1 10 27 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/20260319-Orion-Lecture-Ananny.wav">Track 1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mike Ananny on “Reckoning with Generative Artificial Intelligence” Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource March 19 2026 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/11132025-Orion-RachelPodger-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/11132025-Orion-RachelPodger-002.wav">Track 2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource String Masterclass with Rachel Podger Creator An entity primarily responsible for making the resource Sean Kiley Date A point or period of time associated with an event in the lifecycle of the resource November 13 2025 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou-001.wav">Track 1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou-002.wav">Track 2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou-003.wav">Track 3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou-004.wav">Track 4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou-005.wav">Track 5 </a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/public/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou/12032024-OrionMasterClasses-BarbaraHanniganandBertrandChamayou-006.wav">Track 6</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Masterclasses: Barbara Hannigan (soprano) and Bertrand Chamayou (piano) Subject The topic of the resource Orion Series in Fine Arts Masterclasses & Q&A Barbara Hannigan, soprano Bertrand Chamayou, piano Description An account of the resource Voice Masterclass - Soprano Barbara Hannigan coaches UVic School of Music voice students. Piano Masterclass - Pianist Bertand Chamayou coaches UVic School of Music piano students. Q&A - UVic voice professor, Benjamin Butterfield hosts a Q&A with Barbara and Bertand on the topic “IMPACT: What does it take?” Creator An entity primarily responsible for making the resource Megan Harton Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads//guest/10102023-OrionLectureMalikGaines/10102023-OrionLectureMalikGaines.wav">Track 1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Malik Gaines: Star Choir and Other Narratives Creator An entity primarily responsible for making the resource Megan Harton Date A point or period of time associated with an event in the lifecycle of the resource October 10 2023 Contributor An entity responsible for making contributions to the resource Malik Gaines https://finearts.uvic.ca/music/archive/files/original/7a0850e9eec9164f9c8a15d32132a197.pdf 452ff50c5cecb824b0b676bfce656510 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents Echoes from Asia Clara Novakova flute With Suzanne Snizek flute Yoomi Kim piano & UVic Students glasses We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Saturday, March 9, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Yao Chen Sotto voce Chen Musheng Ode to Loulan Isang Yun Harmonie Wen Deqing Mutong Changdi Kazuo Fukushima Three Pieces from Chu-u Yoshihisa Taira Synchronie Chong Keeyong Endless echo from the ancient land �BIOGRAPHIES Clara Novakova, flute Clara Novakova was born in Brno, Czech Republic, into a musical family, as the second daughter of the composer Jan Novák. Having spent a number of years in Denmark and Italy, she went on to study at the “Hochschule für Musik” in Stuttgart with professor Klaus Schochow. Later she moved to Paris where she continued her studies at the Conservatoire National Supérieur de Musique de Paris with Michel Debost. She won several international competitions including Palmi, Ancona, Stresa, and the Rotary-Preis Stuttgart, the Darmstadt Stipendiumpreis and the Pro Musicis Award. Between 1988 and 2006 she was principal flute with the Chamber Orchestra of Paris (Ensemble Orchestral de Paris). She makes regular appearances as a soloist at the most prestigious venues and festivals (including Salle Pleyel and Theatre des Champs Elysées – Paris, Carnegie Hall – New York, City Hall Theatre – Hong Kong, Leo S. Bing Theatre - Los Angeles, Auditorio Leon de Greiff – Bogotá, Auditorio Nacional, Madrid, Prague Spring Festival, La Quincena San Sebastian, Spain) as well as with various chamber and new music ensembles from France, Spain and the Czech Republic. She has recorded on radio, television and for many different labels. A CD dedicated to the music of Camille Saint-Saëns (Odelette and Romance for flute and orchestra, EMI France) was rewarded with a “Diapason d’Or” in France and her recital CD of 20th-Century Czech Music (LH Promotions) was evaluated with the highest score in “Harmonie,” the Czech musical magazine. Ms. Novakova has had teaching positions in Paris and Valencia (Spain) and has led masterclasses in Europe, South and Central America, and Asia. She is currently Associate Professor of Flute at Soochow University in Suzhou, China. Suzanne Snizek, flute Award winning flutist Suzanne Snizek (Flute Talk Magazine Competition, the New York Flute Club Competition, the Mid-South Young Artist Flute Competition and the 2017 REACH award for excellence in artistic research) is currently an Associate Professor of Music at UVic. Her innovative research on “Suppressed Music” has been published by Böhlau Verlag - Vienna, Routledge - New York, Armand Colin - Paris, World ORT and presented at numerous venues including Chutzpah! Festival (Vancouver, CA), Cambridge University (UK), Forum Voix Étoufées (Strasbourg, FR and Berlin, DE) Banff Arts Centre (Alberta, CA), Guangzhou Fine Arts Academy and l’École Militaire (Paris, FR). �An internationally renowned performer, in 2018-19 Dr. Snizek will be a guest artist-clinician at the Festivale Internacional de Mùsica (Loja, Ecuador); California Polytechnic University (San Luis Obispo, USA); Suzhou University and Shanghai East Normal University (China) and the featured guest artist of the 2019 Edmonton Flute Festival. Dr. Snizek is an Altus artist. Yoomi Kim, piano Pianist, conductor, and composer Yoomi Kim received her Doctor of Musical Arts degree in Piano Performance at the University of Cincinnati where she also completed her Master of Music degree in Conducting with choral emphasis. In addition, she had the privilege of working with Dr. Joel Hoffman, composition faculty chair at the University of Cincinnati, for her cognate degree in Composition. Dr. Kim holds her Bachelor and Master of Music degrees in Piano Performance from the Peabody Conservatory of Johns Hopkins University and the University of Montreal respectively. She has studied piano intensively under the tutelage of Dr. Robert McDonald, Professor Marc Durand, and Professors Eugene and Elisabeth Pridonoff. Dr. Kim’s conducting skills have been developed under the guidance of Dr. Earl Rivers and Dr. Stephen Coker. She has been invited to participate in a number of international orchestral conducting masterclasses, including ones taught by Maestro Ed Spanjaard and Maestro Kenneth Kiesler. Through these masterclasses, Dr. Kim has had the opportunity to conduct the Berlin Sinfonietta and Budapest Symphony Orchestra MAV. As a music director, Dr. Kim has taught chamber orchestra, choir, and piano at the Lester B. Pearson United World College of the Pacific where she has also composed and arranged music for the college’s various concerts. As a pianist, she has been teaching at the Victoria Conservatory of Music. �UPCOMING AT THE SCHOOL OF MUSIC SUNDAY, MARCH 10 | 2:30 PM (Free) Thank-You Concert The UVic School of Music thanks its concert-goers, the community, and supporters with a delightful afternoon of music featuring some of the School’s most exceptional student performers. Phillip T. Young Recital Hall TUESDAY, MARCH 12 | 12:30 PM (By donation) Tuesdaymusic Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring UVic School of Music students. Phillip T. Young Recital Hall TUESDAY, MARCH 12 | 3:30-5:30 PM (Free) Orion Series in Fine Arts Larry Beckwith, violinist, educator & artistic director Lecture: Learning from the journey: A life in music With Kinza Tyrrell, piano & harpsichord Larry Beckwith talks about period vs. modern issues of performance practice, and demonstrates, with Kinza Tyrrell, two versions of J.S. Bach’s Sonata in G Major, BWV 1019: first with harpsichord and again on piano. Rm. B037, MacLaurin Building, B-Wing THURSDAY, MARCH 14 | 8 PM (By donation) Student Composers Concert Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall FRIDAY, MARCH 15 | 12:30 PM (By donation) Fridaymusic A concert of varied repertoire featuring School of Music string students from the studios of the Lafayette String Quartet. Phillip T. Young Recital Hall To receive our season brochure & monthly newsletter by email, contact: concert@uvic.ca � uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_01.mp3">track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_02.mp3">track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_03.mp3">track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_04.mp3">track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_05.mp3">track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_06.mp3">track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/030919-OrionNavakova/030919-OrionNavakova_07.mp3">track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series In Fine Arts Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource March 9, 2019 Contributor An entity responsible for making contributions to the resource Clara Novakova Suzanne Snizek Yoomi Kim UVic Students https://finearts.uvic.ca/music/archive/files/original/8a932cd338f640e6951809c7f5e55c35.pdf 98e11b04cd933b77b04600813464dd9c PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents Inside the Soundscape An evening of compositions by Hildegard Westerkamp With Rachel Kiyo Iwaasa piano We acknowledge that the land on which we gather is the traditional territory of the WSÁNEĆ (Saanich), Lkwungen (Songhees) and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Thursday, January 31, 2019 • 8 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Talking Rain (1997) Harbour Symphony (1986) Attending to Sacred Matters (2002) I NT E R M I S S I O N Concession open in the lounge. Fantasie for Horns I (1978) Breaking News (2002) Cricket Voice (1987) Klavierklang (2017) Text and music by Hildegard Westerkamp Rachel Iwaasa, piano and spoken voice David Bloom, director �PROGRAM NOTES Talking Rain (1997) Rainsounds from the West Coast of British Columbia are the basic compositional materials for Talking Rain. In this piece, the ear travels into the sonic formations of rain, into the insides of