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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
Deep in the Groove
PATRICK BOYLE trumpet &amp; guitar
TONY GENGE Hammond B-3 organ
KELBY MACNAYR drums
With PHIL DWYER saxophone

Saturday, January 21, 2017 • 8 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM NOTES
This concert will be in two 45-50 minute halves,
with a short intermission. Selections will be
announced from the stage.
A note from Patrick Boyle:
Thank you for making this concert a part of your life. This performance and the week leading up to represent an exciting step forward
for jazz at UVic. We were thrilled to enjoy the talents of Tony, Kelby
and Phil around the halls this week. These gentlemen are among the
finest jazz musicians Canada has produced and they hold strong ties
to Vancouver Island and UVic in particular. Learning jazz music, indeed
all music, only works when you immerse yourself in the music and
people who make it, and none of that comes from a textbook. We
have been lucky to stand near the flame of these incredible players
this week.
Also, this special concert is a warm and loving “welcome back” to
UVic for music alumni Tony Genge and Kelby MacNayr, and also to Phil
Dwyer who has returned to UVic to work on his law degree. Please
sit back, relax, and let yourself fall deep in the groove.

Please tell us about your concert experience in this quick Audience Survey:
https://finearts.uvic.ca/forms/music/audience/

�BIOGRAPHIES
PATRICK BOYLE (trumpet and guitar)
Newfoundland trumpeter Dr. Patrick Boyle embodies the jazz spirit by synthesizing
a range of influences into a compelling original musical voice. CBC Radio has called
him a “trumpet personality” and “one of Canada’s top trumpet players and jazz musicians in general.” Patrick is Associate Professor of Jazz Studies at the University of
Victoria where he teaches courses in theory, history, music business, music education
and performance.
An in-demand sideman unbound by genre, Patrick appears on over 50 recordings on
trumpet and guitar, including 3 critically acclaimed solo recordings. Patrick performed
at Carnegie Hall with tabla virtuoso Zakir Hussain and drummer Steve Smith. He
has also played with Duane Andrews, Great Big Sea, Mickey Dolenz, Bill Frisell, and
Fred Penner among others.
Patrick composed the music to the play Colony of Unrequited Dreams, based on the
acclaimed novel by Wayne Johnston and directed by Head of English Theatre Jillian
Keiley, which opens at the National Arts Centre in Ottawa on January 27, 2017. He
also co-composed the score for the NFB film 54 Hours about the 1914 sealing disaster off the coast of Newfoundland. In 2010, he was commissioned by the CBC to
compose and record Well Enough Alone, a multi-movement suite acknowledging the
60th anniversary of Newfoundland’s confederation with Canada. Patrick is currently
documenting the history of jazz music in Newfoundland. After Forgetting, a new vinyl
record with Bill Brennan, Mike Downes, and Mike Billard, will be released in 2017.
PHIL DWYER (saxophone)
Originally from Canada’s West Coast, Phil Dwyer burst on the jazz scene in Canada
and internationally in his late teens as a saxophone prodigy and by his early 20s
was, to quote former Globe and Mail journalist Mark Miller, “startling jazz audiences
with his unprecedented command of both tenor saxophone and piano” and with
his “extraordinarily authoritative playing….set the country on it’s ear”. His full time
music career started in 1985 and from 1989-2004 Dwyer lived in Toronto, where
he was a key fixture in the major jazz clubs, concert halls and recording studios.
During that time Dwyer led his own various groups and co-led bands with bassist
Dave Young, multi-instrumentalist and composer Don Thompson, and pianist/organist
Doug Riley. Bassist Young, well known for his long tenure with Oscar Peterson, had
this to say about working with Dwyer…..”Phil Dwyer, in my estimation, is one of the
great tenor players of jazz. We worked together in several groups while Phil lived in
Toronto and he always brought fantastic energy and creativity to the musical setting

