BMus ‘02) is a performer of creative music, an orchestral trumpeter, and a specialist in the Baroque trumpet. Performing Barbara Strozzi’s Sino alla morte with lutist Douglas Hensley, Cecilia Arditto’s Musica Invisible for trumpet and flugelhorn, and Interview by Anna Hostman. Phillip T. Young Recital Hall MONDAY, MARCH 5 | 8 PM (Free) Graduating Recital: Emily Stewart, voice Vocalist Emily Stewart presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall TUESDAY, MARCH 6 | 12:30 PM (By donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall WEDNESDAY, MARCH 7 | 12:30 PM (Free) First Year Graduate Recital: Taylor Fawcett, voice Vocalist Taylor Fawcett presents his first year Masters of Music graduate recital. Phillip T. Young Recital Hall THURSDAY, MARCH 8 | 8 PM (By donation) Student Composers Concert Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall FRIDAY, MARCH 9 | 12:30 PM (By donation) Fridaymusic Featuring UVic School of Music brass students in a concert of varied repertoire. Phillip T. Young Recital Hall FRIDAY, MARCH 9 | 8 PM ($10-$20) UVic Orchestra: Polite and Heroic Ajtony Csaba, conductor The UVic Orchestra performs Ravel’s Piano Concerto in G major, featuring UVic Concerto Competition winner, Iris Hung. Also on the program is Beethoven’s Symphony No. 8, one of the shortest yet most compelling symphonies of the 19th century. University Centre Farquhar Auditorium To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_5.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_6.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_7.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030318-HwangAndDenhard/030318-TeddieHwangFlute_8.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist - Hwang and Denhard, flute/theorbo Creator An entity primarily responsible for making the resource Christian Knowles Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2018 Contributor An entity responsible for making contributions to the resource Teddie Hwang, August Denhard https://finearts.uvic.ca/music/archive/files/original/71d2436bb14e8c29d06648e75a6b46c5.pdf 4505ba86b2e75481aafad8a6520ebaf3 PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST CONCERT TRINITAS CHAMBER ENSEMBLE Currents of the Third Stream Michelle Cheramy, flute Nathan Cook, cello Philip Roberts, piano This concert is presented on the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. This concert is made possible in part by funding from the Office of the Vice President (Research), Memorial University. Saturday, November 18, 2017 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Trio for flute, cello and piano, Op. 86 (1988) I. Allegro molto II. Andante III. Allegro giocoso Tango Etude No. 4 for flute and cello Invierno Porteño from Cuatro Estaciones Porteñas Nikolai Kapustin (b. 1937) Astor Piazzolla (1921–1992) arr. N. Cook Astor Piazzolla arr. J. Bragato I NT E R M I S S I O N Trio No. 1 for flute, cello and piano, Op. 83 I. Allegro II. Moderato III. Largo IV. Presto Lowell Liebermann (b. 1961) Trinitas Chamber Ensemble Born from a desire to explore the fringes of standard classical chamber music and to present engaging, off-beat performances, Trinitas is Eastern Canada’s premiere flute/ cello/piano chamber ensemble. Taking its name from the Latin word for “three,” the group consists of three outstanding musicians with a shared vision and infectious onstage chemistry. Accomplished soloists in their own right, the members of Trinitas have performed around the world, including St Petersburg (Russia), Llangollen (Wales), Uberlândia (Brazil), and Tegucigalpa (Honduras).Trinitas gave its premiere performance in Toronto in June of 2015, and since then this ensemble has inspired rave audience reaction at venues in Washington DC, Ontario, Alberta, and Newfoundland. �BIOGRAPHIES Flutist Michelle Cheramy has been hailed as a “...fine blend of artistry and bravura” (Edmonton Journal) and recognized for the beauty of her sound, the fluidity of her playing and her interpretive skills in repertoire from the 18th to 21st centuries. Michelle has appeared in recitals and as soloist with orchestras in Canada, the United States and Russia and has been featured in numerous radio broadcasts, including nationally on CBC Radio’s Symphony Hall, In Performance, Two New Hours and The Signal. A rare combination of outstanding scholar and performer, Michelle is past winner of the Canadian Concerto Competition, prize-winner in the Montreal Symphony competition, and winner of the National Flute Association’s annual research competition for her dissertation on the late work of André Jolivet. While her performance work now focuses primarily on solo and chamber projects, past orchestral appointments include second flute/piccolo positions with both the Thunder Bay and Augusta Symphony orchestras. Michelle holds degrees from the University of British Columbia (B.Mus.), Indiana University (M.M.) and Rice University (D.M.A.) where she was a student of Camille Churchfield, Peter Lloyd and Leone Buyse. She is currently professor of music at Memorial University in St. John’s, Newfoundland where she mentors a lively studio of undergraduate and graduate students in a broad range of programs. Cellist Nathan Cook has been praised for his “authoritative yet relaxed” playing, his “sweet and pliant” sound, and “the combination of vigour and beauty” in his interpretation (Houston Chronicle). Nathan’s diverse performing career has included serving as co-artistic director of and cellist for the early music-focussed group Hot Earth Ensemble, as well as commissioning and premiering brand new works by award-winning Canadian composers such as Karim AlZand, Andrew Staniland, Andrew