19
10
227
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DEGREE RECITAL
Ella Hopwood, cello
Jany Lu, piano
Monday, February 29, 2016 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Cello Suite no. 5 in C Minor, BWV 1011
J.S. Bach
Prelude (1685–1750)
Sarabande
Gigue
Cello Sonata in C Major, op.119 Sergei Prokofiev
Andante Grave (1891—1953)
Moderato
Allegro, ma non troppo
- INTERMISSION -
Fantasiestucke, op. 73
Robert Schumann
Zart und mit audstruck (1810–1856)
Lebhaft, leicht
Rasch und mit Feuer
Cello Concerto in B Minor
Antonín Dvořák
Allegro (1841–1904)
Ella Hopwood is from the class of Ms. Pamela Highbaugh Aloni
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�Program notes
th
Bach’s 5 Suite in the resonant key of C minor differs from his other suites in two important ways. Firstly, the
score indicates scordatura for the performer, which means tuning the A string down a whole step to G—a process
which can greatly increase the cello’s resonance, as well as make chords and double stops fit much more
comfortably beneath the hand. Secondly, this is his only Cello Suite to include a fugue! The prelude—which
contains the fugue—exemplifies the contrasting characters that are prevalent throughout the whole suite: the
overall mood of the movements varies between dark and introspective, assertive and unyielding, and boisterous
and playful.
Prokofiev’s only sonata for cello and piano is deliciously rich, and uses both instruments in ways that highlight
their versatility. The writing for the cello part allows the instrument to sing out the melody in all registers—most
remarkably on the low C string—as well as function as a percussive element in many cases. The piano part is much
the same, and requires the performer to have a hugely flexible touch. Prokofiev composed the sonata for Mstislav
Rostropovich and Sviatsoslav Richter, who premiered the work together in 1950. This sonata was surprisingly well
received, considering that Stalin had just publicly denounced its composer. It paints a picture of drastically
differing characters throughout the three movements: the first is proud and expostulatory, yet sensitive; the
second more playful and cheeky with an amorous slow theme in the middle; the third a joyous affirmation of C
major, with coy and warm moments thrown in for balance. The conclusion of the sonata is grandiose and
assertive, almost more fitting for a symphony than a piece of chamber music—yet is characteristic of the tradition
of luscious Russian music.
Schumann’s “Fantasiestucke” op. 73, composed in 1849, was originally scored for clarinet and piano, yet
Schumann indicated on the manuscript that it could be also performed with cello or violin. The movements’ titles
translate to Tenderly and with expression, and Lively, light, and Quickly and with fire, a clear and helpful indication
of Schumann’s musical intention. Throughout all three movements, there is a recurring rhythmical motive of
triplets (usually in the piano part) against duplets (in the cello), as well as a melodic motive of tension-filled half
steps. Together, these motives contribute to a sense of unsettled urgency that doesn’t quite resolve until the very
end of the piece.
The iconic Cello Concerto in B minor by Dvorak is a corner stone of solo repertoire. It was premiered in London by
cellist Leo Stern, with Dvorak himself conducting. Dvorak apparently considered the cello an instrument suited to
an orchestral setting, but ill fitting for solo performances; it’s ironic then, that this piece further established the
cello as a solo instrument! There are several aspects of this piece that break concerto convention: in its opening
notes, the solo cello enters in the parallel key of B major, not the tonic B minor as expected. Furthermore, there
are no true cadenzas in this showy first movement—only solo snippets of cello with orchestral (tonight, piano!)
