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                    <text>DEGREE RECITAL
	&#13;  

	&#13;  Joshua	&#13;  Amendt-­‐Moylan,	&#13;  Guitar	&#13;  	&#13;  

	&#13;  

	&#13;  
Monday,	&#13;  March,	&#13;  9,	&#13;  2015,	&#13;  8pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
	&#13;  

	&#13;  

PROGRAM
	&#13;  
Cello	&#13;  Suite	&#13;  No.	&#13;  2	&#13;  in	&#13;  D	&#13;  minor,	&#13;  BWV	&#13;  1008	&#13;  	&#13;  	&#13;  
	&#13;  
Prelude	&#13;  	&#13;  
	&#13;  
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	&#13;  
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Allemande	&#13;  
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	&#13;  
Courante	&#13;  
	&#13;  
Sarabande	&#13;  
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Menuets	&#13;  I	&#13;  -­‐	&#13;  II	&#13;  
	&#13;  
Gigue	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
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Five	&#13;  Preludes	&#13;   	&#13;  
	&#13;  
	&#13;  
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Prelude	&#13;  No.	&#13;  1	&#13;  in	&#13;  E	&#13;  minor	&#13;  	&#13;  
	&#13;  
	&#13;  
Prelude	&#13;  No.	&#13;  2	&#13;  in	&#13;  C	&#13;  minor	&#13;  
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Prelude	&#13;  No.	&#13;  3	&#13;  in	&#13;  A	&#13;  minor	&#13;  
	&#13;  
Prelude	&#13;  No.	&#13;  4	&#13;  in	&#13;  E	&#13;  minor	&#13;  
	&#13;  
Prelude	&#13;  No.	&#13;  5	&#13;  in	&#13;  D	&#13;  major	&#13;  

1.

	&#13;  

	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  J.S.	&#13;  Bach	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  (1685	&#13;  -­‐	&#13;  1750)	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Heitor	&#13;  Villa-­‐Lobos	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1887	&#13;  -­‐	&#13;  1959)	&#13;  

	&#13;  
	&#13;  
	&#13;  
Descriptive	&#13;  titles:	&#13;  
Lyrical	&#13;  Melody:	&#13;  Homage	&#13;  to	&#13;  the	&#13;  Brazilian	&#13;  Country	&#13;  Dweller	&#13;  
2. Melodia	&#13;  capadocia	&#13;  
3. Homage	&#13;  to	&#13;  Bach	&#13;  
4. Homage	&#13;  to	&#13;  the	&#13;  Brazilian	&#13;  Indians	&#13;  
5. Homage	&#13;  to	&#13;  a	&#13;  Social	&#13;  Life	&#13;  
	&#13;  
	&#13;  
	&#13;  

-­‐	&#13;  INTERMISSION	&#13;  -­‐	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

	&#13;  

�Eine	&#13;  kleine	&#13;  Passacaglia	&#13;   	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Ferdinand	&#13;  Rebay	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1880	&#13;  -­‐	&#13;  1953)	&#13;  
	&#13;  
Mathew	&#13;  Silverman,	&#13;  Guitar	&#13;  
	&#13;  
	&#13;  
Bachianas	&#13;  Brasileiras	&#13;  No.	&#13;  5	&#13;  	&#13;  	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Heitor	&#13;  Villa-­‐Lobos	&#13;  
Aria	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  (1887	&#13;  -­‐	&#13;  1959)	&#13;  
	&#13;  
Bahar	&#13;  M.	&#13;  Harandi,	&#13;  Soprano	&#13;  
Paul	&#13;  Joo,	&#13;  Cello	&#13;  
	&#13;  
	&#13;  
Sonata	&#13;  No.	&#13;  3	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Manuel	&#13;  Ponce	&#13;  
	&#13;  
Allegro	&#13;  moderato	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  (1882	&#13;  -­‐	&#13;  1948)	&#13;  
	&#13;  
Chanson	&#13;  
	&#13;  
Allegro	&#13;  non	&#13;  troppo	&#13;  
	&#13;  
	&#13;  
Mountain	&#13;  Songs	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Robert	&#13;  Beaser	&#13;  
	&#13;  
Barbara	&#13;  Allen	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
(1954)	&#13;  
	&#13;  
Cindy	&#13;  
	&#13;  
Jillian	&#13;  Broughton,	&#13;  Flute	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
Joshua	&#13;  Amendt-­‐Moylan	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Dr.	&#13;  Alexander	&#13;  Dunn.	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  (Performance)	&#13;  program.	&#13;  
	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

