6 10 227 https://finearts.uvic.ca/music/archive/files/original/4c3ef96e0538729bf9edb666c5a0c83c.pdf 48812dd9ada6364834cefa1eb9a59123 PDF Text Text DEGREE RECITAL Zum Beschluss Simi Luttrell, piano Thursday, April 4th 2024  8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Prelude and Fugue in E major, BWV 878 from Book II of the Well-Tempered Clavier Piano Sonata No. 7 in D major, Op. 10 No. 3 i. Presto ii. Largo e mesto iii. Menuetto. Allegro iv. Rondo. Allegro Johann Sebastian Bach (1685-1750) Ludwig van Beethoven (1770-1827) Piano Variations Aaron Copland (1900-1990) — INTERMISSION — Humoreske, Op. 20 i. Einfach ii. Hastig iii. Einfach und zart iv. Innig v. Sehr lebhaft vi. Zum Beschluss Robert Schumann (1810-1856) Simi Luttrell is from the classes of Professor May Ling Kwok and Professor Bruce Vogt This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/04042024-DegreeRecitalSimiLuttrell/04042024-DegreeRecitalSimiLuttrell_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04042024-DegreeRecitalSimiLuttrell/04042024-DegreeRecitalSimiLuttrell_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04042024-DegreeRecitalSimiLuttrell/04042024-DegreeRecitalSimiLuttrell_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04042024-DegreeRecitalSimiLuttrell/04042024-DegreeRecitalSimiLuttrell_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04042024-DegreeRecitalSimiLuttrell/04042024-DegreeRecitalSimiLuttrell_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Simi Luttrell, piano (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource April 4 2024 Contributor An entity responsible for making contributions to the resource Simi Luttrell, piano Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/04032024-DegreeRecitalJaydaChuViolin/04032024-DegreeRecitalJadeChuViolin-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04032024-DegreeRecitalJaydaChuViolin/04032024-DegreeRecitalJadeChuViolin-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/04032024-DegreeRecitalJaydaChuViolin/04032024-DegreeRecitalJadeChuViolin-003.wav">Track 3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Jade Chu, violin (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource April 3 2024 Contributor An entity responsible for making contributions to the resource Jade Chu, violin Jany Lu, piano https://finearts.uvic.ca/music/archive/files/original/e9da4578e1c57aa0915f9c0651c56a0f.pdf 33c1923425bb04e09455d5a6f18bd0d2 PDF Text Text DEGREE RECITAL Abby Corpus, soprano Dr. Kinza Tyrrell, piano Nadia Lurie, soprano Caitlin Liu, cello Thursday, March 28th 2024, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Gloria, RV 589 III. Laudamus Te Antonio Vivaldi (1678-1741) Nadia Lurie, soprano Ariettes oubliées, L. 60 V. Green VI. Spleen Claude Debussy (1862-1918) Liederkreis, Op. 39 I. In der Fremde II. Intermezzo III. Waldesgespräch IV. Die Stille V. Mondnacht VI. Schöne Fremde VII. Auf einer Burg VIII. In der Fremde IX. Wehmut X. Zwielicht XI. Im Walde XII. Frühlingsnacht Robert Schumann (1810-1856) — INTERMISSION — The Tender Land Laurie’s Song Aaron Copland (1900-1990) 2 Lieder, Op. 28 I. Traumbild II. Herz, mein Herz, so schweig auch du! Josephine Lang (1815-1880) Caitlin Liu, cello Idomeneo Zeffiretti lusinghieri Wolfgang Amadeus Mozart (1756-1791) Little Women Have peace, Jo Mark Adamo (b. 1962) Goodnight Moon Eric Whitacre (b. 1970) Abby Corpus is from the class of Professor Anne Grimm. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_07.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03282024-AbbyCorpusDegreeRecital/03282024-AbbyCorpusDegreeRecital_08.wav">Track 8</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Abby Corpus, voice (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 28 2024 Contributor An entity responsible for making contributions to the resource Abby Corpus, soprano Dr. Kinza Tyrrell, piano Nadia Lurie, soprano Caitlin Liu, cello https://finearts.uvic.ca/music/archive/files/original/4f036cd0dac78a78562cf49cfbb6260f.pdf 626cbe2cc3c39a0e1d3b5556b6ba37f4 PDF Text Text AMBIENT LIGHT: 2nd-YEAR GRADUATE RECITAL Tristan Holleufer, Percussion Lachlan Barry, Percussion Claire McMahon, Trumpet Ethan Page, Percussion Wednesday, March 27th, 2024 - 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM To the Earth ……………….…………………………………………………………………………………………………. Frederic Rzewski (1938 - 2021) Tchik ……………………………………………………………………………………………………………………….. Nicolas Martynciow (b.1964) Vignettes for Trumpet and Percussion …………..……………………………………………………. James M. Stephenson 1. Running with Lionel (b. 1969) 2. Chasing Igor 3. Chuck’s March 5. Waltz in Berlin 7. MAX 8. Encore: White on White Claire McMahon, Trumpet INTERMISSION Musique de Table …………………………………………………………………………………………………………… Thierry de Mey (b. 1956) Lachlan Barry and Ethan Page, percussion Apollo’s Touch …………..………………………………………………………………………………………………… Rodney Sharman (b. 1958) Luminosity …………………………………………………………………………………………………………………….. Tomasz Golinski I. Misterioso e cantabile (b. 1986) II. Furioso Tristan Holleufer is from the class of Professor Bill Linwood. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Please silence all electronic devices. �Program Notes To the Earth (1985) This opening piece by American-born composer Frederic Rzewski pairs four flowerpots with an ancient Homeric hymn recited by the performer. The text (translated into English here), titled To the Earth, Mother of All, is a simple prayer to Gaia, ancient Greek goddess of the Earth. The light, hollow timbre of the clay pots evokes the fragility of the Earth and the environment that surrounds us. This fragile nature has only become more apparent both with increasing societal focus on climate change and with a surge in the seasonal chaos of hurricanes, tornadoes, and forest fires across North America within the past decade. Tchik (2003) A staple snare drum solo played in competitions worldwide, Tchik’s theme-and-variations structure lends itself to a playful, festive atmosphere. As the variations continue, a clear Latin/Brazilian flavour