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                    <text>DEGREE RECITAL
	

	Jany	Lu,	Piano		
	

	

Tuesday,	April	11,	2017,	4:30pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

	

PROGRAM
	

	
Prelude	and	Fugue	No.17	in	A-Flat	Major,	BWV	886																																																					Johann	Sebastian	Bach	
																																																																																																																																								(1685–1750)	
	
	
	
Piano	Sonata	No.7	in	D	major,	Op.10,	No.3																																																																			Ludwig	van	Beethoven
	
								 																																																																																																															(1770–1827)	
I.	Presto	
II.	Largo	e	mesto	
III.	Menuetto:	Allegro	
IV.	Rondo:	Allegro		
																																																																																																																				
	
		Etude	Op.10,	No.8																																																																																																																												Frédéric	Chopin	
																																																																																																																			(1810–1849)	
	
	
	
	

—	INTERMISSION	—	

	

	
																																																																																																																							Maurice	Ravel	
(1875–1937)	
I.	Modéré																																																																																																																											
II.	Mouvement	de	menuet	
III.	Animé	
	
	
Butterflies	and	Bobcats																																																																																																																					David	McIntyre	
																																																																																																																				(b.	1950)	
	
	
	
Ballade	No.1	 										 																																																																																																																				Frédéric	Chopin	
																																
	
	
	
	
	
	
Sonatine	

	

Jany	Lu	is	from	the	class	of	Professor	May	Ling	Kwok	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	
	

Please	turn	off	all	cell	phones.	
	

�</text>
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                    <text>DEGREE RECITAL
Xuguang Zhang, Baritone
[Alex Cheung, Piano]
[Braden Young, Piano]
[Iris Hung, Piano]
[Dougal Bain, Mandolin]
[Joé Lampron-Dandonneau, Tenor]
[Kaden Forsberg, Tenor]
[06, April, 2017], [4:30]
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
When Myra Sings

Henry Purcell
(1659-1695)

Joé Lampron-Dandonneau, Tenor
Braden Young, Piano
Don Quichotte à Dulcinée
1.
Chanson Romanesque
2.
Chanson épique
3.
Chanson à boire

Maurice Ravel
(1875-1937)

Alexander Cheung, Piano

Vier ernste Gesänge
1. Andante
2. Andante
3. Grave
4. Andante con moto ed anime

Johannes Brahms
(1833-1897)

Iris Hung, Piano

— INTERMISSION —

�La Resurrezione HWV 47
1. Recitative: Qual in solita luce
Aria: Caddi è ver, ma nel cader
2. Aria: O' voi dell'Erebo

G. F Handel
(1685-1759)

Braden Young, Piano

Don Giovanni
1. Aria: Deh, vieni alla finestra
2. Aria: Finch’ han dal vino

W. A Mozart
(1756-1791)

Dougal Bain, Mandolin
Braden Young, Piano
Excelsior

M. W. Balfe
(1808-1870)

Kaden Forsberg, Tenor
Braden Young, Piano

Songs
1.
2.
3.
4.
5.
6.

When Stars are in the Quiet Skies
A song for Anything
The Things Our Fathers Loved
Memories {A, Very Pleasant} {B, Rather Sad}
Ich Grolle Nicht
Weil’auf mir

Iris Hung, Piano

XuGuang Zhang is from the class of Professor Benjamin Butterfield
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please Turn off your cell phones

Charles Ives
(1874-1954)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_01.mp3"&gt;Track01&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_02.mp3"&gt;Track02&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_03.mp3"&gt;Track03&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_04.mp3"&gt;Track04&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_05.mp3"&gt;Track05&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_06.mp3"&gt;Track06&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_07.mp3"&gt;Track07&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_08.mp3"&gt;Track08&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_09.mp3"&gt;Track09&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_10.mp3"&gt;Track10&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/040617-GradRecital_XZhang/040617XuguangZhangDegreeRecital_11.mp3"&gt;Track11&lt;/a&gt;</text>
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                    <text>DEGREE RECITAL
Andrea Rodall, soprano

Csinszka Redái, piano

Wednesday, April 5th, 2017 8:00pm
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Domine Deus
from Gloria RV 589

Antonio Lucio Vivaldi
(1678-1741)
Anna Betuzzi, oboe

La Courte Paille
Le sommeil
Quelle aventure!
La reine de cœur
Ba, be, bi, bo, bu
Les anges musiciens
Le carafon
Lune d'Avril