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                  <text>Graduation Recitals</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_01.mp3"&gt;track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_02.mp3"&gt;track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_03.mp3"&gt;track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_04.mp3"&gt;track4&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_05.mp3"&gt;track5&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_06.mp3"&gt;track6&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/030915-GradRecital/030915-GuitarRecital_07.mp3"&gt;track7&lt;/a&gt;</text>
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                <text>Noel Anstey</text>
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                <text>March 9, 2015</text>
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                <text>Joshua Amendt-­Moylan, guitar</text>
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                    <text>DEGREE RECITAL
	&#13;  

	&#13;  James	&#13;  Yi,	&#13;  Clarinet	&#13;  	&#13;  
Elizabeth	&#13;  Clarke,	&#13;  piano	&#13;  
Marcella	&#13;  Barz,	&#13;  clarinet	&#13;  
Kylie	&#13;  Flower,	&#13;  Bass	&#13;  clarinet	&#13;  
Dominic	&#13;  Thibault,	&#13;  clarinet	&#13;  
Maria	&#13;  Wang,	&#13;  cello	&#13;  	&#13;  
	&#13;  
Monday,	&#13;  March	&#13;  2,	&#13;  2015,	&#13;  8:00pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall,	&#13;  MacLaurin	&#13;  Building	&#13;  
Free	&#13;  admission	&#13;  
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PROGRAM
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Sonata,	&#13;  Op.120	&#13;  No.1	&#13;  in	&#13;  F	&#13;  minor	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
for	&#13;  clarinet	&#13;  and	&#13;  piano	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
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Allegro	&#13;  appassionato	&#13;  
Andante	&#13;  un	&#13;  poco	&#13;  adagio	&#13;  
Allegretto	&#13;  grazioso	&#13;  
Vivace.	&#13;  
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Elizabeth	&#13;  Clarke,	&#13;  piano	&#13;  

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Lied	&#13;  for	&#13;  solo	&#13;  clarinet	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Luciano	&#13;  Berio	&#13;  
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Oblivion	&#13;  for	&#13;  clarinet	&#13;  quartet	&#13;  	&#13;   	&#13;  
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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
Marcella	&#13;  Barz,	&#13;  clarinet	&#13;  
Kylie	&#13;  Flower,	&#13;  bass	&#13;  clarinet	&#13;  
Dominic	&#13;  Thibault,	&#13;  clarinet	&#13;  
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-­‐	&#13;  INTERMISSION	&#13;  -­‐	&#13;  
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Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

�	&#13;  
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Trio	&#13;  in	&#13;  Bb	&#13;  Major,	&#13;  Op.1	&#13;   	&#13;  
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for	&#13;  clarinet,	&#13;  cello	&#13;  and	&#13;  piano	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1770-­‐1827)	&#13;  
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Allegro	&#13;  con	&#13;  brio	&#13;  
Adagio	&#13;  
Tema	&#13;  con	&#13;  variazioni:	&#13;  (“Pria	&#13;  ch'io	&#13;  l'impegno”:	&#13;  Allegretto)	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
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Elizabeth	&#13;  Clarke,	&#13;  piano	&#13;  
Maria	&#13;  Wang,	&#13;  cello	&#13;  
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L'histoire	&#13;  du	&#13;  tango	&#13;  
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for	&#13;  clarinet	&#13;  quartet	&#13;  
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III.	&#13;  Nightclub,	&#13;  1960	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
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	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Kylie	&#13;  Flower,	&#13;  bass	&#13;  clarinet	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Dominic	&#13;  Thibault,	&#13;  clarinet	&#13;  
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	&#13;  
James	&#13;  Yi	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Patricia	&#13;  Kostek	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  in	&#13;  partial	&#13;  fulfillment	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  