P. MacDonald and Clifford Crawley. Nathan has served as principal cellist of the Houston Chamber Orchestra and the Newfoundland Symphony, and has performed and taught throughout North and South America at festivals in New York, Iowa, Chile, Brazil, Honduras, and Mexico. Nathan hails from Appleton, Wisconsin and holds Master’s and Doctoral degrees in cello performance from the Shepherd School of Music at Rice University in Houston, Texas where he studied with Norman Fischer. He is currently associate professor of music at Memorial University of Newfoundland in Canada where he serves as coordinator of the chamber music program of the School of Music. Pianist Phil Roberts currently resides in St. John’s, Newfoundland and is co-founder and coartistic director of PlayPianoNL, an organization dedicated to promoting pianists, performance, and collaboration in Newfoundland and Labrador (www.PlayPianoNL.ca). Phil has served as visiting assistant professor of piano for the School of Music at Memorial University, as accompanist and vocal coach for the instrumental and vocal faculties at Memorial, and as a much sought-after collaborative colleague in the larger St. John’s community. His solo and collaborative work has taken him across Canada and to the U.S. and Europe, where his impressively broad performance skills have allowed him to enjoy work in the genres of jazz, opera and musical theatre as well as classical solo and chamber music. His playing has been recognized with several awards, including the Gold Medal at the Llangollen International Musical Eistenfodd in Wales, and the Royal BankDebut Atlantic Award for Musical Excellence. Phil is an alumnus of Memorial University and the University of Montreal, where he completed his D.M.A. with Marc Durand. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/111817-GuestConcert_Trinitas/111817-Trinitas_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/111817-GuestConcert_Trinitas/111817-Trinitas_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/111817-GuestConcert_Trinitas/111817-Trinitas_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/111817-GuestConcert_Trinitas/111817-Trinitas_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/111817-GuestConcert_Trinitas/111817-Trinitas_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Concert - Trinitas Chamber Ensemble Creator An entity primarily responsible for making the resource Colin Malloy Date A point or period of time associated with an event in the lifecycle of the resource November 18, 2017 https://finearts.uvic.ca/music/archive/files/original/2fa86d14fab2d363f8e285fa5e1a514a.pdf b0114ff55cc79cbb16aa362b622411b9 PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST CONCERT GRIT + GRACE Tracy Dahl, soprano Monica Huisman, soprano Minna Rose Chung, cello Laura Loewen, piano This concert is presented on the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Thursday, November 9, 2017 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM G. F. Handel (1685–1759) Credete al mio dolore Come Scoglio from Così fan tutte W. A. Mozart (1756–1791) J. S. Bach (1685–1750) Prelude No. 1 Ständchen Ich wollt’ ein Sträußlein binden Allerseelen Säusle, liebe Mirte! Zueignung Richard Strauss (1864–1949) Aria Antonín Dvořák (1841–1904) Gypsy Songs Nos. 1, 2, 3, 4 and 7 I NT E R M I S S I O N Bacchianas No. 5 Heitor Villa-Lobos (1887–1959) Pantomime Pierrot Il pleure dans mon coeur Green Claude Debussy (1862–1918) Heitor Villa-Lobos Black Swan Four Songs II. Stones III. Shelter André Previn (b. 1929) Vocalise I’ve got Faust Hi, Sooky, Ho, Sooky John Greer (b. 1954) O mio babbino caro from Gianni Schicchi Je veux vivre Sull’aria from Le Nozze di Figaro Giacomo Puccini (1858–1924) Charles-François Gounod (1818–1893) W. A. Mozart �BIOGRAPHIES Canada’s premiere coloratura soprano Tracy Dahl has appeared throughout her career with such opera houses as Teatro alla Scala (Milan), Théâtre du Châtelet (Paris), the Metropolitan Opera (NY), San Francisco Opera, Houston Grand Opera, Santa Fe Opera, Canadian Opera Company, Calgary Opera and her native Manitoba Opera. She is frequently heard in concert with leading orchestras at home and around the world and also enjoys the more intimate setting of art song recitals. Frequent and favourite roles are Lucia in Lucia di Lammermoor, Marie in the Daughter of the Regiment, Cunegonde in Candide, Adele in Die Fledermaus, Norina in Don Pasquale and Madame Mao in Nixon in China, the last of these roles having been recorded on the Naxos label. In 2017, she was awarded the Order of Canada for her performing career and for her work mentoring as a teacher to the next generation of singers. Dutch-Canadian soprano, Monica Huisman has delighted audiences from Amsterdam’s Concertgebouw to Guatemala City and has soared on the stages of Vancouver Opera, Calgary Opera, Edmonton Opera, Pacific Opera Victoria, The Netherlands Opera, Manitoba Opera, Opera Ontario and Saskatoon Opera in productions of Carmen, Marriage of Figaro, Cosi Fan Tutte, Falstaff, Don Giovanni, Cunning Little Vixen, La Bohème, Magic Flute, Hansel und Gretel and Lakmé. Equally at home in concert repertoire Ms. Huisman has thrilled audiences with the National Arts Centre Orchestra, Toronto Symphony, Vancouver Symphony, Winnipeg Symphony Orchestra, Saskatoon Symphony, among others. Most recently, she returned to the Vancouver Symphony for Beethoven’s Symphony No. 9 with Bramwell Tovey—as well as with the Regina Symphony—and Messiah with the WSO. She is currently on the vocal faculty at the University of Manitoba’s Marcel A. Desautels Faculty of Music. Korean-American cellist Minna Rose Chung is Associate Professor at the University of