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                    <text>DEGREE RECITAL
Ya Ping Huang, piano
Monday, April 15th, 2019 | 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Prelude and Fugue No.3 in C-sharp major from WTC II, BWV 872

Piano Sonata No. 26 in E♭ major, op. 81a
I. Das Lebewohl
II. Abwesenheit
III. Die Wiedersehen

J.S. Bach
(1685-1750)
Ludwig van Beethoven
(1770-1872)

Étude Op. 25, No. 12 in C minor

Frederic Chopin
(1810-1849)

Scherzo

Oskar Morawetz
(1917-2007)
— INTERMISSION —

Prelude No. 5: Bruyeres

Claude Debussy
(1862-1918)

Alborada del gracioso

Maurice Ravel
(1875-1937)

Après une lecture du Dante: Fantasia quasi Sonata

Ya Ping Huang is from the class of Professor, May Ling Kwok
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.

Franz Liszt
(1811-1886)

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                    <text>DEGREE RECITAL
Drake Lovett, Horn
Erin Zipper, Piano
15 April 2019, 4:30pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Eleven Pieces
No. 7 – Valse Triste

Rheinhold Glière
(1875-1956)

Horn Concerto No. 3 k.447
i. Allegro
ii. Romance
iii. Rondo

Wolfgang Amadeus Mozart
(1756-1791)

Rêverie

Alexander Glazunov
(1865-1936)

— INTERMISSION —
Eleven Pieces
No. 6 – Romance
No. 11 – Intermezzo
No. 10 – Nocturne

Rheinhold Glière
(1875-1956)

Trio for Brass
1 – Recitative and Fanfare

Ian McDougall
(b. 1938)
Featuring:
Evan Overman, trumpet
Will Quinn, trombone

Drake Lovett is from the class of Professor Kurt Kellan
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.

�</text>
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Erin Zipper</text>
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                    <text>Degree RECITAL
	
	CHROMA	String	Quartet		

	

	

Ilya	Ivanov	(Violin),	Carlos	Quijano	(Violin),		
Felix	Alanis	(Viola),	Manuel	Cruz	(Cello)		
Wednesday	April	3rd			2019,	8	pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM
	

String	Quartet	No.	12		in	C	minor,	D703		(Quartettsatz)																																																													Franz	Schubert	
																																																																																																																																																																			(1797	–	1828)	
Allegro	assai		
																																																																																																																				
String	Quartet	No.	6	in	G	Major,	Op.	101							 																																																																	Dmitri	Shostakovich	
																																																																																					(1906	–	1975)																													
I.
Allegretto	
II.
Moderato	con	moto	
III.
Lento		(attacca)		
IV.
Lento	-	Allegretto	
	

—	INTERMISSION	—	

	
	String	Quartet	No.	14	in	C#	minor,	Op.	131	
								 																																													Ludwig	Van	Beethoven						
																																																																																																																																																																			(1770	–	1827)																													
I.
Adagio	ma	non	troppo	e	molto	espressivo		
II.
Allegro	molto	vivace		
III.
Allegro	moderato	-	Adagio	
IV.
Andante	ma	non	troppo	e	molto	cantabile	–		
Più	mosso	–	Andante	moderato	e	lusinghiero	–	
Adagio	–	Allegretto	–	Adagio,	ma	non	troppo		
e	semplice	–	Allegretto	
V.
Presto		
VI.
Adagio	quasi		un	poco	andante	
VII.
Allegro																																																																																																					
	
	
	
Chroma	String	Quartet	is	from	the	class	of	Professors,	Mrs.	Pamela	Highbaugh	-	Aloni	and	Mrs.	Ann	Elliott	
Goldschmid	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Master	of	Music	(emphasis	in	string	quartet)	program.	
	
	
Please	turn	off	all	cell	phones.	
	

