9 10 227 https://finearts.uvic.ca/music/archive/files/original/80704be626a87513c74f77dc111bbcdd.pdf d5ad6e1ac8ea0bb8719cdddb4bd3cd29 PDF Text Text GRADUATE RECITAL MARIANNE ING, Trumpet Erin Zipper, Piano Wednesday, March 6, 2019, 12:30 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Fanfare for St. Edmundsbury Benjamin Britten (1913-1976) Tark Kim, trumpet Jordan Smale, trumpet Prayer of St. Gregory Alan Hovhaness (1911-2000) Sonata for Trumpet in B flat and Piano Mit Kraft Massig bewegt Trauermusik Paul Hindemith (1895-1963) Psalm from Two Portraits Joseph Turrin (b. 1935) Marianne Ing is from the class of Professor, Ms. Merrie Klazek This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing-Gain/030609-GradRecital_Ing-Gain_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing-Gain/030609-GradRecital_Ing-Gain_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing-Gain/030609-GradRecital_Ing-Gain_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing-Gain/030609-GradRecital_Ing-Gain_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Marianne Ing Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 6, 2019 Contributor An entity responsible for making contributions to the resource Marianne Ing Erin Zipper https://finearts.uvic.ca/music/archive/files/original/a01a7cd2c4143a7772fae34210667127.pdf d59a2f234b9fb3dee59a56648eb4b377 PDF Text Text Degree Recital Irina Kim, Soprano Erin Zipper, Piano Program: “A Short Story” March 4th, 2019 @ 8pm Phillip T. Young Recital Hall, MacLaurin Building Free Admission ��Please turn off all cell phones. And please refrain from applause until after each chapter. Thank you! �Program: “A Short Story” Chapter 1: In Youth La Pastorella delle Alpi G. Rossini (1792-1868) Chapter 2: Captured Anklänge Op. 7 no. 3 J. Brahms (1833-1897) The Bride’s Lament P. I. Tchaikovsky (1840-1893) Intermezzo: Elsewhere Piccolo Serenata L. Bernstein (1918-1990) Silhouette L. Bernstein Chapter 3: Captured II Canary P. I. Tchaikovsky Volkslied J. Brahms Chapter 4: Soliloquy I go on L. Bernstein �Chapter 5: — INTERMISSION — Shapes of Hope Un Cygne S. Barber (1910-1981) Solitary Hotel S. Barber Intermezzo: Open Air Pastorale I. Stravinsky (1882-1971) A Green Lowland of Pianos S. Barber Chapter 6: A Bud Mai G. Fauré (1845-1924) Dans les Ruines d’une Abbaye G. Fauré Der Frühling J. Brahms Chapter 7: In Bloom Von ewiger Liebe J. Brahms Sombre forêt G. Rossini Epilogue Mondnacht J. Brahms �– TEXT AND TRANSLATIONS – — END OF PROGRAM — — END OF PROGRAM — La Pastorella delle Alpi (The Shepherdess of the Alps) Carlo Pepoli, Conte Son bella pastorella, che scende ogni mattino ed offre un cestellino di fresche frutta e fior. Chi viene al primo albore avrà vezzose rose E poma rugiadose, venite al moi giardin. Chi del notturno orrore Smarì la buona via, alla capanna mia ritroverà il cammin. Venite, o passagiero, La pastorella è qua, Ma il fior del suo pensiero Ad uno solo darà! G. Rossini I'm the pretty sheperdess That comes down every morning And offers a little basket Of fresh fruit and flowers. Whoever comes at dawn Will have pretty roses And dew sprinkled apples, Come to my garden. Whoever in night's frightness Loses his way, At my little hut Will find his path again. Come, o traveller, The shepherdess is here, But her tenderest thoughts Address to one alone! �Anklänge (Reminiscences) Josef Karl Benedickt von Eichendorff Hoch über stillen Höhen Stand in dem Wald ein Haus; So einsam war's zu sehen, Dort überm Wald hinaus. Ein Mädchen saß darinnen Bei stiller Abendzeit, Tät seidne Fäden spinnen Zu ihrem Hochzeitskleid. J. Brahms High above the silent heights A house stood in the forest; So lonely was it to behold, There, over the forest. A maiden sat there inside in the silent evening time, Spinning silk threads For her wedding dress. �Я ли в поле да не травушка была (Bride’s Lament) I. Z. Surikov P. I. Tchaikovsky Translated by: Emily Ezust (lieder.net) Я ли в поле да не травушка была, Я ли в поле не зелëная росла; Взяли