Francis Poulenc
(1899-1963)

Speak Low
from One Touch of Venus
What Good Would the Moon Be
from Street Scene

Kurt Weill
(1900-1950)

Siete Canciones populares Esapnola
1. Al Pano
5. Nana
6. Cancione
3. Asturana

Manuel de Falla
(1876-1946)
arr. Miguel Llobet
(1878-1938)
Isaiah Brabazone, guitar

Pitter Patter

Micah Sicotte
(b. 1974)
Emily McCallum, violin I
Linda Donn, violin II
Natalie Dzbik, viola
Alex Klassen, cello

Chacun le Sait
from La Fille du Régiment

Gaetano Donizetti
(1797-1848)

Men's Chorus
Joé Lampron-D, Zander Felton, Kaden Forsberg, Joshua Poon, Rowan McWilliams, Jordan Rettich

— INTERMISSION —
Brentano Lieder, Op.68
1. An Die Nacht
2. Ich wollt' ein Strausslein binden
3. Säusle, liebe Myrte
4. Als mir dein Lied erklang
5. Amor
6. Lied der Frauen

Richard Strauss
(1864-1949)

More on reverse side

Please turn off all cell phones.

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                    <text>DEGREE RECITAL
Seán Maynard and Natalie Dzbik, composition
Featuring performances by UVic students and alumni
April 2, 2017, 8 PM
Phillip T. Young Recital Hall, MacLaurin Building
Free admission

PROGRAM
Electromagnetic (Part 1)

Seán Maynard (1992)

Electromagnetic (Part 1) is an interpretive exploration of the different regions of the
electromagnetic spectrum. Motives, sounds, timbres, structures, and instrumentations
are informed by scientific phenomena present within each region, and each
movement aims to express its own unique aesthetic. Alongside the future completion
of Part 2, Electromagnetic aims to coalesce into an explorative, sound-based journey
through the electromagnetic spectrum.
Conductor: Thomas Nicholson
I.

Radio
Adam Jasieniuk, contrabass clarinet
Lee Whitehorne, contrabassoon
Dave Riedstra, double bass

II.

Microwave
Adam Jasieniuk, tenor saxophone
Emily McDermid, trumpet
Liam Caveney, trombone
DJ Lochead, percussion
Joshua Amendt-Moylan, electric guitar

III.

Infrared
Sierra Phosy, flute
Alina Liang, bass clarinet
Emily McDermid, trumpet
Collin Lloyd, french horn
Natalie Dzbik, viola
Alex Klassen, cello

Seán Maynard would like to thank the following people for their support throughout
his undergraduate degree in composition: Dániel Peter Biró, Wolf Edwards, and
Annette Brosin for their expertise, insight, and guidance as personal instructors;
Christopher Butterfield and John Celona, for their role in sparking his interest in
composition, as well as their continued ancillary support; his friends and family for
their ongoing support and encouragement; and lastly, the performers, without whom
the pieces performed tonight would not be possible.

Seán Maynard is from the class of Dr. Dániel Péter Biró.

Please turn off all cell phones.

�— INTERMISSION —
When the sun shines upon the sand,
may my heart always be open

Natalie Dzbik (1993)

When the sun… is a piece featuring works by acclaimed poets from three different
languages: Stéphane Mallarmé, e. e. cummings, and Wisława Szymborska. These
languages, French, English, and Polish — the languages that had the most influence on
Natalie throughout her life — come together to create a new story out of the words on
the page; a story of loss, hope, and healing.
Conductor: Justin Boechler
Jessica Wagner, voice 1 (La Tristesse d’été)
Margaret Lingas, voice 2 (V)
Elizabeth Gerow, voice 3 (Trzy słowa Najdziwniejszy)
Jasmine Mather, violin
Linda Donn, viola
Liam Epp, cello
James Waddell, french horn
Josh Amendt-Moylan, guitar
Aya Robertson, celeste
Dante André-Kahan, percussion 1 (timpani, glockenspiel, toms)
Colin Malloy, percussion 2 (bass drum, tam-tam, toms, snare drum, woodblock,
glock)
Natalie would like to give enormous thanks to Professor Christopher Butterfield, Dr.
Dániel Péter Biró, Professor John Celona, and Annette Brosin for their encouragement
and inspiration in her study of composition at UVic; her friends and family for
supporting her dreams and ambitions throughout the years-long adventure of her
undergrad degree; and to the performers of her piece, who made her imagination a
reality.