Manitoba- Desautels Faculty of Music and performs internationally as recitalist and cellist of the Desautels Piano Trio. In 2014 Dr. Chung was awarded the University of Manitoba’s Rh Award for Outstanding Contributions to Scholarship and Research in the Creative Works. For the past four years Dr. Chung has been immersed in co-authoring a critical pedagogy method book entitled CelloMind published through Ovation Press, Chicago. Skilled in both orchestral and chamber repertoire, Minna regularly performs as a member of the Munich Symphony Orchestra and is a core member of the Manitoba Chamber Orchestra. Minna Rose is also a returning guest artist, teacher, and chamber musician to several international music festivals, including the historic Meadowmount School of Music in New York. Dr. Chung earned her Bachelor of Music in Cello Performance at Oberlin Conservatory, Masters of Music at Northwestern University, and Doctor of Musical Arts at SUNY Stony Brook University. Winnipeg collaborative pianist Laura Loewen has appeared in concerts throughout North America and in Europe, Asia and South America. She is a professor of Collaborative Piano and the Vocal Coach at the University of Manitoba’s Marcel A. Desautels Faculty of Music and is on the faculties of the NUOVA opera training program in Edmonton, Alberta and VISI. Dr. Loewen has performed extensively with singers, instrumentalists and chamber ensembles and has appeared in concert with artists such as Charles Castleman, Wendy Nielsen, Kimberly Barber, Jasper Wood, Eugene Rousseau, and William Bennett. Loewen and duo partner, saxophonist Allen Harrington, have been performing together for the last seven years throughout North America and in Europe, Asia, and South America. Ms. Loewen holds a Doctorate of Musical Arts degree in Accompanying/Coaching from the University of Minnesota and spent two summers at the Music Academy of the West studying vocal accompanying with Warren Jones, and worked with Martin Katz and Graham Johnson at SongFest ’98. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL Notes: Ständchen was not performed. The other four Strauss songs were split into separate tracks (4-7). The Debussy songs (tr. 11) were performed in reverse order from the program.<br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_12.mp3">Track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_13.mp3">Track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_14.mp3">Track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_15.mp3">Track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_16.mp3">Track16</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_17.mp3">Track17</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_18.mp3">Track18</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110917-GritAndGrace/11092017-GritAndGrace_19.mp3">Track19</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 50th Anniversary Guest Concert- Grit and Grace Creator An entity primarily responsible for making the resource Kaitie Sly Date A point or period of time associated with an event in the lifecycle of the resource November 9, 2017 Contributor An entity responsible for making contributions to the resource Tracy Dahl, soprano Monica Huisman, soprano Minna Rose Chung, cello Laura Loewen, piano https://finearts.uvic.ca/music/archive/files/original/4ba46cd687a10a9bb1b78c71e7e1cce4.pdf 5de0ee604a902fea60d7f514620a34a6 PDF Text Text School of Music 50 YEARS MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST CONCERT PLAY LIKE A GIRL LUANNA WARNER KATZ PERCUSSION & VOICE & PAULA KIFFNER VIOLINCELLO This concert is presented on the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Wednesday, November 1, 2017 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Electric Counterpoint Fast—Slow—Fast Steve Reich (b. 1936) Marimba, vibraphone and pre-recorded tracks Circles (Percussion interlude with spoken text) Cinnabar Heart Chinary Ung (b.1942) Solo marimba Frederic Rzewski (b. 1938) To the Earth Speaking percussionist and four flowerpots Gada Yina African (traditional Lobi) Arr. Jack Brody Marimba, percussion, violincello Mariel Osvaldo Golijov (b. 1960) Violincello and marimba Why Can’t I Fly? (Percussion interlude) Paul McCartney / Arr. Ed Smith Blackbird Solo vibraphone Kaval Sviri (traditional, Bulgaria) Video of Bulgarian State Women’s Chorus Play Like a Girl Three variations – Fast—Slow—Fast Eve Beglarian (b. 1958) Marimba, vibraphone and pre-recorded tracks �UPCOMING EVENTS FRIDAY, NOVEMBER 3 | 12:30 PM (By donation) Fridaymusic Featuring UVic School of Music brass students in a concert of varied repertoire. Phillip T. Young Recital Hall SATURDAY, NOVEMBER 4 | 3-5 PM (Free) World New Music Days Live Stream: New Vistas Choral Concert Featuring Vancouver Chamber Choir, musica intima & Elektra Women’s Choir Watch the exclusive live broadcast from Vancouver’s Christ Church Cathedral where the city’s finest choirs will perform music from around the world. Light refreshments will be served. This concert is part of the ISCM World New Music Days taking place in Vancouver from November 2-8. B037, MacLaurin Building, B-WIng SATURDAY, NOVEMBER 4 | 8 PM ($10-$25) Faculty Concert Series: Lafayette String Quartet After wowing audiences with their 30th anniversary performance of the Shostakovich cycle last season, Victoria’s beloved string quartet enters a new decade with music by Schubert, Shostakovich and Beethoven. Phillip T. Young Recital Hall THURSDAY, NOVEMBER 9 | 8PM (By donation) Guest Concert: Grit + Grace 2017 Recital Tour Sopranos Tracy Dahl and Monica Huisman, cellist Minna Chung and pianist Laura Loewen roll up their sleeves and deliver a powerful program of ‘Grit and Grace’. The quartet will evoke sadness, make you laugh, empower and transform you. If you miss this, you will never know who was whom? You decide. Performing music by Bach, Debussy, Dvorak, Greer, Mozart, Previn, Puccini, Strauss, Tchaikovsky, and Villa-Lobos. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (tickets.uvic.ca) and at the door. To receive our On the Pulse brochure & newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events Donate Now 50 For 50 years the UVic School of Music has been nurturing musicians with the richest musical experience on the West Coast. This could not have been possible without the generous contributions from our loyal patrons and the incredible support of our community. Support the 50th anniversary season with a donation and be a part of our legacy. Let’s ensure that this anniversary season delights audiences and students for decades to come. To make a donation online, visit finearts.uvic.ca/music/calendar/50thsupport/ � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110117-GuestConcert_KatzKiffner/110117-GuestConcert_KatzKiffner_10.mp3">Track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Concert - Play Like a Girl Creator An entity primarily responsible for making the resource Nils Mikkelsen Date A point or period of time associated with an event in the lifecycle of the resource November 1, 2017 Contributor An entity responsible for making contributions to the resource Luanna Warner Katz, percussion & voice Paula Kiffner, violincello https://finearts.uvic.ca/music/archive/files/original/9ba5631ec18bcc73dcf997f3b2bd6931.pdf db03ea2acaec50568c0ac69ee3d5e072 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC Guest Concert Alcan String Quartet Laura Andriani, violin Nathalie Camus, violin Luc Beauchemin, viola David Ellis, cello Thursday, November 3, 2016 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $20 / Seniors: $15 / Students & UVic alumni: $10 �PROGRAM String Quartet in D minor, Op. 76, No. 2 (1796) “Fifths” Allegro Andante o più tosto allegretto Menuetto: Allegro ma non troppo Finale: Vivace assai Joseph Haydn (1732–1809) String Quartet No.1, Op. 20 (1948) Alberto Ginastera Allegro violento ed agitato (1916–1983) Vivacissimo Calmo e poetico Allegramente rustico I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. String Quartet in D Major, Op. 44, No.1 (1838) Félix Mendelssohn Molto allegro vivace (1809–1847) Menuetto: Un poco Allegretto Andante espressivo ma con moto Presto con brio �ALCAN STRING QUARTET The Alcan Quartet — violinists Laura Andriani and Nathalie Camus, violist Luc Beauchemin, and cellist David Ellis — has developed a reputation for excellence throughout Canada and internationally since its formation over twenty years ago. The quartets originality, contagious enthusiasm, unique sonority, and remarkable cohesion have all contributed to its long term success. Critics agree that both on stage and in the recording studio the Alcan Quartet possesses the qualities that characterize the best ensembles of its kind: a recognizable personality, a homogeneous sound, and elegant style. The ensemble’s list of accomplishments is impressive: close to 1000 concerts; over 100 live radio broadcasts (Radio Canada, the Canadian Broadcasting Corporation, National Public Radio in the USA, and Radio France); numerous television appearances; tours throughout North America, Europe, and Asia; and a number of commissioned pieces and first performances. The quartet’s discography includes major works from the string quartet repertoire including Haydn, Mozart, Schubert, Dvorak, Debussy, Borodin, and others. These recordings have received adulatory reviews in the United States, Canada, and Europe. The quartet won the “Prix Opus, recording of the year” for its CD of Schubert Quartets. In addition to its performing career, the quartet is regularly invited to give master classes at universities, conservatories, and summer chamber music institutes. The Alcan Quartet is based in Chicoutimi, Québec where it receives the unconditional support of the Orchestre symphonique du Saguenay— Lac-Saint-Jean. The quartet takes its name from its principal patron, the multinational aluminum company Alcan. The quartet also receives support from the Conseil des arts et des lettres du Québec, and the Canada Council for the Arts. finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/110316-AlcanQuartet/110316-AlcanQuartet_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110316-AlcanQuartet/110316-AlcanQuartet_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/110316-AlcanQuartet/110316-AlcanQuartet_03.mp3">Track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Concert - Alcan String Quartet Creator An entity primarily responsible for making the resource Adar Guy Date A point or period of time associated with an event in the lifecycle of the resource November 3, 2016 https://finearts.uvic.ca/music/archive/files/original/911956190203a0f27f0f2f9900da9a4d.pdf c6fc9df860f8d19a4a6950422425f03e PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST RECITAL DEREK JONES FLUTE Derek Jones has enjoyed an extensive performing career throughout Australia, Europe, USA, and Asia. His performing career includes solo performances with the Melbourne Symphony, The Australian Philharmonic Orchestra, Orchestra Victoria and the Sydney Symphony Orchestra, the latter involving solo appearances in Carnegie Hall, New York. Derek has toured Europe and Asia with recital performances in London, Manchester, Dublin, Hong Kong, Taiwan, Italy and in 2016 is performing in Canada. He has also performed as soloist for ABC Radio in live broadcasts and has recorded recitals for ABC Classic FM. Derek released