меня, травушку, скосили, На солнышке в поле иссушили. Ох, ты, горе мое, горюшко! Знать такая моя долюшка! Я ли в поле не калинушка была, Я ли в поле да не красная росла; Взяли калинушку, сломали, Да в жгутики меня посвязали! Ох, ты, горе мое, горюшко! Знать такая моя долюшка! Я ль у батюшки не доченька была, У родимой не цветочек я росла; Неволей меня, бедную, взяли, Да с немилым, седым повенчали! Ох, ты, горе мое, горюшко! Знать такая моя долюшка! Was I not a blade of grass in the field? Was I not growing beautifully green? They cut me down and Dried me under the sun. Oh, my misfortune! Oh, my miserable fate! Was I not like a berry in the field? Was I not growing beautifully red? They broke my branches and Tied them into bundles. Oh, my misfortune! Oh, my miserable fate? Was I not my father’s daughter? Was I not my mother’s little flower? They took me against my will and wedded me with a grey-haired, cruel man. Oh, my misfortune! Oh, my miserable fate! �Silhouette Leonard Bernstein, incorporating an Arabic folksong Translated by: Emily Ezust (lieder.net) A last little bird on a palm feather riding, Edited by: Irina Kim Black and clean in the afterglow. A long little girl in the olive grove hiding, Crooning soft as the sun sinks low. Oo, oo Hu! ‘rrfah! An old little jeep through the mountains crawling, Tough and tiny against the sun. A young Arab shepherd upon his knees falling, Allah, Allah, the day is done. Ee, ee Hee! ‘rrfah! The boys in the dark olive groves assemble, Hand in hand in a dancing ring. Their eyes to the sun and their lips atremble, Drunk with love and the chant they sing: Walad ela ‘Una, Norkod taht el zetuna! Ah! Ha! ‘rrfah! L. Bernstein �Канарейка (Canary) Lev Aleksandrovich Mey P. I. Tchaikovsky Говорит султанша канарейке: «Птичка! лучше в тереме высоком Шебетать и песни петь Зюлейке, Чем порхать на Западе далеком? Спой же, спой же мне про за-море, певичка, Спой же, спой же мне про Запад, непоседка! The Sultan’s wife says to the canary: "Little Bird! Is it better to be in a tall tower Chirping and singing songs to Zuleika, Than to flit away in the far West? Sing, sing to me of lands beyond the sea, little bird, Sing, sing to me about the West, little glider, Есть ли там такое небо, птичка, Есть ли там такой гарем и клетка? У кого там столько роз бывало? У кого из шахов есть Зюлейка И поднять ли так ей покрывало?» Is there such a sky as this, little bird, Are there the same harems and cages? Who there has so many roses as I? Who among the Shahs has a Zuleika And if so, would dare to raise her veil?" Ей в ответ щебечет канарейка: «Не проси с меня заморских песен, Не буди тоски моей без нужды: Твой гарем но нашим песням тесен, И слова их одалискам чужды... Ты в ленивой дрёме расцветала, Как и вся кругом тебя природа, И не знаешь – даже не слыхала, Что у песни есть сестра – свобода.» In reply, the canary chirps: “Don’t ask me to sing songs of lands beyond the sea, Don’t wake my anguish needlessly: Your harem is too cramped for our songs, And our lyrics are foreign to the odalisques… You blossomed in a lazy slumber, Like the rest of all nature around you, And you don’t know — you haven’t even heard, That songs have a sister – freedom." �Volkslied (Folksong) Friedrich Silcher J. Brahms Translated by: Emily Ezust (lieder.net) Edited by: Irina Kim Die Schwälble ziehet fort, Weit an en andre Ort; Und i sitz do in Traurigkeit, Es isch a böse, schwere Zeit. Könnt i no fort durch d'Welt, Weil mir's hie gar net, gar net g'fällt! O Schwälble, komm, i bitt, i bitt! Zeig mir de Weg und nimm mi mit! The little swallow flies away, Far to another place; And I sit here in sadness It is a bad, difficult time. If only I could go forth into the world, for I don't like it here at all! O little swallow, come, I beg you! Show me the way and take me with you! �I Go On Stephen Schwartz and Leonard Bernstein Translated by: Emily Ezust (lieder.net) Edited by: Irina Kim When the thunder rumbles Now the age of God is dead. And the dreams