Natalie Dzbik is from the class of Professor Christopher Butterfield.
This recital is presented in partial fulfillment of the requirements
for the Bachelor of Music (Composition) program.

Reception to follow in the Lounge.

Please turn off all cell phones.

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                    <text>Natalie Dzbik Composition Grad Recital – Lyrics and Translations
I : La tristesse d’été (S. Mallarmé)
Le soleil, sur le sable, ô lutteuse endormie,
 
En l'or de tes cheveux chauffe un bain langoureux 
Et, consumant l'encens sur ta joue ennemie, 
Il mêle avec les pleurs un breuvage amoureux. 
 

De ce blanc flamboiement l'immuable accalmie 
T'a fait dire, attristée, ô mes baisers peureux 
" Nous ne serons jamais une seule momie 
Sous l'antique désert et les palmiers heureux ! " 
 

Mais la chevelure est une rivière tiède, 
Où noyer sans frissons l'âme qui nous obsède 
Et trouver ce Néant que tu ne connais pas. 
 

Je goûterai le noir pleuré par tes paupières, 
Pour voir s'il sait donner au coeur que tu frappas 
L'insensibilité de l'azur et des pierres.

I: The sadness of Summer (S. Mallarmé)
The sun, on the sand, O sleeping wrestler, 
Warms a languid bath in the gold of your hair, 
Melting the incense on your hostile features,  
Mixing an amorous liquid with the tears. 
 

The immutable calm of this white burning, 
O my fearful kisses, makes you say, sadly,  
‘Will we ever be one mummified winding, 
Under the ancient sands, and palms so happy?’ 
 

But your tresses are a tepid river, 
Where the soul that haunts us drowns, without a shiver 
And finds the Nothingness you cannot know. 
 

I’ll taste the black of your eyelids’ shore, 
To see if it can grant to the heart, at your blow, 
The insensibility of stones and the azure.
(https://www.poemhunter.com/poem/summer-sadness/)
II: V, of ‘Other Seasons’ (e.e.cummings)

 

may my heart always be open to little 
birds who are the secrets of living 
whatever they sing is better than to know 
and if men should not hear them men are old 

1

�Natalie Dzbik Composition Grad Recital – Lyrics and Translations
may my mind stroll about hungry 
and fearless and thirsty and supple 
and even if it's sunday may i be wrong 
for whenever men are right they are not young 
 

and may myself do nothing usefully 
and love yourself so more than truly 
there's never been quite such a fool who could fail 
pulling all the sky over him with one smile.
III: Trzy słowa najdziwniejsze (Wisława Szymborska)
Kiedy wymawiam słowo Przyszłość, 
pierwsza sylaba odchodzi już do przeszłości.
Kiedy wymawiam słowo Cisza, 
niszczę ją.
Kiedy wymawiam słowo Nic, 
stwarzam coś, co nie mieści się w żadnym niebycie.
The Three Oddest Words (Szymborska)
When I pronounce the word Future, 
the first syllable already belongs to the past. 
 

When I pronounce the word Silence, 
I destroy it. 
 

When I pronounce the word Nothing, 
I make something no non-being can hold.
(https://www.poemhunter.com/poem/three-oddest-words/)

2

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                <text>Jordie Shier</text>
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Natalie Dzbik, composer</text>
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                    <text>DEGREE	RECITAL	
	

Ian	VanGils,	Trumpet		
Jany	Lu,	Piano	
Aimi	Howden,	Piano	
Becca	Thackray,	Soprano	

	

	

	Wednesday,	March	29,	2017	|	8:00	PM	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM	

	
	
	
Flute	Sonata	in	E-flat	Major	BWV	1031	 																																																																													J.S.	Bach/Arr.	Gisondi	
II.	Siciliano																																																																																																																																				(1685-1750)	
	
	
Let	the	Bright	Seraphim								
																																																																																																													G.F.	Handel	
																					(1685-1759)	
	
Becca	Thackray,	Soprano	
Jany	Lu,	Piano	
	
	
Concerto	in	E-flat	
	
																																																																																																													J.B.	Neruda	
I.	Allegro																																																																																																																																							(1708-1780)	
II.	Largo	
III.	Vivace				
Aimi	Howden,	Piano	
	
	
	

—	INTERMISSION	—	
	
	

Sonate	fur	Trompete	in	B	und	Klavier	 	
	
	
	
	
															Paul	Hindemith	
I.	Mit	Kraft																																																																																																																																				(1895-1963)	
II.	Massig	Bewegt	
III.	Trauermusik	
Jany	Lu,	Piano	
	
	
	
	
Someone	to	Watch	Over	Me	 								 																																																																														Gershwin/Arr.	Turrin	
																																																																																																																																																							(1898-1937)	
	
Aimi	Howden,	Piano	
	
	
	
	
Ian	VanGils	is	from	the	class	of	Professor	Merrie	Klazek	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Bachelor	of	Music	(Performance)	program.	
	