interjections. The piece demands of the performer extreme technical proficiency as well as the ability to convey
the deeply emotive content of the lyrical themes. As you will hear, the second theme in this first movement is
achingly beautiful and lyrical, yet requires intense technical refinement to perform convincingly. With its technical
and musical demands, this piece has duly become a rite of passage for every cellist.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022916-GradRecital_Hopwood/022916-GradRecital_Hopwood_04.mp3">track4</a>
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Degree Recital - Ella Hopwood, cello
Creator
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Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
February 29, 2016
Contributor
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Ella Hopwood, cello
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DEGREE RECITAL
Erin Onyschtschuk, Clarinet
Elizabeth Clarke, piano
James Yi, piano
Aliayta Foon-Dancoes, violin
Evan Hesketh, viola
Ella Hopwood, cello
Sunny Chu, clarinet
Dominic Thibault, clarinet
Marcella Barz, bass clarinet
Monday, March 14, 2016, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Claude Debussy
(1862-1918)
Première Rhapsodie
Elizabeth Clarke, piano
Introduction, Theme and Variations
Gioachino Rossini
(1792-1868)
James Yi, piano
- INTERMISSION -
Quartet No. 1 in Bb for Clarinet and String Trio
Joseph Haydn
Allegro con spirito Arr.- V. Gambaro
(1732-1809)
Aliayta Foon-Dancoes, violin
Evan Hesketh, viola
Ella Hopwood, cello
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
Carnyx for solo clarinet
Serban Nichifor
(b. 1954)
A Klezmer Wedding
Mike Curtis
(b. 1952)
Sunny Chu, clarinet
Dominic Thibault, clarinet
Marcella Barz, bass clarinet
Erin Onyschtschuk is from the class of Professor Patricia Kostek
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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URL
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Degree Recital - Erin Onyschtschuk, clarinet
Creator
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Allyssa Haigh
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March 14, 2016
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Erin Onyschtschuk, clarinet
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D EGREE R ECITAL
Kassandra
Schantz,
mezzo-‐soprano
with
Louise
Hung
&
Elizabeth
Clarke,
piano
Monday,
February
22,
2016,
8:00
pm
Phillip
T.
Young
Recital
Hall,
MacLaurin
Building
Free
admission
Kassandra
Schantz
is
from
the
class
of
Professor
Benjamin
Butterfield.
This
recital
is
presented
in
partial
fulfillment
of
the
requirements
for
the
Bachelor
of
Music
(Performance)
program.
Reception
to
follow
in
the
Lounge.
Please
turn
off
all
cell
phones,
cameras,
laptops,
and
audio
or
video
recording
devices.
Their
use
is
strictly
prohibited
during
events.
�
PROGRAMME
“Frühlingsglaube”
(“Faith
in
Spring”),
D.
686
Franz
Schubert
(1797
–
1828)
Text
by
Ludwig
Uhland
(1787
–
1862)
On
This
Island,
Op.
11
1. Let
the
florid
music
praise!
2. Now
the
leaves
are
falling
fast
3. Seascape
4. Nocture
5. As
it
is,
plenty
Benjamin
Britten
(1913
–
1976)
Texts
by
W.H.
Auden
(1907
–
1973)
Banalités,
FP
107
1. Chanson
d’Orkenise
(Song
of
Orkenise)
2. Hôtel
(Hotel)
3. Fagnes
de
Wallonies
(Walloon
Moorlands)
4. Voyage
à
Paris
(Going
To
Paris)
5. Sanglots
(Sobs)
Francis
Poulenc
(1899
–
1963)
Texts
by
Guillaume
Apollinaire
(1880
–
1918)
“As
with
rosy
steps
the
morn”
from
Theodora
George
Friderick
Handel
(1685
–
1759)
PAUSE
“Love’s
Philosophy”
from
Three
Songs,
Op.
3
Roger
Quilter
(1877
–
1953)
Text
by
P.B.
Shelley
(1792
–
1822)
Frauenliebe
und
–Leben,
Op.