we've clung to, dying to stay young have left us parched and old instead. When my courage crumbles, When I feel confused and frail. When my spirit falters, on decaying alters. And my illusions fade. I go on right then. I go on again. I go on to say I will celebrate another day. I go on. If tomorrow tumbles, and everything I love is gone, I will face regret, all my days and yet I will still go on. Lauda… L. Bernstein �Un Cygne (A Swan) Rainer Maria Rilke, “Poèmes Français” S. Barber Un cygne avance sur l'eau tout entouré de lui-même, comme un glissant tableau; A swan moves over the water surrounded by itself, like a painting that glides; ainsi à certains instants un être que l'on aime est tout un espace mouvant. Thus at times, a being one loves is a whole moving space. Il se rapproche, doublé, comme ce cygne qui nage, sur notre âme troublée... And draws near, doubled like the moving swan on our troubled soul… qui à cet être ajoute la tremblante image de bonheur et de doute. Which to that being adds the trembling image of happiness and doubt. Translated by: Emily Ezust (lieder.net) Edited by: Irina Kim �Solitary Hotel James Joyce, “Ulysses” Solitary hotel in mountain pass. Autumn. Twilight. Fire lit. In dark corner young man seated. Young woman enters. Restless. Solitary. She sits. She goes to window. She stands. She sits. Twilight. She thinks. On solitary hotel-paper she writes. She thinks. She writes. She sighs. Wheels and hoofs. She hurries out. He comes from his dark corner. He seizes solitary paper. He holds it towards fire. Twilight. He reads. Solitary. What? In sloping, upright and backhands. Queen's hotel, Queen's hotel, Queen's ho-... S. Barber �A Green Lowland of Pianos Cƶelsaw Mılosƶ (From the Polish of Jerƶy Harosymowicƶ) In the evening as far as the eye can see herds of black pianos – Up to their knees in the mire they listen to the frogs. They gurgle in water with chords of rapture They are entranced by froggish, moonish spontaneity After the vacation they cause scandals in a concert hall during the artistic milking Suddenly they lie down like cows looking with indifference at the white flowers of the audience at the gesticulating of the ushers S. Barber �Mai (May) Victor Hugo Puis-que Mai tout en fleurs dans les prés nous réclame. Viens, ne te lasse pas de mêler à ton âme La campagne, les bois, l es ombrages charmants, Les larges clairs de lune au bord des flots dormants : Le sentier qui finit où le chemin commence. Et l'air, et le printemps et l'horizon immense. L'horizon que ce monde attache humble et joyeux, Comme une lèvre au bas de la robe des cieux. Viens, et que le regard des pudiques étoiles, Qui tombe sur la terre à travers tant de voiles. Que l'arbre pénétré de parfum et de chants. Que le souffle embrasé de midi dans les champs; Et l'ombre et le soleil, et l'onde, et la verdure, Et le rayonnement de toute la nature. Fassent épanouir, comme une double fleur, La beauté sur ton front et l'amour dans ton cœur! G. Fauré As May, all in flower, calls us to the meadows, Come, do not cease to bring close to your heart The countryside, the woods, the charming shades, The vast reflection of the moon over the shores of sleepy rivers, The path that ends where the road begins, And the air, the Spring and the immense horiszon The horizon, modest and cheerful, which the world places As a lip at the bottom of the gown of the skies Come, and let the gaze of the chaste stars, Falling on earth through so many veils, The tree, imbued with perfumes and songs, The warm wind of the South in the fields, And the shadow, and the Sun and the tide and the greenery, And the radiance of all nature. Let them brighten like a twofold flower, The beauty of your face and the love in your heart! �Dans les Ruines d’une Abbaye (In the Ruines of an Abbey) Victor Hugo G. Fauré Translation from: Fauré 30 Songs (International Music Company) Seuls, tous deux, ravis, chantants, Alone, those two, charmed, singing, Comme on s'aime; How they love each