20
10
227
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/041715-GradRecital_Harandi/041715-GradRecital_Harandi_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041715-GradRecital_Harandi/041715-GradRecital_Harandi_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041715-GradRecital_Harandi/041715-GradRecital_Harandi_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041715-GradRecital_Harandi/041715-GradRecital_Harandi_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041715-GradRecital_Harandi/041715-GradRecital_Harandi_05.mp3">track5</a>
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Graduation Recital - Bahar M. Harandi, soprano
Creator
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Noel Anstey
Date
A point or period of time associated with an event in the lifecycle of the resource
April 17, 2015
Contributor
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Bahar M. Harandi, soprano
-
https://finearts.uvic.ca/music/archive/files/original/5ff5ca3a8c82d6c57eb4e55e0ca108f1.pdf
373c7b88a0e745b33f2e9c59fb1f5931
PDF Text
Text
Concerto No. 1 for Trumpet and Chamber Orchestra - Charles Chaynes
DEGREE RECITAL
In 1956, the same year that Halsey Stevens completed his Sonata for Trumpet and
Matthew MacLean, Trumpet
Piano, the Paris Conservatory had separate fall and spring concours for the first time;
Elizabeth Clarke, piano
Louise Hung, piano
Spencer Davis, piano
Liam Caveney, trombone
Trevor Hoy, bass trombone
Sam McNally, horn
Ian VanGils, trumpet
Chayne’s Trumpet Concerto No. 1 was the required piece for both the trumpet and cornet
classes. Originally composed for trumpet with string orchestra, Chaynes wrote the piano reduction of the work himself. The piece is rich in chromaticism and rhythmic complexity, and
was composed in response to a demand for new and challenging trumpet repertoire from the
great soloists in France at the time, including the legendary Maurice Andre, who premiered
the work.
Wednesday, April 8th, 2015, 8:00 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
Suite in D Major for Trumpet - Georg Friedrich Händel
A German-born man living in England, who saw the birth of the Methodists and their
influence on the independence of the New World, the formation of the Kingdom of Great
PROGRAM
Britain, and alliances with and against France, Georg Friedrich Händel wrote music during the
birth of European empires. This work, published in 1733, likely without Händel’s consent, features works for the trumpet derived from various of his compositions. The Overture comes
from his famed Water Music, while the Menuetto and Bourrée, two popular French dance
Intrada
Otto Ketting
(1935 - 2012)
forms at the time, evidence the range of cultures with which Händel was acquainted.
Morning Music - David Sampson
Légende
Georges Enescu
(1881 - 1955)
Louise Hung, piano
The following are liner notes written by composer David Sampson:
Morning Music for brass quintet was written during the summer of 1986 for the American
Brass Quintet. It is a sequel to a previous work of mine titled In Memoriam: W.E.S. for woodwind quintet written in 1981 and premiered by the Dorian Wind Quintet. The subject of that
piece was the murder of my brother, William Evan Sampson, by the Ku Klux Klan and American
Nazis in 1979.
Morning Music deals with my thoughts and feelings seven years later. As you will hear, the anguish over the death is as intense as ever, but strength and hope will gradually emerge from
the despair. The work is one movement with clearly delineated sections ending with a fastpaced coda. I have dedicated Morning Music to my mother, Betty Sampson, whose optimism
and resiliency have been an inspiration to me.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
Sonata for Trumpet and Piano
Halsey Stevens
(1908 - 1989)
I. Allegro moderato
II. Adagio tenero
III. Allegro
Spencer Davis, piano
- INTERMISSION -
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�Concerto No. 1 for Trumpet and Chamber Orchestra
NOTES
Charles Chaynes
(b. 1925)
I. Moderato
II. Adagio
III. Allegro giocoso
Intrada - Otto Ketting
Spencer Davis, piano
Suite in D Major for Trumpet
In 1958, while still in his early twenties and three years before abandoning his post as
Georg Friedrich Händel
(1685 - 1759)
I. Overture
II. Gigue
III. Aire (Menuetto)
IV. March (Bourrée)
V. March
a trumpeter with the Hague Resedentie-Orkest to study composition in Munich, Otto Ketting
composed Intrada, dedicating it to fellow trumpeter Theo Laanen. Ketting composed the
work before studying composition formally, and had only taken composition lessons from his
father, Piet Ketting. The piece alternates between two moods: Ketting provides the markings
‘tranquillo’ and ‘decido’ (‘tranquil’ and ‘with conviction’).
