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                    <text>GRADUATE RECITAL
Moming Zhang, Piano
Arthur Rowe, Piano
6th March, 2024, 8 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Romeo &amp; Juliet suite Op. 75
I.
Folk Dance
II.
Scene
III.
Minuet
IV.
Young Juliet
V.
Masks
VI.
Montagues and Capulets
VII.
Friar Laurence
VIII.
Mercutio
IX.
Dance of the Girls and Lilies
X.
Romeo and Juliet Before Parting

S. Prokofiev
(1891-1953)

— INTERMISSION —

Sonata No. 23 in f minor Op. 57
I.
Allegro Assai
II.
Andante con moto
III.
Allegro ma non troppo

Andante Spianato and Grande Polonaise Brillante Op.23

Moming Zhang is from the class of Professor Arthur Rowe.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

L. Beethoven
(1770-1827)

F. Chopin
(1810-1849)

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Arthur Rowe, Piano</text>
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                    <text>DEGREE RECITAL
Grace Vermette, Mezzo-Soprano
Lucas Hung, piano
Yvonne Usseni, soprano
Monday, March 4th, 2024: 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Vedrò con mio diletto
(from Il Giustino)

Antonio Vivaldi
(1678 - 1741)

Voi avete un cor Fedele, K. 217

Wolfgang Amadeus Mozart
(1756 - 1791)

Ariettes oubliées, Aquarelle
V. Green
VI. Spleen

Claude Debussy
(1862 - 1918)

Le Bestiaire
VI. La carpe
La Courte Paille
II. Quelle aventure!

Francis Poulenc
(1899 - 1963)

‘Letzte Blätter’ Op. 10,
III. Die Nacht
VIII. Allerseelen

Richard Strauss
(1864 - 1949)

— INTERMISSION —

Three Duets on Texts by Heinrich Heine
I. Wenn ich in deine Augen sehe

Fanny Hensel
(1805 - 1847)
Yvonne Usseni, soprano

In weite Ferne

Josephine Lang
(1815 - 1880)

Sea Pictures, op. 37
I. Sea Slumber Song
II. In Haven
III. Sabbath Morning at Sea
IV. Where Corals Lie
V. The Swimmer

Grace Vermette is from the class of Professor Benjamin Butterfield.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.

Sir Edward Elgar
(1857 - 1934)

�Vedrò con mio diletto

I’ll see to my delight

Vedrò con mio diletto
L'alma dell'alma mia
Il core del mio cor
Pien di contento

I’ll see to my delight
The soul of my soul
The heart of my heart
Full of happiness

Vedrò con mio diletto
L'alma dell'alma mia
Il core di questo cor
Pien di contento

I’ll see to my delight
The soul of my soul
The heart of this heart
Full of happiness

E se dal caro oggetto
Lungi convien che sia
Sospirerò penando
ogni momento

And if from my dear one
I must be parted
I will sigh and suffer
every moment

Voi avete un cor Fedele

You have a heart faithful

Voi avete un cor fedele,
Come amante appassionato:
Ma mio sposo dichiarato,
Che farete? Cangerete?
Dite, allora che sarà?
Manterrete fedeltà?
Ah! non credo.
Già prevedo,
Mi potreste corbellar.
Non ancora,
Non per ora,
Non mi vuò di voi fidar.

You have a heart faithful
Like a passionate lover:
But my avowed groom,
What will you do? Will you change?
Say then, so what will it be?
Will you remain faithful?
Ah! I do not think so.
I already predict,
You will make a fool of me.
Not yet,
Not for now,
I don’t want to trust you.

Green

Green

Voici des fruits, des fleurs, des feuilles et des branches
Et puis voici mon cœur qui ne bat que pour vous.
Ne le déchirez pas avec vos deux mains blanches
Et qu’à vos yeux si beaux l’humble présent soit doux.

Here are fruits, flowers, leaves, and branches
And here is my heart that beats only for you
Do not tear it up with your two white hands
And may your beautiful eyes find the humble gift sweet.

J’arrive tout couvert encore de rosée
Que le vent du matin vient glacer à mon front.
Souffrez que ma fatigue à vos pieds repose
Rêve des chers instants qui la délasseront.

I come all covered still with dew
That the morning breeze has frozen to my brow.
Let my weariness find rest at your feet
Dreaming of dear moments that will soothe it.

Sur votre jeune sein laissez rouler ma tête
Toute sonore encore de vos derniers baisers;
Laissez-la s’apaiser de la bonne tempête,
Et que je dorme un peu puisque vous reposez.

To your young breast let my head go
Still full of the sound of your last kisses;
Let it calm down from the good tempest,
And let me sleep a little, since you rest.