�we were involved in. He is a complete musician — a pianist and composer/arranger
as well as a reed player. It would be difficult to over estimate the natural talent and
commitment of this artist.”
While keeping a busy schedule as a performer and ‘first-call’ studio musician in the
Toronto scene Phil also found time to travel and perform across North America,
Europe, South America, and Asia, including tours with pop music icon Gino Vannelli,
trumpet star Ingrid Jensen and with his own groups. In the mid-1990s Dwyer
began developing his craft as a composer and arranger, studying composition and
orchestration with the eminent composer Michael Colgrass. Subsequent to those
studies Dwyer’s work was commissioned and recorded by the Gryphon Trio, Amici,
Roberto Occhipinti, CBC Orchestra, Manitoba Chamber Orchestra, Hard Rubber
Orchestra, the Art Of Time Ensemble and Duke Trio. A 2010 commission from
Mark Fewer and McGill University led to the creation of a major work “Changing
Seasons”, a 40 minute concerto for jazz and string orchestras accompanying violin
soloist Fewer. The 2011 recording of that piece, featuring Fewer with the Phil Dwyer
Orchestra, won a Juno Award for Best Contemporary Jazz Album. Among other
Juno winning recordings in Dwyer’s discography are collaborations with Guido Basso,
Don Thompson, Molly Johnson, Hugh Fraser, Joe Sealy, Terry Clarke, Diana Panton,
and Dave Young.
As evidenced by his Order of Canada citation, Dwyer has also been active as an
educator. In addition to his work from 1989-2001 as a sessional instructor at York
University in Toronto he has also been a guest lecturer/clinician for leading music
music programs in Canada, the U.S., and Europe. From 2005-2014 he owned and
operated the Phil Dwyer Academy Of Musical And Culinary Arts on Vancouver
Island. This innovative program brought together some of Canada’s top young music
students with an illustrious faculty comprised of many of the leading names in contemporary jazz music.
In the fall of 2014 Dwyer entered his first year of studies in the Faculty of Law at
University of New Brunswick. He continues to remain active as a musician and also
as an advocate for increased public awareness of mental health issues.
TONY GENGE (Hammond B3 organ)
Canadian composer and pianist Anthony (Tony) Genge was born in Vancouver in
1952. He worked as a performer of jazz and rhythm and blues for a number of
years before studying composition formally.
Genge was a student of Morton Feldman between 1982 and 1985, completing a
Ph.D. in composition at the State University of New York at Buffalo. He also studied
composition with Bruce Mather at McGill University and Martin Bartlett and Rudolf

�Komorous at the University of Victoria. In 1979, he studied with the Japanese
composer Jo Kondo in Tokyo. During this time he also visited several Pacific-Rim
countries, studying their traditional music. By the 1990s, the style and influences in
his music had become increasingly diverse, and since that time his music has been
characterized by its distinctive harmonic language, elegant orchestration and postmodern mix of musical elements. Genge’s solo, chamber, and orchestral music, the
first of which dates from the mid-1970s, has been performed and commissioned by
leading soloists and ensembles throughout Canada, the United States, Europe and
Japan, and his music has also been used for dance and film.
Currently, he divides his time between Antigonish, Nova Scotia on the East Coast of
Canada, where he is Professor of Music at St. Francis Xavier University, and Victoria,
B.C., on the Canadian West Coast. In addition to his work as a composer, Genge
continues to perform and record as a jazz pianist and can be heard on his critically
acclaimed jazz trio recording Blues Walk.
KELBY MACNAYR (drums and cymbals)
Drummer/composer/band-leader Kelby MacNayr performs groundbreaking original
music, soulful swinging jazz, reaching contemporary music and traditional music from
around the world. A dynamic and creative musician MacNayr performs in Canada
and abroad with leading musicians from New York, Seattle, Portland, Vancouver,
Montreal, Toronto &amp; Europe. A faculty member of the renowned Jazz Port Townsend
Festival under director John Clayton, staff at the Lionel Hampton International Jazz
Festival, Kelby is continually reinventing himself as a performer, composer and educator. In November 2013 the Kelby MacNayr Quintet released the much-anticipated
album The Measure of Light featuring Phil Dwyer, Dan Lapp, Miles Black &amp; Tom Wakeling. Recent concert highlights include performances with Larry Fuller, John Clayton,
George Colligan, Geoffrey Keezer and more.
Born and raised on Canada’s west coast, Kelby is connected to the small but mighty
musical community in his home-town, a great and varied musical community across
the country and an ever-changing world of musicians in the Pacific Northwest, and
across the US. His passion for the human-element in music-making has fostered a
love of numerous world-music traditions as well as artists of all styles and mediums.