42
Robert
Schumann
(1810
–
1856)
1. Seit
ich
ihn
gesehen
(Since
I
saw
him)
Texts
by
Adelbert
von
Chamisso
2. Er,
der
Herrlichste
von
Allen
(He,
the
most
glorious
of
all)
(1781
–
1838)
3. Ich
kann's
nicht
fassen,
nicht
glauben
(I
can’t
grasp
it,
nor
believe
it)
4. Der
Ring
(The
Ring)
5. Helft
mir,
ihr
Schwestern
(Help
me,
ye
sisters)
6. Süßer
Freund,
du
blickest
(Sweet
friend,
thou
gazest)
7. An
meinem
Herzen,
an
meiner
Brust
(At
my
heart,
at
my
breast)
8. Nun
hast
du
mir
den
ersten
Schmerz
gethan
(Now
thou
hast
given
me,
for
the
first
time,
pain)
Agnus
Dei
from
Petite
Messe
Solennelle
Gioachino
Rossini
(1792
–
1868)
Chorus: Chelsey Ternes, Margaret Lingas, Kelsey Wheatley, Shelly Shen,
Zander Felton, Cody Froese, Kenji Lee, Xuguang Zhang. Harmonium: Thomas Nicholson.
�
ARTIST
BIOGRAPHY
&
ACKNOWLEDGEMENTS
Kassandra
Schantz
is
a
mezzo-‐soprano
from
Westlock,
Alberta.
She
is
in
her
fourth
year
as
a
vocal
performance
major
under
the
guidance
of
Professor
Benjamin
Butterfield.
Recently
she
sang
for
the
score
of
the
short
film,
Godhead.
She
has
also
been
a
choral
scholar
at
Christ
Church
Cathedral.
Kassandra
participated
in
the
2014
Vancouver
International
Song
Institute,
and
will
be
attending
this
summer’s
intensive
training
program
at
Opera
NUOVA
in
Edmonton.
Special
Thanks
to:
Louise
Hung
Elizabeth
Clarke
Agnus
Dei
Chorus
and
Thomas
Nicholson
Benjamin
Butterfield
Marilyn
Dalzell
Ian
Alexander
Aleksandra
Tremblay
TRANSLATIONS
“Frühlingsglaube”
(“Faith
in
Spring”)
The
gentle
winds
are
awakened,
They
murmur
and
waft
day
and
night,
They
create
in
every
corner.
Oh
fresh
scent,
oh
new
sound!
Now,
poor
dear
[heart],
fear
not!
Now
everything,
everything
must
change.
The
world
becomes
more
beautiful
with
each
day,
One
does
not
know
what
may
yet
happen,
The
blooming
doesn't
want
to
end.
The
farthest,
deepest
valley
blooms:
Now,
poor
dear,
forget
the
pain!
Now
everything,
everything
must
change.
Original
Text:
Ludwig
Uhland
Translation:
©
Hyde
Flippo
�Banalités
(Banalities)
1.
Song
of
Orkenise
3.
Walloon
Moorlands
Through
the
gates
of
Orkenise
a
wagon
driver
wants
to
enter.
Through
the
gates
of
Orkenise
a
tramp
wants
to
leave.
So
much
utter
sadness
took
hold
of
my
heart
in
the
desolate
moorlands
when
weary
I
rested
the
weight
of
the
kilometres
in
the
fir-‐plantations
while
the
west
wind
raged
And
the
guards
of
the
town
running
up
to
the
tramp:
"What
do
you
carry
away
from
the
town?"
"I
leave
my
whole
heart
behind.”
I
had
left
the
pretty
wood
the
squirrels
stayed
there
my
pipe
tried
to
make
clouds
in
the
sky
which
remained
obstinately
pure
And
the
guards
of
the
town
running
up
to
the
wagon
driver:
"What
do
you
bring
into
the
town?"
"My
heart
with
which
to
get
married."
I
have
not
confided
a
single
secret
besides
an
enigmatic
song
to
the
damp
peat-‐bogs
So
many
hearts
in
Orkenise!
the
guards
laughed,
laughed,
Tramp
the
road
is
grey,
love
intoxicates,
o
wagon
driver.
The
handsome
town
guards
were
knitting
superbly;
then
the
doors
of
the
town
slowly
closed.
the
heather
perfumed
with
honey
attracted
the
bees
and
my
aching
feet
trampled
the
bilberries
and
the
blueberries
tenderly
united
north
north
life
twists
itself
there
into
trees
strong
and
twisted
there
life
bites
death
hungrily
when
the
wind
howls
2.