Spleen

Spleen

Les roses étaient toutes rouges
Et les lierres étaient tout noirs.
Chère, pour peu que tu te bouges,
Renaissent tous mes désespoirs.

The roses were all red
And the ivies were all black
Dear, as soon as you move
All of my despairs are reborn

Le ciel était trop bleu, trop tendre,
La mer trop verte et l’air trop doux.
Je crains toujours,—ce qu’est d’attendre!—
Quelque fuite atroce de vous.

The sky was too blue, too tender
The sea too green and the air too sweet.
I am still afraid, --What it is to await!-Some excruciating flight from you.

Du houx à la feuille vernie
Et du luisant buis je suis las,
Et de la campagne infinite
Et de tout, fors de vous, hélas!

Of the holly and the glossy leaves
And of the shining boxwood I am weary,
And of the endless countryside
And of all but you, alas!

�La Carpe

The Carp

Dans vos viviers, dans vos étangs
Carpes, que vous vives longtemps!
Est-ce que la mort vous oublie,
Poissons de la mélancolie.

In your pools, in your ponds
Carp, what a long life you live!
Could it be that death forgot you,
Fish of melancholy?

Quelle aventure!

What an adventure!

Une puce, dans sa voiture,
Tirait un petit éléphant
En regardant les devantures
Où scintillaient les diamants.
Mon Dieu! Mon dieu!
Quelle aventure!
Qui va me croire, s’il m’entend?

A flea, in his carriage,
Was pulling a little elephant along
Watching the store fronts
Where diamonds were sparkling
My goodness! My goodness!
What an adventure!
Who will believe it if they hear me?

L’ éléphanteau, d’un air Absent,
Suçait un pot de confiture.
Mais la puce n’en avait cure,
Elle tirait en souriant.
Mon Dieu! Mon Dieu!
Que ce la dure
Et je vais me croire dement!

The elephant, of an absent air,
Sucked on a pot of jam.
But the flea did not take notice,
She was pulling and smiling.
My goodness! My goodness!
If this goes on,
I will believe I’m mad!

Soudain, le long d’une clôture,
La puce fondit dans le vent
Et je vis le jeune éléphant
Se sauver en fendant les murs.
Mon Dieu! Mon Dieu!
La chose est sure,
Mais comment le dire à maman?

Suddenly, along a fence
The flea flew off in the wind
And I saw the the young elephant
Dash off, splitting the walls.
My goodness! My goodness!
It is true,
But how will I tell mama?

Die Nacht

The Night

Aus dem Walde tritt die Nacht,
Aus dem Baümen schleicht sie leise,
Schaut sich um in weitem Kreise,
Nun gib Acht!

Out of the wood treads the night,
Out of the trees she creeps softly,
Gazes around in a wide circle,
Now beware!

Alle Lichter dieser Welt,
Alle Blumen, alle Farben
Löscht sie aus und stielht die Garben
Weg vom Feld.

All the lights of the world,
All flowers, all colours
She erases them and steals the sheaves
Away from the field.

Alles nimmt sie, was nur hold,
Nimmt das Silber weg des Stroms
Nimmt vom Kupferdach des Doms
Weg das Gold.

She takes everything that is dear,
Takes the silver away from the streams
Takes from the copper roof of the cathedral
Away the gold.

Ausgeplündert steht der Strauch:
Rücke näher, Seel’ an Seele
O die Nacht, mir bangt, sie stehle
Dich mir auch.

The shrub stands plundered:
Come closer, soul to soul
Oh the night, I fear, she will steal
You from me too.

�Allerseelen

All Souls Day

Stell auf den Tisch die duftenden Reseden,
Die letzten roten Astern trag herbei,
Und laß uns wieder von der Liebe reden,
Wie einst im Mai.

Put on the table the fragrant reseda,
Bring the last red asters here,
And let us speak of love again,
As once in May.

Gib mir die Hand, daß ich sie heimlich drücke,
Und wenn man’s sieht, mir ist es einerlei,
Gib mir nur einen deiner süßen Blicke,
Wie einst im Mai.

Give me your hand, that I may secretly press it,
And if people see it, I do not mind,
Give me but one of your sweet glances
As once in May.

Es blüht und duftet heut auf jedem Grabe,
Ein Tag im Jahr ist ja den Toten frei,
Komm am mein Herz, daß ich dich wieder habe,
Wie einst im Mai.

It blooms and is fragrant today on every grave,
One day a year is free for the dead,
Come to my heart, that I may have you again,
As once in May.