Légende - George Enescu
Elizabeth Carke, piano
Morning Music
David Sampson
(b. 1951)
Liam Caveney, trombone
Trevor Hoy, bass trombone
Sam McNally, horn
Ian VanGils, trumpet and flügelhorn
Romanian composer George Enescu’s Légende is separated from the Haydn and Hummel trumpet concertos by a span of over a century, yet succeeds them as the next important
milestone in the trumpet repertoire. Combining the lush romantic style of Wagner with the
impressionistic style of Debussy, Légende was composed in 1906 for Paris Conservatory trumpet professor Merri Franquin, who was an active proponent of the four-valved, small-bore C
trumpet, on which he premiered the work. The instrument found its way first into European,
then North American orchestras, evolving into the modern C trumpet.
Matthew MacLean is from the class of Professor Louis Ranger
Sonata for Trumpet and Piano - Halsey Stevens
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Reception to follow in the Lounge.
Thanks to the GI Bill of the 1950s, American colleges began to expand their music programs to accommodate a large influx of military veterans. Halsey Stevens was one American
composer who at that time came to enjoy the musical freedom that a salaried position in
academia could afford, beginning this avant-garde work in 1953 and not finishing it until
1956. Stevens made exhaustive study of the work of Bela Bartók, as the the mixed meters and
asymmetrical rhythms of this work bear witness. At the same time, the influence of the great
American composer Aaron Copland can be heard, both in the rowdy opening, reminiscent of
Copland’s Rodeo, and in the agitated fanfares of the second movement, somewhat like those
of Quiet City.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Title
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040815-GradRecital_MacLean/040815-MacLeanRecital_06.mp3">track6</a>
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Graduation Recital - Matthew MacLean, trumpet
Creator
An entity primarily responsible for making the resource
Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 8, 2015
Contributor
An entity responsible for making contributions to the resource
Matthew MacLean, trumpet
-
https://finearts.uvic.ca/music/archive/files/original/7c63f74117f0d42e7e3bd3ee6552bec4.pdf
e2a22101b581c9fbde2a11f4afe50b39
PDF Text
Text
D EGREE R ECITAL
Camden
McAllister,
Percussion
Sunny
Chu,
Clarinet
Keenan
Mittag-‐Degala,
Percussion
Cooper
Reed,
Piccolo
Monday,
April
13th,
2015,
8:00
pm
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
PROGRAM
Suite
of
Traditional
Fife
and
Drum
Duets
American
Traditional
Wrecker’s
Daughter
Arr.
Frederick
Fennell
Hell
on
the
Wabash
(1914-‐2004)
Downfall
of
Paris
Cooper
Reed,
Piccolo
Prelude
and
Blues
Ney
Rosauro
Prelude
(1952-‐)
Blues
Cadenzas
Alexina
Louie
iii.
(1949-‐)
Sunny
Chu,
Clarinet
Plagal
Alternations
Marshall
Griffith
(1953-‐)
Keenan
Mittag-‐Degala,
Multiple
Percussion
-‐
INTERMISSION
-‐
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�Improvisation
Memories
of
the
Seashore
Elliott
Carter
(1908-‐2012)
Keiko
Abe
(1937-‐)
Land
Takatsugu
Muramatsu
(1978-‐)
Inspirations
Diabolique
Rick
Tagawa
Introduction
(1965)
Dance
Adagio
-‐
Tarantella
Cadenza
Perpetual
Motion
Camden
McAllister
is
from
the
class
of
William
Linwood.
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
(Performance)
program.