his CD Sun Down Moon Up in 2008, a collection of his own compositions and improvisations. He has also released CDs with the Australian recording label MOVE, including the 2015 release of Flute Perspectives, a collection of solo Australian contemporary works. His career includes principal flute positions with the Sydney Symphony Orchestra, Tasmanian Symphony Orchestra, the Australian Philharmonic Orchestra & Orchestra Victoria. Derek has also been invited to audition for principal flute positions in Europe. He has made guest teaching appearances at the Paris Conservatoire, the Royal College of Music, London, Geneva Conservatoire, Kunstuniversität Graz, Austria, Trento Conservatorie, Italy, the Royal Northern College of Music, Manchester the Royal Irish Academy of Music, Dublin, Boston University, the Hong Kong Academy of Performing Arts, and the Taiwan Flute School. Derek is currently the Head of Performance and Head of Woodwind at the Melbourne Conservatorium of Music, University of Melbourne, Australia. �PROGRAM Brian Brown Lily’s Garden (2000) Ross Edwards Yanada and Ulpirra (1993–1998) Derek Jones Stillness (2008) Mark Pollard Under Simple Stars (1989) Wednesday, March 16, 2016 • 1:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission �UPCOMING EVENTS Wednesday, March 16, 8:00 p.m. (Free Admission) GRADUATING RECITAL: Kelsey Wheatley, voice Vocalist Kelsey Wheatley presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall Friday, March 18, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. Phillip T. Young Recital Hall Friday, March 18, 8:00 p.m. (Adults $15 / Seniors & Alumni $10 / Students $5) UNIVERSITY OF VICTORIA WIND SYMPHONY:Year End Spectacular! Dr. Gerald King, conductor Repertoire to include Lincolnshire Posy by Percy A. Grainger, Saxophobia for Saxophone Quartet and Wind Ensemble by Rudy Wiedoeft (Woodis/Hammer) and more. University Centre Farquhar Auditorium Saturday, March 19, 8:00 p.m. (Admission by donation) SONIC LAB Evan Hesketh, graduate conductor & Ajtony Csaba, conductor UVic’s contemporary music ensemble performs: György Kurtág – …quasi una fantasia… (Soloist: Thomas Nicholson) Alec Hall – Hyperwarp Anton von Webern – Quartet Op. 22 Soundpainting This concert represents the graduation recital for conductor Evan Hesketh. Phillip T. Young Recital Hall Sunday, March 20, 2:30 p.m. (Free Admission) GRADUATING RECITAL: Sunny Chu, clarinet Clarinetist Sunny Chu presents her Bachelor of Music graduating recital. Phillip T. Young Recital Hall Sunday, March 20, 8:00 p.m. (Admission by donation) GRADUATING RECITAL: Student Composers Composition students Nolan Krell and Matt Kelly present their graduating recital. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_Talk1.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_Talk2.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_Talk3.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_Talk4.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/031616-DerekJones/031616-GuestArtist_04.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Recital - Derek Jones Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource March 16, 2016 Contributor An entity responsible for making contributions to the resource Derek Jones, flute https://finearts.uvic.ca/music/archive/files/original/aff071256337f7bd6094e5406650e322.pdf 750dccdd156c6146458eefc50bee3489 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC GUEST CONCERT Eckhardt-Gramatté National Music Competition 2015 Winner’s Tour JOSHUA PETERS VIOLIN & KATHERINE DOWLING PIANO Friday, November 27, 2015 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Birdsong (2012) Vivian Fung* (b. 1975) Sonata for Violin and Piano No. 2 “Quasi una Sonata” (1967-68) Alfred Schnittke (1934–1998) Shades of a Romance (1996) John Estacio* (b. 1966) I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Into the Ether ‡ Violin Sonata No. 5, Op. 53 (1953) Jordan Pal* (b. 1983) Mieczyslaw Weinberg (1919-1996) * Canadian works ‡ 2015 E-Gré Commissioned Composition The E-Gré Competition acknowledges the support of the Canada Council for the Arts, which last year invested $157 million to bring thearts to Canadians throughout the country. Le Concours E-Gré remercie le Conseil des arts du Canada de sonsoutien. L’an dernier, le Conseil a investi 157 millions de dollars pourmettre de l’art dans la vie des Canadiennes et des Canadiens de tout le pays. The 2016 Eckhardt-Gramatté National Music Competition May 6-8, 2016 is open to pianists. (See http://e-gre.ca for details.) The firstplace winner will receive a cash prize of $10,000 and a Canadian tour (recital fees ca. $5,000 for the Winner and pianist each). �BIOGRAPHIES Joshua Peters, violin Born and raised in Winnipeg, Manitoba, Joshua Peters began his violin studies at the age of four as a student of Gwen Hoebig and Karl Stobbe. He continued his studies at McGill University with Jonathan Crow, Denise Lupien, and Axel Strauss, and at the San Francisco Conservatory of Music as a student of Ian Swensen. Particularly drawn to the performance of chamber music, Peters has collaborated with many renowned musicians including Menahem Pressler, Kim Kashkashian, André LaPlante, Steven Dann, and members of the Emerson, Concord, St. Lawrence, and Pacifica quartets. He has also studied chamber music with members of the Alban Berg, Guarneri, Cleveland, Juilliard, Kronos, Miró, and Takács String Quartets. He has appeared as a soloist on numerous occasions with the Winnipeg Symphony Orchestra, as concertmaster of the McGill Symphony Orchestra, and as a member of the Montreal Symphony Orchestra. Peters is the First Prize Winner of the 2015 Eckhardt-Gramatté Music Competition, the First