Wenn ich in deine Augen sehe

When I look into your eyes

Wenn ich in deine Augen seh’,
So schwindet all’ mein Leid und Weh’;
Doch wenn ich küsse deinen Mund,
So werd’ ich ganz und gar gesund.

When I look into your eyes,
So vanishes all my sorrow and pain;
But when I kiss your lips,
I am wholly and fully healed.

Wenn ich mich lehn’ an deine Brust,
Kommt’s über mich wie Himmelslust;
Doch wenn du sprichst: ich liebe dich!
So muss ich weinen bitterlich.

When I lean against your breast,
Heavenly delight comes upon me;
But when you say: I love you!
So must I weep bitterly.

In weite Ferne

Far Away

In weite Ferne will ich träumen,
Da, wo Du weilst!
Wo aus den schneeig hellen Räumen
Die Bäche in die Seen schäumen!
Da, wo Du weilst!

I want to dream into the far distance,
There, where you tarry!
Where from the snowy bright spaces
The streams foam into the lakes!
There, where you tarry!

Will mit Dir durch die Berge streifen
Da, wo Du weilst!
Wo auf dem Eisfeld Gemsen schweifen,
Im warmen Thale Feigen reifen
Da, wo Du weilst!

I want to roam the mountains with you
There where you tarry!
Where the goats roam on the glaciers,
Figs ripen in the warm valley!
There where you tarry!

Und Heimlich will ich weiter lieben,
Wenn Du heimkehrst!
Es soll die Zeit mich nicht betrüben,
Wir sind dieselben noch geblieben!
Wenn Du heimkehrst!

And secretly I wish to continue loving,
When you return home!
Time shall not grieve me,
We are still the same!
When you return home!

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Lucas Hung, piano Y&#13;
vonne Usseni, soprano&#13;
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                    <text>DEGREE RECITAL
Composition Graduation Recital
Sunday, March 3rd, 2024, 7:30
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
or somethiNg
Liam McDonald-Horak
Eóghan Bostock – piano, Sophie Hillstrom – viola, Matteo Toyata – Cello

Systématique
Nicholas Selig
I. La poursuite de l’émotion
II. Expression de l’individualitè
Michelle Wolfenden – flute, Max Niiranen – french horn, Jayda Thor – cello, Bailey Lehman – piano

liiiving,,, imiiitating,,, reiiimagining
ruuuby iriiis kœœœp

ruuuby iriiis kœœœp

Please silence all electronic devices.

�Trilogía
Naomi Sehn
I. Detente Sombra
II. Quejase de la suerte
II. La luz pura
Abby Corpus - Voice, Madison Blackman - Voice, Akina Kishiyama - Voice, Julianna Reid - Voice, Bella
Kershaw - Voice, Olivia Jackson - Voice, Bree Anne Bartle-Clar - Voice, Olivia Pryce-Digby - Voice

Firmament
Alex Matterson

Faith Fehr – Bass, Colwyn Lewis – bass, Alex Matterson – electronics

Thunderphone
Nathaniel Ritter

Cell Phones - Audience

Alex, Ruby, Liam, Naomi, Nick, and Nathaniel are from the classes of Ajtony Csaba, Dr. Anthony Tan, and Dr. Patrick
Boyle.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Composition) program.

Please silence all electronic devices.

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                <text>Eóghan Bostock – piano, Sophie Hillstrom – viola, Matteo Toyata – Cello&#13;
&#13;
Michelle Wolfenden – flute, Max Niiranen – french horn, Jayda Thor – cello, Bailey Lehman – piano&#13;
&#13;
ruuuby iriiis kœœœp&#13;
&#13;
Abby Corpus - Voice, Madison Blackman - Voice, Akina Kishiyama - Voice, Julianna Reid - Voice, Bella Kershaw - Voice, Olivia Jackson - Voice, Bree Anne Bartle-Clar - Voice, Olivia Pryce-Digby - Voice&#13;
&#13;
Faith Fehr – Bass, Colwyn Lewis – bass, Alex Matterson – electronics</text>
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                    <text>GRADUATE RECITAL
Chensi Liu, clarinet
Jany Lu, piano
Wednesday, February 28th, 2024 | 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Soliloquies

Leslie Bassett
1923 –2016

I. Fast, aggressive, driving, dramatic
II. Flowing, singing
III. Fast, abrasive, contentious
IV. Slow, Lyrical, expressive
Clarinet Sonata op. 167

Camille Saint-Saens
1835-1921

I. Allegretto
II. Allegro animato
III. Lento
IV. Molto allegro
Jany Lu, piano

— INTERMISSION —
Drei Romanzen op.94

Robert Schumann
1810 –1856

I. Nicht schnell
II. Einfach, innig
III. Nicht schnell
Jany Lu, piano
Fantasia on the Opera La Traviata

Ronato Lovreglio
1841 –1901
Jany Lu, piano

Chensi Liu is from the class of Professor David Boutin-Bourque.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

