8 10 90 https://finearts.uvic.ca/music/archive/files/original/9b2b3d7f30a4587b7770bf22ca879104.pdf 3db56d2f476c7a21666b8eff37ab9765 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria . �UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES Alexandra Pohran Dawkins oboe and English horn With Robert Holliston, keyboards Wednesday, November 26, 2014 • 12:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission by donation �PROGRAM Short Story (1989) Harry Freedman (1922–2005) Tierkreis (1974–75) Karlheinz Stockhausen (1928–2007) Aries Capricorn Cancer Virgo Leo Scorpio Pisces Aquarius Elegy Peter Ware (b. 1951) �UPCOMING EVENTS Friday, November 28, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music composition students. Phillip T. Young Recital Hall Friday, November 28, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL Featuring students from the studio of Alexander Dunn. Phillip T. Young Recital Hall Saturday, November 29, 8:00 p.m. ($15/$10/$5) UNIVERSITY OF VICTORIA ORCHESTRA Ways of Passion Ajtony Csaba, conductor With Elizabeth Clarke, piano (UVic Concerto Competition winner) Brahms – Piano Concerto No. 1 in D minor, Op. 15 Strauss – Don Juan Op. 20 Prokofiev – selections from Romeo and Juliet University Centre Farquhar Auditorium Thursday, December 4, 8:00 p.m. ($15/$10/$5) DON WRIGHT SYMPHONIC WINDS Colours! Michael Keddy, conductor University Centre Farquhar Auditorium Friday, December 5, 8:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHOIRS Heralding the Season! The UVic Chorus, Chamber Singers, Vocal Jazz Ensemble, and Philomela Women’s Choir perform music of the season with organ and brass. Christ Church Cathedral (Quadra at Rockland) Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/112614-FacultyRecital/112614-FacultyRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/112614-FacultyRecital/112614-FacultyRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/112614-FacultyRecital/112614-FacultyRecital_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Alexandra Pohran Dawkins, oboe and English horn Creator An entity primarily responsible for making the resource Noel Anstey Date A point or period of time associated with an event in the lifecycle of the resource November 26, 2014 Contributor An entity responsible for making contributions to the resource Alexandra Pohran Dawkins, oboe and English horn; Robert Holliston, keyboards https://finearts.uvic.ca/music/archive/files/original/60ba0cd72240e48e7c221b3a0c96ecee.pdf a3146c1558cbc7a83da8711fcca509ab PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES Arthur Rowe, piano P R O G RA M Sonata in A major D. 959 Franz Schubert Allegro (1797–1828) Andantino Scherzo: Allegro vivace Rondo: Allegretto I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Benediction de Dieu dans la Solitude Sonata in B minor Franz Liszt (1811–1886) �BIOGRAPHY Canadian pianist Arthur Rowe is a critically acclaimed recitalist, soloist with orchestra and chamber musician. Touring annually across North America, he has received enthusiastic reviews from his performances in New York, Cleveland, Minneapolis, Seattle, San Diego, as well as in venues in Europe and New Zealand. Reviewing a solo recital in London England, The London Times spoke of his “unusual clarity of articulation”, and “poetry of expression”, and David Burge, writing in The San Diego Tribune said, “Rowe is a marvelous pianist…even when he is pushed to the limit by extreme virtuosic demands...he can concentrate all of his considerable talents on vital matters of phrasing, tone and ensemble”. Arthur Rowe has been heard regularly on radio broadcasts in Canada and the United Staes, and has recorded with various artists for the Crystal, ebs, Innova, GM and Fanfare labels. In 2007, he released an all Schubert recording on the Centaur label. Fanfare magazine’s review says, “Rowe’s reading (of the posthumous B flat Sonata) is one of the most beautiful I have heard… This kind of expression cannot be taught; it is in the bloodstream and the soul.” A highly respected chamber musician, Mr. Rowe regularly collaborates with artists and chamber ensembles across North America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in France, New Zealand, and Yugoslavia. While at Indiana University, he began his long association with violinist William Preucil, Concertmaster of The Cleveland Ochestra, with whom he has concertized for more than three decades. Mr. Rowe has recently performed in New York for the Bargemusic series, at Oberlin College, and in Washington State with Estonian bassoonist Martin Kuuskmann. Performances in 2014/15 include concerts with the Dover Quartet, recent winners of the Banff International String Quartet competition, the Linden Quartet, cellist Tsuyoshi Tsutsumi, Jonathan Crow, Concertmaster of the Toronto Symphony, and William Preucil, Concertmaster of the Cleveland Orchestra. Having previously held positions at the University of Iowa and the University of Western Ontario, Arthur Rowe resides in Victoria, where he is Professor of Piano at the University of Victoria and the Artistic Director of the Victoria Summer Music Festival. Monday, November 24, 2014 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �UPCOMING EVENTS Wednesday, November 26, 12:30 p.m. (Admission by donation) FACULTY CONCERT SERIES Alexandra Pohran Dawkins, oboe & English horn A presentation of Alexandra Pohran Dawkins’ recent research and creative work, with performances on oboe and English horn. Featuring new compositions, improvised music and special guests. Phillip T. Young Recital Hall Friday, November 28, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music composition students. Phillip T. Young Recital Hall Friday, November 28, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL Featuring students from the studio of Alexander Dunn. Phillip T. Young Recital Hall Saturday, November 29, 8:00 p.m. ($15/$10/$5) UNIVERSITY OF VICTORIA ORCHESTRA Ways of Passion Ajtony Csaba, conductor With Elizabeth Clarke, piano (UVic Concerto Competition winner) Brahms – Piano Concerto No. 1 in D minor, Op. 15 Strauss – Don Juan Op. 20 Prokofiev – selections from Romeo and Juliet University Centre Farquhar Auditorium Thursday, December 4, 8:00 p.m. ($15/$10/$5) DON WRIGHT SYMPHONIC WINDS Colours! Michael Keddy, conductor University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/112414-FacultyRecital/112414-FacultyRecital_01.mp3">track1</a> **removed by request of performer** <a href="https://finearts.uvic.ca/music/archive/uploads/112414-FacultyRecital/112414-FacultyRecital_02.mp3">track2</a> **removed by request of performer** <a href="https://finearts.uvic.ca/music/archive/uploads/112414-FacultyRecital/112414-FacultyRecital_03.mp3">track3</a> **removed by request of performer** Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Arthur Rowe, piano Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource November 24, 2014 Contributor An entity responsible for making contributions to the resource Arthur Rowe, piano https://finearts.uvic.ca/music/archive/files/original/093a2afc0dd0ad5a9b4e53bf6523192a.pdf 0b546b7908dd687dc770360c07555e1d PDF Text Text UNIVERSITY OF VICTORIA Faculty Concert Series The Lafayette String Quartet Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Friday, November 7, 2014 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Admission: $25 �PROGRAM String Quartet in G Major, Op. 77, No. 1 Allegro moderato Adagio Menuet: Presto Finale: Presto String Quartet in C Major, Op. 49 Moderato Moderato Allegro molto Allegro Franz Joseph Haydn (1732–1809) Dmitri Shostakovich (1906–1975) I nt e r m i s s i o n (Beverages and snacks available at the concession located in the lounge) String Quartet in F Major Allegro moderato. Très doux Assez vif. Très rythmé Très lent Vif et agité Maurice Ravel (1875–1937) �Upcoming Events Friday, November 14, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music voice students. Phillip T. Young Recital Hall Saturday, November 15, 8:00 p.m. ($15/$10) UVIC JAZZ ENSEMBLE Patrick Boyle, director A concert of hard-bop and South Indian inspired jazz featuring special guests, School of Music alumus Bruce Hurn (trumpet) and Newfoundland percussionist Curtis Andrews. Phillip T. Young Recital Hall Sunday, November 16, 2:00 p.m. (Admission by donation) PIANO CLASS RECITAL Students from the studio of May Ling Kwok. Phillip T. Young Recital Hall Sunday, November 16, 8:00 p.m. (Admission by donation) STRING CHAMBER CONCERT Students from the studio of the Lafayette String Quartet. Phillip T. Young Recital Hall Tuesday, November 18, 12:30 p.m. (Admission by donation) TUESDAYMUSIC A concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, November 21, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music percussion students. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110714-FacultyRecital/110714-Facultyconcert_01.mp3">track1</a> (technical fault in mvmt1, missing short excerpt) <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110714-FacultyRecital/110714-Facultyconcert_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110714-FacultyRecital/110714-Facultyconcert_03.mp3">track3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - The Lafayette String Quartet Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource November 7, 2014 Contributor An entity responsible for making contributions to the resource Ann Elliot-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh Aloni, cello https://finearts.uvic.ca/music/archive/files/original/9bbabb378c5e90761d66d12349cb5ea8.pdf df494ebc26ae84e7a1caca7288a1b5f3 PDF Text Text School of Music University of Victoria School of Music MUS C Faculty of Fine Arts University of Victoria �UNIVERSITY OF VICTORIA FACULTY CHAMBER MUSIC SERIES Featuring Performance Faculty from the School of Music Saturday, November 1, 2014 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students & seniors: $14 �With SUZANNE SNIZEK FLUTE ALEXANDRA POHRAN DAWKINS REBECCA HISSEN JENNY GUNTER PATRICK BOYLE CLARINET BASSOON FLUGELHORN LOUIS RANGER TRUMPET SCOTT MACINNES TROMBONE ANN ELLIOTT-GOLDSCHMID SHARON STANIS VIOLIN JOANNA HOOD VIOLA PAMELA HIGHBAUGH ALONI BRUCE VOGT PIANO BRENT JARVIS PIANO COLIN TILNEY OBOE VIOLIN CELLO HARPSICHORD SUSAN YOUNG SOPRANO �P R O G RA M A Night Piece and Scherzo for flute and string quartet Andantino languido Vivace Arthur Foote (1853–1937) Suzanne Snizek, flute Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Stirb, Lieb und Freud, Op. 35, No. 2 Meine Rose, Op. 90, No. 2 Es leuchtet meine Liebe, Op. 127, No. 3 Widmung, Op. 25, No. 1 Robert Schumann (1810–1856) Susan Young, soprano Bruce Vogt, piano Divertimento for trumpet, trombone, and