Hotel
4.
Trip
to
Paris
Ah!
Such
a
charming
thing
My
room
is
in
the
shape
of
a
cage
to
leave
a
drab
country
the
sun
stretches
its
arm
through
the
window
for
Paris
lovely
Paris
but
I
want
to
smoke
to
make
fleeting
patterns
that
Love
must
once
have
created
I
light
my
cigarette
at
the
flame
of
day
Ah!
Such
a
charming
thing
I
don't
want
to
work
I
want
to
smoke
to
leave
a
drab
country
for
Paris
5.
Sobs
Our
love
is
governed
by
the
calm
stars
now
we
know
that
within
us
many
men
breathe
who
came
from
very
far
and
are
one
beneath
our
brows
This
is
the
song
of
the
dreamers
who
had
torn
out
their
heart
and
carried
it
in
the
right
hand
remember
dear
pride
all
these
memories
of
the
sailors
who
sang
like
conquerors
of
the
chasms
of
Thule
of
the
gentle
skies
of
Ophir
of
the
damned
sick
of
those
who
flee
from
their
shadow
and
of
the
joyous
homecoming
of
the
happy
emigrants
from
this
heart
there
ran
blood
and
the
dreamer
went
on
thinking
about
his
wound
tender
you
will
never
shatter
the
chain
of
these
events
and
painful
and
said
to
us
which
are
the
results
of
other
causes
my
poor
heart
my
shattered
heart
identical
to
the
heart
of
all
men
here
here
are
our
hands
that
life
made
slaves
has
died
of
love
or
so
it
seems
has
died
of
love
and
here
it
is
thus
is
the
way
of
all
things
so
tear
out
your
own
also
and
nothing
will
have
its
freedom
until
the
end
of
time
let
us
leave
all
to
the
dead
and
hide
our
sobs
Original
Texts:
Guillaume
Apollinaire
Translations:
©
Christopher
Goldsack
www.melodietreasury.com
�Frauenliebe
und
–Leben
(A
Woman’s
Life
and
Love)
1.
Since
I
saw
him
3.
I
can't
grasp
it,
nor
believe
it
Since
I
saw
him
I
believe
myself
to
be
blind,
where
I
but
cast
my
gaze,
I
see
him
alone.
As
in
waking
dreams
his
image
floats
before
me,
dipped
from
deepest
darkness,
brighter
in
ascent.
I
can't
grasp
it,
nor
believe
it,
a
dream
has
bewitched
me;
how
should
he,
among
all
the
others,
lift
up
and
make
happy
poor
me?
All
else
dark
and
colorless
everywhere
around
me;
for
the
games
of
my
sisters
I
no
longer
yearn;
I
would
rather
weep,
silently
in
my
little
chamber.
Since
I
saw
him,
I
believe
myself
to
be
blind.
O
let
me
die
in
this
dream,
cradled
on
his
breast;
let
the
most
blessed
death
drink
me
up
in
tears
of
infinite
bliss.
2.
He,
the
most
glorious
of
all
It
seemed
to
me,
as
if
he
spoke,
"I
am
thine
eternally.”
It
seemed
-‐
I
dream
on
and
on,
it
could
never
be
so.
4.
The
Ring
He,
the
most
glorious
of
all,
O
how
mild,
so
good!
Lovely
lips,
clear
eyes,
bright
mind
and
steadfast
courage.
Thou
ring
on
my
finger,
my
little
golden
ring,
I
press
thee
piously
upon
my
lips
piously
upon
my
heart.
Just
as
yonder
in
the
blue
depths,
bright
and
glorious,
that
star,
so
he
is
in
my
heavens,
bright
and
glorious,
lofty
and
distant.
I
had
dreamt
it,
the
tranquil,
lovely
dream
of
childhood,
I
found
myself
alone
and
lost
in
barren,
infinite
space.
Meander,
meander
thy
paths,
but
to
observe
thy
gleam,
but
to
observe
in
meekness,
but
to
be
blissful
and
sad!