Reception
to
follow
in
the
Lounge.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_08.mp3">track8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/041315-GradRecital_McAllister/041315-McAllisterGrad_09.mp3">track9</a>
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Graduation Recital - Camden McAllister, percussion
Creator
An entity primarily responsible for making the resource
Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 13, 2015
Contributor
An entity responsible for making contributions to the resource
Camden McAllister, percussion
-
https://finearts.uvic.ca/music/archive/files/original/20196a72df3e5ad16e8b3a9e6ade6d4d.pdf
1bc41f7f8307f0570d4704f31a7f0f62
PDF Text
Text
GRADUATE RECITAL
Fu-‐Hsien
Shen,
voice
Emily
Armour,
piano
Wed.
April,
1st
,
2015.
12:30
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
PROGRAM
Extase
Le
manoir
de
Rosemonde
Testament
Soupir
Henri
Duparc
(1848-‐1933)
Ó
mon
cher
amant
Ah!
Quell
diner
Jacque
Offenbach
(1819-‐1880)
Ich
atmet'
einen
linden
Duft
Liebst
du
um
Schönheit
Ich
bin
der
Welt
abhanden
gekommen
Gustav
Mahler
(1860-‐1911)
O
mio
fernado
from
La
favorita
Thank
you!!
Fu-‐Hsien
Shen
is
from
the
class
of
Professor,
Mr.Benjamin
Butterfield
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Master
of
Music
(Performance)
program.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
Gaetano
Donizetti
(1797-‐1848)
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_Shen/040115-GradRecital_Shen_04.mp3">track4</a>
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Graduation Recital - Fu-Hsien Shen, voice
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
April 1, 2015
Contributor
An entity responsible for making contributions to the resource
Fu-Hsien Shen, voice
-
https://finearts.uvic.ca/music/archive/files/original/3ebb5eb056c5b15350cb30e984eb3d41.pdf
99eb86462d84a53d5d68630dfedc84ae
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Text
DEGREE
RECITAL
Heather
MacLeod,
soprano
Charlotte
Hale,
piano
Joshua
Amendt-‐Moylan,
guitar
Paul
Joo,
cello
When
Daisies
Pied
Blow,
Blow,
Thou
Winter
Wind
Mandoline
Mandoline
Green
Spleen
Ariettes
oubliées
Immer
Leiser
wird
mein
Schlummer
Op.
105,
No.
2
Widmung
Op.
25,
No.
1
Liebst
du
um
Schönheit
Op.
12,
No.
4
Zueignung
Op.10,
No.
1
Allerseelen
Op.
10,
No.
8
Quando
m’en
vo
From
La
bohème
Wednesday,
April
1st,
2015,
8:00
pm
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
Charlotte
Hale,
piano
Thomas
Arne
(1710-‐1778)
Gabriel
Fauré
(1845-‐1924)
Claude
Debussy
(1862-‐1918)
Charlotte
Hale,
piano
Johannes
Brahms
(1833-‐1897)
Robert
Schumann
(1810-‐1856)
Clara
Schumann
(1819-‐1896)
Richard
Strauss
(1864-‐1949)
Giacomo
Puccini
(1858-‐1924)
Charlotte
Hale,
piano
-‐
INTERMISSION
-‐
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
Bachianas
Brasileiras
No.
5
Aria
(Cantilena)
Joshua
Amendt-‐Moylan,
guitar
Paul
Joo,
cello
Heitor
Villa-‐Lobos
(1887-‐1859)
Selections
from:
Twelve
Poems
of
Emily
Dickinson
Aaron
Copland
Nature,
the
gentlest
mother
(1900-‐1990)
The
world
feels
dusty
Heart,
we
will
forget
him
I’ve
heard
an
organ
talk
sometimes
Why
do
they
shut
me
out
of
Heaven?
Charlotte
Hale,
piano
Sure
on
this
Shining
Night
Samuel
Barber
(1910-‐1981)
Charlotte
Hale,
piano
Heather
MacLeod
is
from
the
class
of
Professor
Benjamin
Butterfield
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
Performance
program.
Please
remember
to
turn
off
all
cell
phones
for
the
duration
of
the
performance
and
please
refrain
from
applause
until
the
end
of
each
set.
Reception
to
follow
in
the
Lounge.
Thank-you to:
Ben Butterfield: for your humor, patience, and starting from ground zero with me. The past three years have rebuilt
a once tattered voice into the rich, solid instrument I love and recognize. Thank-you for everything!