piano (1946) Allegro Andantino Presto Moderato Allegretto Quarter=56 Presto Boris Blacher (1905–1975) Louis Ranger, trumpet Scott MacInnes, trombone Bruce Vogt, piano You Must Believe in Spring Patrick Boyle, flugelhorn Brent Jarvis, piano Michel Legrand (b. 1932) �I NT E R M I S S I O N Beverages and snacks available at the concession located in the lounge. Sonata No. 1 in G major for viola da gamba and harpsichord Adagio Johann Sebastian Bach Allegro, ma non tanto (1685–1750) Andante Allegro moderato Pamela Highbaugh Aloni, cello Colin Tilney, harpsichord Petite Suite Bucolique (en forme de Trio) Humoresque Lamento Jeux Stan Golestan (1875–1956) Alexandra Pohran Dawkins, oboe Rebecca Hissen, clarinet Jenny Gunter, bassoon Impresiones de la Puna Quena – Lento Canción – Moderato Danza – Animando Suzanne Snizek, flute Ann Elliott-Goldschmid, violin Sharon Stanis, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Alberto Ginastera (1916–1983) �TRANSLATIONS Stirb’, Lieb’ und Licht! (Perish Love and Light!) At Augsburg stands a tall house near the old cathedral; On a bright morning a pious girl walks out of it. Song resounds; the lovely girl makes her way to the cathedral. There before the sacred image of the Virgin, she kneels in prayer: Heaven has filled her heart and all earthly pleasures flee. O spotless Virgin, let me alone be thine alone! Thereupon the hollow bell tone awakens those who pray; The girl walks down the nave unaware that she is wearing A wreath of lilies on her hair all made of Heaven’s light. But she doesn’t walk far, she steps up to the high altar: “Though I am but a poor maiden, consecrate me as a nun, Perish love and joy!” God grant the this maiden wear her wreath in peace; She is the love of my whole heart, and will be so until Judgment Day. She is unaware of that. My heart is breaking. Perish Love and Light! Meine Rose (My Rose) To the fair jewel of spring, To the rose of my delight, Though now bend down and paled By the sun’s burning ray, I offer the cup of water From the deep dark well. You rose of my heart! By sorrow’s silent ray You are now bent and paled; Could I but at your feet, Like water for this flower, Silently pour my soul! Though I might never see you Be joyously revived! �Es leuchtet meine Liebe (My Love Shines) My love shines in its dark glory Like a fairy tale, sad and dim, Told in a summer night. In the enchanted garden wander Two lovers sad and alone, The nightingales are singing, There shimmers the light of the moon. The maiden stands still like a statue, The knight kneels at her feet. There comes the giant of the wilderness. The frightened maiden flees. The knight sinks bleeding to the ground, The giant stumbles home. And when I shall be buried, Then the fairy tale will come to an end. Widmung (Dedication) Thou, my soul, thou, my heart, Thou my delight, my sorrow, Thou, my world where I live, My heaven into which I soar, My grave, wherein deep down Forever I have laid my sorrow! Thou art rest, thou art peace; Heaven has destined you for me. That you love me makes me deem myself worthy, Your gaze has transfigured me to myself, Your love lifts me above myself, My good spirit, my better self! Upcoming Concert Faculty Chamber Music Series Saturday, January 10, 8:00 p.m. Favourites from a Life in Music: A program selected by Louis Ranger, celebrating his 36 years of teaching at the School of Music Join School of Music performance faculty, students, and the UVic Chamber Singers, in a concert commemorating Louis Ranger’s upcoming retirement. Featuring works by Barber, Casella and Stravinsky. Admission: $18 & $14 Phillip T. Young Recital Hall �UPCOMING EVENTS Sunday, November 2, 2:30 p.m. ($15/$8) UNIVERSITY OF VICTORIA CHOIRS: United in Song A joint concert featuring the UVic Chorus, Chamber Singers, and Philomela Women’s Choir. Tickets available at the door. To make a reservation, email: findsyoung@gmail.com St. Mary the Virgin Anglican Church (1701 Elgin Road, Oak Bay) Tuesday, November 4, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, November 7, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music woodwind students Phillip T. Young Recital Hall Friday, November 7, 8:00 p.m. ($25) FACULTY CONCERT SERIES: LAFAYETTE STRING QUARTET UVic’s esteemed quartet-in-residence performs string quartets by Haydn, Shostakovich and Ravel. Phillip T. Young Recital Hall Friday, November 14, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music voice students. Phillip T. Young Recital Hall Saturday, November 15, 8:00 p.m. ($15/$10) UVIC JAZZ ENSEMBLE Patrick Boyle, director A concert of hard-bop and South Indian inspired jazz featuring special guests, School of Music alumus Bruce Hurn (trumpet) and Newfoundland percussionist Curtis Andrews. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/110114-FacultyChamberMusicSeries/110114-FacultyChamber_07.mp3">track7</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Chamber Music Series Creator An entity primarily responsible for making the resource Allyssa Haigh Date A point or period of time associated with an event in the lifecycle of the resource November 1, 2014 Contributor An entity responsible for making contributions to the resource Suzanne Snizek, flute; Alexandra Pohran Dawkins, oboe; Rebecca Hissen, clarinet; Jenny Gunter, bassoon; Patrick Boyle, flugelhorn; Louis Ranger, trumpet; Scott MacInnes, trombone; Ann Elliot-Goldschmid, violin; Sharon Stanis, violin; Joanna Hood, viola; Pamela Highbaugh-Aloni, cello; Bruce Vogt, piano; Brent Jarvis, piano; Colin Tilney, harpsichord; Susan Young, soprano https://finearts.uvic.ca/music/archive/files/original/c9c33cbcd37d16d08e70a0310a284ab0.pdf cd197e005c212d6c9f7de3bacd862939 PDF Text Text SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Faculty Concert series From Krommer to Klezmer: A Celebration of 25 Years at UVic patricia kostek clarinet Sunday, October 19, 2014 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �Featuring Winds of Yarrow Patricia Kostek, clarinet Rebecca Hissen, clarinet Tom Ackerman, clarinet Rainer Roth, bass clarinet Bruce Meikle, string bass With guest Steve MacDonald, guitar With Ann Elliott-Goldschmid, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello Clarinets: Shawn Earle, Sydney Tetarenko, Marcella Barz, Kate Frobeen, Erin Onyschtschuk, Dominic Thibault James Yi, Nathan Friedman And Gerald King, conductor �PROGRAM Quartet in Bb major, Op. 83 (1819) for clarinet, violin, viola and cello Franz Krommer (1759–1831) Allegro Andante Minuetto: Trio Rondo Ann Elliott-Goldschmid, violin Joanna Hood, viola Pamela Highbaugh Aloni, cello New York Counterpoint (1985) for 12 clarinets (Bb and Bass) Fast Slow Fast Steve Reich (b. 1935) Clarinets: Patricia Kostek, Rebecca Hissenh, Shawn Earleh, Sydney Tetarenkoh, Marcella Barz;, Kate Frobeenh, Erin Onyschtschuk;, Dominic Thibault;, James Yi;, Nathan Friedmanh, Rainer Roth, Tom Ackerman Gerald King, conductor I nt e r m i s s i o n Beverages and snacks available at the concession located in the lounge. Winds of Yarrow Patricia Kostek, clarinet Rebecca Hissen, clarinet Tom Ackerman, clarinet Rainer Roth, bass clarinet Bruce Meikle, string bass Funeral March of a Marionette (1872) Charles Gounod (1818–1893) arr. R. G. Roth Adam Jasieniuk;, contrabass clarinet �Roumanian Dances: Codex Caioni– Dance 250 Ioan Căianu (1629–1687) arr. Dobrinescu Paikos Dance-Naughty Dance (Paikos Tancz 251) Roumanian Folk Dances Braul (Waistband Dance) Buciumeana (Dance of Butschum) Poarga Româneasca (Romanian Polka) Maruntelul (Lively Dance) Ioan Căianu arr. Dobrinescu Béla Bartók (1881–1845) arr. R.G. Roth Cabaret: La Vie en Rose (1945) Lyrics by Edith Piaf Music by Marguerite Monnot and Louis Guglielmi Kiiri Michelsenh, chanteuse Patricia Kostek, clarinet Steve MacDonald, guitar Waste No Tears (1949) Sidney Bechet (1897–1959) Tom Ackerman, Patricia Kostek, clarinets Steve MacDonald, guitar Ethnic Influences: Nazanine Maryam, Jan-e Maryam (My Beloved Maryam) Kambiz. Mozhdehi, arr. R.G. Roth Lyrics, Mohammad Noori Ciprian Porumbescu (1853–1883) Dorul (Doina) (Longing/Lament) arr. Dobrinescu Lekho neraneno (Traditional Klezmer) h Alumnus ; Current UVic student Ioan Dobrinescu (b. 1960) �BIOGRAPHIES Patricia Kostek is a versatile musician, much sought after as a chamber musician for her “beautiful tone” and “ability to portray both the poetic and the powerful in music.” She has given recitals and master classes, and served as a competition jury member in major cultural centers of Europe, Asia, Canada, the USA, Mexico and South America. She has performed in many of the finest concert halls throughout the world, collaborated in noted international music festivals and performed with numerous orchestras in North America and Europe including the Chicago Symphony, Honolulu Symphony and Kansas City Symphony, the Orquestra Sinfonica de Teatro Colon de Buenos Aires (soloist) and Orquestra Sinfonica da Bahía (soloist). In the Pacific Northwest area Patricia has performed with the Pacific Opera Victoria, the Victoria Symphony, the Lafayette and Purcell String Quartets and with many critically acclaimed ensembles. She serves artistic director of Chamber Music San Juans. An active studio musician, Patricia records regularly with the Seattle based Northwest Sinfonia and as a result, can be heard on the soundtracks of many Hollywood movies and on video games. Her principal teachers include Larry Combs and Robert Marcellus. Tom Ackerman was born in Hollywood, California and began tap dancing and playing the clarinet at age 6. He was at that time a member of a “family act” Dixieland Band called the Stoplights and their Go-Go Jazz and hailed the “youngest and hottest Dixieland Jazz Band this side of the Mason-Dixon line!” They were performing at many local jazz clubs in Los Angeles as well as at Disneyland, the U.S.O. Club and on the famed “Ted Mack Amateur Hour” television show. His mom was a “Vaudeville” dancer and his dad in the movie business, whose claim to fame was moving the lion’s tail in The Wizard of Oz. Tom studied music with Lennie Neihaus who played lead alto with the Stan Kenton Orchestra. In Honolulu Hawaii in 1975 he became a member of the famed Bay Area big band, the Del Courtney Orchestra playing “Tea Dances” at the Royal Hawaiian Hotel. Tom also worked in several other bands at Honolulu’s famed Jazz Club, Trappers and Nick’s Fishmarket in Waikiki and performed with some great artists such as Sammy Davis, Jr., Joe Williams, Julio Iglesias to name a few. He graduated from the University of Hawaii in 1981. After working the Hawaii Jazz scene, Tom attended the Berklee College of Music in Boston. Violinist Ann Elliott-Goldschmid is a founding member of the renowned Lafayette