develops both in terms of rhythmic content, sound profile, and performance technique. Throughout the piece, a wide range of sounds is drawn out of the drum, which further blends with the performer’s voice towards the final variations. Then, as abruptly as it began, the piece fades into the distance in the manner of a lively festival parade passing down the street. Vignettes (2005) Written for trumpeter Eric Berlin and percussionist Eduardo Leandro, most of the 8 total short movements of the Vignettes are based on real-life musical characters. These include jazz vibraphonist Lionel Hampton, composer Igor Stravinsky, and both Berlin and Leandro themselves. As Berlin’s former upstairs neighbour in the New England Conservatory dormitory, Stephenson used the apartment-like living situation as inspiration for both the idea of a group of short character snippets and the musical theory idea of a “lower neighbour” tone, which permeates the harmony and melody throughout most of the movements. Tonight, 6 of the 8 movements will be performed (including a somewhat tongue-incheek “encore” movement). Apollo’s Touch (1992) Penned by the Victoria Symphony’s own Composer-in-Residence, Rodney Sharman, Apollo’s Touch takes the listener on a trancelike journey through slowly shifting tonal planes. The static harmonic content in each section allows the soundwaves emanating from different vibraphone keys to interact and combine to create some uniquely hypnotic tone qualities. The opening measures came suddenly to Sharman as he was working on a larger piece for soprano voice and orchestra, and he was thus drawn to the contrasting intimacy of solo vibraphone. Apollo’s Touch seemed to slowly reveal its own artistic needs to Sharman over the long 2 years of its composition, resulting in a working process that felt like the intent of some extraneous force. This process brought about the titular reference to Apollo, the ancient Greek god of music and dance. Luminosity (2010) Polish marimbist Tomasz Golinski is one of the leading composer/performers of the marimba within the past twenty years, having won multiple composition and performance awards in international competitions worldwide. He has also studied extensively with some of the leading players of previous generations, including Ludwig Albert and Keiko Abe. Luminosity, Golinski’s first-prize winning composition for the Universal Marimba Competition 2010, consists of two contrasting movements. The first creates a dark, pensive atmosphere with subtle, shadowy harmony and a deliberate pace of rhythm. The second movement contains many virtuosic, fiery, and furious sections that will challenge any performer, interspersed with moments of quiet beauty. However, both movements are steeped in harmonic content strongly reminiscent of Ravel, Dukas, and other French composers of the early twentieth century. This blend between the darkness of the first movement and the burning light of the second is from where the name of the piece is drawn: The faint glow of light as it approaches the dark. Musique de Table (1989) Composed by French film director Thierry de Mey, Musique de Table sits three performers in a row, each paired with a wooden board. Contact microphones are attached to each piece of wood, which will amplify the sounds created by scratching, flicking, and hitting the boards in various ways. As a director, de Mey has made the visual elements of the performers’ movements a key feature of this work, lending it a ritualistic atmosphere similar to Rzewski’s To the Earth. Owing to the way that the performers bounce thematic ideas off each other, one can almost imagine the soft glow of a desk lamp illuminating a late-night study session! Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03272024-TristanHolleuferDegreeRecitalPercussion/03272024-TristanHolleuferDegreeRecitalPercussion-006.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Tristan Holleufer, percussion (MMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 27 2024 Contributor An entity responsible for making contributions to the resource Tristan Holleufer, Percussion Lachlan Barry, Percussion Claire McMahon, Trumpet Ethan Page, Percussion https://finearts.uvic.ca/music/archive/files/original/a8c904b9772e795457978f7e2a8b2bf7.pdf b015e555d61b65be32fe3dcf32d70789 PDF Text Text GRADUATION RECITAL Clayton Butler, Voice Dr. Kinza Tyrrell, Collaborative Piano/Harpsichord Simi Luttrell, Collaborative Piano Monday, March 25th, 2024, 8:00pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM La Serenata Francesco Paolo Tosti (1846-1916) Aprile Kinza Tyrrell, Piano Winter Words, Op. 52 Benjamin Britten (1913-1976) 1. At day-close in November 2. Midnight on the Great Western 3. Wagtail and Baby (A Satire) 4. The little old table 5. The Choirmaster’s Burial (The Tenor man’s story) 6. Proud Songsters (Thrushes, Finches and Nightingales) 7. At the Railway Station, Upway (The Convict and Boy with the Violin) 8. Before Life and After — INTERMISSION — “Que ce séjour est agréable” From Platée (1745) Jean-Phillipe Rameau (1683-1764) “Ah! faut-il, en un jour” From Hippolyte et Aricie (1733) Kinza Tyrrell, Harpsichord Liederkreis Op. 24 I. II. III. IV. V. VI. VII. VIII. IX. Robert Schumann (1810-1856) Morgens steh’ ich auf und frage Es treibt mich hin Ich wandelte unter den Bäumen Lieb’ Liebchen, leg’s Händchen Schöne Wiege meiner Leiden Warte, warte, wilder Schiffmann Berg’ und Burgen schau’n herunter Anfangs wollt’ ich fast verzagen Mit Myrten und Rosen Simi Luttrell, Piano Clayton Butler is from the class of Professor Benjamin Butterfield. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Reception to follow in the Lounge. Please silence all electronic devices. �Program Notes La Serenata / Aprile Italian composer Paolo Tosti (1846-1916) is known for writing for the voice, with his light and expressive style that lends itself to vocal embellishment. He was an influential figure in music during La Belle Époque, and most notable classical singers have recorded his vocal works. Although the works of Tosti don’t fit into the small box of Italian music most North American people are familiar with, it is the songs of composers such as Tosti that bridge the gap to the Italian culture that is so cherished on that side of the world. Winter Words, Op. 5 Benjamin Britten’s song cycle Winter Words is set to a compilation of poems by Thomas Hardy, famous English poet and author. Britten himself found Hardy’s poetry deeply moving. The cycle was premiered in Leeds, sung by Peter Pears; Britten’s partner in both life and music. Britten was afraid people would find this cycle “difficult or elusive”, as it delves into themes such as the lost innocence of youth, human consciousness, and existence. But just as elusive pieces can breed confusion, I believe the ability to make one’s own interpretation is very important for this cycle, and it is so interesting to see what each person’s Winter Words mean to them. Platée “Que ce séjour est agréable”: Written for the wedding of the Dauphin in 1745, Platée remains a model of French Baroque opera today. The story follows the unattractive and detestable frog-like water-nymph Platée who believes she is the most alluring - and how she’s convinced in an unfortunate ploy that the King of the Gods (Jupiter) is in love with her. In hopes that Jupiter can cure his wife Juno of her jealous reproaches, we are lead through this tragic, yet comedic story of false-love and humiliation. Before Jupiter steps in, we are first introduced to Platée in this scene as she fantasizes about her love for King Kithairon. Hippolyte et Aricie “Ah! faut-il en un jour” Hippolyte et Aricie, Rameau’s first opera, based on the French tragedy of Phèdre, was premiered in 1733. Phèdre, thinking her husband (Theseus) is dead, confesses her love for her stepson, Hippolyte. However, Hippolyte’s declaration of love for the foreign princess Aricie arouses anger in Phèdre. Theseus then returns home alive and believes his son has made advances on Phèdre. Out of anger he banishes his son from the land and all whom he loves, thus setting the scene for this aria. Liederkreis, Op. 24 Written for Clara Wieck in Schumann’s “year of song” (1840) in anticipation of their wedding, this book of song was gifted to her wrapped in flowers and gold tinsel. Op. 24 is the first piece of vocal music Schumann ever composed. Fulfilled by this endeavour, Schumann expressed his excitement in a letter to Wieck; “Ah Clara, what bliss it is to write for the voice, I’ve needed it for a long time.” Though Schumann’s Op. 39 of the same title is often given more recognition and favoured, Op. 24 is an important work that provides us with a glimpse into his deep musical and emotional connection to his beloved Clara. Though the poetry and overall theme of this cycle is unrequited love, it comes with an intense irony that Schumann would use this text as the ultimate love letter. Please silence all electronic devices. �Translations La Serenata The Serenade Vola, o serenata: La mia diletta è sola, e, con la bella testa abbandonata, posa tra le lenzuola: O serenata, vola. O serenata, vola. Fly, o serenade: My beloved is alone, with her beautiful head abandoned lie among the sheets: O serenade, fly. O serenade, fly. Splende Pura la luna, l'ale il silenzio stende, e dietro i veni dell'alcova bruna la lampada s'accende. Pure la luna splende. Pure la luna splende. Shines pure the moon, The-wings of silence extend, and behind the veils of the dark alcove the lamp is-lit. Pure the moon shines. Pure the moon shines. Vola, o serenata, Vola, o serenata, vola. Ah! là. Ah! là. Fly, o serenade, Fly, o serenade, fly. Ah! là. Ah! là. Vola, o serenata: La mia diletta è sola, ma sorridendo ancor mezzo assonnata, torna fra le lenzuola: O serenata, vola. O serenata, vola. Fly, o serenade: My beloved is alone, but smiling and still half asleep, she-returns among the sheets: O serenade, fly. O serenade, fly. L'onda sogna su 'l lido, e 'l vento su la fronda; e a' baci miei ricusa ancore un nido la mia signora bionda. Sogna su 'l lido l'onda. Sogna su 'l lido l'onda. The waves dream on the shore, and the wind [blows] through the branches; and my kisses don’t result in a nest [being offered], by my blonde lady. Dreaming on the shore, [are] the waves. Dreaming on the shore, [are] the waves. Vola, o serenata, Vola, o serenata, vola. Ah! là. Ah! là. Fly, o serenade. Fly, o serenade, fly. Ah! là. Ah! là. Aprile April Non senti tu ne l'aria il profumo che spande Primavera? Non senti tu ne l'anima il suon de nova voce lusinghiera? È l'April! È la stagion d'amore! Deh! vieni, o mia gentil su' prati'n fiore! Do you not smell in the air the perfume that Spring breathes out? Do you not hear in your soul the sound of a new, enticing voice? It's April! It's the season of love! Come, lovely one, to the flowery meadow! Il piè trarrai fra mammole, avrai su'l petto rose e cilestrine, e le farfalle candide t'aleggeranno intorno al nero crine. È l'April! È la stagion d'amore! Deh! vieni, o mia gentil su' prati'n fiore! Your foot will tread among violets, you will wear roses and bluebells, and the white butterflies will flutter around your black hair. It's April! It's the season of love! Please come, my lovely one, to the flowery meadow! “Que ce séjour est agréable” “How agreeable is this place!” Platée: Que ce séjour est agréable ! Qu’il est aimable ! Ah, qu’il est favorable, Pour qui veut bien perdre sa liberté ! How agreeable is this place! How aimable it is! Ah how favourable it is For whomever is ready to forsake his liberty! Dis-moi, mon cœur, t’es-tu bien consulté ? Ah, mon cœur, tu t’agites ! Ah, mon cœur, tu me quittes ! Est-ce pour Cithéron ? T’a-t-il bien mérité ? Tell me, my heart, have you well considered? Ah, my heart, you are fretting! Ah, my heart, you are abandoning me! Is it for the sake of Kithaeron? Is he really worthy of you? Que ce séjour est agréable ! Qu’il est aimable ! Ah, qu’il est favorable, Pour qui veut bien perdre sa liberté ! How delightful is this place! How charming it is! Ah how propitious it is For whomever