this lush and green place, as well as outside to the watery, liquid language of animals, forests and human habitations, all of which are nourished by the rain. Talking Rain was commissioned by CBC Radio for Westcoast Performance. Most rain recordings for this piece were made by myself in and around Vancouver. Thanks to Norbert Ruebsaat for his recordings of ravens, eagles and frogs from Haida Gwaii and also for finding the right title for the piece, magically. Other rain recordings came from the World Soundscape Project’s environmental tape collection at Simon Fraser University. Thanks also to the late David Grierson for his light footsteps and receptive ears during the recording of our rainy forest soundwalk in Lighthouse Park near Vancouver. Talking Rain is dedicated to my long-time partner and friend Peter Grant. Before he passed away in 2014, we used to love taking rain walks together. Harbour Symphony (1986) On May 2nd, 1986, nearly 150 boats of all sizes and shapes gathered in Vancouver Harbour around Canada Place to perform the first-ever Vancouver Harbour Symphony for boathoarns. The piece was composed on commission from the Canada Pavilion for its Expo 86 opening. It is probably the largest environmental music event ever to be mounted in Vancouver. In tonight’s concert you are hearing a mix of recordings made of the performance from different parts of the harbour, plus the radio communication before the piece begins and after the conclusion of the event, when the many boats are directed to leave the harbour in a coordinated fashion. Harbour Symphony was composed in memory of my brother, Helmut Westerkamp, who, as a cadet sailor on the German training ship “Pamir,” went down in a hurricane in the mid-Atlantic on September 21, 1957. Attending to Sacred Matters (2002) This composition is one in a series of pieces based on the sounds of India. Here I am working specifically with the sounds of the many religious and spiritual practices that I encountered and recorded in this country. What do we consider to be sacred in our lives and how do we attend to it? This question, my travels in India and my longstanding environmental concerns formed the impetus for this composition and are somehow brought together here. �You will hear the voices of Swami Brahmananda, Rishikesh, Pracharya Padmanabha Sharma, Delhi, Vandana Shiva, speaking at the International Water Conference in Vancouver, Canada, in July 2001, Situ Singh-Bühler, Delhi, Hindu chanting in Rishikesh and Pushkar, Muezzins in Nizamuddin, Delhi and Kollam, Kerala, OM singer during morning ceremony in Janakpuri District Park, Delhi, Sikh chant: Golden Temple, Amritsar, Single child at the Ganges in Rishikesh, women chanting in Brahma Temple in Pushkar. Attending to Sacred Matters is dedicated to my friend Veena Sharma who took me to many holy places in India, including the Ganges at Rishikesh. Attending to Sacred Matters was commissioned by the Association of Canadian Women Composers with the assistance of the Canada Council. Fantasie For Horns I (1978) The sound sources for this piece are Canadian trainhorns, foghorns from both the Pacific and Atlantic coasts of Canada, factory and boathorns from Vancouver and surroundings—horns that Canadians heard in daily life at the time this composition was created. Since the 1980s however, with the gradual automation of lighthouses, many of the foghorns heard in this piece have disappeared from the coastal Canadian soundscapes. Additional sound sources are an alphorn and a creek. Most of the material was taken from the World Soundscape Project’s collection of environmental sound recordings at Simon Fraser University, some of it was recorded by myself. Each horn acquires its unique sound from the landscape it inhabits. Horn sounds are interesting for another reason—they rise above any ambience, even that of large cities. They are soundmarks that give a place its character and give us, often subliminally, a “sense of place.” Fantasie for Horns I received an honourable mention at the 1979 International Competition of Electroacoustic Music in Bourges, France. Breaking News (2002) For Caleb. My first grandson was born two and a half months after so-called 9/11. September 11, 2001 brought terrible news of death and destruction for us. Within less than 24 hours of the terror attacks in New York, many TV stations had created a visual logo, a headline and theme music to announce this breaking news with additional drama. Suddenly the terror attacks were being produced for TV, as if they were a movie. This piece, Breaking News, is an attempt at a tiny balancing act by bringing into the forefront the sounds of new life—an embryo’s heartbeat, breathing, breastfeeding, a young baby’s voice, etc. These are sounds that we rarely hear in the media and yet they represent a most important driving force in our lives.They speak with energy and resilience, they tell us of vulnerability and how fragile life really is. Breaking News is also a media production, with a title and a dramatized soundscape— but this time around the sounds of new life. It also wants to stir and unsettle the listener with its sounds, change the pace of regular radio broadcasting. But it refuses to transmit feelings of helplessness and powerlessness. Instead it wants to energize, revitalize