String Quartet, Artists-in-Residence at the University of Victoria. Active in the music scene of Victoria and abroad, Ann is concertmaster of the Galiano Ensemble, is a regular guest of the Olympic Music Festival and the Eine Kleine Summer Music Festival. A huge advocate for strings in the public schools, along with her colleague Pamela Highbaugh Aloni, Ann conceived of and team-teaches the Strings Mentoring program at UVic. She has been an instructor for the CYMC, the National Youth Orchestra of Canada, and the Egmont Summer Music Festival and is in great demand as a violin and chamber music coach, adjudicator and player. �Ann has recorded numerous times for CBC radio, appears on many recordings with the Lafayette String Quartet, and with her mother has recorded Murray Adaskin’s first Sonata for Violin and Piano (AdLar). Cellist Pamela Highbaugh Aloni is a co-founding member of the prize-winning Lafayette String Quartet. Since 1991, Pamela has been an Artist-in-Residence at UVic, where she teaches cello, chamber music and co-supervises the strings mentoring course in collaboration with School District 61. A native of California, Pamela served as principal cellist with Detroit’s Renaissance City Chamber Players. She was a Ford Motor Company Artist-in-Residence at the CCS Institute of Music and Dance and a faculty member at Oakland University, MI. She earned her B.Mus and M.Mus degrees from California State University, Northridge and Indiana University. Her principal teachers include Peter Rejto, Janos Starker and Paul Katz. Ms. Highbaugh Aloni served on the faculty at the Courtenay Youth Music School and coaches the Greater Victoria Youth Orchestra cello section. She has served as principal cellist with the Galiano Ensemble since its inaugural season in 2000. Pamela plays on a cello made by George Craske, 1850. Rebecca Hissen is a professional clarinetist currently living in Victoria. She is a founding member of Music Corner, a musical storytelling ensemble that performs for thousands of children every year. Rebecca performs regularly with the Victoria Symphony in all positions (principal, second, bass and Eb) and has also performed with the Vancouver Symphony, the Pacific Opera Victoria and under world-class conductors such as Kurt Masur, Yannick Nezet-Seguin, Simon Streatfeild, Janos Sandor, and Kazuyoshi Akiyama. She has also served as Vancouver Island Symphony’s Principal clarinet. Rebecca received early orchestral training as part of the National Youth Orchestra of Canada. She has appeared with the Aventa ensemble and Eine Kleine Summermusik. Her varied musical interests extend to performances with the Balkanpunk marching band, Bucan Bucan. After graduating from UVic, Rebecca earned the MM degree in clarinet performance from the Manhattan School of Music (NYC). Rebecca currently holds the rank of PO 2 with the Naden Band of the Royal Canadian Navy. Violist Joanna Hood studied at the San Francisco Conservatory with Isadore Tinkleman, and at Indiana University, where she was also an Associate Instructor, with Abraham Skernick and Stanley Ritchie. Joanna is an avid chamber music player both on modern and period instruments, and has a passion for the music of our time. She is a member of the Lafayette String Quartet, formed in 1986, the Loma Mar Quartet, founded in 1997 and the DNA Quintet formed in 2008, both based in New York. She is a founding member of the Victoria new music group Tsilumos. She was a founding member of Eclipse Quartet, a Los Angeles based ensemble dedicated to the music of twentieth century and present day composers �and works of their own often in collaboration with other media, which she played with from 2003-2008. As an arranger she has worked with, most notably, Sir Paul McCartney. Joanna is an Artist-in-Residence with the Lafayette Quartet at the University of Victoria where she teaches viola and chamber music. She has recorded for the EMI, Tzadik, Dorian, CBC, Adlar, and Vervue labels. Dr. Gerald King is Professor of Music at the University of Victoria where he serves as the conductor of the UVic Wind Symphony and is the Head of Music Education. Internationally recognized as one of Canada’s most respected conductors, adjudicators, educators, and keynote speakers, Dr. King is the recipient of numerous awards and honors. In 2003 he was elected into the prestigious American Bandmasters Association, when he served as Guest Conductor of The United States Army Band (Pershing’s Own), in Washington, DC. In 2012 he was appointed as Principal Guest Conductor of the internationally recognized Pacific Symphonic Wind Ensemble in celebration of the ensemble’s 30th anniversary. As well, he received the BC Music Educators’ Association Honorary Life Award and was also inducted into Phi Beta Mu (International Fraternity for Wind Band Conductors). In March 2014 he was chosen to conduct the Ostwald/Sousa award winning composition, Pale Blue on Deep by American composer, Aaron Perrine, with the University of South Carolina Wind Ensemble. A former student of internationally renowned conductor, Maestro Kazuyoshi Akiyama, Dr. King’s professional career has taken him throughout Canada, the United States, Great Britain, Denmark, Sweden, Holland, Germany, Italy, France, Spain, Japan, Mexico, Hong Kong, Australia, and Switzerland. Dr. King’s conducting appearances with regional, national, international honor and professional ensembles have been praised for performance quality, artistry, and creativity. Throughout his career he has been a champion of new music, premiering over 20 compositions. Dr. King is a Yamaha Artist Educator/Conductor. Bruce Meikle first began playing the bass in Grade 5, and was inspired by Gary Karr, Ray Brown and Snoopy—although not necessarily in that order. Growing up in Vancouver, BC, he divided his time between playing in the high school stage band and in small jazz groups with friends, and with the Vancouver Youth Orchestra. He continued his bass studies with Kenneth Friedman, at the Vancouver Academy of Music, and at the Banff Jazz Program. After spending three summers with the National Youth Orchestra of Canada, he completed his music degree at the University of Ottawa as a student of David Currie. Upon graduation, he hurried back to the West Coast as quickly as he could, and freelanced for a year with the Vancouver Symphony and playing various jazz gigs. He then joined the Victoria Symphony, where he plays to this day, and is thrilled to play chamber music whenever people are nice enough to ask. He is also active in the jazz scene in Victoria and Vancouver, where he is a member of the Dylan Cramer Quartet. He and his wife are looked after by three Newfoundland dogs. �Rainer Roth’s love of woodwinds is firmly rooted in the clarinet, his second instrument after learning the recorder at a young age. At 15 he finished second in the National Kiwanis open woodwind competition in Canada. This lead to exploring more possibilities for the instrument in Salzburg, where he eventually landed in various Folk music ensembles in Western Europe. These included Oberkrainer (Slovenian) bands, which also explored Gypsy, Roumanian, Ukranian, Russian and Balkan music. After this mis-spent youth Rainer studied the oboe with David Sussman (Toronto) and then joined pit orchestras from New York in tours of Chorus Line and Wizard of Oz. An extensive career as a freelance lead oboist followed in symphony orchestras throughout Alberta and BC. Today, Rainer is most at home with Victoria’s own Jamshed and also continues to write arrangements and re-orchestrate musicals, choir works, jazz ensembles and music for a variety of chamber ensembles. Most recently Rainer was music director for the Victoria Opera Society’s productions of Joseph and the Technicolor Dreamcoat as well as Grease. UVic School of Music Alumni Shawn Earle (M.Mus ’07) Shawn Earle is a clarinetist, chamber musician, and music educator. He has performed throughout North America and Europe with various orchestras and chamber ensembles, as well as delivering solo recitals. Shawn’s repertoire ranges from traditional to contemporary and he is dedicated to the creation and performance of Canadian music. He is presently working on a Doctor of Musical Arts degree at the University of British Columbia where he studies with Cris Inguanti. Shawn is also passionate about music education and has taught numerous clinics, master classes, and a private studio. Shawn has received several honours for his playing including a British Columbia Arts Council Grant, Canada Council Grant, Nova Scotia Talent Trust Award, and many academic accolades. Currently Shawn lives and works in Vancouver. Nathan Friedman (B.Mus ’11) Nathan Friedman is a clarinetist and composer currently based in Victoria, BC. He completed his MA in Composition/Experimental Music at Wesleyan University in 2014, studying with Anthony Braxton, Paula Matthusen, Ronald Kuivila and Neely Bruce. He finished a Bachelor of Music in composition at the University of Victoria in April 2011 after studying composition with John Celona, Wolf Edwards, Dániel Péter Biró and Christopher Butterfield and clarinet with Patricia Kostek and Ed Nishimura. He has also had private lessons and workshops with Michael Finnissy, Chaya Czernowin and Judith Shatin. His compositions have been performed by The Vancouver Clarinet Trio, loadbang, Michael Robert-Broder & Corey Hamm, and others, and read by Ensemble Contemporain de Montréal+, the JACK Quartet and Quasar Quatuor de Saxophones. �Kate Frobeen (B.Mus ’06) After graduating from the UVic School of Music, Kate received her M.Mus in Orchestral Studies from McGill University and was a member of the Juno award-nominated 2009 National Youth Orchestra of Canada, under the baton of Alain Trudel. Since then she has made many guest appearances with the Victoria Symphony, most notably as acting 2nd clarinet for the majority of the 2013/2014 season and as principle clarinet for the 2013 production of the Nutcracker with the Alberta Ballet. Kate also performs regularly with the Vancouver Island Symphony and various chamber groups around BC. Currently, she is completing a diploma in accounting at Camosun College while working towards a CPA designation. Kiiri Michelsen (B.Mus ’04, M.Mus ’10) Music School alumna Kiiri Michelsen holds two degrees from UVic (M.Mus in Vocal Performance - Benjamin Butterfield; B.Mus - Bruce Vogt, piano/Susan Young, voice) and has studied with various vocal teachers and coaches in Canada and overseas. Kiiri teaches voice and piano privately, coaches soloists and choirs on lyric diction in various languages, and is on faculty at the Victoria Conservatory of Music as a vocal teacher and course instructor of