Please	&#13;  turn	&#13;  off	&#13;  all	&#13;  cell	&#13;  phone,	&#13;  camera,	&#13;  laptop,	&#13;  and	&#13;  audio	&#13;  &amp;	&#13;  video	&#13;  recording	&#13;  devices.	&#13;  
Their	&#13;  use	&#13;  is	&#13;  strictly	&#13;  prohibited	&#13;  during	&#13;  events.	&#13;  

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                    <text>PROGRAM

LIAM CAVENEY, trombone
With
JOSH HERRETT, piano
UVic LOW BRASS
&amp;
BRASSO DISCONTINUO

Sonate

Paul Hindemith
(1895-1963)
Allegro moderato maestoso
Allegretto grazioso
Lied des Raufbolds (Swashbuckler’s Song)
Allegro moderato maestoso

Vier ernste Gesänge, Op. 121

Johannes Brahms
(1833-1897)
trans. Barnaby Kerekes

Denn es gehet dem Menschen wie dem Vieh
Ich wandte mich und sahe
O Tod, wie bitter bist du!
Wenn ich mit Menschen- und mit Engelzungen redete
Josh Herret, piano

Liam Caveney is from the class of Mr. Scott MacInnes
This recital is presented as part of the requirements
for the Bachelor of Music in Performance program.

- INTERMISSION -

Reception to follow in the Lounge.

January 21, 2015 – 8:00pm
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free Admission

Fantasia in C minor (orig. A min)

Grave
Vivace
Adagio
Allegro

Georg Philipp Telemann
(1681-1767)
trans. Alan Raph

�Remember When

Ian McDougall
(b. 1938)

UVic Low Brass:
Megan Rees and Eric Showers, trombone
Trevor Hoy, bass trombone
Dayna Waller, tuba

Morning Music

David Sampson
(b. 1951)

Brasso Discontinuo:
Matt MacLean and Ian VanGils, trumpet
Sam McNally, horn
Trevor Hoy, bass trombone

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                    <text>!

P!r!o!g!r!a!mme

Armand!Saberi,!piano!
!
Graduation!Recital
!
!
!

Parita!#2!in!C!minor,!BWV!826.! !!

!
'
'
'
'
'

!
!

Sinfonia'
Allemande'
Courante'
Sarabande'
Rondeau''
Capriccio
Sonata!#23!in!F!minor,!op!57.!“Appassionata”

!
Armand'Saberi'is'from'the'class'of'Ms.'Michelle'Mares.'
'
This'recital'is'presented'as'part'of'the'requirements'
'for'the'Bachelor'of'Music'in'Performance'program.'
'
Please'remember'to'turn'off'electrical'devices.'
'
Reception'to'follow'in'the'Lounge.!
!

L.V.!Beethoven!
(1770J!1827)'
'
'
'

!

Monday,!April!28th,!2014!–!8:00!PM!
Phillip!T.!Young!Recital!Hall!
MacLaurin!Building,!University!of!Victoria!
Free!Admission!

!
!

Allegro'Assai'
Andante'con'Moto'
Allegro'ma'non'troppoAPresto!
I!n!t!e!r!m!i!s!s!i!o!n!
!

Polonaise!in!FNsharp!minor,!Op.!44.!

!
!!!!!!!!!!!!!!!!!
F.!Chopin!
(1810J1849)!

!
!
!
!
!
!

!!!!!!!! !!!!!!!!!!!!!!!!!
J.S.!Bach!
(1685J!1750)!

!
!

Scenes!From!a!Jade!Terrace!
!
!!!!!!!!!!!!!!!!!
Alexina!Louie!
(1949J)'
Memories'in'an'Ancient'Garden

Ballade!#1!in!G!minor,!Op.!23.!
F.!Chopin!
(1810J1849)!