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                    <text>DEGREE RECITAL
Liam Pistor
Monday April 1st, 2019, 8PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Prelude and Fugue in C-Sharp Major, BWV 848

JS Bach
(1685-1750)

Piano Sonata, Op. 1

Alban Berg
(1885-1935)

Piano Sonata No. 28 in A Major, Op. 101
I. Etwas lebhaft und mit der innigsten Empfindung,
Allegretto, ma non troppo
II. Lebhaft. Marschmäβig
Vivace alla Marcia
III. Langsam und sehnsuchtvoll
Adagio, ma non troppo, con affetto
IV. Geschwinde, doch nicht zu sehr, und mit Entscholossenheit
Allegro

Ludwig van Beethoven
(1770-1827)

— INTERMISSION —
Barcarolle No. 6 in E-Flat Major, Op. 70

Gabriel Fauré
(1845-1924)

Valses nobles et sentimentales
I. Modéré—très franc
II. Assez lent—avec une expression intense
III. Modéré
IV. Assez animé
V. Presque lent—dans un sentiment intime
VI. Vif
VII. Moins vif
VIII. Épilogue: lent
Variations sérieuses, Op. 54

Maurice Ravel
(1875-1937)

Felix Mendelssohn
(1809-1847)

Liam Pistor is from the class of Professor Arthur Rowe.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.

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                    <text>DEGREE RECITAL
sean kiley
Saturday, March 23, 2019 20:00
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

program
Reed Richards

sean kiley
colin malloy, steel pan and electronics

morning bells
eventide
dawn
rising

sean kiley

sean Kiley, saxophone
ancient cascades

sean kiley
timo pehkonen, pianoforte
natalie dzbik, violin
alexander klassen, violoncello
richard charter, electric guitar

— brief INTERMISSION —
kyi

sean kiley
plane I
plane II
alex jang, conductor
cashton mcgillivray, vibraphone
colin malloy, vibraphone
nicole lavallée, pianoforte
rachel burtman, electric bass
natalie dzbik, violin
hollas longton, violin
seth mcmillan, viola
tara rajah, violoncello
taya franson-haldane, alto flute
seán maynard, tenor saxophone
brodie keating, electric guitar

alligator char

christopher burns
tbd
Sean Kiley is from the class of Professor Annette Brosin
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Composition) program.

�program notes

‘reed richards’
the steel pan is being recorded in small intervals of time and is then subjected to processing in ‘real time’. colin is
using the foot pedal board to trigger the recording function and the playback. he also controls the speed at which
the recording is played back; almost all sounds are played back slowed down with an audio processing patch. in
this way, colin is playing a duet with himself.
‘morning bells’
this is an electro-acoustic piece. the speakers play a carefully curated balance of improvised loops, synth lines,
string arrangements, field recordings of church bells, and auxiliary percussion. I play saxophone and try to relate to
the three phases in the piece.
‘ancient cascades’
the score is open for any instruments that can glissando + piano. players have a set of instructions and all have the
same single page of music; they choose where to start and are also given optional pathways to move through the
piece.
‘kyi’
there are three groups:
I. vibraphone, piano, bass
II. violin, violin, viola, cello
III. alto flute, tenor sax, guitar
listen for the relationships between the groups as well as the degree of predictability or ‘pre-audibility’.
the structure is based off an exploration of psychological ideas in understanding music and a natural development
thereof.
‘alligator char’
essentially all the musicians pick a sequence of cards, which include vaguely written ideas about what kind of
sounds to play. nothing except for the cards and their performed order is predetermined.

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                    <text>DEGREE RECITAL
Nolan Kehler, tenor
Aya Robertson, piano
Allison Miller, flute
Wednesday, March 20, 2019, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
An die ferne Geliebte
I.
II.
III.
IV.
V.
VI.

Ludwig van Beethoven
(1770-1827)

Auf dem Hügel sitz ich spähend
Wo die Berge so blau
Leichte segler in den Höhen
Diese Wolken in den Höhen
Es kehret der Maien, es blühet die Au
Nimm sie hin denn, diese Lieder
Aya Robertson, piano

Hide thou thy hated beams/Waft her Angels (from Jephtha)

G.F. Handel
(1685-1759)

Aya Robertson, piano
Deux poèmes de Ronsard
I.
II.

Albert Roussel
(1869-1937)

Rossignol, mon mignon
Ciel, aers, et vens
Allison Miller, flute

Deux poèmes de Louis Aragon
I.
II.

Francis Poulenc
(1899-1963)

C
Fêtes galantes
Aya Robertson, piano

— INTERMISSION —
Que les destins prospères (from Le comte Ory)
Aya Robertson, piano

Please turn off all cell phones.

Gioachino Rossini
(1792-1868)

�Winter Words
i.
ii.
iii.
iv.
v.
vi.
vii.
viii.