Charlotte Hale: twice a week for the past 9 months, you’ve enriched my knowledge on diction, line, breath, and
cohesiveness with ensemble. Thank-you for never letting me get away with anything; Lord knows I’m talented at it.
And THANK-YOU for your brilliance on the piano.
Rebecca, Ingrid, Signi, PON, and Angela: each of you taught me in such a distinct, memorable way that was
essential in leading me to where I am now.
My sweet friends: for joining me in chants, wild antics, and being SO incredibly supportive with my singing;
whether it was sitting quietly with me doing “crafts” (going to Target), or just hushing me, you have all helped this
come together by doing “the little things”. Now it’s time to celebrate, and don’t tell me to be quiet.
My incredible parents: voice lessons, theory, coachings, Tanglewood, Walnut Hill, LSU, UVic, Circle in the
Square, tears, nodules, countless doctors appointments, and everything else I couldn’t fit in this small space:
everything I am now is a direct result of your selflessness to ensure I lead an enriched life. I love you more than
anything.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
Dublin Core
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/040115-GradRecital_MacLeod/040115-GradRecital_MacLeod_08.mp3">track8</a>
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Title
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Graduation Recital - Heather MacLeod, soprano
Creator
An entity primarily responsible for making the resource
Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
April 1, 2015
Contributor
An entity responsible for making contributions to the resource
Heather MacLeod, soprano
-
https://finearts.uvic.ca/music/archive/files/original/b38413e1b51977e2a1200a7b66239f63.pdf
35d16a91c2d1e5f18f1df1744c17f834
PDF Text
Text
DEGREE RECITAL
Josh
Herrett,
piano
Monday,
March
30th,
2015
|
8PM
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
P
r
o
g
r
a
m
m
e
Sonata,
op.
1
Sonata
no.
31
in
A-‐flat
major,
op.
110
Moderato
cantabile
molto
espressivo
Allegro
molto
Adagio
ma
non
troppo
A.
Berg
(1885-‐1935)
L.
V.
Beethoven
(1770-‐1827)
C.
Debussy
(1862-‐1918)
I
n
t
e
r
m
i
s
s
i
o
n
Images,
1ere
série
Reflets
dans
l’eau
Hommage
à
Rameau
Mouvement
Années
de
Pèlerinage
II:
Italie
Après
une
Lecture
du
Dante:
Fantasia
quasi
Sonata
Josh
Herrett
is
from
the
class
of
Ms.
Michelle
Mares
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
Performance
program.
Reception
to
follow
in
the
Lounge.
Please
turn
off
all
cell
phone,
camera,
laptop,
and
audio
&
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
F.
Liszt
(1811-‐1886)
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/033015-GradRecital_Herrett/033015-GradRecital_Herrett_06.mp3">track6</a>
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Graduation Recital - Josh Herrett, piano
Creator
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Noel Anstey
Date
A point or period of time associated with an event in the lifecycle of the resource
March 30, 2015
Contributor
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Josh Herrett, piano
-
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/032215-GradRecital/032215-GradComposers_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032215-GradRecital/032215-GradComposers_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/032215-GradRecital/032215-GradComposers_03.mp3">track3</a>
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Graduating Composition Recital - Zulfikar Nathoo, Maria Eduarda Martins, Dave Reidstra
Creator
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Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
March 22, 2015
Contributor
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Zulfikar Nathoo; Maria Eduarda Martins; Dave Reidstra
-
https://finearts.uvic.ca/music/archive/files/original/fc7ce58023ba5e02f1948ac5ca5834e4.pdf
7326a3bf0ce3f6c4aa3b40afac129869
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Text
DEGREE RECITAL
Matt Antal, Viola
Spencer Davis and Charlotte Hale, Piano
Wednesday, March 18, 2015, 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Flute Partita in A minor, BWV 1013