and celebrate new life, love, human warmth and energy. �Many thanks to Sonja Ruebsaat and Luke Martin for recording their son Caleb and for generously allowing me to include his sound makings in this piece. Breaking News was commissioned by CBC Radio for its September 11 special programming on the day’s first anniversary. Cricket Voice (1987) Cricket Voice is a musical exploration of a cricket, whose song I recorded in the stillness of a Mexican desert region called the “Zone of Silence”. The quiet of the desert allowed for such acoustic clarity that this cricket’s night song—sung coincidentally very near my microphone—became the ideal “sound object” for this soundscape composition. Slowed down, it sounds like the heartbeat of the desert, in its original speed it sings of the stars. The quiet of the desert also encouraged soundmaking.The percussive sounds in Cricket Voice were created by “playing” on desert plants: on the spikes of various cacti, on dried up roots and palm leaves, and by exploring the resonances in the ruins of an old water reservoir. Cricket Voice was completed with the financial assistance of the Canada Council. The composition is dedicated to Norbert Ruebsaat, who wrote: It’s hard to be a night in the desert without the crickets. You make it with stars. You make it with the skin of the desert night. You stitch those two together sky and earth. You find it with your cricket voice. Klavierklang (2017) Klavierklang is a sonic-musical journey into the complexities of piano playing. During the past few years Rachel Iwaasa and I often reflected on the challenging and traumatic, but also inspiring experiences we have had with piano teachers, the roles our mothers’ ears played in our musical development and how much the piano has been both a sanctuary for sonic explorations and soundmaking, and a site of trauma and discouragement. Ultimately, Klavierklang is a journey towards the piano playing we have always loved, into the magic of its sound. Klavierklang was commissioned by Rachel Iwaasa and was created with the financial assistance of the Canada Council and the BC Arts Council. Many thanks go to David Bloom, who directed Rachel in the dramaturgical aspects of her live performance. The piece was premiered on Nov. 8, 2017 at the ISCM World Music Days in Vancouver. �BIOGRAPHIES Hildegard Westerkamp was born in Osnabrück, Germany in 1946 and emigrated to Canada in 1968. After completing her music studies at UBC in the early seventies, she joined the World Soundscape Project under the direction of R. Murray Schafer at Simon Fraser University (SFU). Her involvement with this project not only activated deep concerns about noise and the general state of the acoustic environment in her, but it also changed her ways of thinking about music, listening and soundmaking. Vancouver Co-operative Radio—founded during the same time—provided an invaluable opportunity to learn about broadcasting, and ultimately enabled her to produce and host her weekly program Soundwalking (1978/79). While completing her Master’s thesis in the 1980s, entitled Listening and Soundmaking: A Study of Music-as-Environment, she also taught acoustic communications courses until 1990 in the School of Communication at SFU together with colleague Barry Truax. Since then she has written numerous articles and texts addressing issues of the soundscape, acoustic ecology and listening, has travelled widely, giving lectures and conducting soundscape workshops internationally. In 1993 she was instrumental in helping found the World Forum for Acoustic Ecology (www.wfae.net), an international network of affiliated organizations and individuals who share a common concern for the state of the world’s soundscapes. She was chief editor of its journal, Soundscape, between 2000 and 2012. In 2003, Vancouver New Music (VNM) invited her to coordinate and lead public soundwalks as part of its yearly concert season. This in turn inspired the creation of The Vancouver Soundwalk Collective, whose members are continuing the work on a regular basis. For some years now, she has mentored younger composers, sound designers, soundwalk leaders and people pursuing careers in soundscape studies and acoustic ecology. Hildegard’s compositions have been performed and broadcast in many parts of the world. She has composed film soundtracks, sound documents for radio and has produced and hosted radio programs such as Soundwalking, and Musica Nova on Vancouver Co-operative Radio. More recently she involved her two grandsons in the creation of her work Once Upon a Time, collaborated with composer/recorder player Terri Hron on Beads of Time Sounding, and with pianist Rachel Iwaasa on Klavierklang. Some of Westerkamp’s compositional work appears in US filmmaker Gus van Sant’s Elephant and Last Days. �Rachel Kiyo Iwaasa is recognized among Canada’s foremost contemporary music pianists. She has been hailed in the press as a “keyboard virtuoso and avant-garde muse” (Georgia Straight) with the “emotional intensity” to take a piece “from notes on a page to a stunning work of art” (Victoria Times Colonist). Selected to close the ISCM World New Music Days 2017 in Vancouver, Rachel has performed in the Netherlands, Germany, US and across Canada, with engagements including Muziekweek Gaudeamus, Music