Prize Winner of the 2014 WMC Doris McClellan Competition, and also wishes to acknowledge the support of the Sylva Gelber Foundation and the Manitoba Arts Council. Katherine Dowling, piano Praised by the New York Times for her “crystalline performances, gestural expressiveness, and careful attention to color,” pianist Katherine Dowling has performed across North America and the United Kingdom. Following two seasons as a fellow of the Tanglewood Music Center, Katherine was awarded the Henri Kohn Memorial Prize and appointed to the contemporary ensemble-in-residence of the center, the New Fromm Players. She joined Gruppo Montebello in 2011, an all-star chamber ensemble directed by Henk Guittart, whose recordings appear on the Etcetera label. Katherine is further familiar to audiences through her association with The Banff Centre, where she has held numerous solo and collaborative residencies. She has enjoyed working with esteemed artists including the Jupiter String Quartet, Shauna Rolston, Joel Sachs, Marc Destrubé, composers John Harbison, Anthony Cheung, Marco Stroppa, and David Lang, and visual artist Andrea Büttner. Katherine credits her teacher, Gil Kalish, as the major influence in her musical life. �PROGRAM NOTES Birdsong - Vivian Fung Birdsong for violin and piano (2012), commissioned by the Delaware Chamber Music Festival through funding from the DeRosa Family Fund, is written in memoriam Julian Rodescu. The work, written for Kristin Lee, violinist, and Conor Hanick, pianist, showcases the virtuosity of both piano and violin, with quick runs, intense rhythmic passages, and exploration of improvisational moments. The title refers to the birdcalls of the opening and closing, as well as the general rhapsodic nature of the violin in this piece. – Program notes by the composer Sonata for Violin and Piano No. 2 “Quasi una Sonata” - Alfred Schnittke Schnittke’s second sonata for violin and piano was written in 1967–1968 for his friend, the violinist Mark Lubotsky. It is the first example of polystylism in Schnittke’s career, the style of music for which he is most well-known. In this piece, Schnittke weaves a complex fabric of styles together, with references to the Baroque period, total serialism, jazz, and graphic notation. The subtitle, “Quasi una Sonata” means “like a sonata” or “in the manner of a sonata.” This description of the piece being “like a sonata” is explained by Schnittke as a “sort of borderline case of sonata form (...) the form is called into question; it seems not to be achieved - and then the sonata is already over.” Schnittke continues: “suddenly I had to write this piece, without rules of construction. It was, so to speak, a mutiny against everything else.” The piece stops and starts, punctuated by uncomfortably long silences. Just as the music feels like it’s going somewhere, it cuts off abruptly. Schnittke also uses interesting markings to describe the tempo of certain sections: some sections are “senza tempo” or “without tempo”, and he also draws the distinction between “quasi cadenza” and “cadenza”. Despite the lack of traditional form, the piece carries a great deal of compositional continuity and emotional weight, equivalent to that of a sonata in a traditional form. The main way Schnittke does this is by developing the relationship of the first two chords of the piece: a loud G-minor triad in the piano, followed by a dissonant chord in the violin about six seconds later. This relationship is explored throughout the work, most notably at the climax of the piece, which is the quasirecapitulation of the opening material. In this section, the pianist plays the opening g-minor chord repeatedly at triple-forte, at one point, twenty-eight times in a row. During the g-minor chords, the violinist refuses to compete, and remains silent. �Shades of a Romance - John Estacio Shades of a Romance (1996) was commissioned by the CBC, specifically for Gwen Hoebig and David Moroz. While writing the piece, I knew it was going to be premiered by a husband and wife team so I endeavoured to make the relationship between the two instruments quite intimate and personal. While writing the piece, I drew upon my own personal experiences. Keeping in mind the notion that romances can lead to lifelong relationships, or end in flames, the piece is cast in two sections; the first section of the piece is lyrical and passionate, while the second part is fiery, raw, rhythmical and tempestuous. It’s up to the listener’s imagination to determine if the romance, as depicted in the performance, concludes with the lovers going their separate ways, or lighting up a cigarette. – Program notes by the composer Into the Ether - Jordan Pal 2015 E-Gré Commissioned Composition At the edge of the known, past cloudless skies and the light of a mil-lion miles. Go forth. Towards the darkness. Into the ether, towards the unknown. Cast in a single movement, Into the Ether takes us into the infinite. From the treacherously stratospheric but sublimely ethereal, through to the hypersonic and darkly mercurial, the music goes deeper, reaches higher, and pushes faster into the immeasurable unknown. Opening long lines suspend over a kaleidoscope of thirty-second notes. Hauntingly delicate refractions stream forth with ever-increasing intensity. The music ‘breaks,’ and 32nds become 16th triplets. Fiercely animated and decidedly capricious, interspersions of the long lines and reinterpretations of the opening piano accompaniment build to a varied return of the introduction. ‘Breaking off ’ again, the piece surges to the work’s electric close, vanishing into the ether. Designed to highlight the player’s technical prowess and expressive range, Into the