other, Comme on cueille le printemps How they gather the Spring Que Dieu sème. That God sows. Quels rires étincelants Dans ces ombres, Jadis pleines de fronts blancs, De coeurs sombres. On est tout frais mariés, On s'envoie, Les charmants cris variés de la joie! What sparkling laughter In these shadows, Once crowded with pale faces, With sad hearts. They are quite newly wed, They call to each other, The charming varying cries! Frais échos mèlés Au vent qui frissonne, Gaîté que le noir couvent Assaisonne. Joy’s fresh echoes, mingling with the wind that trembles, Turn the dark convent Into a friendly place. On effeuille des jasmins Sur la pierre. Où l'abbesse joint les mains, En prière. They strip the jasmine Of its petals on the tombstone. Where the abbess joins her hands In prayer. On se cherche, on se poursuit, On sent croître ton aube, Amour, dans la nuit Du vieux cloître. On s'en va se becquetant, On s'adôre, On s'embrasse à chaque instant, Puis encore, Sous les piliers, les arceaux, Et les marbres… C'est l'histoire Des oiseaux dans les arbres. They seek each other, pursue each other, they see your dawn come up, Love, in the night Of the old cloister. They go away, billing, They adore each other, They kiss at every moment, And then once more. Under the pillars, the arches, And the marbles… This is the story Of the birds in the trees. Translation from: Fauré 30 Songs (International Music Company) �Der Frühling (The Spring) Johann Baptist Rousseau Es lockt und säuselt um den Baum: Wach auf aus deinem Schlaf und Traum; Der Winter ist zerronnen. Da schlägt er frisch den Blick empor, Die Augen sehen hell hervor Ans goldne Licht der Sonnen. J. Brahms It teases and murmurs around the tree: Wake up from your sleep and dream; The winter has thawed. Then it turns its glance briskly upwards; Its eyes look brightly forth Toward the golden light of the sun. Es zieht ein Wehen sanft und lau, Geschaukelt in dem Wolkenbau Wie Himmelsduft hernieder. Da werden alle Blumen wach, Da tönt der Vögel schmelzend Ach, Da kehrt der Frühling wieder. A gentle and mild breeze, Rocked in the cloud formation, Wafts downward like heavenly fragrance. Then all the flowers awaken, Then resounds the birds’ mellow cry, Then returns the spring. Es weht der Wind den Blütenstaub Von Kelch zu Kelch, von Laub zu Laub, Durch Tage und durch Nächte. Flieg auch, mein Herz, und flattre fort, Such hier ein Herz und such es dort, Du triffst vielleicht das Rechte. The wind blows the pollen From calyx to calyx, from leaf to leaf, Throughout days and throughout nights. Take flight, my heart, and flutter onward; Seek a heart here and seek one there, You will meet, perhaps, the right one. �Von Ewige Liebe (Of Eternal Love) Joseph Wenzig J. Brahms Translation Brahms, 75 Songs (TheinVocal Dunkel, wie dunkel infrom: WaldJohannes und in Feld! Dark, how dark forestLibrary) and field! Abend schon ist es, nun schweiget die Welt. Evening already: the world is silent. Nirgend noch Licht und nirgend noch Rauch – Ja, und die Lerche sie schweiget nun auch. Nowhere a light, and nowhere [chimney] smoke – Yes, even the lark is silent now. Kommt aus dem Dorfe der Bursche heraus, Gibt das Geleit der Geliebten nach Haus, Our of the village there comes a lad; Escorting his sweetheart home. Führt sie am Weidengebüsche vorbei, Redet so viel und so mancherlei: "Leidest du Schmach und betrübest du dich, Leidest du Schmach von andern um mich, Werde die Liebe getrennt so geschwind, Schnell, wie wir früher vereiniget sind. Scheide mit Regen und scheide mit Wind, Schnell wie wir früher vereiniget sind." Spricht das Mägdelein, Mägdelein spricht: "Unsere Liebe sie trennet sich nicht! He leads her by the willow grove; Talking so much and of so many things: “If you suffer from sorrow and shame, Shame for what others think of me, Let our love be severed as swiftly, As swiftly, as we were once united. May it depart with the rain and wind, As quickly as we were once united.” Say the girl – the girl speaks: “Our love – it