TORONTO, Music on Main,Vancouver New Music, Redshift, Western Front, Vancouver Symphony, Victoria Symphony, the Aventa Ensemble (Victoria), CONTACT contemporary music (Toronto), New Works Calgary, Groundswell New Music (Winnipeg), and Vancouver Pro Musica. Rachel has commissioned or premiered works by many of Canada’s most eminent composers, such as Hildegard Westerkamp, Rodney Sharman, Jocelyn Morlock, Nicole Lizée, Jordan Nobles, Jeffrey Ryan, Farshid Samandari, Marci Rabe, and Emily Doolittle. One half of the acclaimed contemporary flute/piano duo Tiresias, with Mark Takeshi McGregor, Rachel has also collaborated with Yannick Nézet-Séguin, Judith Forst, Heather Pawsey, the Bozzini Quartet, Pulitzer Prize-winning composer Caroline Shaw, and Richard Reed Parry of Arcade Fire. Her interdisciplinary adventures have led to work with photo-based artist SD Holman, playwright/director David Bloom, choreographer Tara Cheyenne Friedenberg, and multi-media provocateur Paul Wong. Rachel’s debut CD, Cosmophony, has been praised as “brilliant” and “unforgettable” (Vancouver Sun) and for “the passion, intensity and the nuanced playing she’s acclaimed for... she manages to instill a sense of dynamic tension and pull to every note” (The Province). Rachel was a co-founder of the Queer Arts Festival in Vancouver, recognized as one of the top 5 festivals of its kind worldwide. UPCOMING EVENTS FRIDAY, FEBRUARY 1 | 12:30 PM (By donation) Fridaymusic A concert of varied repertoire featuring School of Music piano students. Phillip T. Young Recital Hall FRIDAY, FEBRUARY 1 | 8 PM ($10-$20) UVic Orchestra The UVic Orchestra, conducted by Ajtony Csaba, performs Mozart’s Symphony No. 35 in D Major, K. 385, “Haffner”, Haas’s e finisci già?, Dvořák’s Symphony No. 9 in E minor, “From the New World”, as well as the world premiere of Cântece by Max Murray. The Farquhar at UVic To receive our season brochure & monthly newsletter by email, contact: concert@uvic.ca uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/admin/uploads/guest/013119-Orion_Westerkamp/013118-Orion_Westerkamp_01.mp3">track1</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series In Fine Arts Creator An entity primarily responsible for making the resource Bezal Benny Date A point or period of time associated with an event in the lifecycle of the resource January 31, 2019 Contributor An entity responsible for making contributions to the resource Hildegard Westerkamp Rachel Kiyo Iwaasa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/120217-Orion_DuWorsRunge/120217-Orion_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120217-Orion_DuWorsRunge/120217-Orion_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120217-Orion_DuWorsRunge/120217-Orion_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120217-Orion_DuWorsRunge/120217-Orion_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/120217-Orion_DuWorsRunge/120217-Orion_05.mp3">Track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series - From 1917 to 2017 Creator An entity primarily responsible for making the resource Andrew Calich Date A point or period of time associated with an event in the lifecycle of the resource December 2, 2017 Contributor An entity responsible for making contributions to the resource Kerry DuWors, violin Stephen Runge, piano https://finearts.uvic.ca/music/archive/files/original/170cb60329b5e0caf04544c85d1fb661.pdf dece021145d14cc09112d5f3b3b1ef86 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents BRETT POLEGATO BARITONE & ROBERT KORTGAARD PIANO 3333333 And So It Goes … This concert is presented on the traditional territory of the WS’ANEC’ (Saanich), Lkwungen (Songhees), and Wyomilth (Esquimalt) peoples of the Coast Salish Nation. Friday, March 31, 2017 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Sigmund Romberg The Desert Song (from The Desert Song) Softly, As In A Morning Sunrise (from The New Moon) Ivor Novello And Her Mother Came Too (from A to Z) Fly Home, Little Heart (from King’s Rhapsody) Franz Grothe Illusion Cole Porter Begin The Beguine Miss Otis Regrets Noel Coward Nina (from Sigh No More) Rogers & Hammerstein If I Loved You (from Carousel) Soliloquy (from Carousel) I NT E R M I S S I O N Andersson, Rice & Ulvaeus Anthem (from Chess) Leigh & Darion The Impossible Dream (The Quest) (from Man of La Mancha) Billy Joel And So It Goes Schönberg & Boublil Marc Blitzstein Empty Chairs at Empty Tables (from Les Misérables) Emily (from The Airborne Symphony) Peter Maxwell Davies Farewell To Stromness Stephen Schwartz Proud Lady (from The Baker’s Wife) Ron Miller For Once In My Life Stephen Sondheim Johanna (from Sweeney Todd:The Demon Barber of Fleet Street) Being Alive (from Company) Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �BIOGRAPHIES Brett Polegato appears regularly on the world’s most distinguished stages including those of Lincoln Center, La Scala, the Concertgebouw, the Opéra National de Paris, Glyndebourne Festival Opera, the Lyric Opera of Chicago, Houston Grand Opera, the Teatro Real, Roy Thomson Hall, the Kennedy Center and Carnegie Hall, and has collaborated with conductors such as Yannick Nézet-Séguin, Daniele Gatti, Andris Nelsons, Bernard Haitink, Seiji Ozawa, Jeffrey Tate, Marc Minkowski, and Martyn Brabbins. He can be heard as soloist in the Grammy Awards’ Best Classical Recording of 2003 — Vaughan Williams’ A Sea Symphony (Telarc) with the Atlanta Symphony Orchestra under the baton of Robert Spano. In 2016 he performed the role of Father Thomas Nangle in John Estacio’s new opera, Ours, for Opera on the Avalon in St. John’s, Newfoundland — written to commemorate the 100th anniversary of the Battle of Beaumont-Hamel. Other recent performances include Paolo in Verdi’s Simon Boccanegra with Pacific Opera Victoria, Kurwenal in Tristan und Isolde for the Opera di Roma with maestro Daniele Gatti, the baritone role in Jeffrey Ryan’s Afganistan: Requiem for a Generation with the Vancouver Symphony Orchestra, and Brahms’ Ein Deutsches Requiem with the Calgary Philharmonic Orchestra. After a series of recitals across Canada in March, Polegato will return to Toronto to sing the role of Jesus in Elgar’s The Apostles with the Pax Christi Chorale, followed by his debut as Amfortas in Wagner’s Parsifal at the Festival de Lanaudière under the baton of Yannick Nézet-Séguin. In addition to Vaughan Williams’ A Sea Symphony, recordings include the Vaughan Williams’ Dona Nobis Pacem (ASO Media), Ben Moore’s Ode To A Nightingale (Delos), his critically praised solo disc, To A Poet, with pianist Iain Burnside (CBC Records), a live period-instrument performance of Messiah with the Handel & Haydn Society (Arabesque Recordings) and Opera Encores (CBC) with tenor Benjamin Butterfield and the Canadian Opera Company Orchestra led by Richard Bradshaw. With the Tafelmusik Baroque Orchestra he has recorded Bach’s Coffee and Peasant Cantatas (Analekta-Fleur de Lys) and most recently, Handel’s Messiah. His opera recordings include Emmerich Kálmán’s Die Herzogin von Chicago (Decca) with the Berlin Radio Symphony Orchestra, and Gluck’s Armide with Les Musiciens du Louvre (Deutsche Grammophon’s Archiv label). Robert Kortgaard was born in Regina, Saskatchewan, and grew up in Calgary, Alberta. He completed his bachelor and master’s degrees at the Juilliard School in New York City. As a recipient of arts awards from the Canada Council, he continued his musical studies in Italy and England. Mr. Kortgaard has performed as a soloist with major Canadian orchestras and has given recitals throughout Canada and the United States, as well as in England, Finland, Portugal, Italy, Indonesia, the Czech Republic and China. He is one of the country’s most respected concert pianists, having appeared with most of the country¹s leading orchestras and recital societies. Mr. Kortgaard has become one of the most in-demand colleagues of Canada’s most esteemed vocalists, and is a frequent partner of sopranos Measha Brueggergosman and Wendy Nielsen, mezzo-soprano Jean Stilwell and cabaret diva Patricia O’Callaghan. For five years, he was resident musician at the University of New Brunswick, and he is now artistic director of the Indian River Festival in Prince Edward Island. Robert Kortgaard recently joined forces with pianist Peter Tiefenbach to create an impressive new ensemble. As two of Canada’s most accomplished and virtuosic musicians, they have been amazing concert and broadcast audiences across the country for many seasons, both as individual artists and in collaboration with some of Canada’s finest musicians. Now they lend their unique gifts to the large and varied body of repertoire for two pianos, four hands. Mr. Kortgaard now makes his home in Toronto, from where he travels the world as an indemand soloist and collaborative artist. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_01.mp3">Track01</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk1.mp3">Talk1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_02.mp3">Track02</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk2.mp3">Talk2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_03.mp3">Track03</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk3.mp3">Talk3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_04.mp3">Track04</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk4.mp3">Talk4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_05.mp3">Track05</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk5.mp3">Talk5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_06.mp3">Track06</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_07.mp3">Track07</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk6.mp3">Talk6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_08.mp3">Track08</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_09.mp3">Track09</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk7.mp3">Talk7</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_10.mp3">Track10</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_11.mp3">Track11</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_12.mp3">Track12</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk8.mp3">Talk8</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_13.mp3">Track13</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_talk9.mp3">Talk9</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_14.mp3">Track14</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_15.mp3">Track15</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/033117-Orion_PolegatoKortgaard/033117-OrionConcertPolegatoKortgaard_16.mp3">Track16</a> (encore) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts - And So It Goes... Creator An entity primarily responsible for making the resource Josh Calder Date A point or period of time associated with an event in the lifecycle of the resource March 31, 2017 Contributor An entity responsible for making contributions to the resource Brett Polegato, baritone Robert Kortgaard, piano https://finearts.uvic.ca/music/archive/files/original/859d2d00b154c832c02f9397c06ccd82.pdf 124ca06562fcbbc67b59901fd631c825 PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents KORNEL WOLAK CLARINET With ARTHUR ROWE PIANO Thursday, February 23, 2017 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM J. S. Bach (1685–1750) Allegro from III Sonata for Solo Violin Prelude from I Suite for Solo Violoncello Preludio from III Partita for Solo Violin Johannes Brahms (1833–1897) Sonata in F Minor, Op. 120, No. 1 Allegro appassionato Andante un poco Adagio Allegretto grazioso Vivace I NT E R M I S S I O N Witold Lutoslawski (1913–1994) Dance Preludes Allegro molto Andantino Allegro giocoso Andante Allegro molto Robert Schumann (1819–1896) Phantasiestücke, Op. 73 Zart und mit Ausdruck (Tender and with expression) Lebhaft, leicht (Lively, light) Rasch und mit Feuer (Quick and with fire) Gioachino Rossini (1792–1868) Introduction, Theme and Variations Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �BIOGRAPHIES Clarinetist Kornel Wolak is highly acclaimed for his musical imagination and astonishing versatility. He is a winner of the Debut Atlantic Tour, Prairie Debut Tour, British Columbia Touring, Allied Concerts Tour (USA, 2016), the Royal Conservatory Concerto Competition and the Presser Music Award. Mr. Wolak performed with the renowned Quartetto Gelato from 2007-09. He continues to expand the clarinet repertoire by commissioning new pieces and regularly appears in recitals as a chamber musician and as a soloist with American and European orchestras. A “Fryderyk” nominee — Poland’s highest recording award — he is a regular fixture on the Canadian Broadcasting Corporation, Classical 96.3 FM, Public Radio International, and US National Public Radio. As a soloist/clarinet clinician, he has toured and taught master classes in Europe, Asia and both Americas. Since August 2015 he has been actively involved in research on the role of oral articulators in clarinet playing at the Speech-Language Pathology Department at the University of Toronto. Results of the preliminary studies are to be presented in the upcoming months. Dr. Wolak is a regularly published author of articles on clarinet-related issues in Your Muse, the largest music magazine in Poland, in which he is an editor and contributor of a section called “Clarinetist’s Vademecum”. Wolak is the founder of Music Mind Inc., an initiative that creates music education programs for schools and communities. Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist, soloist with orchestra and chamber musician. A highly respected chamber musician, Mr. Rowe regularly collaborates with artists and chamber ensembles across North America. Recent performances include concerts with mezzo-soprano Krisztina Szabo, the Dover Quartet (winners of the recent Banff International string quartet competition), cellist Tsuyoshi Tsutsumi, Jonathan Crow, Concertmaster of The Toronto Symphony, and William Preucil, Concertmaster of The Cleveland Orchestra, with whom he has concertized for more than three decades. In 2004 The Harrington String Quartet joined forces with Arthur Rowe and William Preucil in New York for a performance of the Chausson Concerto for Violin, Piano and String Quartet, which was reviewed by Harris Goldsmith as a “reading that rivaled the benchmark recordings by Franzescatti/ Casadesus/Pascal, and Heifetz/Sanroma/New Arts”. Arthur Rowe has recorded with various artists for the Crystal, ebs, Innova, GM and Fanfare labels. In 2007, he released an all-Schubert recording on the Centaur label. Fanfare magazine’s review said, “Rowe’s reading (of the posthumous B-flat Sonata) is one of the most beautiful I have heard…the D. 899 Impromptus are equally impressive… his purling right-hand runs recall Schnabel’s velvety sound…. every harmonic change is underscored by a delicate nuance of color change. This kind of expression cannot be taught; it is in the bloodstream and the soul.” Having previously held positions at The University of Iowa and The University of Western Ontario, Arthur Rowe is Professor of Piano at The University of Victoria, having also served as the Associate Dean of Fine Arts, and Acting Director of the School of Music. He is also the Artistic Director of the Victoria Summer Music Festival. � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_01.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_02.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_03.