I. Allemande
II. Corrente
III. Sarabande
IV. Bourrée anglaise
Johann Sebastian Bach (1685-1750)
Arr. Patrick Jordon
Arpeggione Sonata, D.821
I. Allegro moderato
Franz Schubert (1797-1828)
Arr. Jürgen Weber
Spencer Davis, Piano
7 Variations on 'Bei Männern' from
Die Zauberflöte, Wo0 46
Ludwig van Beethoven (1770-1827)
Arr. Milton Katmis
Charlotte Hale, Piano
- INTERMISSION Vent Nocturne for Solo Viola and Electronics
I. Sombres miroirs
II. Soupirs de l'obscur
Matt Antal, Electronics
Sonata for Viola and Piano
I. Impetuoso
II. Vivace
III. Adagio
Kaija Saariaho (1952 - )
Rebecca Clarke (1886-1979)
Spencer Davis, Piano
Matt Antal is from the class of Professor Joanna Hood
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-01.mp3">track1</a> **technical fault, missing top of mvmt I**<br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031815-GradRecital/031815-MattAntalGraduatingRecital-05.mp3">track5</a>
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Graduation Recital - Matt Antal, viola
Creator
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Brennan MacKay
Date
A point or period of time associated with an event in the lifecycle of the resource
March 18, 2015
Contributor
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Matt Antal, viola
-
https://finearts.uvic.ca/music/archive/files/original/81d3e9d426391e843549a1cffe9d9bbe.pdf
7de52dc5f5a86184ef626d9e9130aa4b
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DEGREE RECITAL
University of Victoria – School of Music
Graduating Composition Recital
Ryan Hemphill, Alexander Simon, Liam Gibson
15 March, 2015, 20:00
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
XXXVI Machine
Ryan Hemphill (b.1988)
外伝
Alexander Simon (b.1986)
nothing is more likely
Liam Gibson (b.1990)
I – Moderato Sostenuto
II – Allegro
III – Adagio
IV - Moderato
Ryan Hemphill is from the class of Professor Christopher Butterfield
Alexander Simon and Liam Gibson are from the class of Dr. John Celona
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Composition) program
and the Bachelor of Music (Composition) program.
�XXXVI Machine
Ryan Hemphill
Upcoming:
Graduating Composition Concert II
Sunday 22 March, 2015
8PM, Phillip T. Young Hall, School of Music
University of Victoria
Justin Boechler, conductor
Nathan Friedman, clarinet
Emily McDermid, trumpet
featuring works by
Dave Riedstra
Maria Eduarda Martins
Zulfikar Nathoo
William Exner, percussion
Liam Gibson, piano
Dave Riedstra, double bass
This piece is inspired by the unintended voices of machinery and
electronics that sing above the soundscapes of daily life—from
humming street lamps to squeaky ventilation fans. Their music is
some of the most beautiful and surprising I have experienced.
Thanks to Steeve Bjornson and Chris Lindsay for their assistance.
Please turn off all electronic devices prior to the concert.
No recording devices of any kind may be used during the performances.
�外伝
nothing is more likely
Liam Gibson
Alexander Simon
Dramatis personae:
Evan Hesketh, conductor
Aliayta Foon-Dancoes, violin
Thomas Bauer, flute
Adam Jasienuk, alto saxophone
Allyssa Haigh, vibraphone
Nolan Krell, electric guitar
Thomas Nicholson, piano
Dave Riedstra, double bass
Keenan Mittag-Degala, percussion
Bailey Finley, alto flute – the child
Nathan Friedman, clarinet/bass clarinet in Bb – the boy
Matthew Robertson, bassoon – the girl
Chorus:
Dominic Thibault, clarinet in Bb
Zach Smith, tenor saxophone
Justin Malchow, horn
Zoe McLaren, bass trombone
Allyssa Haigh, percussion
Tristan Holleufer, percussion
Alexander Simon, conductor
Visuals consultant, Dani Kohorst
Live painting by Dani Kohorst & Ben Eastabrook
Poster design by Melissa Coughlin
melissacoughlinillustration.tumblr.com
Artistic co-ordinator, Alexander Simon
soundcloud.com/trakk00
youtube.com/trakk00
In everyday speech, 'nothing is more likely' denotes the high
probability of a particular possibility. However, without context the
meaning becomes ambiguous, perhaps implying that nothingness
itself is more probable. This could refer to any number of things,
including the relationship between the title of a piece of music and the
actual music itself.