cannot be severed! Fest ist der Stahl und das Eisen gar sehr, Unsere Liebe ist fester noch mehr. Steel is strong, and iron even more so: Our love is stronger yet. Eisen und Stahl, man schmiedet sie um, Unsere Liebe, wer wandelt sie um? Iron and steel – one can re-forge them; Our love – who can change it? Eisen und Stahl, sie können zergehn, Iron and steel – they can be melted; �Sombre Forêt (Dark Forest) Étienne de Jouy and Hippolyte Bis G. Rossini Translation from: Richard Stokes (oxfordlieder.co.uk); and Johannes Brahms, 75 Songs (The Vocal Library) Edited by: Irina Kim Sombre forêt, désert triste et sauvage, Je vous préfère aux splendeurs des palais: C'est sur les monts, au séjour de l'orage, Que mon cœur peut renaître à la paix; Mais l'écho seulement Apprendra mes secrets. Toi, du berger astre doux et timide, Qui, sur mes pas, viens semant tes reflets, Ah! sois aussi mon étoile et mon guide! Comme lui tes rayons sont discrets, Et l'écho seulement Redira mes secrets. Dark forest, wilderness sad and wild, I prefer you to the splendours of the palace: It is on the mountains, the place of the storm, that my heart can regain peace; And only the echo Will learn my secrets. You, the sweet and shy star of the shepherd, Whose light illuminates my footsteps, Ah! be also my star and my guide! Like him, your rays are discrete, And only the echo Will repeat my secrets. �Mondnacht (Moonlit Night) Joseph Karl Benedickt von Eichendorff J. Brahms Translation from: Wikipedia Es war, als hätt der Himmel, Die Erde still geküßt, Daß sie im Blütenschimmer Von ihm nur träumen müßt. It was as though heaven Had quietly kissed the earth So that it, in blossoming lustre, Must dream only heavenly dreams. Die Luft ging durch die Felder, Die Ähren wogten sacht, Es rauschten leis die Wälder, So sternklar war die Nacht. The breeze blew through the fields; The corn stalks swayed gently; The forests rustle softly, So starbright was the night. Und meine Seele spannte Weit ihre Flügel aus, Flog durch die stillen Raüme, Als flöge sie nach Haus. And my soul spread Wide its wings, and Took flight through the quiet expanses As though it were flying home. �Translation from: Johannes Brahms, 75 Songs (The Vocal Library) Irina Kim is from the class of Professor Susan Young This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Special thanks to Braden O’Neill for program and poster design. Reception to follow in the lounge. �� Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. 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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital - Irina Kim Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 4, 2019 Contributor An entity responsible for making contributions to the resource Irina Kim Erin Zipper https://finearts.uvic.ca/music/archive/files/original/0f181d12d40963fcc9a30ec625cf351a.pdf a3ced69b27e4cb99ba9666f7c611d3e9 PDF Text Text D EGREE R ECITAL Timo Pehkonen Sunday, March 3, 2019, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Emerge (approx. 3’00”) Timo Pehkonen Liam Pistor, clarinet Timo Pehkonen, piano VII (8’02”) Timo Pehkonen for fixed media with video Sointula (approx. 17’30”) Timo Pehkonen Ilya Ivanov Gochev, violin I Carlos Quijano Vazquez, violin II Natalie Dzbik, violin III Felix Alanis, viola I Seth McMillan, viola II Manuel Cruz, cello Rachel Burtman, double bass Brandon Bronson, vibraphone, triangle, gongs, bass drum Ethan Hill, conductor Emerge – Originally written for Jože Kotar and Luca Ferrini for their ongoing performance project Music From The Islands and premiered at Summartónar 2018 in Faroe Islands. This work is inspired by the people and land of W̱SÁNEĆ (Saanich), which means emerging people/land. VII – The prerecorded sounds are digitally stretched vibrating strings of a clean sounding electric guitar. The compositional material is taken from the distinct scordatura (alternate tuning) of the seven string instruments in the following work Sointula. The shapes in the video are