is ready to forsake his liberty! Please silence all electronic devices. �“Ah! faut-il en un jour” “Ah! Must I, in a single day” Hippolyte: Ah ! faut-il, en un jour, perdre tout ce que j'aime? Mon père pour jamais me bannit de ces lieux Si chéris de Diane même. Je ne verrai plus les beaux yeux Qui faisaient mon bonheur suprême. Ah! Must I, in a single day, lose all that I love? My father banishes me for-ever from this place so cherished by Diana herself. I shall no more see the lovely eyes that made my happiness complete. Ah ! faut-il, en un jour, perdre tout ce que j'aime? Et les maux que je crains, et les biens que je perds, Tout accable mon cœur d'une douleur extrême. Sous le nuage affreux dont mes jours sont couverts, Que deviendrca ma gloire aux yeux de l'univers? Ah! Must I, in a single day, lose all that I love? Both the misfortunes I fear and the benefits I lose, all overwhelm my heart with extreme anguish. Under the dreadful cloud which covers my life, what, in the eyes of the world, will become of my glory? Ah ! faut-il, en un jour, perdre tout ce que j'aime? Ah! Must!, in a single day, lose all that I love? Liederkreis Op. 24 Morgens steh’ ich auf und frage German source: Heinrich Heine Every morning I awake and ask English translation © Richard Stokes Morgens steh’ ich auf und frage: Kommt feins Liebchen heut? Abends sink’ ich hin und klage: Ausblieb sie auch heut. Every morning I awake and ask: Will my sweetheart come today? Every evening I lie down, Complaining that she did not appear. In der Nacht mit meinem Kummer Lieg’ ich schlaflos, lieg’ ich wach; Träumend, wie im halben Schlummer, Wandle ich bei Tag. All night long with my grief I lie sleepless, lie awake; Dreaming, as if half asleep, I wander through the day. Es treibt mich hin German source: Heinrich Heine I’m driven this way English translation © Richard Stokes Es treibt mich hin, es treibt mich her! Noch wenige Stunden, dann soll ich sie schauen, Sie selber, die schönste der schönen Jungfrauen; Du armes Herz, was pochst du so schwer? I’m driven this way, driven that! A few more hours, and I shall see her, She, the fairest of the fair— Faithful heart, why pound so hard? Die Stunden sind aber ein faules Volk! Schleppen sich behaglich träge, Schleichen gähnend ihre Wege;— Tummle dich, du faules Volk! But the Hours are a lazy breed! They dawdle along and take their time, Crawl yawningly on their way— Get a move on, you lazy breed! Tobende Eile mich treibend erfasst! Aber wohl niemals liebten die Horen;— Heimlich im grausamen Bunde verschworen, Spotten sich tückisch der Liebenden Hast. Raging haste drives me onward! But the Horae can never have loved— Cruelly and secretly in league, They spitefully mock a lover’s haste. Ich wandelte unter den Bäumen German source: Heinrich Heine I wandered among the trees English translation © Richard Stokes Ich wandelte unter den Bäumen Mit meinem Gram allein; Da kam das alte Träumen, Und schlich mir ins Herz hinein. I wandered among the trees, Alone with my own grief, But then old dreams returned once more And stole into my heart. Wer hat euch dies Wörtlein gelehret, Ihr Vöglein in luftiger Höh’? Schweigt still! wenn mein Herz es höret, Dann tut es noch einmal so weh. Who taught you this little word, You birds up there in the breeze? Be silent! If my heart hears it, My pain will return once more. „Es kam ein Jungfräulein gegangen, Die sang es immerfort, Da haben wir Vöglein gefangen Das hübsche, goldne Wort.“ ‘A young woman once passed by, Who sang it again and again, And so we birds snatched it up, That lovely golden word.’ Das sollt ihr mir nicht erzählen, Ihr Vöglein wunderschlau; Ihr wollt meinen Kummer mir stehlen, Ich aber niemanden trau’. You should not tell me such things, You little cunning birds, You thought to steal my grief from me, But I trust no one now. Please silence all electronic devices. �Lieb’ Liebchen German source: Heinrich Heine Lay your hand, my love English translation © Richard Stokes Lieb Liebchen, leg’s Händchen aufs Herze mein; Ach, hörst du, wie ‘s pochet im Kämmerlein? Da hauset ein Zimmermann schlimm und arg, Der zimmert mir einen Totensarg. Just lay your hand on my heart, my love; Ah, can you not hear it throbbing in there? A carpenter, wicked and evil, lives there, Fashioning me my coffin. Es hämmert und klopfet bei Tag und bei Nacht; Es hat mich schon längst um den Schlaf gebracht. Ach! sputet Euch, Meister Zimmermann, Damit ich balde schlafen kann. He bangs and hammers day and night, And has long since banished all sleep. Ah, master carpenter, make haste, That I might soon find rest. Schöne Wiege meiner Leiden German source: Heinrich Heine Lovely cradle of my sorrows English translation © Richard Stokes Schöne Wiege meiner Leiden, Schönes Grabmal meiner Ruh’, Schöne Stadt, wir müssen scheiden,— Lebe wohl! ruf’ ich dir zu. Lovely cradle of my sorrows, Lovely tombstone of my peace, Lovely city, we must part— Farewell! I call to you. Lebe wohl, du heil’ge Schwelle, Wo da wandelt Liebchen traut; Lebe wohl! du heil’ge Stelle, Wo ich sie zuerst geschaut. Farewell, O sacred threshold, Where my dear beloved treads, Farewell! O sacred spot, Where I first beheld her. Hätt’ ich dich doch nie gesehen, Schöne Herzenskönigin! Nimmer wär es dann geschehen, Dass ich jetzt so elend bin. Had I never seen you though, Fair queen of my heart! It would never then have come to pass That I am now so wretched. Nie wollt’ ich dein Herze rühren, Liebe hab’ ich nie erfleht; Nur ein stilles Leben führen Wollt’ ich, wo dein Odem weht. I never wished to touch your heart, I never begged for love, To live in peace was all I wished, And to breathe the air you breathed. Doch du drängst mich selbst von hinnen, Bittre Worte spricht dein Mund; Wahnsinn wühlt in meinen Sinnen, Und mein Herz ist krank und wund. But you yourself, you drive me hence, Your lips speak bitter words; Madness rages in my mind, And my heart is sick and sore. Und die Glieder matt und träge Schlepp’ ich fort am Wanderstab, Bis mein müdes Haupt ich lege Ferne in ein kühles Grab. And my