I would like to thank the following people:
Liam Gibson is from the composition class of John Celona. He has
also studied composition with Christopher Butterfield and Dániel
Péter Bíro, and piano with Eva Solar-Kinderman.
My performers and artistic collaborators for being a part of this project and helping
me to see it come to life
My supervisor, John Celona, and committee members Michelle Fillion and
Christopher Butterfield, for their involvement during my two years at the University
of Victoria
My colleagues in the composition programme, and all musicians at the school who
have either been a part of my music, or who have crossed paths with me in one way
or another
My friends and family for holding down the cheerleading section for so many years
Allana Lindgren, David Roland and Gordon Mumma for their time and interest in
my project
Mom, for her endless love most beautiful
�外伝 – libretto
by Alexander Simon
Scene I
A forest
Scene VI
A distortion in the space-time appears. Fate deposits a bundle cloaked
in the night then vanishes to leave this anomaly to its own devices.
Scene II
A child enters the woods, as if lost. The child is very old.
The child has lost someone. The child is looking for someone.
The bundle thrashes & flails against Fate. It is too late. Time will go
on, but there will never be Time.
She has lost someone forever. She will spend all of eternity in vain.
Scene VII
Everything the child touches changes. Plants wither and die in a
An encounter.
breath; fallen limbs rise up as if new. The child opens a path long
hidden and buried beneath Time; the child walks along a road not yet
Looking for a way home.
discovered.
Walking forward reveals a path the child will never know; a glance
backwards shows what was remembered, but nothing is the same.
Scene VIII
The child attempts to alter the flow of Time. A Gate opens.
Scene III
A forest
Scene IX
The girl attempts a summoning. A Gate opens.
Scene IV
The boy strides through the gate, defeated.
Scene X
A dance of runes. A Gate opens.
He has knowingly left someone behind; he will search for this person
Scene XI
in places he cannot be.
The boy carefully examines his surroundings, evaluating everything. The child walks towards the light.
He speaks in a curious language, alternately familiar and unfamiliar.
The boy closes the Gate.
Scene V
The girl falls into the Void without glancing back.
The two meet.
Scene XII
A forest
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/031515-GradRecital/031515-GradComposers_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031515-GradRecital/031515-GradComposers_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031515-GradRecital/031515-GradComposers_03.mp3">track3</a>
Dublin Core
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Graduating Composition Recital - Ryan Hemphill, Alexander Simon, Liam Gibson
Creator
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Kimberlee Graham-Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
March 15, 2015
Contributor
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Ryan Hemphill; Alexander Simon; Liam Gibson
-
https://finearts.uvic.ca/music/archive/files/original/79d08075fe702b8e50b8747238e0ec8e.pdf
699ce3fa86e9b62b115750251e4ab010
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Text
Thomas
Bauer,
Flute
Josh
Herrett-‐
Piano
Matthew
Robertson-‐
Bassoon
P
r
o
g
r
a
m
Flute
Sonata
in
G
major
Cantabile
Georg
Phillip
Telemann
(1681-‐1767)
Allegro
Affettuoso
Allegro
Matthew
Robertson-‐
Bassoon
Josh
Herrett-‐
Harpsichord
Passacaglia
for
solo
flute
Ernst
von
Dohnányi
(1877-‐1960)
Sonatine
Henri
Dutilleux
(1916-‐2013)
I
n
t
e
r
m
i
s
s
i
o
n
Fantasie
Gabriel
Fauré
(1845-‐1924)
Sonata
for
flute
and
piano
Sergei
Prokofiev
(1891-‐1953)
Moderato
Allegretto
Scherzando
Andante
Allegro
con
brio
Thomas Bauer is from the class of Dr. Suzanne Snizek
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program
Reception to follow in the Lounge.
�
Dublin Core
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Title
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/031115-GradRecital/031115-Thomas_Bauer_Flute_Recital-05.mp3">track5</a>
Dublin Core
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Graduation Recital - Thomas Bauer, flute
Creator
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Brennan MacKay
Date
A point or period of time associated with an event in the lifecycle of the resource
March 11, 2015
Contributor
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Thomas Bauer, flute