abstract representations of the unique scordatura superimposed on the standard tuning of the violin family of instruments. Sointula – Theoretically, it explores techniques such as natural harmonics, rhythmic symmetry, elaborate tuning, the relationship between the harmonic series and twelve-tone equal temperament, shapes represented as sound (“soundshapes”), timbre acting as harmony acting as rhythm, musical extrapolation, the process and result of layered composition, metric modulation. Poetically, it portrays themes such as unification, persistence, open landscapes, melody, location and relocation, opposition, reassurance, water, abstract structures and ideas, the life-affirming experience of attentively listening to natural sounds. Timo would like to thank Dániel Péter Biró, Annette Brosin, Christopher Butterfield, Robbie Deacon, Anna Höstman, Sean Kiley, Harald Krebs, all colleagues/professors/faculty members in the University of Victoria Music Department, and all performers on tonight’s program. Timo Pehkonen is from the class of Professor Anna Höstman. This recital is presented in partial fulfillment of the requirements for the Master of Music (Composition) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030319-GradComposerConcertTimoPehkonen/Full%20work,%20Sointula,%20Timo%20Pehkonen.wav">track1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource DEGREE RECITAL- Timo Pehkonen Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 3, 2019 Contributor An entity responsible for making contributions to the resource Timo Pehkonen https://finearts.uvic.ca/music/archive/files/original/c6ab2a2c9032bb40bb98556ec536283f.pdf 9afae155a69f7ccbfdff5cfe2e7f1467 PDF Text Text G RADUATE R ECITAL Emily Morse, Flute With Charlotte Hale, Piano Tuesday Feb. 26, 12:30pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Une Flûte Soupire Nocturne Mel Bonis (1858 – 1937) Lili Boulanger (1893 – 1918) Mel Bonis (1858 – 1937) Pièce Air Vaudois Mel Bonis (1858 – 1937) Sonate Mel Bonis (1858 – 1937) Movement I: Andantino con moto Movement II: Scherzo-Vivace Movement III: Adagio Movement IV: Finale-Moderato Emily Morse is from the class of Dr. Suzanne Snizek This recital is presented in partial fulfillment of the requirements for the Master of Music (Musicology with Performance) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_1.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_2.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_3.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_4.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022619-EMoreseLecture/022619-EMoreseLecture_5.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 26, 2019 Contributor An entity responsible for making contributions to the resource Emily Morse Charlotte Hale https://finearts.uvic.ca/music/archive/files/original/5d9514f5f1f07ccf50e6a9d23f75c242.pdf b2c0bd5a98426d1a634659dd86977c20 PDF Text Text PIANO STUDIO RECITAL Students from the studio of Eva Solar Kinderman. SUNDAY, FEBRUARY 3, 2019 | 7 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Preludium and Fugue in C Major, BWV 846 Christopher Dlouhy Sonata in E-flat Major, K. 282 Adagio Menuetto I-II Johann Sebastian Bach (1685–1750) Wolfgang Amadeus Mozart (1756–1791) Katie Lundin Sonata in F Major, Op.10, No. 2 Allegro Allegretto Presto Ludwig van Beethoven (1770–1827) Amber Dayton Sonata in A Minor, Op. posth.143 (D. 784) Allegro giusto Andante Franz Schubert (1797–1828) Alice Bi La danza del molinero (“The Miller’s Dance”) from Sombrero des tres picos (“The three Cornered Hat”) Manuel de Falla (1876–1946) Amber Dayton INTERMISSION Franz Schubert Impromptu in A-flat Major, Op.142, No. 2 Christopher Dlouhy Intermezzo in A Major, Op. 118, No. 2 Emily Markwart Rhapsody in B Minor, Op. 79 Johannes Brahms (1833–1897) Johannes Brahms Annika Sauser Fantasy in C Major, Op. 17 Robert Schumann I. Durchaus phantastisch und leidenschaftlich vorzutragen (1810–1856) Emily Markwart