lyric diction. She is also active as a performer, and in recent seasons has performed in concert with the Victoria Baroque Players and as part of the Pacific Baroque Festival. In addition to her love of performing the classical song repertoire, Kiiri enjoys every chance she gets to dip her toes into other song styles such as the American Songbook classics and delectable French chansons. Sydney Tetarenko (B.Mus ’14) Sydney Tetarenko is a clarinetist currently residing in Vancouver, British Columbia. She is a musician with great passion for both performing and educating. She completed her Bachelor of Music with distinction, majoring in clarinet performance at the University of Victoria under the tutelage of Professor Patricia Kostek. She has performed with the Vancouver Island Symphony Orchestra, Victoria Chamber Orchestra, Greater Victoria Youth Orchestra, University of Victoria Orchestra, Sonic Lab, and University of Victoria Wind Symphony. Sydney also plays in chamber groups of all sizes and instrumentation, most notably Trio Vivo, of which she is a founding member. Sydney maintains a private clarinet studio and also teaches clinics at schools in the Victoria, Sooke and Calgary areas. She is currently pursuing a Masters of Music Performance at the University of British Columbia. �Your contribution makes a difference! The arts have always been dependent on the generosity of its patrons, and a donation to the School of Music can make all the difference to the future of our students. A scholarship of just $500 a year can change a life forever. For more information about our giving initiatives, please contact Fine Arts Development Officer Karen Walker at 250-721-6305 or via email at kmwalker @uvic.ca. �Upcoming Events Tuesday, October 21, 12:30 p.m. (Admission by donation) TUESDAYMUSIC A concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, October 24, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music brass students Phillip T. Young Recital Hall Friday, October 24, 8:00 p.m. (Admission by donation) STUDENT COMPOSERS CONCERT Featuring original compositions by students in the School of Music Composition program. Phillip T. Young Recital Hall Tuesday, October 28, 12:30 p.m. (Admission by donation) TUESDAYMUSIC A concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, October 31, 12:30 p.m. (Admission by donation) FRIDAYMUSIC A concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, October 31, 8:00 p.m. ($15/$10/$5) UNIVERSITY OF VICTORIA ORCHESTRA: 500 miles Ajtony Csaba, conductor With Ella Hopwood, cello (UVic Concerto Competition winner) W.A. Mozart – Symphony No. 31 in D major Saint-Saëns – Cello Concerto No. 1 in A minor, Op. 33 Brahms – Symphony No. 1 in C minor, Op. 68 University Centre Farquhar Auditorium Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_08.mp3">track8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_09.mp3">track9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/101914-FacultyRecital/101914-FacultyRecital_10.mp3">track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - From Krommer to Klezmer: A Celebration of 25 Years at UVic - Patricia Kostek, clarinet Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource October 19, 2014 Contributor An entity responsible for making contributions to the resource Patricia Kostek, clarinet; Rebecca Hissen, clarinet; Tom Ackerman, clarinet; Rainer Roth, bass clarinet; Bruce Meikle, string bass; Steve MacDonald, guitar; Ann Elliott-Goldschmid, violin; Joanna Hood, viola; Pamela Highbaugh Aloni, cello; Shawn Earle, Sydney Tetarenko, Marcella Barz, Kate Frobeen, Erin Onyschtschuk, Dominic Thibault, James Yi, Nathan Friedman, clarinets; Gerald King, conductor https://finearts.uvic.ca/music/archive/files/original/c1387904f56655772823e90ba34d73ed.pdf 467822b997a69c5b897a5f88f4c09c7e PDF Text Text SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Faculty Concert series suzanne snizek flute With Bruce Vogt AnNe Grimm Wendell Clanton piano Soprano saxophone & kirk McNally electronics Sunday, September 28, 2014 • 2:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �P R O G RA M Sonata for flute and piano 1. Andantino con moto 2. Scherzo—Vivace 3. Adagio 4. Finale—Moderato Mel Bonis (1858–1937) Bruce Vogt, piano Seele deine Specereien from Easter Oratorio J. S. Bach (1685–1750) Anne Grimm, soprano Epitaph for Jean Harlow Charles Koechlin (1867–1950) Wendell Clanton, saxophone Laconisme de l’aile Kaija Saariaho (b. 1952) Kirk McNally, electronics Intermission Sonata for flute and piano 1. Lento 2. Presto 3. Calmato 4. Allegro Bruce Vogt, piano Yuko Uebayashi �text & translations Seele deine Specereien from Easter Oratorio J. S. Bach 4. Arie S Seele, deine Spezereien Sollen nicht mehr Myrrhen sein. Denn allein Mit Lorbeerkranze prangen, Stillt dein ängstliches Verlangen. O soul, your spices need no longer be myrrh. For only crowning with the laurel wreath will quiet your anxious longing. Laconisme de l’aile (The ‘fleeting-ness’ , or brevity, of wings) Kaija Saariaho Ignorants de leur ombre, et ne sachant de mort que ce qui s’en consume d’immortel au bruit lointain des grandes eaux, ils passent, nous laissant, et nous ne sommes plus les mêmes. Ils sont l’espace traversé d’une seule pensée. “Ignorant of their shadow, knowing of death only that immortal part which is consumed in the distant clamor of great waters, they pass and leave us, and we are no longer the same. They are the space traversed by a single thought.” from Saint-John Perse // Oiseaux (“Birds”) // 1962 (translation by Robert Fitzgerald) �BIOGRAPHIES Suzanne snizek Suzanne Snizek is an internationally recognised flutist, teacher, scholar and clinician. She holds a B.Mus degree from Indiana University-Bloomington, and Masters in Music from University of the Arts (Philadelphia) where she was a student of Julius Baker. Snizek received her Doctorate of Musical Arts in April 2011 from UBCVancouver, and has served as the flute professor at the University of Victoria since September 2011. She has performed with a vast range of ensembles in the United States, England, Canada, France, the UK and Taiwan, including the Moody Blues and Roger Daltrey. Dr. Snizek won first prize in the Mid South Flute Competition (USA) and the University of the Arts concerto competition. She was also a second prize winner in the New York Flute Club competition and a winner in the ‘Flute Talk’ magazine competition. A sought after clinician and adjudicator, she has given master classes in the United States, Canada and Taiwan, and has recorded for HBO, ESPN’s “NFL Presents,” and Kindermusic international. BRuce vogt Among the elite of Canadian pianists, Bruce Vogt is a unique and dynamic performer. He appears regularly in concert within Canada, but has also inspired audiences in England, the USA, Germany, France, Italy, Norway, Czechoslovakia, Bulgaria, China, and Japan. Born in Southern Ontario, Bruce completed his initial musical studies with Damjana Bratuz and Anton Kuerti. Later he studied in the United States, England, Switzerland, and Italy, working with a number of celebrated musicians including Gyorgy Sebok, Louis Kentner, Fou Ts’Ong, and Dario de Rosa. Bruce Vogt’s repertoire is extremely diverse, encompassing music from the sixteenth century to the present. He has consistently championed the music of contemporary composers, and has commissioned and premiered a number of new works by such Canadian luminaries as Murray Adaskin and Alfred Fisher. He is also an enthusiastic and dedicated performer on period instruments; one of his recordings, released in the fall of 2003, features music of Robert Schumann performed on a restored 1864 Erard. His other recordings include two volumes of the music of Franz Liszt, which have established for him an enviable reputation as a Liszt interpreter. Two new recordings of the music of Liszt were released in 2011 in honour of the bicentenary of this great composer. �Anne Grimm Dutch soprano Anne Grimm has been recognized internationally for her “captivating voice” (Globe and Mail) and “expressive technique” (ClassicsToday). On the concert stage she has toured Europe and recorded regularly with Ton Koopman and the Amsterdam Baroque Orchestra (Ambronay, Salzburg) as well as with the Nederlandse Bachvereniging, the Amsterdamse Bachsolisten under Roy Goodman (Concertgebouw), the Rotterdams Philharmonic under Rozhdestvensky and the Netherlands Chamber Orchestra under Christian Zacharias. She has been a soloist with multiple orchestra’s and groups in North America such as Tanglewood, the National Arts Center under Pinchas Zuckerman, Toronto’s Tafelmusik and the Victoria Symphony, and has recorded for Erato, Harmonia Mundi, NM Classics, Vanguard Classics, Troubadisc and Sony. In opera she has performed with the Netherlands Opera (Orfeo), European Baroque Orchestra (Samson & Dalila), National Reisopera (Die Zauberflote), at the Holland Festival and Toronto Masque Theater (King Arthur) and Pacific Opera Victoria (Semele). Wendell Clanton Wendell Clanton is the resident saxophone instructor and Vocal Jazz Ensemble Director at the University of Victoria. Clanton studied under Dr. Frederick L. Hemke and has been a guest performer with the National Conservatory at Bordeaux Saxophone Ensemble, The Supremes, and others. He has performed concerts across North America and the UK and is a member of Three Piece Suit jazz trio, The Midnights, Vis à Vis Saxophone Quartet and The Kingmixers. Kirk McNally Kirk McNally, Audio-Specialist/Recording Engineer at the University of Victoria, was born in Burlington, Ontario and studied music and sound recording at McGill University (B.Mus 1998, M.Mus 2000). His teachers included Gerald Danovitch, Wieslaw Woszczyk, George Massenburg and Steven Epstein. As a recording engineer he has worked with national and international artists including: R.E.M, Bryan Adams, Sloan, Matthew Good, the Boston Symphony Orchestra and the Aventa Ensemble. His research has been presented at the Art of Record Production Conference and supported by the Deutscher Akademischer Austausch Dienst (DAAD). Kirk McNally regularly collaborates with composers and artists in experimental and new music and is a member of the live electronics trio, The Krells. ��Upcoming Events At the School of Music Thursday, October 2, 7:00 – 9:00 p.m. (Free admission) 9TH ANNUAL LAFAYETTE HEALTH AWARENESS FORUM Building Happier, Healthier Lives Featuring guest speaker, Dr. John Helliwell, Co-Director of the Canadian Institute for Advanced Research (CIFAR) program on Social Interactions, Identity, and Well-Being. To reserve a seat, contact lafayettehealth@shaw.ca David Lam Auditorium, Rm. A144, MacLaurin Building Friday, October 3, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music keyboard students Phillip T. Young Recital Hall Wednesday, October 8, 11:00 a.m. – 1:00 p.m. (Admission by donation) GUEST RECITAL & MASTERCLASS: Aaron Wilson, trombone Trombonist Aaron Wilson, Assistant Professor of Low Brass at the Brandon University School of Music, performs Fantasy for Trombone by Malcolm Arnold, An Unaccompanied Sonata by C.P.E. Bach/arr. Ralph Sauer, and Basta by Folke Rabe. A masterclass with School of Music trombone students will follow. Phillip T. Young Recital Hall Friday, October 10, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music string students Phillip T. Young Recital Hall Saturday, October 11, 10:00 a.m. – 1:00 p.m. (Free admission) GUEST MASTERCLASS: Roland Dyens, guitar Roland Dyens is recognized both as one of the most prominent classical guitarists of his generation and an important composer and arranger. Dyens teaches at the Conservatoire National Supérieur de Musique de Paris. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/092814-FacultyRecital/092814-FacultyConcert_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092814-FacultyRecital/092814-FacultyConcert_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/092814-FacultyRecital/092814-FacultyConcert_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/092814-FacultyRecital/092814-FacultyConcert_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/092814-FacultyRecital/092814-FacultyConcert_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Suzanne Snizek, flute Creator An entity primarily responsible for making the resource Kimberlee Graham-Knight Date A point or period of time associated with an event in the lifecycle of the resource September 28, 2014 Contributor An entity responsible for making contributions to the resource Suzanne Snizek, flute; Bruce Vogt, piano; Anne Grimm, soprano; Wendell Clanton, saxophone; Kirk McNally, electronics https://finearts.uvic.ca/music/archive/files/original/1dccbe8befeeec1a99a1cf30db73c78c.pdf dda7d9840c301068f4f0839482710836 PDF Text Text SCHOOL OF MUSIC • UNIVERSITY OF VICTORIA Faculty Concert series Re-Birth of the Cool patrick boyle trumpet & electric guitar With Monik Nordine alto saxophone Wendell Clanton baritone saxophone Scott MacInnes trombone Marc Patsula horn Eugene Dowling tuba Tom Vickery piano Ross MacDonald double bass Kelby MacNayr drums & Ian McDougall trombone Saturday, September 20, 2014 • 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $18 / Students, seniors, alumni: $14 �P R O G RA M The Touch Of Your Lips Ray Noble Don’t Get Around Much Anymore Duke Ellington Polka Dots and Moonbeams Jimmy Van Heusen Just Squeeze Me Duke Ellington Centerpiece Harry “Sweets” Edison Patrick Boyle, electric guitar Ian McDougall, trombone Intermission Fictional Brett Boplicity Israel Jeru Moon Dreams Budo (Hallucinations) Patrick Boyle Miles Davis and Gil Evans John Carisi Gerry Mulligan Chummy MacGregor and Johnny Mercer Miles Davis and Bud Powell �BIOGRAPHIES Patrick Boyle Newfoundland trumpeter Dr. Patrick Boyle embodies the jazz spirit by synthesizing a range of influences into a compelling original voice. He has been aptly referred to as a “trumpet personality” and “one of Canada’s top trumpet players and jazz musicians” by CBC Radio. At the University of Victoria, Patrick teaches courses in Jazz Theory, Jazz Pedagogy, Jazz History, Music Business, Improvisation, and Arranging, in addition to directing the Jazz Orchestra and Vikes Band. An in-demand session player not bound by genre, Patrick can be heard on more than 50 recordings and two critically acclaimed solo albums: Still No Word (2008) and Hold Out (2005). Patrick recently performed at Carnegie Hall with tabla virtuoso Zakir Hussain and drummer Steve Smith. He has also performed with Great Big Sea, Mickey Dolenz (The Monkees), Fred Penner, Plants and Animals, Mike Murley, Phil Dwyer, Uri Caine, and many others. His new record Heart of Stone will be released in 2015 and features Bill Brennan (piano), Mike Downes (bass) and Mike Billard (drums). Patrick balances life as a performer with a strong dedication to academics. He holds a Doctorate of Musical Arts in Performance at the University of Toronto. His primary research interest is how improvisation, particularly collective improvisation in organizations, can help students negotiate situations of tension and anxiety, inside and outside of music. Patrick also holds an M.A. in Ethnomusicology from York University and a B.Mus from Memorial University. He has taught undergraduate and graduate courses at Memorial. Patrick is a regular contributor to Canadian Musician magazine and an active clinician throughout North America. On a recent sabbatical, he was a Visiting Scholar at Massey College at the University of Toronto where he began work on a history of jazz music in Newfoundland. Patrick has composed music for film, television, radio, and theatre. In 2010, he was commissioned by the CBC to compose and record ‘Well Enough Alone’, a multimovement jazz suite which acknowledges the 60th anniversary of Newfoundland’s confederation with Canada. Patrick regularly creates original live soundtracks for silent films and video games. Outside of music, Patrick is an up-and-coming stand up comedy talent. He’ll be appearing at Playtime Gaming in Campbell River on September 24 and Courtenay on September 25. The veal is NOT recommended. Follow him on twitter @paddyjoeboyle �Ian McDougall Ian McDougall was born in Calgary, Canada, and grew up in Victoria, leaving there in 1960 to tour in Great Britain with the John Dankworth Band. He returned to Canada in 1962 and began a lengthy career as a freelance player, composer and arranger in Vancouver and in Toronto where, until 1991, he was also the lead and solo trombonist with Rob McConnell’s Juno and Grammy award-winning Boss Brass. Two suites composed by Ian have been recorded by that group – The Pellet Suite (The Boss Brass Again, UMB GEN1-12), and The Blue Serge Suit(e) (Brassy and Sassy, Concord Jazz, CCD 4508). Ian also was lead trombone and composer/arranger for The Brass Connection, who won the Juno award for best Jazz album in 1982. Since the early 1980’s McDougall has become even more involved in composition, and his works have been performed by the CBC Vancouver Orchestra, the Lafayette String Quartet, the Toronto Symphony Orchestra, the Rob McConnell Tentet, and the Toronto Cantata Chorus,among others. Ian now resides in Victoria, where he continues to play, compose, and teach. He taught trombone, composition, and jazz studies at the University of Victoria, leaving there in 2003 as Professor Emeritus. Ian was awarded the University of Victoria’s “Distinguished Alumni” award in 2004. The past decade has included tours in Canada and abroad, both as a soloist and with his groups, to Ireland, Scotland, Australia, Denmark, Holland, the USA, Germany, and England, where Ian was music director for two BBC Big Band broadcasts. Over the years, Ian has been invited to be a performer and clinician at three International Trombone Association conventions, in Nashville, Rochester, and in Las Vegas. Also, in the past decade, Ian has been featured as leader on six CDs. His latest double CD is entitled In a Sentimental Mood, and features the music of Billy Strayhorn and Duke Ellington with Ian joined by his quartet. www.ianmcdougall.com �Wendell Clanton Wendell Clanton is the resident saxophone teacher and Vocal Jazz Ensemble Director at the University of Victoria. Clanton studied under Dr. Frederick L. Hemke and has been a guest performer with the National Conservatory at Bordeaux Saxophone Ensemble, The Supremes, and others. He has performed concerts across North America and the UK and is a member of Three Piece Suit jazz trio, The Midnights, Vis à Vis Saxophone Quartet and The Kingmixers. Eugene Dowling For twenty-five years, Eugene Dowling was Principal Tubist with the Victoria Symphony and has been a faculty member of the School of Music, University of Victoria for over thirty years. His recording The English Tuba on the Fanfare/Pro Arte label was nominated for a Juno Award and received a number of favourable reviews and North America-wide radio play. Under Dowling’s direction, the Victoria TUBACHRISTMAS ensemble has raised thousands of dollars for local charities and has been featured in such diverse venues as CBC TV’s The Journal and with the Victoria Symphony Christmas Pops program. Eugene Dowling is a Yamaha Artist. Ross Macdonald Ross Macdonald is a bassist based in Victoria, British Columbia. His musical skills have taken him around the world, playing music in Dubai at the 7 star Burj al Arab, the tallest hotel in the world, and cruising on the world’s only residence ship, The World. He currently plays the bass full-time with the Naden Band of the Royal Canadian Navy in Victoria. www.rossmacdonald.com Scott MacInnes Scott MacInnes is the trombone instructor at the University of Victoria, and Principal Bass Trombone with the Vancouver Island Symphony Orchestra. Upon finishing his Undergraduate Degree in Classical Music Performance on the bass trombone at the University of Toronto, Scott free-lanced in the Greater Toronto Area and throughout Ontario, playing with a great number of ensembles, including: the Toronto Symphony, Orchestra London, the Thunder Bay Symphony, and the Niagara Symphony, as well as Hannaford Street Silver Band. www.mactrombone.com �Kelby MacNayr Kelby MacNayr is a featured performer on national radio and television in the U.S. and Canada (NPR, CBC Radio, CBC Television) and has performed on over 50 recordings and at major festivals across Canada and the U.S. Maintaining an active regional and international performing career, MacNayr has performed and or recorded with many of North American’s finest musicians including: Phil Dwyer, Ian McDougall, Neil Swainson, Tony Genge, Tony Wilson, Joel Miller, Brad Turner, Christine Jenson, Don Thompson, Hugh Fraser and George McFetridge. The Kelby MacNayr Quintet released The Measure of Light in 2013. www.kelbymacnayr.com Monik Nordine Monik Nordine is a freelance saxophonist and composer in the jazz genre and has been working as a musician for 20 years. Monik completed a Master of Music Degree in Jazz Performance and Composition at McGill University in 1997. She has been teaching privately since 1985 and has given clinics at numerous public and private secondary schools including: the University of Victoria, the University of British Columbia and Vancouver Island University. She has studied privately in London, England and New York City. Marc Patsula Marc Patsula is a horn player who exists on a higher spiritual plane than most mortals. He is also a