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_04.mp3">Track4</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_05.mp3">Track5</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_06.mp3">Track6</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/022317-Orion_WolakRowe/022317-Orion_WolakRowe_07.mp3">Track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts - Kornel Wolak Creator An entity primarily responsible for making the resource Evan Hinshelwood Date A point or period of time associated with an event in the lifecycle of the resource February 23, 2017 Contributor An entity responsible for making contributions to the resource Kornel Wolak, clarinet Arthur Rowe, piano https://finearts.uvic.ca/music/archive/files/original/a9b9579ead19cc76f8240f6598b8538c.pdf ede42663f03fc57aa97ba44324f14acd PDF Text Text School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC ORION SERIES IN FINE ARTS presents LORNA MCGHEE FLUTE Saturday, January 21, 2017 Masterclass: 10:15 a.m.–11:45 a.m. Concert: 12 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Free admission �PROGRAM Masterclass: Gillian Newburn Variations sur ‘Nel cor più’, Op.4 Theobald Boehm Alanna Kazdan Sonata Appassionata, Op.140 Sigfrid Karg-Elert Cooper Reed Flute Sonata in B minor, BWV 1030 Jasmine Riseley Syrinx J. S. Bach Claude Debussy S H O RT B R E A K Concert: Sonata BWV 525 i. Allegro ii. Adagio iii. Allegro Le Moment de Cristal East Wind Fantasie Op. 55 Johann Sebastian Bach (1685–1750) (arr. Kirchner) Yuko Uebayashi Schulamit Ran (b.1949) Carl Frühling (1868–1937) Please tell us about your concert experience in this quick Audience Survey: https://finearts.uvic.ca/forms/music/audience/ �BIOGRAPHY Scottish-born Lorna McGhee was appointed principal flute of the Pittsburgh Symphony Orchestra in 2012. Known for her “exceptionally rich and vibrant tone” (Washington Post) Lorna has performed as guest principal with Chicago Symphony, Minnesota Orchestra, London Symphony, London Philharmonic, Academy of St-Martin-in-the-Fields, Chamber Orchestra of Europe and has been fortunate to work with conductors such as Haitink, Gergiev, Rattle, Solti, Harnoncourt, Muti and Honeck. Before immigrating to North America in 1998, Lorna was co-principal flute of the BBC Symphony Orchestra, England. As a soloist, she has given concerto performances with the London Symphony Orchestra, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra in the UK and Manitoba Chamber Orchestra, Toronto Philharmonia, and Victoria Symphony in Canada and the Nashville Chamber Orchestra, Oregon Bach Festival Orchestra, San Luis Obispo Symphony and Pittsburgh Symphony Orchestra in the USA. Career highlights include a performance of Penderecki’s flute concerto with the Oregon Bach Festival Orchestra under the baton of the composer in 2004 and more recently, a performance of the Nielsen Flute Concerto with the Pittsburgh Symphony in 2014 with Maestro Tortelier. As a chamber musician and recitalist, she has performed in Europe, North America, Australia, Singapore and Japan in such venues as London’s Wigmore Hall, Edinburgh International Festival, the Louvre, Paris, the Schubertsaal of Vienna’s Konzerthaus, Ottawa International Chamber Music Festival and the Australian Festival of Chamber Music. Her performances have been broadcast on CBC Radio in Canada, BBC Radio, NPR (USA), Netherlands Radio and ABC (Australia). She has made chamber music recordings for EMI, Decca ASV, Naxos and Meridian. Her recording for Naxos of Bax’ Chamber Music with the group ‘mobius’ was selected as Editor’s Choice in Gramophone Magazine. Along with Duo partner Heidi Krutzen, Lorna has released two CDs on Skylark Music: “Taheke, 20th century Masterpieces for flute and harp” and “Canada, New Works for flute and harp.” As a member of Trio Verlaine (with her husband, violist David Harding and harpist, Heidi Krutzen) Lorna has recorded two CDs: “Fin de Siècle,” the music by Debussy and Ravel, and “Six Departures”, featuring works by Bax and Jolivet as well as new commissions by Schafer and Cotton. Both the Trio and Duo are committed to broadening the repertoire and have contributed eight new commissions to date. Lorna’s first flute and piano recital disc, “ The Hour of Dreaming” with pianist Piers Lane was released on the Beep label in 2014. Having taught at the University of Michigan and the University of British Columbia, Lorna is now a member of the flute faculty at Carnegie Mellon University. She has given master classes at universities, conservatoires and flute festivals in the UK, USA, Japan and Canada, including Julliard School and the Royal Academy of Music. She often teaches at summer schools, including the Pender Island Flute Retreat, the William Bennett International Summer School, and the Galway Flute Festival. Lorna studied with David Nicholson in Scotland, and with Michie and William Bennett at the Royal Academy of Music, London. She is an honorary “Fellow of the Royal Academy of Music.” “Her range of colors was astonishing, not only golden and silvery, but ranging from cool to edgy to filled with human warmth.” Nielsen Concerto, Pittsburgh Symphony, (Pittsburgh Tribune Review) � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_1.mp3">Track1</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_2.mp3">Track2</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_3.mp3">Track3</a><br /><a href="https://finearts.uvic.ca/music/archive/uploads/guest/012117-Orion_McGhee/012117-LornaMcGhee_4.mp3">Track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Orion Series in Fine Arts - Lorna McGhee Creator An entity primarily responsible for making the resource Trevor Naumann Date A point or period of time associated with an event in the lifecycle of the resource January 21, 2017