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                    <text>	&#13;  

	&#13;  
P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  

Lindsey	&#13;  Herle,	&#13;  violin	&#13;  	&#13;  
	&#13;  

Josh	&#13;  Herrett,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
Lindsey	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Ms.	&#13;  Sharon	&#13;  Stanis	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  as	&#13;  part	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Bachelor	&#13;  of	&#13;  Music	&#13;  in	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
Reception	&#13;  to	&#13;  follow	&#13;  in	&#13;  the	&#13;  Lounge.	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

April	&#13;  16,	&#13;  2014	&#13;  –	&#13;  8:00	&#13;  pm	&#13;  

	&#13;  

Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  

	&#13;  
	&#13;  

Partita	&#13;  No.	&#13;  2	&#13;  in	&#13;  D	&#13;  minor	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  J.S.	&#13;  Bach	&#13;  
(1685-­‐1750)	&#13;  
Ciaccona	&#13;  
	&#13;  
	&#13;  	&#13;  
Concerto	&#13;  in	&#13;  D	&#13;  major,	&#13;  Op.	&#13;  61	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Ludwig	&#13;  van	&#13;  Beethoven	&#13;  
(1770-­‐1827)	&#13;  
Allegro	&#13;  ma	&#13;  non	&#13;  troppo	&#13;  	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  

I	&#13;  n	&#13;  t	&#13;  e	&#13;  r	&#13;  m	&#13;  i	&#13;  s	&#13;  s	&#13;  i	&#13;  o	&#13;  n	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  

Zapateado	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Pablo	&#13;  de	&#13;  Sarasate	&#13;  
(1844-­‐1908)	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

Sonata	&#13;  No.	&#13;  3	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Edward	&#13;  Grieg	&#13;  
(1843-­‐1907)	&#13;  
Allegro	&#13;  molto	&#13;  appassionato	&#13;  
Allegretto	&#13;  espressivo	&#13;  alla	&#13;  Romanza	&#13;  
Allegro	&#13;  animato	&#13;  
	&#13;  

	&#13;  

�</text>
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	&#13;  
P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  

Lindsey	&#13;  Herle,	&#13;  violin	&#13;  	&#13;  
	&#13;  

Josh	&#13;  Herrett,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
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	&#13;  
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	&#13;  

Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  

	&#13;  
	&#13;  

Partita	&#13;  No.	&#13;  2	&#13;  in	&#13;  D	&#13;  minor	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  J.S.	&#13;  Bach	&#13;  
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Ciaccona	&#13;  
	&#13;  
	&#13;  	&#13;  
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(1770-­‐1827)	&#13;  
Allegro	&#13;  ma	&#13;  non	&#13;  troppo	&#13;  	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  

I	&#13;  n	&#13;  t	&#13;  e	&#13;  r	&#13;  m	&#13;  i	&#13;  s	&#13;  s	&#13;  i	&#13;  o	&#13;  n	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  

Zapateado	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Pablo	&#13;  de	&#13;  Sarasate	&#13;  
(1844-­‐1908)	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

Sonata	&#13;  No.	&#13;  3	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Edward	&#13;  Grieg	&#13;  
(1843-­‐1907)	&#13;  
Allegro	&#13;  molto	&#13;  appassionato	&#13;  
Allegretto	&#13;  espressivo	&#13;  alla	&#13;  Romanza	&#13;  
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	&#13;  

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                    <text>Andrea Paddock, Soprano
Charlotte Hale, piano
Eve Richardson, soprano
Sarah Tao, piano
Brian Desjarlais, guitar
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  

Program
	&#13;  

4 Duets, Op.61 (1852-1874)

J. Brahms
(1833-1897)

Die Schwestern
Klosterfräulein
Phänomen
Die Boten der Liebe
Charlotte Hale, piano
Eve Richardson, soprano

	&#13;  
Andrea Paddock is from the studio of Professor Benjamin Butterfield
This recital is presented as part of the requirements for the Master of Music in
Performance program.
Please remember to turn off all electric devices for the duration of the
performance and please refrain from applause until the end of each set.
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  
	&#13;  

Monday, April 14th, 2014 – 8:00 pm

	&#13;  

Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free Admission

5 Neue Kinderlieder (1915)

M. Reger
(1873-1916)

Wiegenlied
Schwalbenmütterlein
Maria am Rosenstrauch
Klein-Evelinde
Bitte
Black Anemones (1980)

J. Schwantner	&#13;  
(b. 1943)

Sarah Tao, piano
“La Folie” from Platée (1745)

~ Intermission ~

J.P Rameau
(1683-1784)

�Letters from Composers (1968)