Thou
ring
on
my
finger,
thou
hast
taught
me
for
the
first
time,
hast
opened
my
gaze
unto
the
endless,
deep
value
of
life.
Hear
not
my
silent
prayer,
consecrated
only
to
thy
happiness;
thou
mays't
not
know
me,
lowly
maid,
lofty
star
of
glory!
I
want
to
serve
him,
live
for
him,
belong
to
him
entire,
Give
myself
and
find
myself
transfigured
in
his
radiance.
Only
the
worthiest
of
all
may
make
happy
thy
choice,
and
I
will
bless
her,
the
lofty
one,
many
thousand
times.
Thou
ring
on
my
finger,
my
little
golden
ring,
I
press
thee
piously
upon
lips,
piously
upon
my
heart.
I
will
rejoice
then
and
weep,
blissful,
blissful
I'll
be
then;
if
my
heart
should
also
break,
break,
O
heart,
what
of
it?
Please
turn
page
quietly.
�5.
Help
me,
ye
sisters
Help
me,
ye
sisters,
friendly,
adorn
me.
Serve
me,
today's
fortunate
one,
busily
wind
about
my
brow
the
adornment
of
blooming
myrtle.
Otherwise,
gratified,
of
joyful
heart,
I
would
have
lain
in
the
arms
of
the
beloved,
so
he
called
ever
out,
yearning
in
his
heart,
impatient
for
the
present
day.
Help
me,
ye
sisters,
help
me
to
banish
a
foolish
anxiety,
so
that
I
may
with
clear
eyes
receive
him,
him,
the
source
of
joyfulness.
Dost,
my
beloved,
thou
appear
to
me;
givest
thou,
sun,
thy
shine
to
me?
Let
me
with
devotion,
let
me
in
meekness,
let
me
curtsy
before
my
lord.
Strew
him,
sisters,
strew
him
with
flowers,
bring
him
budding
roses,
but
ye,
sisters,
I
greet
with
melancholy,
joyfully
departing
from
your
midst.
6.
Sweet
friend,
thou
gazest
Sweet
friend,
thou
gazest
upon
me
in
wonderment,
thou
canst
not
grasp
it,
why
I
can
weep.
Let
the
moist
pearls'
unaccustomed
adornment
tremble,
joyful-‐bright,
in
my
eyes.
How
anxious
my
bosom,
how
rapturous!
If
I
only
knew,
with
words,
how
I
should
say
it.
Come
and
bury
thy
visage
here
in
my
breast;
I
want
to
whisper
in
thy
ear
all
my
happiness.
Knowest
thou
the
tears,
that
I
can
weep?
Shouldst
thou
not
see
them,
thou
beloved
man?
Stay
by
my
heart,
feel
its
beat,
that
I
may,
fast
and
faster,
hold
thee.
Here,
at
my
bed,
the
cradle
shall
have
room,
where
it
silently
conceals
my
lovely
dream.
The
morning
will
come
where
the
dream
awakes,
and
from
there
thy
image
shall
smile
at
me.
7.
At
my
heart,
at
my
breast
At
my
heart,
at
my
breast,
thou
my
rapture,
my
happiness!
The
joy
is
the
love,
the
love
is
the
joy,
I
have
said
it,
and
won't
take
it
back.
I've
thought
myself
rapturous,
but
now
I'm
happy
beyond
that.
Only
she
that
suckles,
only
she
that
loves
the
child,
to
whom
she
gives
nourishment;
Only
a
mother
knows
alone
what
it
is
to
love
and
be
happy.
O
how
I
pity
then
the
man
who
cannot
feel
a
mother's
joy!
Thou
dear,
dear
angel
thou!
Thou
lookst
at
me
and
smiles.
At
my
heart,
at
my
breast,
thou
my
rapture,
my
happiness!
�
8.
Now
thou
hast
given
me,
for
the
first
time,
pain
Now
thou
hast
given
me,
for
the
first
time,
pain,
how
it
struck
me.
Thou
sleepst,
thou
hard,
merciless
man,
the
sleep
of
death.