jewelry designer, cornetist, gourmet chef, empathy, and dear friend to anyone he meets. Along with Patrick Boyle and Joanna Hood, he ensures that Constance Avenue is the most artistically diverse street in all of Esquimalt. www.jewelry-by-marc.com Tom Vickery Tom Vickery remains a leading figure on the West Coast jazz scene. Equally talented on both trumpet and piano, in 1993 he participated in a national tour of Canada with the Canadian Forces Jazz Quintet for the Department of National Defense. For the past 10 years, he has played with the award-winning Dixieland Express Jazz Band, host band for the annual ‘TerrifVic Jazz Party’. The Tom Vickery Trio has been the house band at Hermann’s Jazz Club in Victoria for more than 14 years. He played in Hugh Fraser’s (international) Jazz Workshop Orchestra for two years, and has been the featured pianist with vocalist Barbara Blair’s “Jazz Affair” group for the past 10 years. He is also a member of the Chris Millington Jazz Quartet, the resident band in the Bengal Lounge of the renowned Empress Hotel in Victoria. �Upcoming Events At the School of Music Sunday, September 21, 7:30 p.m. (Admission by donation) EMERGING ARTISTS ALUMNI SERIES Bringing together Classical and folk traditions, with violist Sarah Tradewell (B.Mus ‘14) and chamber-folk band West My Friend. Phillip T. Young Recital Hall Friday, September 26, 12:30 p.m. (Admission by donation) FRIDAYMUSIC A concert of varied repertoire & instruments featuring School of Music students. Phillip T. Young Recital Hall Sunday, September 28, 2:30 p.m. ($18/$14) FACULTY CONCERT SERIES: Suzanne Snizek, flute With Bruce Vogt, piano and Anne Grimm, soprano Featuring music by Mel Bonis, Charles Koechlin, Kaija Saariaho and J.S. Bach as well as Yuko Uebayashi’s Sonata for flute and piano. Phillip T. Young Recital Hall Friday, October 3, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music keyboard students Phillip T. Young Recital Hall Wednesday, October 8, 11:00 a.m. – 1:00 p.m. (Admission by donation) GUEST RECITAL & MASTERCLASS: Aaron Wilson, trombone Trombonist Aaron Wilson, Assistant Professor of Low Brass at the Brandon University School of Music, performs Fantasy for Trombone by Malcolm Arnold, An Unaccompanied Sonata by C.P.E. Bach/arr. Ralph Sauer, and Basta by Folke Rabe. A masterclass with School of Music trombone students will follow. Phillip T. Young Recital Hall Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL Please note: Due to technical fault, the first piece appearing on the program was not recorded <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_02.mp3">track2 </a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_05.mp3">track5</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_06.mp3">track6</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_07.mp3">track7</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_08.mp3">track8</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_09.mp3">track9</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/092014-FacultyRecital/092014-FacultyConcert_10.mp3">track10</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Re-Birth of the Cool, Patrick Boyle, trumpet & electric guitar Creator An entity primarily responsible for making the resource Iain Emslie Date A point or period of time associated with an event in the lifecycle of the resource September 20, 2014 Contributor An entity responsible for making contributions to the resource Patrick Boyle, trumpet & electric guitar; Monik Nordine, alto saxophone; Wendell Clanton, baritone saxophone; Scott MacInnes, trombone; Marc Patsula, horn; Eugene Dowling, tuba; Tom Vickery, piano; Ross MacDonald, double bass; Kelby MacNayr, drums; Ian McDougall, trombone https://finearts.uvic.ca/music/archive/files/original/48af4b76f9b742370bb5b8e810f68033.pdf 8db3f79115f26844ade464db4d2346cf PDF Text Text UNIVERSITY OF VICTORIA Faculty Concert series Alexander Dunn, guitar With Anne Grimm, soprano Saturday, March 29, 2014, 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $17.50 / Students & seniors: $13.50 �P R O G RA M Études ‘L’indispensable’ Op. 40* Leonard Schulz Allegro maestoso (1814–1860) Andante Moderato Grave Andante Allegro Andante Nocturnal after John Dowland, Op. 70 Benjamin Britten Musingly (1913–1976) Very agitated Restless Uneasy March-like Dreaming Gently rocking Passacaglia Slow and quiet Intermission (Beverages and snacks available at the concession located in the lounge) Under Milkwood Songs* Stephen Goss Polly Garter (b. 1954) Lily Smalls Rosie Probert and Captain Cat Oh what’ll the neighbours say, what’ll the neighbours… Pretty Polly hums and longs Studies for Guitar* Weeping Willows Allan Willcocks (1869–1956) A Summer Breeze Still Waters Le Gibet de Ravel Children playing Frost and Dew Reflections Choral The Bells of Notre Dame A Gale is blowing *Canadian premiere Guitar by Stephen Connor, Boston, USA �P r o g ra m N ot e s Tonight’s program feature landmark works from Great Britain, important in the guitar repertoire from their inception or from recent rediscovery. German-born Leonard Schulz was based in London during the height of the Victorian era, British composer Allan Willcocks imported French impressionistic color from across the channel into his aesthetic, Benjamin Britten applied his exacting technique into a moody reflection on Elizabethan composer John Dowland (1563-1626), and Stephen Goss explores the perennial delight and naughtiness of Welshman Dylan Thomas’ Under Milkwood. Leonard Schulz – Études – two of England’s most prominent 19th century guitar virtuosos were almost exact contemporaries: the extraordinary Jules Regondi has enjoyed a deserved revival from concert artists but Leonard Schulz, whose studies were only published in 2011, is awaiting recognition. Brothers Leonard and pianist Edward were dual child prodigies, taken by their father on interminable concert tours across Europe. Leonard’s performance of a Giuliani concerto at age thirteen, prompted a London reviewer to term him the ‘Ajax of the Guitar’. Indeed, his prowess was such that he played in the company of Moscheles, Maria Malibran, Thalberg, Liszt, Sir George Smart, and many other musical luminaries in England, France, and Germany. In 1850, a Russian noblemen, visiting London for the exact purpose of calling on Schulz, wrote that: ‘He was a tall, well-dressed man… handsome and of excellent manners. He played… to my indescribable delight… His playing embodied all that I could hope for – and extraordinary rapidity, clearness, forcefulness, taste, suavity of touch, brilliance, expression… I noticed, moreover, a decided self-assurance during the performance. It seemed, in fact, that playing the instrument was but a light diversion for him, for he showed himself heedless of the tremendous difficulties in which his own compositions abounded’. Due to the decline of the guitar during the Victorian era, Schulz’s concert music, too difficult for the amateur market, was lost. A number of his surviving works are in a disappointing popular style. Edward Schulz said of his brother that ‘he has the greatest talent, but is the worst drunkard in London’, and a less than reputable lifestyle may have hastened, along with Jules Regondi, a drawn-out and painful illness and premature death. The Studies are intended to develop tonal balance, control and a singing style. They often feature repeated notes, where both a Schubertian lyricism and Schulz’s unique voice are heard. Benjamin Britten – Nocturnal after John Dowland – the magnificent Nocturnal has assumed a place in the guitar lexicon as a watermark of the twentieth century. Commissioned by Julian Bream, the Nocturnal is a broad rumination on John Dowland’s air Come Heavy Sleep (First Booke of Airs, 1597) for voices and lute, quoted at the end. The song text is as follows: Come, heavy Sleep, the image of true Death, And close up these my weary weeping eyes, Whose spring of tears doth stop my vital breath, And tears my heart with Sorrow’s sigh-swoll’n cries. Come and possess my tired through-worn soul, That living dies till thou on me be stole. �Britten manipulates elements of the Dowland air into a fantastical set of variations in reverse order where the theme is presented, in its entirety, at the close. Themes of sleep and death, dream vs. waking reality, and the transmutation of ideas across time form its basis and structure. The splintering of the Dowland melody into independent variations allows Britten to portray varying dream attitudes which range across a nightscape - now irritated, now singing, now marching, toward repose - but not before the Passacaglia, a large and insistent utterance, itself based on a recognizable element of the Dowland, is aggressively asserted. After the Passacaglia subsides, the beautiful Dowland air reassembles itself from the fractured night-dream of the variations, waning into doleful silence. Stephen Goss – Under Milkwood Songs – British composer Stephen Goss, Professor of Music at the University of Surrey, and Visiting Professor at the Royal Academy of Music in London, enjoys worldwide recognition for his orchestral, chamber, and guitar works. Captivated by Dylan Thomas’ 1954 radio play Under Milkwood, Goss produced a song cycle and later a setting for guitar quartet and narration based on the Thomas text. The play, set in the imaginary Welsh fishing village of Llareggub (spell it backwards), explores the seamy underside of rural life with sexual undercurrents, catty wives, pitched gossip, powerful longing, and a recall of intimacy set on the romantic high seas. Polly Garter’s wistful lost-love memory begins and ends the work. Lily Smalls yearns for a fantasy life full of love, but is only bored with her small existence. Rosie Probert is Captain Cat’s deceased lover who only appears in his dreams; the Captain is an old blind sailor who, like Tiresias of Thebes – the blind clairvoyant transformed into a woman - intuits the goings on in the village. Sharp-tongued gossip pervades the neighborhood while Lily Smalls’ melancholic remembrance of Little Willy Wee, her only true love, ends the cycle on a pensive tone. 2014 marks the centenary of Dylan Thomas’ birth. The entire text for Under Milkwood Songs appears at the end of these program notes. Andrew Allan Willcocks – Studies – Willcocks hailed from Canterbury where as a child he was encouraged to study the guitar with Giulia Pelzer, sister to the most important female guitarist of the nineteenth century. He later devoted his attention to piano, organ and composition. Study in Paris under Paul Dukas exposed him to the French style and it was there he formed deep friendships with Manual Ponce, Cyril Scott, and other notable musicians. Indeed these influences and especially Ravel, can be discerned in his blending of Impressionist syntax with expert instrumental writing. 