�Dmitri Shostakovich:
The Complete
String Quartets
February 3–9, 2017
The Lafayette String Quartet
celebrates its 30th anniversary
with the complete cycle of
Shostakovich’s 15 String Quartets.

FRIDAY, FEBRUARY 3
Nos. 1, 2, 3
SATURDAY, FEBRUARY 4
Nos. 4, 5, 6
MONDAY, FEBRUARY 6
Nos. 7, 8, 9
WEDNESDAY, FEBRUARY 8
Nos. 10, 11, 12, 13
THURSDAY, FEBRUARY 9
Nos. 14, 15
©

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All concerts at 8 PM
7 PM Pre-concert talks by visiting scholars
Phillip T. Young Recital Hall, MacLaurin Building, B-Wing, University of Victoria

UVIC

ORDER YOUR TICKETS TODAY!
Single tickets: $25 / 5 concert festival pass: $100
UVic Ticket Centre: 250.721.8480 / tickets.uvic.ca

finearts.uvic.ca/music

is

Dav

�UPCOMING EVENTS
SUNDAY, JANUARY 22 | 2:30 PM (By donation)
Piano Class Recital
Featuring UVic School of Music piano students from the studio of Bruce Vogt.
Phillip T. Young Recital Hall
FRIDAY, JANUARY 27 | 12:30 PM (By donation)
Fridaymusic
Take an afternoon break to enjoy a concert of varied repertoire and instruments.
Phillip T. Young Recital Hall
FRIDAY, JANUARY 27 | 8 PM ($10-$20)
UVic Orchestra
Zsolt Nagy, guest conductor
Ernst von Dohnanyi – Symphonic Moments
Barber – Knoxville: Summer of 1915, Op. 24
UVic Concerto Competition Winner Margaret Lingas, soprano
Julio Lopezhiler – Water, stanzas
Premiere performance, Winner of the 2016 UVic Composers’ Competition
Dvořák – Carnival ouverture, Op. 92
University Centre Farquhar Auditorium
TUESDAY, JANUARY 31 | 12:30 PM (By donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire and instruments.
Phillip T. Young Recital Hall
WEDNESDAY, FEBRUARY 1 | 6:30 PM (By donation)
Annual Solo Bach Competition
Featuring the solo suites and sonatas by J.S. Bach performed by UVic string students. The jury
will elect three prizewinners and the audience has the opportunity to vote for the Audience
Prize. Come and vote for your favourite!
Phillip T. Young Recital Hall
FRIDAY, FEBRUARY 3 | 12:30 PM (By donation)
Fridaymusic
Featuring School of Music string students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events

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                <text>January 21, 2017</text>
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                <text>Patrick Boyle, trumpet &amp; guitar&#13;
Tony Genge, Hammond B-3 organ&#13;
Kelby MacNayr, drums&#13;
Phil Dwer, saxophone</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CHAMBER MUSIC
SERIES
FEATURING:
Merrie Klazek, trumpet
Steven Donegan, trumpet
Samuel McNally, horn
Scott MacInnes, trombone
Paul Beauchesne, tuba
Susan Young, soprano
Bridget MacRae, cello
Bruce Vogt, piano
Arthur Rowe, piano

Saturday, October 29, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
Quintet No. 1, Op. 5 				
Moderato					
Adagio non troppo
Allegro moderato
		
Merrie Klazek &amp; Steven Donegan, trumpets
Samuel McNally, horn
Scott MacInnes, trombone
Paul Beauchesne, tuba

Victor Ewald
(1860–1935)

Romanze						
Ganymed						
Rastlose Liebe
Ständchen
Susan Young, soprano
Bruce Vogt, piano

Franz Schubert
(1797–1828)

Queen of the Night Aria 		

W.A. Mozart
(1756–1791)
J.S. Bach
(1685–1750)
Astor Piazzolla
(1921–1992)