Ether is a dramatic showpiece that centers on the violin soloist. Dramatic gestures, elaborate string techniques, and the dynamic interaction between the piano and stringed instrument, combine to produce a work that forces the player to engage with it in a very physical way. Through its unceasing musical flow and extreme technical demands, Into the Ether challenges the musician to reach into the infinite. – Program notes by the composer �Violin Sonata No. 5, Op. 53 - Mieczyslaw Weinberg Mieczyslaw Weinberg’s music has recently been gaining recognition outside of Eastern Europe as some of the most important and original music to have been composed in Russia during the 20th century. Weinberg was born in Poland and fled to Russia during the Second World after his family was killed in the Holocaust. In 1953, Weinberg was arrested for the crime of “Jewish Bourgeois Nationalism” and spent nine months in the infamous Lubyanka prison. If it weren’t for the death of Stalin in 1953, Weinberg probably would have died in prison. The Fifth Violin Sonata (1953) is the first piece Weinberg wrote after being released and is dedicated to Dmitri Shostakovich. Weinberg and Shostakovich were neighbors and had a very close friendship. They would show each other their works as they were writing and would frequently quote one another in their own music. When Weinberg was arrested, Shostakovich took power of attorney over Weinberg’s children and would have adopted them in the event that Weinberg’s wife was also arrested. One can imagine that this Violin Sonata is Weinberg’s way of showing his appreciation to Shostakovich for his kindness and support of Weinberg’s family during his time in prison. It is one of his most beautiful works and perfectly represents his compositional voice. The work begins quietly with a haunting theme played by the piano, which is the only theme that appears in the first movement. The second movement is vigorous, fast and occasionally violent in character. The third movement is a Scherzo with its main theme played in double-stops by the violin. The last movement begins with one of most beautiful wind-like effects in the entire violin repertoire, and gradually transforms into a lyrical Allegretto. The Allegretto theme gains intensity and culminates in a brilliantly composed fugal passage in the piano at the climax of the work. �UPCOMING EVENTS Saturday, November 28, 8:00 p.m. ($15 & $10) UVIC JAZZ ENSEMBLE Mostly Monk: Celebrating Thelonious Monk Dr. Patrick Boyle, director Phillip T. Young Recital Hall Tuesday, December 1, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Thursday, December 3, 10:30 a.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from the African Hand Drumming class perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, December 3, 8:00 p.m. ($15 & $10) DON WRIGHT SYMPHONIC WINDS Dr. Michael Keddy, conductor Featuring student musicians from across the UVic campus. University Centre Farquhar Auditorium Friday, December 4, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring new music by School of Music composition students. Phillip T. Young Recital Hall Friday, December 4, 8:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHOIRS: Sing, Choirs of Angels! The UVic Choirs return by popular demand to present a gift of choral music to the Greater Victoria community in their second annual joint concert. Featuring the UVic Chorus, Chamber Singers, Women’s Choir and Vocal Jazz Ensemble. Christ Church Cathedral (Quadra St. at Rockland Ave.) Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca � www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/112715-Peters_Dowling/112715-GuestRecital_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eckhardt-Gramatté National Music Competition 2015 Winner’s Tour: Joshua Peters, violin; Katherine Dowling, piano Creator An entity primarily responsible for making the resource Alex Klassen Date A point or period of time associated with an event in the lifecycle of the resource November 27, 2015 Contributor An entity responsible for making contributions to the resource Joshua Peters, violin; Katherine Dowling, piano https://finearts.uvic.ca/music/archive/files/original/2e7c467ca99d7d0825ffd891310eff20.pdf 5d60f8d7317c1b688c1a3f36b4fa751a PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA GUEST CONCERT Kate Prestia-Schaub, piccolo Martin Kennedy, piano Sunday, March 1, 2015 Masterclass: 3:15 – 5:00 p.m. Concert: 5:30 – 6:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Piccolo Concerto in C major, RV 443 Rosignol en Amour Piccolo Sonata Antonio Vivaldi Francois Couperin Mike Mower Penseri .. Dialogi Alessandro Cavicci Desplazamiento Martin Kennedy Timeless Eurythmionics Kenneth Benshoof Steve Kujala This concert is sponsored by Verne Q. Powell Flutes and Long & McQuade Musical Instruments. �UPCOMING EVENTS Tuesday, March 3, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Wednesday, March 4, 8:00 p.m. (Admission by donation) VIOLIN CLASS RECITAL: Students from the studio of Ann Elliott-Goldschmid. Phillip T. Young Recital Hall Thursday, March 5, 4:00 p.m. to 5:30 p.m. (Free admission) GUEST ARTIST: GERALD BARRY Internationally celebrated Irish composer Gerald Barry, the featured composer of this year’s Victoria Symphony New Music Festival, speaks about his music. Rm. A168, MacLaurin Building, A-Wing Thursday, March 5, 8:00 p.m. (Admission by donation) SONIC LAB: Current Exchange Rate of Sixpenny-concepts Ajtony Csaba, Conductor UVic’s contemporary music ensemble performs works by Gerald Barry, Anton Webern and Karlheinz Stockhausen. In cooperation with the New Music Festival of the Victoria Symphony dedicated to the work of Gerald