limbs, weary and feeble, I drag away, my staff in hand, Until I lay my tired head down In a cool and distant grave. Warte, warte wilder Schiffmann German source: Heinrich Heine Wait, O Wait, Wild Seaman English translation © Richard Stokes Warte, warte, wilder Schiffmann, Gleich folg’ ich zum Hafen dir; Von zwei Jungfraun nehm’ ich Abschied, Von Europa und von Ihr. Wait, O wait, wild seaman, Soon I’ll follow to the harbour; I’m taking leave of two maidens: Of Europe and of her. Blutquell, rinn’ aus meinen Augen, Blutquell, brich aus meinem Leib, Dass ich mit dem heissen Blute Meine Schmerzen niederschreib’. Stream from my eyes, O blood, Gush from my body, O blood, That with my hot blood I may write down my agonies. Ei, mein Lieb, warum just heute Schaudert dich, mein Blut zu sehn? Sahst mich bleich und herzeblutend Lange Jahre vor dir stehn! Why today of all days, my love, Do you shudder to see my blood? You’ve seen me pale and with bleeding heart Stand before you for years on end! Kennst du noch das alte Liedchen Von der Schlang’ im Paradies, Die durch schlimme Apfelgabe Unsern Ahn ins Elend stiess? Remember the old story Of the serpent in Paradise, Who, through the evil gift of an apple, Plunged our forbears into woe? Alles Unheil brachten Äpfel! Eva bracht’ damit den Tod, Eris brachte Trojas Flammen, Du bracht’st beides, Flamm’ und Tod. The apple has caused all our ills! Eve brought death with it, Eris brought flames to Troy, And you—both flames and death. Please silence all electronic devices. �Berg und Burgen schaun herunter German source: Heinrich Heine Mountains and castles gaze down English translation © Richard Stokes Berg’ und Burgen schaun herunter In den spiegelhellen Rhein, Und mein Schiffchen segelt munter, Rings umglänzt von Sonnenschein. Mountains and castles gaze down Into the mirror-bright Rhine, And my little boat sails merrilly, The sunshine glistening around it. Ruhig seh’ ich zu dem Spiele Goldner Wellen, kraus bewegt; Still erwachen die Gefühle, Die ich tief im Busen hegt’. Calmly I watch the play Of golden, ruffled waves surging; Silently feelings awaken in me That I had kept deep in my heart. Freundlich grüssend und verheissend Lockt hinab des Stromes Pracht; Doch ich kenn’ ihn, oben gleissend, Bringt sein Innres Tod und Nacht. With friendly greetings and promises, The river’s splendour beckons; But I know it—gleaming above It conceals within itself Death and Night. Oben Lust, in Busen Tücken, Strom, du bist der Liebsten Bild! Die kann auch so freundlich nicken, Lächelt auch so fromm und mild. Above, pleasure; at heart, malice; River, you are the image of my beloved! She can nod with just as much friendliness, And smile so devotedly and gently. Anfangs wollt’ ich fast verzagen German source: Heinrich Heine At first I almost despaired English translation © Richard Stokes Anfangs wollt’ ich fast verzagen, Und ich glaubt’, ich trüg’ es nie; Und ich hab’ es doch getragen— Aber fragt mich nur nicht, wie? At first I almost despaired, And I thought I could never be able to bear it; Yet even so, I have borne it— But do not ask me how. Mit Myrten und Rosen German source: Heinrich Heine With myrtles and roses English translation © Richard Stokes Mit Myrthen und Rosen, lieblich und hold, Mit duft’gen Zypressen und Flittergold, Möcht’ ich zieren dies Buch wie ’nen Totenschrein, Und sargen meine Lieder hinein. With myrtles and roses, sweet and fair, With fragrant cypress and golden tinsel, I should like to adorn this book like a coffin And bury my songs inside. O könnt’ ich die Liebe sargen hinzu! Auf dem Grabe der Liebe wächst Blümlein der Ruh’, Da blüht es hervor, da pflückt man es ab,— Doch mir blüht’s nur, wenn ich selber im Grab. Could I but bury my love here too! On Love’s grave grows the flower of peace, There it blossoms, there is plucked, But only when I’m buried will it bloom for me. Hier sind nun die Lieder, die einst so wild, Wie ein Lavastrom, der dem Ätna entquillt, Hervorgestürzt aus dem tiefsten Gemüt, Und rings viel blitzende Funken versprüht! Here now are the songs which once cascaded, Like a stream of lava pouring from Etna, So wildly from the depths of my soul, And scattered glittering sparks all around! Nun liegen sie stumm und totengleich, Nun starren sie kalt und nebelbleich, Doch aufs neu’ die alte Glut sie belebt, Wenn der Liebe Geist einst über sie schwebt. Now they lie mute, as though they were dead, Now they stare coldly, as pale as mist, But the old glow shall kindle them once more, When the spirit of Love floats over them. Und es wird mir im Herzen viel Ahnung laut: Der Liebe Geist einst über sie taut; Einst kommt dies Buch in deine Hand, Du süsses Lieb im fernen Land. And a thought speaks loud within my heart, That the spirit of Love will one day thaw them; One day this book will fall into your hands, My dearest love, in a distant land. Dann löst sich des Liedes Zauberbann, Die blassen Buchstaben schaun dich an, Sie schauen dir flehend ins schöne Aug’, Und flüstern mit Wehmut und Liebeshauch. Then shall song’s magic spell break free, And the pallid letters shall gaze at you, Gaze imploringly into your beautiful eyes, And whisper with sadness and the breath of love. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-006.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03252024-ClaytonButler/03252024-ClaytonButler-007.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Clayton Butler, voice (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 25 2024 Contributor An entity responsible for making contributions to the resource Clayton Butler, Voice Dr. Kinza Tyrrell, Collaborative Piano/Harpsichord Simi Luttrell, Collaborative Piano https://finearts.uvic.ca/music/archive/files/original/5efa8d13467f9181215e7cc2adb402d8.pdf e2daf68dfb347c8f7907b124c8ce4b74 PDF Text Text DEGREE RECITAL Megan Bibby, violin Jany Lu, piano Theo Kim, piano Bennett Chiu, violin Thursday, March 21, 2024, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Sonata No. 1 in G Minor I. Adagio II. Fuga: Allegro III. Siciliano IV. Presto J. S. Bach (1685–1750) Baal Shem II. Ernest Bloch (1880-1959) Nigun Jany Lu, piano — INTERMISSION — Caprice in A minor for 2 violins, Op. 18 Tempo di saltarella, ma non troppo Henryk Wieniawski (1835-1880) Bennett Chiu, violin Sonata No. 2 in A Major I. Allegro amabile II. Andante tranquillo III. Allegretto grazioso (quasi Andante) Johannes Brahms (1833–1897) Theo Kim, piano Megan Bibby is from the class of Professor Ann Elliott-Goldschmid. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance degree. We acknowledge and respect the Lək̓ʷəŋən (Songhees and Esquimalt) Peoples on whose territory the university stands, and the Lək̓ʷəŋən and W̱SÁNEĆ Peoples whose historical relationships with the land continue to this day. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03212024-DegreeRecitalMeganBibby/03212024-DegreeRecitalMeganBibby_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Megan Bibby, violin (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 21 2024 Contributor An entity responsible for making contributions to the resource Megan Bibby, violin Jany Lu, piano Theo Kim, piano Bennett Chiu, violin https://finearts.uvic.ca/music/archive/files/original/ea82e73b01a17b80e5e7f3bc09bdba22.pdf 2f691a020687dac6989d59ff020b6c52 PDF Text Text DEGREE RECITAL Caitlyn Liu, cello Jany Lu, piano Easton Roy, piano Wednesday, March 20th, 2024, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Sonata No.1 in G Major, BMV 1027 (Originally for viola da gamba and harpsichord) J. S. Bach (1685-1750) I. Adagio II. Allegro ma non tanto III. Andante IV. Allegro moderato Jany Lu, piano Suite for Solo Cello Gaspar Cassadó (1897-1966) I. Preludio - Fantasia II. Sardana (danza) III. Intermezzo e danza finale Variations on a Theme from Rossini’s “Moses in Egypt” Niccolò Paganini (1782-1840) Easton Roy, piano — INTERMISSION — Orbit Philip Glass (b. 1937) Variations on a Rococo Theme, Op.33 Pyotr I. Tchaikovsky (1840-1893) Jany Lu, piano Caitlyn Liu is from the class of Professor Pamela Highbaugh Aloni. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music (Performance) program. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03202024-DegreeRecitalCaitlynLiu/03202024-DegreeRecitalCaitlynLiu_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03202024-DegreeRecitalCaitlynLiu/03202024-DegreeRecitalCaitlynLiu_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03202024-DegreeRecitalCaitlynLiu/03202024-DegreeRecitalCaitlynLiu_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03202024-DegreeRecitalCaitlynLiu/03202024-DegreeRecitalCaitlynLiu_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03202024-DegreeRecitalCaitlynLiu/03202024-DegreeRecitalCaitlynLiu_05.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Caitlyn Liu, cello (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 20 2024 Contributor An entity responsible for making contributions to the resource Caitlyn Liu, cello Jany Lu, piano Easton Roy, piano https://finearts.uvic.ca/music/archive/files/original/32a84936016c9b0b17bcf0916d9dcea9.pdf 017687aa9ef47badfa679707cfc2ecd2 PDF Text Text DEGREE RECITAL Carter Martin, Voice Dr. Kinza Tyrrell, Piano Wednesday, March, 13th, 2024, 8:00 pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Malinconia, Ninfa gentile Vincenzo Bellini (1801-1835) Bella Nice, che d’amore Vanne, o rosa fortunata “Waft her, angels, through the skies” (From Jephtha, HWV 70) George Frideric Handel (1685-1759) Il mio tesoro (From Don Giovanni) Wolfgang Amadeus Mozart (1756-1791) On this island Op. 11 1. 2. 3. 4. 5. Benjamin Britten (1913-1976) Let the florid music praise! Now the leaves are falling fast Seascape Nocturne As it is, plenty — INTERMISSION — Ständchen Op. 17, No. 2 Richard Strauss (1864-1949) Ich trage meine Minne Op. 32, No. 1 Breit’ über mein Haupt Op. 19, No. 2 Allerseelen Op. 10, No. 8 Poème d’un jour Op. 21 Gabriel Fauré (1845-1924) 1. Rencontre 2. Toujours 3. Adieu ‘A Vucchella Francesco Paolo Tosti (1846-1916) Being Alive (From Company) Stephen Sondheim (1930-2021) Carter Martin is from the class of Benjamin Butterfield. This recital is presented in partial fulfillment of the requirements for the Bachelor of Music Performance program. Reception to follow in the Lounge. Please silence all electronic devices. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-005.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-006.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-007.wav">Track 7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-008.wav">Track 8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-009.wav">Track 9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03132024-DegreeRecitalCarterMartin/03132024-DegreeRecitalCarterMartin-010.wav">Track 10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Carter Martin, voice (BMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 13 2024 Contributor An entity responsible for making contributions to the resource Carter Martin, Voice Dr. Kinza Tyrrell, Piano https://finearts.uvic.ca/music/archive/files/original/2ac4e91e0e02b98b5f889f2c84ab76bb.pdf b0c1e6979e42df2c1ba4b074e3ca6627 PDF Text Text REFLECTIONS A Master of Music Recital Claire McMahon, Trumpet Kinza Tyrrell, Piano Tristan Holleufer, Percussion Monday, March 11, 2024, 8 PM Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Prayer of Saint Gregory Alan Hovhanness (1911-2000) Kinza Tyrrell, Piano Concerto for Trumpet in Eb Major Allegro Largo Vivace Johann Baptist Georg Neruda (1708-1780) Kinza Tyrrell, Piano Vignettes for Trumpet and Percussion 1 Running with Lionel 2 Chasing Igor 3 Chuck’s March 5 Waltz in Berlin 7 MAX 8 ENCORE: White on White Tristan Holleufer, Percussion James M. Stephenson (b.1969) — INTERMISSION — All That Glitters Romanze Agitation Waiting Dorothy Chang (b.1970) Kinza Tyrrell, Piano Someone to Watch Over Me George Gershwin (1898-1937) Arr. Joseph Turrin (b.1947) Kinza Tyrrell, Piano Claire McMahon is from the class of Professor Merrie Klazek. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. �Prayer of Saint Gregory, Alan Hovhaness Alan Hovhaness is an American composer or Armenian and Scottish descent. Saint Gregory is known as the bringer of light in the Armenian Apostolic Church. Prayer for Saint Gregory paints a picture of a prayer for light in a dark world. Concerto for Trumpet in E Flat Major, Johann Baptist Georg Neruda Initially written for the French horn, Neruda’s Concerto in Eb is a staple in classical trumpet repertoire. Composed in the overlap between the baroque and classical periods the piece combines the intricacy of the baroque with the melodic inclinations of the classical period. This piece is composed primarily using the method of composition known as fortspinnung, where a simple theme is “spun out” during several interconnected phrases. Vignettes for Trumpet and Percussion, James Stephenson Vignettes for Trumpet and Percussion, by James Stephenson showcases a variety of instruments. The percussion part includes marimba, vibraphone, snare drum, wood block, triangle, and tambourine. The trumpet part includes the C trumpet, flugelhorn, and cornet. Each movement is uniquely inspired by musicians like Lional Hampton and Igor Stravinsky, and by art pieces such as White on White by Kazimir Malevich. The seventh movement, MAX is based on a poem by Matthew Neall which alludes to Where the Wild Things Are a book by Maurice Sendak. The poem can be found below. Where do the wild things go? On a Yacht of full sail, To a port of Monaco, Ocean bottom strewn with shale. Travelers following tidal flow Sea salt air fresh to inhale Pillars of wind weave through the blow Beauty as such I’d never seen Shining bright with golden glow, As the shore recedes I know, That this is where the wild things go. This is where the wild things go. All That Glitters, Dorothy Chang Written for Adam Zinatelli, All That Glitters was premiered on November 26, 2023 in Calgary. This is the second performance of this work. The first movement, Romanze, consists of a theme that is expanded throughout the movement. A straight mute and felt bag are used to create unique sonorities. The second movement, Agitation, uses complex harmon mute choreography and intense articulation to convey anxious energy and powerful emotion. The third movement Waiting, depicts feelings of waiting for someone or something that will never come. Someone to Watch Over Me, George Gershwin Someone to Watch Over Me, was written by George Gershwin, with lyrics by his brother Ira. Initially George Gershwin intended for the piece to be an up-tempo number but his brother convinced him otherwise. This arrangement by Joseph Turrin for Phillip Smith, a prominent orchestral trumpet player, is a beautiful and poignant take on the standard. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03112024-DegreeRecitalClaireMcMahonTrumpet/03112024-DegreeRecitalClaireMcMahonTrumpet-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03112024-DegreeRecitalClaireMcMahonTrumpet/03112024-DegreeRecitalClaireMcMahonTrumpet-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03112024-DegreeRecitalClaireMcMahonTrumpet/03112024-DegreeRecitalClaireMcMahonTrumpet-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03112024-DegreeRecitalClaireMcMahonTrumpet/03112024-DegreeRecitalClaireMcMahonTrumpet-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03112024-DegreeRecitalClaireMcMahonTrumpet/03112024-DegreeRecitalClaireMcMahonTrumpet-005.wav">Track 5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Claire McMahon, trumpet (MMus) Date A point or period of time associated with an event in the lifecycle of the resource March 11 2024 Contributor An entity responsible for making contributions to the resource Claire McMahon, Trumpet Kinza Tyrrell, Piano Tristan Holleufer, Percussion Creator An entity primarily responsible for making the resource Megan Harton https://finearts.uvic.ca/music/archive/files/original/c2c778f5b1cfa23ce5b6c5426ccdc6df.pdf 242faebd81fc0d0d15d635ded11f51f6 PDF Text Text GRADUATE RECITAL Grace Budoloski, Voice Dr. Kinza Tyrrell, Collaborative Piano Chensi Liu, Clarinet Thursday, March 7th, 2024, 8pm Phillip T. Young Recital Hall, MacLaurin Building Free admission PROGRAM Twelve Poems of Emily Dickinson 1. Nature, the gentlest mother 2. There came a wind like a bugle 3. Why do they shut me out of Heaven? 4. The world feels dusty 5. Heart, we will forget him 6. Dear March, come in! 7. Sleep is supposed to be 8. When they come back 9. I felt a funeral in my brain 10. I’ve heard an organ talk sometimes 11. Going to Heaven! 12. The Chariot Aaron Copland (1900-1990) ‘’Les Oiseaux dans la Charmille’’ From Les Contes d’Hoffman (1881) Jacques Offenbach (1819-1880) ‘’Tornami a Vagheggiar‘‘ From Alcina (1735) George Frideric Handel (1685-1759) ~Intermission~ �Concerto for Coloratura Soprano Op.82 1st Movement Reinhold Glière (1875-1956) ‘’Fierce Night’’ From Flight (1998) Jonathan Dove (b. 1959) ‘‘Der Hirt auf dem Felsen‘‘ Franz Schubert (1797-1828) Chensi Liu, Clarinet Grace Budoloski is from the class of Professor Benjamin Butterfield. This recital is presented in partial fulfillment of the requirements for the Master of Music (Performance) program. Reception to follow in lobby �Translations “Les Oiseaux dans la Charmille” Les oiseaux dans la charmille Dans les cieux l'astre du jour, Tout parle à la jeune fille d'amour! Tout parle d'amour! The birds in the bower In the heavens the star of day, Everything speaks to the young girl of love! Everythinng speaks of love! Voilà la chanson gentile La chanson d'Olympia ah! D'Olympia There the nice song The song of Olympia ah! Of Olympia Tout ce qui chante résonne Et soupire, tour à tour, Émeut son coeur qui frissonne Qui frissonne Tout parle d'amour! Everything that sings resonates and sighs in turn, moves his shuddering heart Who shivers Everything speaks of love! Voilà la chanson mignonne La chanson d'Olympia D'Olympia! Here is the cute song The song of Olympia Of Olympia! “Tornami a Vagheggiar” Tornami a vagheggiar te solo vuol amar, quest’anima fedel, caro mio bene. Come back to me desire only you