Contrapunctus 1 			
Milonga del Angel 			
Libertango
				
Merrie Klazek &amp; Steven Donegan, trumpets
Samuel McNally, horn
Scott MacInnes, trombone
Paul Beauchesne, tuba
I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

Sonata in F major Op. 99 for Cello and Piano
Johannes Brahms
	
Allegro vivace					
(1833–1897)
	
Adagio affettuoso
	
Allegro passionato
	
Allegro molto
Bridget MacRae, cello
Arthur Rowe, piano

�TEXTS &amp; TRANSLATIONS
Romanze (Romance)

Rastlose Liebe (Restless Love)

The full moon shines on the mountain heights,
How I have longed for you!
Oh, my sweetheart, it is so sweet
When true love kisses true.

Breasting the snow
The rain and the wind,
In steaming gorges,
Through haze of mists,
Ever onward
Without pause or rest.

What avails the lovely grace of spring?
You were my spring sunshine!
Light of my night, oh, smile on me
Once more in death!
She entered into the moonlight,
She gazed heavenward.
“In life afar, in death I am yours”
And softly, our hearts broke.
Ganymed
How in the morning radiance
You glow around me,
Spring beloved!
With the thousandfold joys of love,
My heart is enveloped
By the blissful sensation
Of your eternal warmth.
O, infinite beauty!
That I might clasp you in my arms!
Ah, on your bosom
I lie languishing,
And your flowers, your grasses
Press against my heart.
You cool the burning
Thirst of my bosom,
Lovely morning breeze!
While the nightingale calls to me
From the misty vale.
I come! I come!
Whither, ah, whither?
Upwards I am driven!
The clouds float downwards,
Bending down towards my yearning love.
To me, upwards in your lap, upwards!
Embracing and embraced,
Upwards to thy bosom,
All-loving father!

I would rather struggle
My way through sorrows
Than bear so much joy in life,
All that yearning
From heart to heart...
Oh how it engenders
Its own suffering!
What then? Shall I flee?
Take to the forests?
All, all would be in vain!
Crown of existence,
Bliss without rest
Art thou, o love!
Standchen (Serenade)
Softly through the night my songs implore you,
Come down to the quiet grove with me beloved.
Slender treetops rustle, whisper in the moonlight,
Fear not, sweet one, the betrayers eavesdropping.
Hear the nightingales calling? Ah, they implore you
With their music, they implore you for me,
They understand the bosom’s yearning, love’s pangs.
They touch every heart with their silvery tones,
Let them know your heart also; beloved, hear me!
Trembling I wait for you, give me happiness!

�BIOGRAPHIES
Paul Beauchesne, tuba
Paul Beauchesne has been the principal tuba with the Victoria Symphony since 2004 and
was selected in 2011 as the Distinguished Alumni Award recipient for the University of
Victoria’s Faculty of Fine Arts. Paul is a founding member of the Beacon Hill Brass Quintet and a Yamaha Performing Artist and Clinician.
Paul was born in Montreal, however grew up in BC, where he completed his Bachelor
Degree in Music at UVic. He has also studied at the Banff Centre and completed his
Masters at the University of New Mexico. He was a long time member of Calgary’s
Foothills Brass Quintet, spent two years as principal tuba of the KwaZulu Natal Philharmonic Orchestra in Durban, South Africa, and has performed with the Boston Symphony,
Sante Fe Symphony, New Mexico Symphony, Calgary Symphony, Vancouver Symphony,
Vancouver Ballet Orchestra, Okanagan Symphony Orchestra, Tanglewood Music Center
Orchestra as well the Naden Band, Calgary Jazz Festival Orchestra, the Wild Rose Jazz All
Stars and the Band of the Ceremonial Guard.
Paul has played on numerous recordings and is active as a clinician and adjudicator, in
addition to being a member of the Victoria Conservatory of Music’s Winds &amp; Brass
Faculty Department and teaching tuba and euphonium at the UVic School of Music.
Steven Donegan, trumpet
Born in Thunder Bay, Ontario, Steve Donegan is currently based in Victoria BC and enjoys
an active life as a performer and educator. Steve holds both an Honours Bachelor of Arts
(Music) and Bachelor of Education degrees from Lakehead University where he studied
with Merrie Klazek, and a Master of Music degree in Performance from Memorial University of Newfoundland (MUN) where he studied with Alan Klaus.
Steve is currently a member of the Naden Band of the Royal Canadian Navy and has
had the privilege of performing with many ensembles throughout the country including
the Thunder Bay Symphony Orchestra, the Newfoundland Symphony Orchestra, the National Youth Orchestra of Canada (NYOC) and Ottawa’s Band of the Ceremonial Guard.
In addition to his activities as a performer, Steve is also passionate about music education.
Steve served as the band teacher at Terrace Bay Secondary School for two years, and in
2014 taught as a contract lecturer at Lakehead University’s Department of Music where
he was nominated for a “Contribution to Teaching Award”. Steve has also served as a
teaching assistant at Memorial University’s School of Music.
Merrie Klazek, trumpet
Canadian trumpeter Merrie Klazek is active as a performer, teacher and recording artist
in orchestral, chamber, solo, traditional, and popular music. She holds a Bachelor of Music
with distinction from her native Calgary, and a Master of Music, Pi Kappa Lamba from
Northwestern University where she studied with the late Vincent Cichowicz.
Her musical travels have taken her around the globe with performance highlights including the Spoleto Festival Italy, Musik Contemporaire Strasbourg France, Tokyo’s Bunka Kaikan hall, Stratford Festival, Hungary’s Niyrbator Festival, the International Trumpet Guild
Conference, and the International Women’s Brass Conference. Ms. Klazek has appeared
as a soloist with a variety of Canadian orchestras and ensembles. She has been the principal trumpet with the Thunder Bay Symphony since 1999 and has held the same