Barry. Phillip T. Young Recital Hall Friday, March 6, 12:30 p.m. (Admission by donation) FRIDAYMUSIC : Featuring School of Music brass students. Phillip T. Young Recital Hall Friday, March 6, 8:00 p.m. ($15 & $10) UNIVERSITY OF VICTORIA ORCHESTRA: A Symphonic Ornithology Ajtony Csaba, Conductor Performing Die Fledermaus: Ouverture by Strauss, Rossini’s La Gazza Ladra: Sinfonia Dvořák’s The Wild Dove, Firebird-Suite by Stravinsky, and excerpts from works by Saint-Saëns, Parker and W.A. Mozart. University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030115-Prestia_Schaub/030115-Guestfluterecital_07.mp3">track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Concert - Kate Prestia-Schaub, piccolo Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource March 1, 2015 Contributor An entity responsible for making contributions to the resource Kate Prestia-Schaub, piccolo; Martin Kennedy, piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/101613-BruceGremo/101613-BruceGremo_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/101613-BruceGremo/101613-BruceGremo_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/101613-BruceGremo/101613-BruceGremo_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/101613-BruceGremo/101613-BruceGremo_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bruce Gremo Creator An entity primarily responsible for making the resource Sondra Moyls Date A point or period of time associated with an event in the lifecycle of the resource October 16, 2013 Contributor An entity responsible for making contributions to the resource Bruce Gremo https://finearts.uvic.ca/music/archive/files/original/cf20ec8a2650cf7a3aed81062ac5dced.pdf 5db1994ae2a34205fad722c457b5ae47 PDF Text Text Canyon Epitaph UNIVERSITY OF VICTORIA Orion Series in Fine Arts presents TALEA ENSEMBLE Innominabiles David Foley Adam Dyjach, tenor Nolan Krell, guitar Brandon Chow, percussion (New York) With students from MUS 462/562 New Music Concert, Part 2 Thomas Law, flute Matt Kelly, trombone Nolan Krell, guitar Matthew Kaufhold Sole meunière Janet Sit Adam Dyjach, tenor Sara Page, flute Matt Kelly, trombone I nt e r m i s s i o n PROGRAM Deuce (2012) Suite for Flute, Clarinet, and Percussion I. Prelude II. Courante III. Sarabande Thomas Law, flute Matthew Kaufhold, clarinet Sky Kim, percussion Logos, Beit Lahm Liam Gibson Becoming (1979) Jonathan Harvey Studie (2011) Beat Furrer Sapphire Brickwork (2013) *World Premiere Robert Hansler Matthew Kaufhold, clarinet Alfons Fear, trumpet SarahTradewell, viola Stefan Maier, guitar Aaron Herzog, piano Stephen Fong, conductor Sleeping Beauty Awakes Heather Harker, voice Thomas Law, flute Bob Hansler, piano Jay Schreiber, percussion Vito Zuraj Dániel Péter Biró Talea Ensemble Rane Moore, clarinet Elizabeth Weisser, viola Steven Beck, piano Alex Lipowski, percussion Ajtony Csaba, conductor Sara Page Friday, April 12, 2013, 7:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free Admission www.finearts.uvic.ca/music/events �TALEA ENSEMBLE “Championing works like these, and playing them with a compelling lucidity, are precisely what Talea Ensemble does best.” - New York Times The Talea Ensemble has been labeled “...a crucial part the New York cultural ecosphere” by the New York Times and has given many important world and US premieres of new works by composers including Pierre Boulez, Tristan Murail, James Dillon, Pierluigi Billone, Hans Abrahamsen, Stefano Gervasoni, Marco Stroppa, and Fausto Romitelli. As an active collaborator of new music Talea has joined forces with the Austrian Cultural Forum, Consulate General of Denmark, Korean Cultural Service NY, Italian Cultural Institute, and the Ukrainian Institute. Assuming an ongoing role in supporting and collaborating with student composers, Talea has served as ensemble in residence at Harvard University, Columbia University, Stanford University, Ithaca College, Cornell University and New York University. Talea has recorded works on the Living Artists Label, Gravina Musica, Tzadik, and a forthcoming release on New World Records. Recently commissioned composers include Anthony Cheung, Christopher Trapani, and Georges Aperghis. For more information, please visit www.taleaensemble.org www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Guest Artist Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/041213-TaleaEnsemble/041213-TaleaEnsemble_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041213-TaleaEnsemble/041213-TaleaEnsemble_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041213-TaleaEnsemble/041213-TaleaEnsemble_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041213-TaleaEnsemble/041213-TaleaEnsemble_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041213-TaleaEnsemble/041213-TaleaEnsemble_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041213-TaleaEnsemble/041213-TaleaEnsemble_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/041213-TaleaEnsemble/041213-TaleaEnsemble_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/041213-TaleaEnsemble/041213-TaleaEnsemble_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/041213-TaleaEnsemble/041213-TaleaEnsemble_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/041213-TaleaEnsemble/041213-TaleaEnsemble_10.mp3">track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Talea Ensemble Creator An entity primarily responsible for making the resource Kirk McNally Date A point or period of time associated with an event in the lifecycle of the resource April 12, 2013 Contributor An entity responsible for making contributions to the resource Rane Moore, clarinet; Elizabeth Weisser, viola; Steven Beck, piano; Alex Lipowski, percussion; Ajtony Csaba, conductor