it wants to love this faithful soul My dear beloved. Già ti donai il mio cor, fido sarà il mio amor, ma ti sarò crudel, cara mia spene. Already I gave you my heart my love will be faithful never will I be cruel to you my dear hopes. ‘‘Der Hirt auf dem Felsen‘‘ Wenn auf dem höchsten Fels ich steh’, In’s tiefe Tal hernieder seh’, Und singe, When on the highest rock I stand, In the deep valley looking down, And sing, Fern aus dem tiefen denkeln Tal Schwingt sich empor der Wiederhall Der Klüfte. Far from the deep dark valley Swings up the echo From the ravines. �Je weiter meine Stimme dringt, Je heller sie mir wiederklingt Von unten. Mein Liebchen wohnt so weit von mir, Drum sehn ’ich mich so heiß nach ihr Hinüber. The farther my voice penetrates, The brighter it resonates with me From below. My sweetheart lives so far from me, Therefore I long for her so badly Over there. In tiefem Gram verzehr ’ich mich, Mir ist die Freude hin, Auf Erden mir die Hoffnung wich, Ich hier so einsam bin. In deep grief consuming me, I am no longer happy, On earth I lost hope, I am so lonely here. So sehnend klang im Wald das Lied, So sehnend klang es durch die Nacht. Die Herzen es zum Himmel zieht Mit wunderbarer Macht. The song rang in the forest longing, The song rang in the night longing. The hearts are drawn to heaven With wonderful power. Der Frühling will kommen, Der Frühling, meine Freud, Nun mach ich mich fertig Zum Wandern bereit. Spring is coming, Spring, my friend, Now I’m getting ready Ready for hiking. Program Notes 12 Poems of Emily Dickinson The 12 Poems of Emily Dickinson is a song cycle written by Aaron Copland, using the text of twelve poems by American poet Emily Dickinson (1830-1886). Composed in New York between 1949-1950, these songs center around no singular theme. Instead, they follow the subjects Emily Dickinson primarily wrote about: life, death, nature, and eternity. The seventh and the twelfth songs are the only two selections that relate thematically. Copland weaves the pieces together to create a stunning arc of music that has given the songs, and Dickinson’s words, their own unique personality. Except for number twelve, each piece is dedicated to one of Copland’s composer friends. ‘’Les Oiseaux dans la Charmille’’ (‘’The Doll Song’’) Also known as Olympia’s Aria, The Doll Song is an aria for coloratura soprano from Jacques Offenbach’s Les Contes d’Hoffmann (The Tales of Hoffmann). Olympia is a wind-up doll who has caught the eye of Hoffmann, who, not realizing she is a doll, falls deeply in love with her. Despite encountering some mechanical issues along the way, Olympia dazzles him at a party with her brilliant aria ‘’Les Oiseaux dans la Charmille’’. Based on three short stories by E.T. A. �Hoffmann (1776-1822), who also happens to be the protagonist of the story, Offenbach’s opéra fantastique tells the story of Hoffmann’s three unfortunate love affairs, Olympia’s being told in Act two. ‘’Tornami a Vagheggiar’’ Alcina, written by Handel in 1735, is a Baroque opera about a seductive sorceress, Alcina, who lures men to her island with her magic. A young woman named Bradamante disguises herself as her brother ‘Ricciardo” and arrives on the island to rescue her fiancé Ruggiero. There they encounter Alcina’s sister, Morganna, who instantly falls in love with Ricciardo. This aria is sung at the end of Act 1, by Morganna, who is passionately expressing her love for Ricciardo (still Bradamante in disguise). Concerto for Coloratura Soprano Op. 82 Andante Composed by Reinhold Gliere in 1943, the first movement of this concerto (also known as the andante section) is a vocalise normally accompanied by orchestra with the coloratura soprano as the soloist. Vocalises are musical compositions consisting of the singing of melody with vowel songs. The difference between a vocalise and other repertoire with text is that within a vocal ease the singer has more room to act as another instrument, weaving in and out with the orchestra. Typically the Andante section, which is more sweeping and melodic, is followed by the Allegro section, which shows off the brilliance of the coloratura voice. ‘’Fierce Night’’ Jonathan Dove’s opera Flight (1998) tells the story of a group of strangers who meet at an airport. When all flights are grounded due to a violent electrical storm, the traveller’s hidden desires are slowly revealed as they wait out their cancelled flights. This aria is sung by the Controller, who is shouting her rage at the storm, and the eerily full airport. ‘‘Der Hirt auf dem Felsen‘‘ Also known in English as ‘’The Shepherd on the Rocks’’, Franz Schubert scored this Lied for soprano, clarinet, and piano. Schubert composed this piece in 1828 during the final months of his life. Schubert paints a picture of a Shepherd who is yearning for his lost love. This piece is split into three different sections that describe the Shepherd’s heartbreak. In the first section, the Shepherd is looking into the alpine valley and is reflecting on how lonely he is. The section describes how the Shepherd is lamenting at his solitude, while the third section has him rejoicing for Spring. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Graduation Recitals Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_01.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_02.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_03.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_04.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_05.wav">Track 5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_06.wav">Track 6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/03072024-GraduateRecitalGraceBudoloskiVoice/03072024-GraduateRecitalGraceBudoloskiVoice_07.wav">Track 7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Degree Recital: Grace Budoloski, voice (MMus) Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource March 7 2024 Contributor An entity responsible for making contributions to the resource Grace Budoloski, Voice Dr. Kinza Tyrrell, Collaborative Piano Chensi Liu, Clarinet