�position with the Victoria Symphony (2005/06) and Orchestra London Canada (199699). She has performed in the trumpet sections of many of Canada’s top orchestras
and spent 14 years on faculty at Lakehead University in Thunder Bay. In 2016 Ms. Klazek
joined the faculty at the University of Victoria’s School of Music as professor of trumpet.
She is a founding member of Brass Northwest in Thunder Bay and currently plays with
Pinnacle Brass Quintet on the west coast.
Ms. Klazek’s recording Songs to the Moon has been featured on TVO Studio 2 and on
CBC Radio and is available at tonight’s performance or on iTunes. She is currently working on another recording which will feature the trumpet alongside renowned folk musicians in various world styles.
Scott MacInnes, trombone
Scott completed his University of Toronto undergraduate degree in Classical Music
Performance and has played bass trombone with the Victoria Symphony since 2005.
Throughout his career he has appeared with ensembles including the Toronto Symphony,
Orchestra London, the Thunder Bay Symphony, the Niagara Symphony, and the Hannaford Street Silver Band. Scott has taken on many styles of music—from jazz to R&amp;B,
folk rock to big band. He has also performed for British and Dutch royalty, the Pope, the
Dalai Lama, and other heads of state. Scott is the trombone instructor at the University
of Victoria and Principal Bass Trombone with the Vancouver Island Symphony Orchestra.
He also performs with The Midnights Rhythm and Blues Band.
Bridget MacRae, cello
Raised in Victoria, cellist Bridget MacRae leads an active international career as a soloist,
chamber musician and teacher. Since 2003 she has been principal cellist of the Munich
Chamber Orchestra. Bridget has performed chamber music alongside eminent artists
such as Angela Hewitt, Thomas Zehetmair, Melvyn Tan, Tabea Zimmermann and JeanGuihen Queyras. She is a regular guest at international festivals such as Ernen, Rheingau,
Musicalta and Prussia Cove. For many years she was the cellist of the Schidlof Quartet
and the London Conchord Ensemble in the UK. Bridget has recorded CDs of chamber
and solo music on the Linn, ASV, Black Box, Quartz, Hexagone, Neos and Radio-Canada
labels.
Bridget’s intense involvement with contemporary music has led her to work with
prominent composers including Sofia Gubaidulina, Jörg Widmann, Agata Zubel, Nikolaus
Brass, Gloria Coates and Oliver Knussen. She has performed at the Pharos Contemporary Music Festival, the Munich Biennale and the Days of Macedonian Music, collaborates
regularly with Ensemble Resonanz in Hamburg and is part of an ongoing Morton Feldman project in Munich.
Bridget led a cello class at the Hochschule für Musik in Karlsruhe from 2008-12 and is
regularly invited to teach at courses and masterclasses in Canada, Germany, France and
the UK. Thanks to the Orion Exchange Programme, Bridget will be teaching at UVic in
2016/17.
After her initial training with James Hunter at the Victoria Conservatory of Music, Bridget
studied with Aldo Parisot at Yale University, Joel Krosnick at the Juilliard School and Xenia
Jankovic in Germany. She won prizes at the Canadian Music Competition and the Montreal Debut Competition, was awarded the Samuel Mayes Cello Prize at Tanglewood and
was the recipient of numerous grants and scholarships from the Canada Council for the
Arts, the Vancouver Foundation, Villa Musica and the European Mozart Foundation.