Agnus
Dei
(Lamb
of
God)
Lamb
of
God,
who
takes
away
the
sins
of
the
world,
have
mercy
on
us.
Lamb
of
God,
who
takes
away
the
sins
of
the
world,
have
mercy
on
us.
The
abandoned
one
gazes
straight
ahead,
the
world
is
void.
I
have
loved
and
lived,
I
am
no
longer
living.
I
withdraw
silently
into
myself,
the
veil
falls,
there
I
have
thee
and
my
lost
happiness,
O
thou
my
world!
Original
Texts:
Adelbert
von
Chamisso
Translations:
©
Daniel
Platt
Lamb
of
God,
who
takes
away
the
sins
of
the
world,
grant
us
peace.
Text:
from
the
Ordinary
of
the
Mass
Please
join
us
for
a
reception
in
the
lounge
after
the
recital!
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_07.mp3">track7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/022216-GradRecital_Schantz/022216-KassandraSchantz_08.mp3">track8</a>
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Degree Recital - Kassandra Schantz, mezzo-soprano
Creator
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James Gray
Date
A point or period of time associated with an event in the lifecycle of the resource
February 22, 2016
Contributor
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Kassandra Schantz, mezzo-soprano
-
https://finearts.uvic.ca/music/archive/files/original/296645227b8e524e286a088b67f2ce66.pdf
66cfcd819fa890c193f28e2392780522
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DEGREE RECITAL
Megan Rees, Trombone
Featuring: Josh Herrett, Piano
James Yi, Piano
Alex Rees, Trumpet
UVic Trombone choir:
Heidi Worrall
Erin Marsh
Will Quinn
Zach Power
Owen Worby
Liam Caveney
Kory Major
Wednesday, March 9th 2016, 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Sonata for Trombone and Piano (“Vox Gabrieli”)
Stjepan Šulek
(1914-1986)
Josh Herrett, piano
Fantasie in A minor G.P Telemann, trans. Alan Raph
I.A tempo giusto (1681-1767)
II.Presto
III.Moderato
Liebst du um Schoenheit Gustav Mahler, arr. David Rahbee
(1860-1911)
Trombone Choir
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�- INTERMISSION -
The Rivals
Richard Shuebruk
(1854-1933)
Alex Rees, trumpet
James Yi, piano
NEWF Ryan Purchase
I. At the Time (1977-)
II. “Forty-nine”; “Fourth of March”
III. “Experience is Everything”
IV. “Ah, well, it’s goin’ great now”; “Why stop in n’ see you?”
Thoughts of Love Arthur Pryor
(1870-1942)
Josh Herrett, piano
Megan Rees is from the class of Professor Scott MacInnes
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/030916-GradRecital_Rees/030916-MeganRees_05.mp3">track5</a>
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Degree Recital - Megan Rees, trombone
Creator
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Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
March 9, 2016
Contributor
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Megan Rees, trombone
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Justin Malchow, Horn
Featuring
Season Wang, piano
John Hamblett, trumpet
Ian Van Gils, trumpet
Heidi Worrall, trombone
Dayna Waller, tuba
Sam McNally, horn
Drake Lovett, horn
Norbert Ziegler, horn
P r o g r a m
Romance Op. 36
Season Wang, piano
Sonata for Horn and Piano Op. 24
Camille Saint-Saëns
(1835-1921)
Allegro
Minuetto
Theme and Variations
Season Wang, piano
Justin Malchow is from the class of Professor, Kurt Kellan
This recital is presented as part of the requirements
for the Bachelor of Music in Performance program.
Reception to follow in the Lounge.