Reception	to	follow	in	the	Lounge.	

	
	

�Paul	Hindemith,	Sonata	for	Trumpet	and	Piano	

In	 1939	 Hindemith	 composed	 his	 Sonata	 for	 Trumpet	 and	 Piano.	 Although	 other	 twentieth	
century	composers	had	written	for	trumpet,	this	Sonata	is	the	first	multi-movement	work	for	
trumpet	 since	 the	 Haydn	 and	 Hummel	 trumpet	 concertos,	 written	 in	 1796	 and	 1803.	 This	
sonata	represents	the	Gebrauchmusik	concept	–	meaning	“utility	music,”	music	composed	for	a	
specific	 purpose,	 such	 as	 for	 a	 festival,	 dancing,	 for	 students	 to	 perform,	 or	 about	 a	 specific	
event.	This	sonata	is	about	World	War	II.	 	
Hindemith	was	not	Jewish,	but	at	this	point	he	had	fled	Germany	because	of	pressure	from	the	
Nazi	 Party	 who	 were	 attempting	 to	 suppress	 music	 they	 deemed	 unacceptable.	 In	 1939	
Germany	annexed	Austria	and	invaded	Poland	-	Hindemith	wrote	this	piece	after	these	events	
while	living	in	Switzerland	before	immigrating	to	the	United	States	in	1940.	This	sonata	is	one	of	
the	 most	 difficult	 works	 in	 the	 repertoire	 not	 only	 because	 of	 the	 physical	 endurance	 and	
efficiency	 demanded	 to	 simply	 play	 the	 piece,	 but	 also	 because	 of	 the	 mental	 and	 emotional	
resources	 required	 to	 perform	 a	 piece	 written	 under	 intense	 pressure	 during	 this	 period	 in	
Hindemith’s	life.	
The	first	movement	is	labeled	Mit	Kraft	(With	Strength),	and	begins	with	a	bold	declaration	by	
the	trumpet	and	piano.	These	youthful	statements	of	resistance	recur	in	the	middle	and	end	of	
the	 movement,	 and	 between	 each	 the	 Nazi’s	 are	 heard	 marching	 ever	 closer.	 The	 second	
movement	is	gentler,	a	welcome	reprieve	of	innocence	and	optimism	perhaps	reflecting	on	the	
post-WWI	zeitgeist	in	Germany	in	the	1920’s.	The	final	movement	is	the	longest,	and	the	center	
of	 emotional	 gravity	 in	 the	 piece.	 Titled	 Trauermusik	 (Mourning	 Music),	 the	 third	 movement	
begins	with	a	funeral	march,	interrupted	by	a	sustained	line	in	the	trumpet	full	of	despair.	After	
scenes	 of	 lament	 and	 death,	 the	 troubled	 journey	 culminates	 with	 the	 Lutheran	 chorale	 Alle	
Menschen	Mussen	Sterben	–	All	Men	Must	die.	In	the	very	end,	the	piece	subtly	resolves	on	a	
major	chord	which	reflects	Hindemith’s	general	view	of	optimism	for	the	world.	

	

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                    <text>GRADUATE RECITAL
	

	Nicole	Lavallée,	piano		
		

	

	

29,	March,	2017,	12:30pm	
Phillip	T.	Young	Recital	Hall,	MacLaurin	Building	
Free	admission	
	

PROGRAM
	

	
Fantasia	in	C	Major,	Hob.	XVII:4	(1789)																																																																																												Joseph	Haydn																														
																																																																																																																																																																						(1732-1809)	
	
	
	
	
Partita	in	A	Minor,	BWV	827	(1727)	
	
																																																												Johann	Sebastian	Bach	
	Fantasia																																																																																																																																							(1685-1750)	
Allemande	
Corrente	
Sarabande	
Burlesca	
Scherzo	
Gigue	
	
Trois	Morceaux		(1905)							
																																																																																															Alexander	Skryabin	
I.	Étude																																																																																																																																										(1872-1915)	
														II.	Prélude	
													III.	Reverie	
	
	
Preludes	from	Book	I	(1910)																																																																																																												Claude	Debussy	
	
IV.	Les	sons	et	les	parfums	tournent	dans	l’air	du	soir																																																									(1862-1918)	
	
V.	Les	collines	d‘Anacapri	
	
	
	
	
Nicole	Lavallée	is	from	the	class	of	Professor	Bruce	Vogt	
	
This	recital	is	presented	in	partial	fulfillment	of	the	requirements	
	for	the	Master	of	Music	(Performance)	program.	
	