12 Minature Preludes for guitar also date from his Paris years alongside the Studies, which were discovered and published in 2012. The first, Weeping Willows, dedicated to the Mexican composer Ponce, is largely based on the whole-tone scale, moodily ranging across the instrument, and marked ‘dreary’. A Summer Breeze is a fluid arpeggio study, lightly dispelling any mood of gravity. Inspired by Charles J. Pahlmie’s Silent Water – a darkly hued oil on canvas landscape in which the partially obscured moon is reflected in a deep, placid lake – Still Waters is a calm, unruffled meditation on beautiful sonorities, dedicated to the Spanish virtuoso Miguel Llobet. The expressive centerpiece of the cycle, Le Gibet de Ravel, is a stark re-imagining of the second movement of Ravel’s monumental Gaspard de la Nuit. It is a monotonic tableaux on Alois Bertrand’s poem Le gibet (The Gallows), whose translation of the first and last couplet read: Ah! What do I hear, was it the north wind that screeches in the night, or the hanged one who utters a sigh on the fork of the gibbet?   …    It is the bell that tolls from the walls of a city, under the horizon, and the corpse of the hanged one that is reddened by the setting sun. �Willcocks begins with a direct quite of the Ravel, slowly evolving into original music, but somehow combining elegance with utter dread. The frolicsome Children Playing scatters the hex with echoes of Mussorsky’s Pictures at an Exhibition and Debussy; hurried musical motives scamper across its pages. Frost and Dew also draws its inspiration from a painting – Peter Scott Purvil’s Frost and Dew – contrasting a snow-covered lakeside with the slow thaw of early spring. In this study, Willcocks begins with frigid major seconds, slowly expanding into a radiant conclusion. Reflections recalls Debussy’s piano work Images (Vol. 1) with its sumptuous harmonies. It begins with a sense of breathless urgency, soon relaxing into spacious octaves and a drooping, expressive motive. In Choral, we are invited to the fleeting memory of a Ravelian waltz emerging from bell-like harmonics. The clamorous The Bells of Notre Dame’s emerge from and retreat into a fog and in its expanse recalls Frost and Dew, but with the weighty and imperious tolling of cathedral bells. This set of Willcocks Studies ends with A Gale is blowing, its oppressive gusts subside only at its very conclusion. ~ Program notes by Alexander Dunn Under Milkwood Songs Adapted from Under Milkwood by Dylan Thomas (1914-1953) 1. Polly Garter I loved a man whose name was Tom He was strong as a bear and two yards long I loved a man whose name was Dick He was big as a barrel and three feet thick And I loved a man whose name was Harry Six feet tall and sweet as a cherry But the one I loved best awake or asleep Was little Willy Wee and he’s six feet deep. O Tom Dick and Harry were three fine men And I’ll never have such loving again But little Willy Wee who took me on his knee Little Willy Wee was the man for me. 2. Lily Smalls Oh there’s a face! Where you get that hair from? Got it from a old tom cat. Give it back then, love. Oh there’s a perm! Where you get that nose from, Lily? Got it from my father, silly. You’ve got it on upside down! Oh there’s a conk! Look at your complexion! Oh no, you look. Needs a bit of make-up. Needs a veil. Oh there’s glamour! Where you get that smile, Lil? Never you mind, girl. Nobody loves you. That’s what you think. Who is it loves you? Shan’t tell. Come on, Lily. Cross your heart then? Cross my heart. 3. Rosie Probert and Captain Cat ROSIE PROBERT: What seas did you see, Tom Cat, Tom Cat, In your sailoring days Long long ago? What sea beasts were In the wavery green When you were my master? �CAPTAIN CAT: I’ll tell you the truth. Seas barking like seals, Blue seas and green, Seas covered with eels And mermen and whales. ROSIE PROBERT: What seas did you sail Old whaler when On the blubbery waves Between Frisco and Wales You were my bosun? CAPTAIN CAT: As true as I’m here Dear you Tom Cat’s tart You landlubber Rosie You cosy love My easy as easy My true sweetheart, Seas green as a bean Seas gliding with swans In the seal-barking moon. ROSIE PROBERT: What seas were rocking My little deck hand My favourite husband In your seaboots and hunger My duck my whaler My honey my daddy My pretty sugar sailor. With my name on your belly When you were a boy Long long ago? CAPTAIN CAT: I’ll tell you no lies. The only sea I saw Was the seesaw sea With you riding on it. Lie down, lie easy. Let me shipwreck in your thighs. 4. Oh what’ll the neighbours say, what’ll the neighbours… Poor Mrs Waldo What she puts up with Never should of married If she didn’t had to Same as her mother There’s a husband for you Bad as his father And you know where he ended Up in the asylum Crying for his ma Every Saturday He hasn’t got a leg And carrying on With that Mrs Beattie Morris Up in the quarry And seen her baby It’s got his nose Oh it makes my heart bleed What he’ll do for drink He sold the pianola And her sewing machine Falling in the gutter Talking to the lamp-post Using language Singing in the w Poor Mrs Waldo Black as a chimbley Ringing doorbells Breaking windows Making mudpies Stealing currants Chalking words Saw him in the bushes Playing mwchins Send him to bed without any supper Give him sennapods and lock him in the dark Off to the reformatory Off to the reformatory Learn him with a slipper on his b.t.m. 5. Pretty Polly hums and longs Now when farmers’ boys on the first fair day Come down from the hills to drink and be gay, Before the sun sinks I’ll lie there in their arms For they’re good bad boys from the lonely farms, But I always think as we tumble into bed Of little Willy Wee who is dead, dead, dead... �Upcoming Events Sunday, March 30, 2:00 p.m. (Admission by donation) UNIVERSITY OF VICTORIA CHAMBER SINGERS: Wine,Water & Roses Garry Froese, conductor Phillip T. Young Recital Hall Thursday, April 3, 12:00 p.m. (Admission by donation) AFRICAN PERCUSSION CONCERT The thirty-member percussion ensemble from the African Hand Drumming class perform a repertoire of rhythms on djembe, balafon and dundun. Phillip T. Young Recital Hall Thursday, April 3, 8:00 p.m. (Free admission) COMPUTER MUSIC CONCERT Featuring original works for digital media by students in Computer Music Seminar. Expect delays: experiments in progress! Phillip T. Young Recital Hall Thursday, April 3, 8:00 p.m. ($14 & $10) DON WRIGHT SYMPHONIC WINDS: A Trip to the Zoo! Michael Keddy, conductor University Centre Farquhar Auditorium Saturday, April 5, 8:00 p.m. ($17.50 & $13.50) UNIVERSITY OF VICTORIA CHORUS & ORCHESTRA: Bees Ajtony Csaba, conductor Susan Young, chorus director Berlioz – Symphonie Fantastique, Op. 14 Bruckner – Mass No. 3 in F minor, WAB 28 University Centre Farquhar Auditorium Sunday, April 6, 2:30 p.m. ($12 advance / $15 at the door) PHILOMELA WOMEN’S CHOIR: A Potpourri for Spring Mary Kennedy, director Phillip T. Young Recital Hall � Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_04.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/032914-FacultyRecital/032914-FacultyDunn_05.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Alexander Dunn, guitar Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource March 29, 2014 Contributor An entity responsible for making contributions to the resource Alexander Dunn, guitar; Anne Grimm, soprano https://finearts.uvic.ca/music/archive/files/original/887ce0122f1f107ceb803fd83632886c.jpg 3c909f695fa3714b4b8110896604160c https://finearts.uvic.ca/music/archive/files/original/a2bae28d0c4ae6512fa9bd9a3a48a2af.pdf 9820b89625b9a053c19bb5493fd610f6 PDF Text Text UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES BRUCE VOGT, piano P R O G RA M Franz Schubert (1797–1828) Sonata No. 13 in A Major, D. 664, Op. 120 (1819) i. Allegro moderato ii. Andante iii. Allegro Four Impromptus D. 899, Op.90 (1827) i. Allegro molto moderato: C minor ii. Allegro: E-flat Major iii. Andante: G-flat Major iv. Allegretto: A-flat Major Intermission (Beverages and snacks available at the concession located in the lounge) This concert is part of IdeaFest 2014, a UVic event celebrating research and creativity. Saturday, March 8, 2014 at 8:00 p.m. Pre-concert talk at 7:30 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $17.50 / Students & seniors: $13.50 from Moments Musicaux, D. 780, Op.94 (c.1824) No. 6: Allegretto in A-flat Major Sonata No. 16 in A minor, D. 845, Op. 42 (1825) i. Moderato ii. Andante poco moto (theme and variations) iii. Scherzo: Allegro vivace iv. Rondo: Allegro vivace �P R O G RA M N OT E S “Schubert’s tonality is as wonderful as star clusters, and a verbal description of it is as dull as a volume of astronomical tables.” (D. F. Tovey) “I’ve discovered something which you may perhaps find valuable. I find myself using quite spontaneously too a means of expression which I think is quite unusual: namely silence. Now don’t laugh! It is perhaps the only way to give the emotion of a phrase its full power.” (Claude Debussy in a letter to the composer Ernest Chausson) “The art of Music has here entombed a rich treasure but yet much fairer hopes.” Those are the words inscribed on Schubert’s tombstone. And certainly we can think with regret of the many works that he surely would have created had he had something like a normal life span. Schubert, at the time of his death, was well known only to his own circle of friends and even they knew him mostly as a song composer. His achievement as a composer of instrumental music was not at all understood. How could it be, when most of his instrumental works were not yet published? Many of them would not be heard for decades. His 8 symphonies, 15 string quartets, many other chamber works, 21 piano sonatas, masses, other choral works and much, much more – these were almost all unknown. When these works were finally being heard and pondered over, they were too often patronized as formally flawed. Even fifty years ago it was not uncommon to hear many of Schubert’s instrumental works described as undisciplined works. There were a few champions of note. Liszt and Brahms both recognized the greatness of Schubert as an instrumental composer. And in 1894, Antonín Dvořák wrote these words: “[He] is never at fault in his means of expression, while mastery of form came to him spontaneously… Schubert’s musical individuality is unmistakable...” The stature of Schubert’s piano sonatas took a particularly long time to be recognized. It was long thought that it was only in shorter works – such as the Impromptus and Moments Musicaux – that Schubert’s genius for instrumental writing could thrive. His sonatas were seen as diffuse and overly repetitive. It was not until the 1920s, especially with the advocacy of the pianist Artur Schnabel, that some of the sonatas began to be established in the repertoire. And it is only in the last few decades that competent editions of his sonatas have appeared. 