We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/admin/uploads/student/020319-PianoStudioRecital/020319-PianoStudioRecital_09.mp3">track9</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource February 3, 2019 https://finearts.uvic.ca/music/archive/files/original/e4014045957fa80db2eb22c6671f3c0e.pdf 65425572e51124783e1c319d35667028 PDF Text Text PIANO STUDIO RECITAL Students from the studio of Bruce Vogt. SUNDAY, JANUARY 20, 2019 | 7 PM Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Sonata in F-sharp Minor, Op. 25, No. 5 (c. 1790) i. Allegro con espressione Muzio Clementi (1752–1832) Sarah Xu Nocturne in B-flat Minor, Op. 9, No. 1 (1832) Frédéric Chopin (1810–1849) Sebastian Britneff Les sons et les parfums tournent dans l’air du soir, from Preludes, Book 1 (1910) Claude Debussy (1862–1918) Janelle Cavezza Klavierstück in E-flat Major, D. 946, No. 2 (1828) Franz Schubert (1797–1828) Liz Huang Sonata in A Major, K. 331 (1783) i. Andante grazioso W. A. Mozart (1756–1791) Jerry Xiong Sonata in A Minor, D. 784 (1823) i. Allegro giusto Franz Schubert Justin Qin INTERMISSION Impromptu in A-flat Major, D. 935, No. 2 (1827) Shine No. 3 (2017) Vera Li Deborah Baynes Étude in D-flat Major, No. 3, “Un Sospiro” (1849) Sonata No. 7 in D Major, Op. 10, No. 3 (1798) i. Presto iv. Rondo: Allegro Ballade No. 3 in A-flat Major, Op. 47 (1841) Franz Schubert Deborah Baynes Franz Liszt (1811–1886) Gigi Li Ludwig van Beethoven Matthew Sabo Ethan Hill Frédéric Chopin We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_10.mp3">track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/012019-PianoStudioRecital/012018-PianoStudioRecital_11.mp3">track11</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Piano Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource January 20, 2019 https://finearts.uvic.ca/music/archive/files/original/15cd13e21fa231437e672624daaa0299.pdf 8b50325f149eec3ac6ab2590ad871539 PDF Text Text VIOLIN STUDIO RECITAL Violin students from the class of Sharon Stanis. Sunday, January 13, 2019 | 8:00 pm Phillip T. Young Recital Hall, MacLaurin Building Admission by donation PROGRAM Partita No. 2 in D Minor, BWV 1004 Allemanda Corrente J. S. Bach (1685-1750) Ross Ling, violin Partita No. 3 in E Major, BWV 1006 Menuet II Boureé J. S. Bach Cleo Yong, violin Sonata in G Minor, Op. 1, No. 6 Andante larghetto Allegro Adagio Allegro George Frideric Handel (1685-1759) Jas Schweitzer, violin Christopher Dlouhy, piano Vocalise, Op. 34, No. 14 Sergei Rachmaninoff (1873-1943) Claire Sparrow-Clarke, violin Deborah Baynes, piano Concerto No. 3 in G Major, KV 216 Allegro Wolfgang Amadeus Mozart (1756-1791) Leonardo Maekawa, violin Amber Dayton, piano �Concerto No. 2 in D Major, KV 211 Allegro moderato W. A. Mozart Emma Dunbar, violin Amber Dayton, piano — INTERMISSION — Concerto in E Minor, Op. 64 Allegro, molto appassionato Felix Mendelssohn (1809-1847) Lucy Toews, violin Liam Pistor, piano Rumanian Folk Dances Allegro moderato Allegro Andante Molto moderato Allegro Allegro et Più allegro Béla Bartók (1881-1945) Noah Mellemstrand, violin Mela Cheung, piano Sonata No. 4, Op. 27 Lento maestoso Eugène Ysaÿe (1858-1931) Jasmine Mather, violin Sonata No. 6, Op. 27 Allegro guisto non troppo vivo Carlos Quijano Vasquez, violin Eugène Ysaÿe � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_09.mp3">track9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011319-Violin_Studio_Recital/011319-Violin_Studio_Recital_10.mp3">track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Violin Studio Recital Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource January 13, 2019 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing/030619-GradRecital_Ing-Gain_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing/030619-GradRecital_Ing-Gain_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing/030619-GradRecital_Ing-Gain_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030619-GradRecital_Ing/030619-GradRecital_Ing-Gain_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource First-Year Recital (MMus): Marianne Ing, trumpet Creator An entity primarily responsible for making the resource kmcnally Date A point or period of time associated with an event in the lifecycle of the resource March 6, 2019 Contributor An entity responsible for making contributions to the resource Marianne Ing, trumpet https://finearts.uvic.ca/music/archive/files/original/67112f8e106989ae0dbae74eb3febd8b.pdf 9534cb968c052d422fa097b64350eef9 PDF Text Text GRADUATE RECITAL CHROMA String Quartet Ilya Ivanov (Violin, Viola), Carlos Quijano (Violin), Felix Alanis (Violin, Viola), Manuel Cruz (Cello) Thursday, November 8, 2018 | 8 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Fourth String Quartet Béla Bartók (1881 - 1945) I. Allegro II. Prestissimo, con sordino III. Non troppo lento IV. Allegretto pizzicato V. Allegro molto Cuarteto Virreinal Miguel Bernal Jimenez (1910 – 1959) I. Allegro II. Zarabanda con variaciones III. Minué – Trio IV. Mosso e spigliato — INTERMISSION — String Quartet in G minor, L 85, Op. 10 Claude Debussy (1862 – 1910) I. Animé et très décidé II. Assez vif et bien rythmé III. Andantino, doucement expressif IV. Très modéré – En animant peu á peu – Trés mouvementé et avec passion Chroma String Quartet is from the class of Professors Joanna Hood and Sharon Stanis. This recital is presented in partial fulfillment of the requirements for the Master of Music (emphasis in string quartet) program. Please turn off all cell phones. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/110818-ChromaQuartet/110818-ChromaQuartet_1.mp3">track1</a><br /><a href="uploads/student/110818-ChromaQuartet/110818-ChromaQuartet_2.mp3">track2</a><br /><a href="uploads/student/110818-ChromaQuartet/110818-ChromaQuartet_3.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Chroma String Quartet Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource November 8, 2018 Contributor An entity responsible for making contributions to the resource Ilya Ivanov Carlos Quijano Felix Alanis Manuel Cruz https://finearts.uvic.ca/music/archive/files/original/267ff8fb980184ff6eb0c5442b12dcb3.pdf 1a36af4aeec50278c7540e9651e6657f PDF Text Text DEGREE RECITAL Nicole Lavallée, piano September 12, 2018, 8:00PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Two Sinfonias from Inventions and Sinfonias (1723) J.S. Bach I. Sinfonia No. 10 in G Major, BWV 796 (1685-1750) II. Sinfonia No. 11 in G Minor, BWV 797 Sonata in B Minor, Op. 40, No. 2 (1802) Muzio Clementi I. Molto Adagio e sostenuto / Allegro con fuoco, e con espressione (1752-1832) II. Largo, mesto e patetico / Allegro / Presto Arabeske, Op. 18 (1839) Robert Schumann (1810-1856) — INTERMISSION — Two Sonatas (c. 1725-1730) Domenico Scarlatti I. Sonata in A Major, K. 24, L. 495 (1685-1757) II. Sonata in A Minor, K. 54, L. 241 Quaderno Musicale di Annalibera (1952) Luigi Dallapiccola “Music Book for Annalibera” (1904-1975) I. Simbolo (Symbol) II. Accenti (Accents) III. Contrapunctus primus IV. Linee (Lines) V. Contrapunctus secundus (Canon contrario motu) (Canon in contrary motion) VI. Fregi (Friezes) VII. Andantino amoroso e Contrapunctus tertius (Canon cancrizans) (Crab canon) VIII. Ritmi (Rhythms) IX. Colore (Colour) X. Ombre (Shadows) XI. Quartina (Quatrain) Poème, Op. 41 (1903) Alexander Skryabin (1871-1915) St. François d’Assise · La predication aux oiseaux from Deux Légendes (1863) Franz Liszt “St. Francis of Assisi Preaching to the Birds” (1811-1886) Nicole Lavallée is from the class of Professor Bruce Vogt This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Reception to follow in the Lounge. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/091218-LavalleeGradRecital/091218-LavalleeGradRecital_08.mp3">track8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduate Recital - Nicole Lavallée Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource September 12, 2018 Contributor An entity responsible for making contributions to the resource Nicole Lavallée