Please	turn	off	all	cell	phones.	
	

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032917-GradRecital_Lavallee/032917-GradRecital_Lavallee-01.mp3"&gt;Track1&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032917-GradRecital_Lavallee/032917-GradRecital_Lavallee-02.mp3"&gt;Track2&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032917-GradRecital_Lavallee/032917-GradRecital_Lavallee-03.mp3"&gt;Track3&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032917-GradRecital_Lavallee/032917-GradRecital_Lavallee-04.mp3"&gt;Track4&lt;/a&gt;</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032717-GradRecital_Nicholson/032717-ThomasNicholsonGradRecital.mp3"&gt;Motte&lt;/a&gt;</text>
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                    <text>Rebecca Thackray
Soprano

Degree Recital

March 22, 2017 8pm
Phillip T. Young Recital Hall, MacLaurin Building
Free Admission

�PROGRAM
With Braden Young, Piano
Rebecca wishes to give a special thanks to:
Laurie’s Song

Aaron Copland

From The Tender land

(1900 – 1990)

Anne, for her guidance and never-failing patience,
her family for always supporting her dreams,

Gloria Deo

David Ouchterlony
(1914 – 1987)

her friends for bringing light and laughter to her life,
to each and every person in the hall, or listening, for being a part of this
journey in every way you have and will continue to be...

Das verlassene Mägdlein (Mörike)
Gleich und Gleich (Goethe)
Die Bekehrte (Goethe)

(1860 – 1903)

Durch Zärtlichkeit und Schmeicheln

W.A. Mozart

From Die Entführung aus dem Serail

(1756 – 1791)

Hugo Wolf

Rebecca Thackray is from the class of Anne Grimm.
This recital is presented in partial fulfillment of the requirements for the
Bachelor of Music (Performance) program.
Reception to follow in the Lounge.
Please turn off all cell phones.

�Let the Bright Seraphim
Chanson Triste

Henri Duparc

From Samson

Claude Debussy
(1862-1918)

Soupir

Henri Duparc

(1685-1759)

Ian VanGils, Trumpet

(1848-1933)

Nuit d’étoiles

G.F. Händel

My dearest, my fairest
Henry Purcell
Why, my Daphne, why complaining. (1685-1759)
Zander Felton, Baritone
Braden Young, Harpsichord

Willow Song

From The Ballad of Baby Doe

Douglas Moore
(1893-1969)

Sous le dôme épais

From Lakmé

Léo Delibes
(1836-1891)

Natasha Penfield, Soprano

~ INTERMISSION ~

Come Ready and See Me

Richard Hundley

Del cabello más sutil
Con amores, la mi madre
Chiquitita la novia

F.J. Obradors

(b. 1931 )

(1863-1891)

From Canciones clásicas españolas

Thank you, thank you all

From The Tender land

Glitter and Be Gay

From Candide

Aaron Copland
(1900 – 1990)

Leonard Bernstein
(1918 – 1990)

�</text>
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              <text>&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_01.mp3"&gt;Track01&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_02.mp3"&gt;Track02&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_03.mp3"&gt;Track03&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_04.mp3"&gt;Track04&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_05.mp3"&gt;Track05&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_06.mp3"&gt;Track06&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_07.mp3"&gt;Track07&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_08.mp3"&gt;Track08&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_09.mp3"&gt;Track09&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_10.mp3"&gt;Track10&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_11.mp3"&gt;Track11&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_12.mp3"&gt;Track12&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_13.mp3"&gt;Track13&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_14.mp3"&gt;Track14&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_15.mp3"&gt;Track15&lt;/a&gt;&lt;br /&gt;&lt;a href="https://finearts.uvic.ca/music/archive/uploads/student/032217-GradRecital_Thackray/032217-ThackrayGradRecital_16.mp3"&gt;Track16&lt;/a&gt;</text>
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