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Jany Lu, piano</text>
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                    <text>GRADUATE RECITAL
Kerry Graham, baroque bassoon
Wednesday February, 14, 2024 12:30 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Sonata in C Major, op. 6 #1
Rondement
Siciliene
Gavotte I &amp; II

Joseph Bodin di Boismortier
(1689-1755)

Maria Wang, cello
Christina Hutten, harpsichord
Duet from Cantata BWV 155
'Du mußt glauben, du mußt hoffen’

Johann Sebastian Bach
(1685-1750)
Celeste Lingas, soprano
Carter Martin, tenor
Maria Wang, cello
Christina Hutten, harpsichord

Sonata in G minor op. 3 #4
Allemanda
Cantabile
Menuetto/Presto

Luigi Merci
(1695-1750)

Maria Wang, cello
Christina Hutten, harpsichord
Bassoon Concerto in A minor
Allegro con spirito
Grave
Allegro di molto

Johann Wilhelm Hertel
(1727-1789)

Paul Luchkow, violin
Elyssa Lefurgey-Smith, violin
Kathryn Wiebe, viola
Maria Wang, cello
Christina Hutten, harpsichord

Kerry Graham is from the class of Katrina Russell
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Please silence all electronic devices.

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                <text>Kerry Graham, bassoon&#13;
&#13;
Maria Wang, cello &#13;
Christina Hutten, harpsichord&#13;
Celeste Lingas, soprano &#13;
Carter Martin, tenor&#13;
Paul Luchkow, violin &#13;
Elyssa Lefurgey-Smith, violin &#13;
Kathryn Wiebe, viola&#13;
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                    <text>FIRST-YEAR RECITAL
Mahtab Saadatmand, Cello
Jany Lu, Piano
Victor Su, Piano
Tuesday, February 13, 2024, 12:30 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Sonata in D minor, Op.5, No.8

Arcangelo Corelli
1653-1713

Prelude
Allemande
Sarabande
Gigue
Jany Lu, Piano

Adagio and Allegro, Op.70

Robert Schumann
1810-1856
Jany Lu, Piano

Varsha

Reena Esmail
1983.

Intermezzo for Piano and Cello

Claude Debussy
1862-1918
Victor Su, Piano

Persian Folk Songs, Set No. 16C

Reza Vali
1952.

Longing
In the Style of an Armenian Folk Song
In memory of a Lost Beloved
The Girl from Shiraz
Love Drunk (Mastom-Mastom)
Jany Lu, Piano

Mahtab Saadatmand is from the class of Professor Pamela Highbaugh Aloni.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.

Please silence all electronic devices.

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Jany Lu, Piano</text>
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Yousef Shadian</text>
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                    <text>DEGREE RECITAL
Eóghan Bostock, Piano
Friday, September 8, 2023, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Everything Waits for the Lilacs

John Burge
b. 1961

Suite in D Major, RCT 3
I. Les Tendres Plaintes
V. La Follette
VI. L’Entretien des Muses
VIII. Les Cyclopes

Jean-Philippe Rameau
(1683–1764)

Estampes, L.100
I. Pagodes
II. La soirée dans Grenade
III. Jardins sous la pluie

Claude Debussy
(1862–1918)

Ballade No. 4 in F Minor, Op. 52

Frédéric Chopin
(1810–1849)

— INTERMISSION —
Sonata in E-flat Major, Hob. XVI/52
I. Allegro
II. Adagio
III. Finale: Presto

Franz Joseph Haydn
(1732–1809)

Eóghan Bostock is from the class of Eva Solar-Kinderman
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Please silence all electronic devices.

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                    <text>DEGREE RECITAL
ROSS LING, VIOLIN
17 April, 2019, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Bach Violin Partita No 2 in D minor, BWV 1004
Allemanda
Corrente
Sarabanda
Giga
Ciaccona

Sonata in E minor K.304
Allegro
Tempo di Menuetto

J.S Bach
(1685-1750)

Wolfgang Amadeus Mozart
(1756-1791)

Aya Robertson, Piano
— INTERMISSION —

Beethoven Romance No 2 in F Major, Op 50
Adagio cantabile

Ludwig van Beethoven
(1770-1827)

YaPing Huang, Piano

Sibelius violin concerto in D minor, Op 47
Allegro Moderato

YaPing Huang, Piano
Ross Ling is from the class of Professor, Ms. Sharon Stanis
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.

Please turn off all cell phones.

Jean Sibelius
(1865-1957)

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