D. Argento
(b. 1927)

Frédéric Chopin (to a friend)
Wolfgang Amadeus Mozart (to his father)
Franz Schubert (to a friend)
Johann Sebastian Bach (to the Town Council)
Claude Debussy (to a friend)
Giacomo Puccini (to a friend)
Robert Schumann (to his fiancée)
Brian Desjarlais, Guitar

Cuatro madrigales amatorios (1947)
¿ Con qué la lavaré?
Vos me matásteis
¿De dónde venís, amore?
De los álamos vengo, madre

Charlotte Hale, piano
	&#13;  
	&#13;  
	&#13;  

J. Rodrigo
(1901-1999)

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                    <text>Maria	&#13;  (Yun-­‐Hsuan)	&#13;  Wang,	&#13;  Cello	&#13;  
	&#13;  
	&#13;  

Barry	&#13;  Tan,	&#13;  piano	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  
	&#13;  

	&#13;  

Maria	&#13;  Wang	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Pamela	&#13;  Highbaugh	&#13;  Aloni	&#13;  
	&#13;  
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	&#13;  for	&#13;  the	&#13;  Master	&#13;  of	&#13;  Music	&#13;  in	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
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	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Wednesday,	&#13;  April	&#13;  9th,	&#13;  2014	&#13;  –	&#13;  8:00pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  
	&#13;  

P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  
	&#13;  
Sonata	&#13;  in	&#13;  A	&#13;  Major	&#13;  for	&#13;  Arpeggione	&#13;  and	&#13;  Piano	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
(Transcribed	&#13;  for	&#13;  Cello	&#13;  and	&#13;  Piano)	&#13;  
	&#13;  	&#13;  
	&#13;  
	&#13;  
	&#13;  
Allegro	&#13;  moderato	&#13;  
	&#13;  
Adagio	&#13;  	&#13;  
	&#13;  
Allegretto	&#13;  
	&#13;  
Barry	&#13;  Tan,	&#13;  piano	&#13;  

	&#13;  
	&#13;  

Cello	&#13;  Suite	&#13;  No.	&#13;  1,	&#13;  Op.	&#13;  72	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  F.	&#13;  Schubert	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  (1797-­‐1828)	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  B.	&#13;  Britten	&#13;  
(1913-­‐1976)	&#13;  

Canto	&#13;  primo	&#13;  
Fuga	&#13;  
Lamento	&#13;  
Canto	&#13;  Secondo	&#13;  
Serenata	&#13;  
Marcia	&#13;  
Canto	&#13;  terzo	&#13;  
Bordone	&#13;  
Moto	&#13;  perpetuo	&#13;  e	&#13;  Canto	&#13;  quarto	&#13;  
	&#13;  

	&#13;  

	&#13;  
I	&#13;  n	&#13;  t	&#13;  e	&#13;  r	&#13;  m	&#13;  i	&#13;  s	&#13;  s	&#13;  i	&#13;  o	&#13;  n	&#13;  
	&#13;  

	&#13;  

Sonata	&#13;  in	&#13;  G	&#13;  Minor	&#13;  for	&#13;  Cello	&#13;  and	&#13;  Piano,	&#13;  Op.	&#13;  19	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  S.	&#13;  Rachmaninoff	&#13;  
	&#13;  	&#13;  	&#13;  (1873-­‐1943)	&#13;  
Lento	&#13;  –	&#13;  Allegro	&#13;  moderato	&#13;  
Allegro	&#13;  scherzando	&#13;  
Andante	&#13;  
Allegro	&#13;  mosso	&#13;  
	&#13;  

Barry	&#13;  Tan,	&#13;  piano	&#13;  

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                    <text>Matt	&#13;  MacLean,	&#13;  Trumpet	&#13;  
	&#13;  

Braden	&#13;  John	&#13;  Young	&#13;  (piano)	&#13;  
Mitch	&#13;  Anderson	&#13;  (piano)	&#13;  	&#13;  
Alfons	&#13;  Fear	&#13;  (trumpet)	&#13;  
Sam	&#13;  McNally	&#13;  (French	&#13;  horn)	&#13;  
Matthew	&#13;  Kelly	&#13;  (trombone)	&#13;  
Alicia	&#13;  Sayell	&#13;  (tuba)	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Matt	&#13;  MacLean	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Professor	&#13;  Louis	&#13;  Ranger	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  as	&#13;  part	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Master	&#13;  of	&#13;  Music	&#13;  in	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Wednesday,	&#13;  April	&#13;  2nd,	&#13;  2014	&#13;  –	&#13;  12:30	&#13;  p.m.	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  