Monday January 18, 2016, 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Free Admission
I n t e r m i s s i o n
Trygve Madsen
(b.1940)
�
Brass Quintet No. 1 Op. 5
Victor Ewald
(1860-1935)
Moderato
Adagio non troppo lento
Allegro Moderato
Ian Van Gils, trumpet
John Hamlet, trumpet
Heidi Worrall, trombone
Dayna Waller, tuba
Concerto for Four Horns
Heinrich Hübler
(1822-1893)
Allegro Maestoso
Adagio quasi andante
Allegro vivace
Sam McNally, horn
Drake Lovett, horn
Norbert Ziegler, horn
Season Wang, piano
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/011816-GradRecital_Malchow/011816-GradRecital_Malchow_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011816-GradRecital_Malchow/011816-GradRecital_Malchow_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011816-GradRecital_Malchow/011816-GradRecital_Malchow_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011816-GradRecital_Malchow/011816-GradRecital_Malchow_04.mp3">track4</a>
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Graduation Recital - Justin Malchow, horn
Creator
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Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
January 18, 2016
Contributor
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Justin Malchow, horn
-
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e55f4a04ca39fd1372d8120e2ea7354e
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DEGREE RECITAL
Raina Saunders, Violin
Laura Altenmueller, piano
Wednesday, January 13, 2016, 8:00 P.M.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Sonata No. 2 in A minor, BWV 1003
Johann Sebastian Bach
Fuga (1685–1750)
Suite in the Old Style
Alfred Schnittke
Pastorale (1934–1998)
Ballet
Minuet
Fugue
Pantomime
Laura Altenmueller, Harpsichord
– INTERMISSION –
Violin Concerto No. 2, Op. 63
Sergei Prokofiev
Allegro moderato (1891-1953)
Sonata for Violin and Piano No. 6, Op. 30, No. 1 Ludwig van Beethoven
Allegro (1770–1827)
Adagio molto espressivo
Allegretto con variazioni
Raina Saunders is from the class of Ms. Sharon Stanis.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music Performance program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/011316-GradRecital_Saunders/011316-RainaSaunders_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011316-GradRecital_Saunders/011316-RainaSaunders_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011316-GradRecital_Saunders/011316-RainaSaunders_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011316-GradRecital_Saunders/011316-RainaSaunders_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/011316-GradRecital_Saunders/011316-RainaSaunders_Encore.mp3">encore</a>
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Degree Recital - Raina Saunders, violin
Creator
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Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
January 13, 2016
Contributor
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Raina Saunders, violin
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DEGREE RECITAL
Natasha Pashchenko, guitar
Monica Mun, flute
Ava Hoegl, piano
December 7th, 2015, 8 p.m.
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
Le Montagnard op.34
Allegro. Introduction
Andantino
Allegretto. Rondeau Montagnard
PROGRAM
Napoléon Coste (1805 - 1883)
Monica Mun, flute
Suite BWV 1009
Prélude
Allemande
Courante
Sarabande
Bourrée I
Bourrée II
Gigue
JS Bach (1685 - 1750)
- INTERMISSION Sonata IV
Allegro Moderato
Allegro: Scherzo-Trio-Scherzo
Capricio: Adagio Cantabile-Presto-Adagio-Presto-Adagio
Fantasia para un gentilhombre
Villano y Ricercar
Españoleta y Fanfare de la Caballería de Nápoles
Danza de las Hachas
Canario
Wenzeslaus Matiegka (1773 - 1830)
Joaquin Rodrigo (1901 - 1999)
Ava Hoegl, piano
Natasha Pashchenko is from the class of Dr. Alexander Dunn.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/120715-GradRecital_Paschenko/120715-GradRecital_Paschenko_04.mp3">track4</a>
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Degree Recital - Natasha Paschenko, guitar with Monica Mun, flute; Ava Hoegl, piano
Creator
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Kirk McNally
Date
A point or period of time associated with an event in the lifecycle of the resource
December 7, 2015
Contributor
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Natasha Paschenko, guitar
-
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166e2602111b4b06c2d9d2a03cec44ac
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DEGREE RECITAL
Elizabeth Clarke, piano
Monday, November 2nd, 2015, 8 pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission
PROGRAM
Holiday Diary, Op. 5
Benjamin Britten (1913-76)
Early Morning Bathe
Sailing
Fun-Fair
Night
Variations on a Theme of Corelli, Op. 42
Sergei Rachmaninoff (1873-1943)
- INTERMISSION Gesänge der Frühe, Op. 133
Robert Schumann (1810-56)
Im ruhigen Tempo
Belebt, nicht zu rasch
Lebhaft
Bewegt
Im Anfange ruhiges, im Verlauf bewegetes Tempo
Piano Sonata in A Major, Op. 101
Ludwig van Beethoven (1770-1827)
Etwas lebhaft, und mit der innigsten Empfindung
Lebhaft. Marschmäßig
Langsam und sehnsuchtsvoll
Geschwind, doch nicht zu sehr, und mit Entschlossenheit
Elizabeth Clarke is from the class of Professor Arthur Rowe.