21 sonatas have survived in some form, 13 of them complete. In his lifetime only three sonatas were published and yet at least 10 of the 21 sonatas are major works. The Sonata in A Major, D. 664 is Schubert’s first masterpiece in the genre (through there are at least three earlier sonatas which very much deserve to be in the active repertoire). It was almost certainly composed in 1819 but was not published until 1839 – eleven years after the composer’s death. The autograph was promptly lost and so the first edition is all that we have. Fortunately it appears to be fairly accurate. Impromptus and Moments Musicaux were the kind of shorter “domestic” works which publishers could sell. And yet it is typical of Schubert that though these works are simpler in form – ternary in structure – they are also works of variety and great originality. The Four Impromptus D. 899 were composed in 1827. Only the first two were published in Schubert’s lifetime. Schubert wrote dozens of works for chorus and some of them are major works. The Impromptu in C minor begins as a kind of ballade with a solo singer answered antiphonally by a mixed chorus. However the main body of the work develops as a kind of variation-fantasy before an echo of the antiphonal solo-chorus opening returns in the distance. The Impromptu in E-flat Major exuberantly explores the visceral joy of scalic patterns, with a middle section à l’Hongroise. The Impromptu in G-flat Major is essentially a “Song Without Words”, a miracle of vocal evocation. When it finally was published 29 years after Schubert’s death, the G-flat key was changed to G Major and the time signature simplified. As well it suffered a banal change in one of its most beautiful harmonic progressions. This is all too typical of the disrespectful way Schubert’s instrumental works were treated for so long. The Impromptu in A-flat Major can be linked to the flowing “watery” accompaniments of many of his songs. The song “Auf dem Wasser zu Singen (To be sung on the water) is in the same key, oscillates in a similar fashion between the tonic minor and major and has a similar rippling effect. However the tragic middle section of this Impromptu finds no reflection in the song. The Six Moments Musicaux were published in 1828. However, the Moment Musical in A-flat had already been published in 1824 and given a fanciful title by the publisher: “Les Plaintes d’un Troubadour”. Indeed it is a kind �UPCOMING EVENTS of lament, but surely more suitably seen as one of the many laments of wanderers and other outcasts to be found in so many of Schubert’s songs. Sunday, March 9, 2:30 p.m. (Admission by donation) CELLO CLASS RECITAL Featuring students from the studio of Pamela Highbaugh-Aloni. Phillip T. Young Recital Hall “My best greetings to [brother] Ferdinand…I am certain that he has been ill 77 times again, and fancied himself 9 times at least on the point of death – as though dying were the worst evil we mortals had to face. If only he could see these marvellous mountains and lakes, whose aspect threatens to crush us or swallow us up, he would become less enamoured of the tiny span of human life, and would be ready joyfully to give his body to the earth, to be quickened by its incomprehensible forces into new life.” [Schubert, in a letter to his father, 1824) Sunday, March 9, 8:00 p.m. ($20 & $18) AVENTA presents: Strange News Aventa Ensemble Bill Linwood, conductor With Arthur Kisenyi, actor and Rick Sacks, vibraphone Norway’s leading composer Rolf Wallin and Ugandan actor Arthur Kisenyi join Aventa in the presentation of Strange News, a work that confronts the challenging issue of child soldiers, with video, live electronics, surround sound and the participation of local media. Also featuring works by Victoria’s Christopher Butterfield and Alberta/New York composer Zosha di Castri. Tickets available at the door. Phillip T Young Recital Hall The Sonata in A minor D. 845 was published in 1825 as opus 42 and was the first of Schubert’s sonatas to be published. In fact it is one of his only large-scale instrumental works published in his lifetime. The sad fact was that publishers were only somewhat willing to publish Schubert’s instrumental works and then only his occasional or domestic works – dances and other shorter piano solo and piano duets, rather than his more ambitious, largescale creations. (Of course some of these seemingly lighter works are also works of genius). Tuesday, March 11, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Friday, March 14, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music woodwind students. Phillip T. Young Recital Hall Once again, our only source for this sonata is the original edition. The autograph and any sketches are lost. It is a more serious problem in this case, because not only is this original publication filled with obvious errors but there are four measures missing! The copyist must simply have skipped a line of the autograph – this occurs in the first variation of the 2nd movement. Yet it took the music world more than 130 years to notice the gaping hole in this work (Paul Badura-Skoda pointed it out in an article published in 1958)! Friday, March 14, 8:00 p.m. (Admission by donation) GUITAR CLASS RECITAL Featuring students from the studio of Dr. Alexander Dunn. Phillip T. Young Recital Hall Sunday, March 16, 2:00 p.m. (Admission by donation) PIANO CLASS RECITAL Featuring students from the studio of May Ling Kwok. Phillip T. Young Recital Hall Few of Schubert’s letters have survived but a letter to his father refers to his own performance for some friends of the Andante movement of this sonata. It tells us a great deal about what he valued in performance, in sound-making: “What pleased me especially were the variations in my new sonata…which I performed alone and not without merit, since several people assured me that the keys become singing voices under my hands, which, if true, pleases me greatly, since I cannot endure the accursed chopping in which even distinguished pianists indulge, and which delights neither the ear nor the mind.” Program notes by Bruce Vogt � To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/public/030814-FacultyRecital/030814-FacultyConcert_lecture.mp3">lecture</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/030814-FacultyRecital/030814-FacultyConcert_02.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/030814-FacultyRecital/030814-FacultyConcert_03.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/030814-FacultyRecital/030814-FacultyConcert_04.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/030814-FacultyRecital/030814-FacultyConcert_05.mp3">track4</a> <a href="https://finearts.uvic.ca/music/archive/uploads/public/030814-FacultyRecital/030814-FacultyConcert_06.mp3">track5</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - Bruce Vogt, piano Creator An entity primarily responsible for making the resource Bryan Lilly Date A point or period of time associated with an event in the lifecycle of the resource March 8, 2014 Contributor An entity responsible for making contributions to the resource Bruce Vogt, piano https://finearts.uvic.ca/music/archive/files/original/25e1daf5100f013d3801a3493e031669.pdf b172bdc84b5ff2e9e68c4d479088049c PDF Text Text UNIVERSITY OF VICTORIA FACULTY CONCERT SERIES MAY LING KWOK, piano P R O G RA M Sonata in E flat, Hob. XVI/52 I. Allegro II. Adagio III. Presto F. J. Haydn (1732–1809) Années de pèlerinage, deuxieme année: Italie F. Liszt VII. Après une Lecture de Dante: (1811–1886) Fantasia Quasi Sonata Intermission (Beverages and snacks available at the concession located in the lounge) Polonaise-Fantasie, Op. 61 F. Chopin (1810–1849) Variations and Fugue on a Theme by Handel, Op. 24 J. Brahms (1833–1897) Saturday, March 1, 2014 at 8:00 p.m. Phillip T. Young Recital Hall MacLaurin Building, University of Victoria Adults: $17.50 / Students & seniors: $13.50 �UPCOMING EVENTS Tuesday, March 4, 12:30 p.m. (Admission by donation) TUESDAYMUSIC Take an afternoon break to enjoy a concert of varied repertoire and instruments featuring School of Music students. Phillip T. Young Recital Hall Wednesday, March 5 to Friday, March 7, 9:00 a.m. to 5:00 p.m. (Free admission) BANDFEST 2014 A non-competitive festival for Concert Bands featuring thirty Concert Bands from the Pacific Northwest. University Centre Farquhar Auditorium Friday, March 7, 12:30 p.m. (Admission by donation) FRIDAYMUSIC Featuring School of Music percussion students. Phillip T. Young Recital Hall Friday, March 7, 8:00 p.m. ($17.50 & $13.50) UNIVERSITY OF VICTORIA ORCHESTRA Modulations Ajtony Csaba, conductor Performing: Berlioz – Le Carnival Romain Overture, Op. 9 Gérard Grisey – Modulations Beethoven – Symphony No. 7 in A Major, Op. 92 University Centre Farquhar Auditorium Saturday, March 8, 8:00 p.m. ($17.50 & $13.50) FACULTY CONCERT SERIES Bruce Vogt Plays Schubert An all-Schubert solo recital featuring pianist Bruce Vogt. Informal pre-concert talk at 7:30 p.m. Phillip T. Young Recital Hall Sunday, March 9, 2:30 p.m. (Admission by donation) CELLO CLASS RECITAL Featuring students from the studio of Pamela Highbaugh-Aloni. Phillip T. Young Recital Hall � � Tickets available at the UVic Ticket Centre (250-721-8480), online (www.tickets.uvic.ca) and at the door. To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca www.finearts.uvic.ca/music/events � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series Hyperlink A link, or reference, to another resource on the Internet. URL <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030114-FacultyRecital/030114-FacultyRecital_01.mp3">track1</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030114-FacultyRecital/030114-FacultyRecital_02.mp3">track2</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030114-FacultyRecital/030114-FacultyRecital_03.mp3">track3</a> <a href="https://finearts.uvic.ca/music/archive/uploads/faculty/030114-FacultyRecital/030114-FacultyRecital_04.mp3">track4</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Faculty Concert Series - May Ling Kwok, piano Creator An entity primarily responsible for making the resource Jamie Bracke Date A point or period of time associated with an event in the lifecycle of the resource March 1, 2014 Contributor An entity responsible for making contributions to the resource May Ling Kwok, piano