	&#13;  

P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  
	&#13;  
	&#13;  

Tryptique	&#13;  pour	&#13;  trompette	&#13;  et	&#13;  piano	&#13;  
	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Henri	&#13;  Tomasi	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1901	&#13;  –	&#13;  1971)	&#13;  	&#13;  	&#13;  
I.	&#13;  Scherzo	&#13;  
II.	&#13;  Largo	&#13;  
III.	&#13;  Saltarelle	&#13;  
	&#13;  
Mitch	&#13;  Anderson	&#13;  
Accompanist	&#13;  

	&#13;  
	&#13;  
	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  Sonata	&#13;  for	&#13;  Trumpet	&#13;  and	&#13;  Piano	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  George	&#13;  Antheil	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1900	&#13;  –	&#13;  1959)	&#13;  
I.	&#13;  Allegretto	&#13;  
II.	&#13;  Dolce	&#13;  -­‐	&#13;  Espressivo	&#13;  
III.	&#13;  Scherzo:	&#13;  Vivace	&#13;  
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Accompanist	&#13;  
	&#13;  
	&#13;  
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(1860	&#13;  –	&#13;  1935)	&#13;  
I.	&#13;  Andante	&#13;  
	&#13;  
Alfons	&#13;  Fear,	&#13;  trumpet	&#13;  
Sam	&#13;  Mcnally,	&#13;  French	&#13;  Horn	&#13;  
Matthew	&#13;  Kelly,	&#13;  trombone	&#13;  
Alicia	&#13;  Sayell,	&#13;  tuba	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

�Rose	&#13;  Variations	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Robert	&#13;  Russell	&#13;  Bennett	&#13;  
(1894	&#13;  –	&#13;  1981)	&#13;  
	&#13;  
Mitch	&#13;  Anderson	&#13;  
Accompanist	&#13;  
	&#13;  
	&#13;  

“Hallelujia”	&#13;  from	&#13;  Exsultate,	&#13;  Jubilate	&#13;  K.	&#13;  165	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Wolfgang	&#13;  A.	&#13;  Mozart	&#13;  
	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  (1756	&#13;  –	&#13;  1791)	&#13;  
	&#13;  
Mitch	&#13;  Anderson	&#13;  
Accompanist	&#13;  
	&#13;  

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                    <text>Brian	&#13;  Desjarlais,	&#13;  guitar	&#13;  
	&#13;  
	&#13;  

P	&#13;  r	&#13;  o	&#13;  g	&#13;  r	&#13;  a	&#13;  m	&#13;  
	&#13;  
	&#13;  

Graeme	&#13;  Cruickshank,	&#13;  guitar	&#13;  
Andrea	&#13;  Paddock,	&#13;  soprano	&#13;  
Braden	&#13;  Young,	&#13;  piano	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