This recital is presented in partial fulfillment of the requirements
for the Master of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phone, camera, laptop, and audio & video recording devices.
Their use is strictly prohibited during events.
�
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Graduation Recitals
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<a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/110215-GradRecital_Clarke/110215-GradRecital_Clarke_04.mp3">track4</a>
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Degree Recital - Elizabeth Clarke, piano
Creator
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Adar Guy
Date
A point or period of time associated with an event in the lifecycle of the resource
November 2, 2015
Contributor
An entity responsible for making contributions to the resource
Elizabeth Clarke, piano
-
https://finearts.uvic.ca/music/archive/files/original/b91311625d0f1fb45b7e8a6fce2b1244.pdf
bdfff038f31f2e0d0d1fb2f3a3ad3a83
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Emily Armour
588 First Year Masters Recital, Piano
September 25th, Friday 8 p.m. PTY
24 Preludes, Op. 11
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
Prelude No.
A. Scriabin
1 C major - Vivace
2 A minor - Allegretto
3 G major - Vivo
4 E minor - Lento
5 D major - Andante cantabile
6 B minor - Allegro
7 A major - Allegro assai
8 F sharp minor - Allegro agitato
9 E major - Andantino
10 C sharp minor - Andante
11 B major - Allegro assai
12 G sharp minor - Andante
13 G flat major - Lento
14 E flat minor - Presto
15 D flat minor - Lento
16 B flat minor - Misterioso
17 A flat major - Allegretto
18 F minor - Allegro agitato
19 E flat major - Affettuoso
20 C minor - Appassionato
21 B flat major - Andante
22 G minor - Lento
23 F major - Vivo
24 D minor - Presto
(1872-1915)
F. Chopin
Polonaise Fantasie, Op. 61
Intermission
Piano Sonata No. 30 in E major, Op. 109
(1810-1849)
L.V. Beethoven
(1770-1827)
i. Vivace ma non troppo/ Adagio espressivo
ii. Prestissimo
iii. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Emily Armour is from the class of Professor Arthur Rowe & Bruce Vogt. This recital is presented in partial fulfillment of the
requirements for the Master of Music Performance program.
�
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/092515-GradRecital_Armour/092515-GradRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/092515-GradRecital_Armour/092515-GradRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/092515-GradRecital_Armour/092515-GradRecital_03.mp3">track3</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Emily Armour, piano - 588 First Year Masters Recital
Creator
An entity primarily responsible for making the resource
Allyssa Haigh
Date
A point or period of time associated with an event in the lifecycle of the resource
September 25, 2015
Contributor
An entity responsible for making contributions to the resource
Emily Armour, piano
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recitals
Hyperlink
A link, or reference, to another resource on the Internet.
URL
<a href="https://finearts.uvic.ca/music/archive/uploads/student/042215-GradRecital_Davis/042215-SpencerDavis_GradRecital_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042215-GradRecital_Davis/042215-SpencerDavis_GradRecital_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042215-GradRecital_Davis/042215-SpencerDavis_GradRecital_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/student/042215-GradRecital_Davis/042215-SpencerDavis_GradRecital_04.mp3">track4</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Graduation Recital - Spencer Davis, piano
Creator
An entity primarily responsible for making the resource
Bryan Lilly
Date
A point or period of time associated with an event in the lifecycle of the resource
April 22, 2015
Contributor
An entity responsible for making contributions to the resource
Spencer Davis, piano