Benjamin Britten
(1913-1976)
At Day-Close in November
Midnight on the Great Western
Wagtail and Baby (A Satire)
The Little Old Table
The Choirmaster’s Burial
Proud Songsters
At the Railway Station, Upway
Before Life and After
Aya Robertson, piano

La danza tarantella

Gioachino Rossini
(1792-1868)
Aya Robertson, piano

Nolan is from the studio of Professor Benjamin Butterfield
This recital is presented in partial fulfillment of the requirements
for the Master of Music, vocal performance program.
Reception to follow in the Lounge.

Please turn off all cell phones.

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�ɔ

ḱ
ṣ

�</text>
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                    <text>DEGREE RECITAL
Fraser Gibson, Guitar
Wednesday, March 13th, 2019
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
Soledad

Patrick Roux
(1962)
Charlie Mason, Flute

La Catedral
Prelude
Andante
Allegro

Agustín Barrios
(1885-1944)

Gran Jota

Francisco Tárrega
(1852–1909)

— INTERMISSION —
Nagoya Guitars

Steve Reich
(1936)
Joshua Amendt Moylan, Guitar

BWV 998
Prelude
Fugue
Allegro

J.S. Bach
(1685-1750)

Concerto for Guitar and Jazz Piano Trio
Hispanic Dance (With a Blue Touch)
Mexiçaine
Afriçaine
Matt Poon, Piano
Clayton Dowdell, Bass
David Lochead, Percussion

Fraser Gibson is from the class of Professor Alexander Dunn
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please silence all electronic devices.

Claude Bolling
(1930)

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                    <text>DEGREE RECITAL
Abigail Schuliger, soprano
Kinza Tyrrell, piano
March 13th, 2019, 12:30pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Exsultate Jubilate, K.165
Exsultate, jubilate 
Fulget amica dies
Tu virginum corona 
Alleluja

W.A. Mozart (1756-1791) 

Schlagende Herzen, op. 29, no. 2
Breit’ über mein Haupt, op. 19, no. 2
Allerseelen, op. 10, no. 8
Nichts, op. 10, no. 2
On This Island, op. 11
Let the florid music praise!
Now the leaves are falling fast
Seascape 
Nocturne 
As it is, plenty
No word from Tom from The Rake’s Progress

Richard Strauss (1864-1949)

Benjamin Britten (1913-1976) 

Igor Stravinsky (1882-1971) 

Abigail Schuliger is from the class of Professor Benjamin Butterfield
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

Please turn off all cell phones.

�</text>
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Kinza Tyrrell</text>
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                    <text>DEGREE RECITAL
Kieran Foss, Tenor
Allison Miller, Flute
Christine Beattie, Horn
Csinszka Rédai, Piano &amp; Harpsichord
Monday, March 11th, 2019, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Io gia t’amai
From Rodelinda

G. F. Handel
1685-1759
Csinszka Rédai, Piano

Ich weiß, daß mein Erlöser lebt
Aria: Ich weiß, daß mein Erlöser lebt.
Recit: Er lebt und ist von Toten auferstanden!
Aria: Gott Lob, daß mein Erlöser lebt!
Recit: So biet ich allen Teufeln Trutz!
Aria: Nun, ich halte mich bereit;
Allison Miller, Flute
Csinszka Rédai, Harpsichord

G. P. Telemann
1681-1767

Canticle III: Still falls the Rain – The Raids, 1940, Night and Dawn

Benjamin Britten
1913-1976

Christine Beattie, Horn
Csinszka Rédai, Piano

— INTERMISSION —
Languir per una bella
From L’Italiana in Algeri

Gioachino Rossini
1792-1868
Csinszka Rédai, Piano

Three Irish Folksong Settings
The Salley Gardens
The Foggy Dew
She Moved Through the Fair

John Corigliano
1938
Allison Miller, Flute

Vier Lieder, Op. 27
Ruhe, meine Seele
Cäcilie
Heimliche Aufforderung
Morgen

Richard Strauss
1864-1949

Csinszka Rédai, Piano
Johanna
From Sweeney Todd

Stephen Sondheim
1930
Csinszka Rédai, Piano

Kieran Foss is from the class of Professor Benjamin Butterfield
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.

�</text>
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Allison Miller&#13;
Christine Beattie &#13;
Csinszka Rédai</text>
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