Brian	&#13;  Desjarlais	&#13;  is	&#13;  from	&#13;  the	&#13;  class	&#13;  of	&#13;  Dr.	&#13;  Alexander	&#13;  Dunn.	&#13;  
	&#13;  
This	&#13;  recital	&#13;  is	&#13;  presented	&#13;  as	&#13;  part	&#13;  of	&#13;  the	&#13;  requirements	&#13;  
	&#13;  for	&#13;  the	&#13;  Master	&#13;  of	&#13;  Music	&#13;  in	&#13;  Performance	&#13;  program.	&#13;  
	&#13;  
	&#13;  
Brian	&#13;  would	&#13;  like	&#13;  to	&#13;  thank:	&#13;  
	&#13;  
Dr.	&#13;  Alexander	&#13;  Dunn,	&#13;  for	&#13;  his	&#13;  wonderful	&#13;  teaching	&#13;  and	&#13;  continuing	&#13;  support.	&#13;  
Graeme	&#13;  Cruickshank	&#13;  and	&#13;  Andrea	&#13;  Paddock,	&#13;  for	&#13;  their	&#13;  exceptional	&#13;  musicianship	&#13;  
and	&#13;  even	&#13;  more	&#13;  exceptional	&#13;  friendship.	&#13;  
Braden	&#13;  Young,	&#13;  for	&#13;  his	&#13;  amazing	&#13;  talent	&#13;  and	&#13;  professionalism..	&#13;  
The	&#13;  UVic	&#13;  guitar	&#13;  studio,	&#13;  for	&#13;  always	&#13;  listening.	&#13;  
His	&#13;  family,	&#13;  for	&#13;  their	&#13;  love	&#13;  and	&#13;  support	&#13;  
Everyone	&#13;  in	&#13;  attendance	&#13;  today	&#13;  and	&#13;  listening	&#13;  by	&#13;  live	&#13;  stream,	&#13;  for	&#13;  making	&#13;  this	&#13;  a	&#13;  
truly	&#13;  special	&#13;  night.	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
nd

Wednesday,	&#13;  April	&#13;  2 ,	&#13;  2014	&#13;  –	&#13;  8pm	&#13;  
Phillip	&#13;  T.	&#13;  Young	&#13;  Recital	&#13;  Hall	&#13;  
MacLaurin	&#13;  Building,	&#13;  University	&#13;  of	&#13;  Victoria	&#13;  
Free	&#13;  Admission	&#13;  
	&#13;  

Les	&#13;  Guitares	&#13;  Bien	&#13;  Tempérées	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Mario	&#13;  	&#13;  Castelnuovo-­‐Tedesco	&#13;  
(1895	&#13;  -­‐	&#13;  1968)	&#13;  
	&#13;  
Prelude	&#13;  and	&#13;  Fugue	&#13;  VII	&#13;  in	&#13;  C#	&#13;  Minor	&#13;  
	&#13;  
Prelude	&#13;  and	&#13;  Fugue	&#13;  X	&#13;  in	&#13;  Bb	&#13;  Major	&#13;  
	&#13;  
	&#13;  
Graeme	&#13;  Cruickshank,	&#13;  guitar	&#13;  

	&#13;  
	&#13;  

	&#13;  
Rito	&#13;  de	&#13;  los	&#13;  Orishas	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Leo	&#13;  Brouwer	&#13;  
(b.	&#13;  1939)	&#13;  
Exordium-­‐Conjuro	&#13;  
	&#13;  
Danza	&#13;  de	&#13;  las	&#13;  diosas	&#13;  negras	&#13;  
	&#13;  
	&#13;  
	&#13;  
Letters	&#13;  from	&#13;  Composers	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Dominick	&#13;  Argento	&#13;  
(b.	&#13;  1927)	&#13;  
Frederic	&#13;  Chopin	&#13;  
Wolfgang	&#13;  Amadeus	&#13;  Mozart	&#13;  
Franz	&#13;  Schubert	&#13;  
Johann	&#13;  Sebastian	&#13;  Bach	&#13;  
Claude	&#13;  Debussy	&#13;  
Robert	&#13;  Schumann	&#13;  
	&#13;  
	&#13;  

Andrea	&#13;  Paddock,	&#13;  soprano	&#13;  
	&#13;  
	&#13;  
Intermission	&#13;  
	&#13;  
	&#13;  

�	&#13;  
Prelude,	&#13;  Fugue	&#13;  and	&#13;  Allegro,	&#13;  BWV	&#13;  998	&#13;   	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  
	&#13;  

	&#13;  

	&#13;  

Concierto	&#13;  de	&#13;  Aranjuez	&#13;   	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  
	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  J.S.	&#13;  Bach	&#13;  
(1685-­‐1750)	&#13;  

	&#13;  

	&#13;  

Allegro	&#13;  con	&#13;  spirito	&#13;  
Adagio	&#13;  
Allegro	&#13;  gentile	&#13;  
Braden	&#13;  Young,	&#13;  piano	&#13;  

	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  	&#13;  Joaquín	&#13;  Rodrigo	&#13;  
(1901-­‐1999)	&#13;  

�</text>
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