�Samuel McNally, horn
Sam McNally is a fourth year music student at UVic pursuing a Bachelor degree in Music
Performance. From his native Calgary, he began playing horn at the age of 11 in his
middle school band. A few years later he began to take lessons from Laurie Matiation,
with whom he was able to win his age divisions in the Calgary and Alberta Provincial
Kiwanis Festivals, partake in honour bands, and ultimately audition at the University of
Victoria. Also in Calgary he was a member of both the Calgary Youth Orchestra and the
Mount Royal Conservatory’s Academy of Music. Now at UVic, studying with Kurt Kellen,
Sam enjoys having played in both the Orchestra and Wind Symphony along with various
solo and chamber performance settings. Sam has been Principal Horn with the Kamloops
Symphony Orchestra since fall 2015 and as a UVic Concerto Competition winner performed Strauss’s Horn Concerto No. 1, Op. 11 in January 2016 with the UVic Orchestra.
Arthur Rowe, piano
Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist, soloist with orchestra and chamber musician. He has been heard regularly on radio broadcasts in Canada and the United States, and has recorded with various artists for the
Crystal, ebs, Innova, GM and Fanfare labels. In 2007, he released an all Schubert recording
on the Centaur label (available on iTunes).
A highly respected chamber musician, Mr. Rowe regularly collaborates with artists and
chamber ensembles across North America. He has been a guest artist at summer
festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in France, New
Zealand, and Yugoslavia. While at Indiana University, he began his long association with
violinist William Preucil, Concertmaster of The Cleveland Orchestra, with whom he has
concertized for almost four decades.
Mr. Rowe has recently performed with the Dover Quartet and the Cecilia Quartet. Upcoming performances in 2016/17 include recitals with William Preucil, Concertmaster of
the Cleveland Orchestra, Vancouver’s Vetta Ensemble, and Toronto based mezzo-soprano,
Krisztina Szabo.
Arthur Rowe resides in Victoria, where he is Professor of Piano at the University of
Victoria and the Artistic Director of the Victoria Summer Music Festival.
Bruce Vogt, piano
Bruce Vogt performs regularly in Canada and has also inspired audiences in England, the
USA, Germany, France, Italy, Norway, Czechoslovakia, Bulgaria, and Japan.
Bruce Vogt’s repertoire is immensely varied and encompasses music from the sixteenth
century up to the present. He has consistently championed the music of contemporary
composers, and has commissioned and premiered a number of new works.
Born in Southern Ontario, Bruce Vogt completed his initial musical studies with Damjana
Bratuz and Anton Kuerti. Later he studied in the United States, England, Switzerland, and
Italy, working with a number of celebrated musicians including Gyorgy Sebok, Louis Kentner, Fou Ts’Ong and Dario de Rosa. He has taught at a number of Canadian universities
and is currently Associate Professor at the University of Victoria, where he is co-head of
the Piano Department.
Susan Young, soprano
Susan Young is a long-time member of the UVic School of Music as a teacher of voice
and conductor of choirs. She has performed internationally, recorded for the CBC,
produced three CDs, ​and ​enjoys adjudicating at festivals and acting as choral clinician.

�UPCOMING EVENTS
SUNDAY, OCTOBER 30 | 2:30 PM (Admission by donation)
Emerging Artists Alumni Series
Isaiah Bell, tenor (B.Mus ‘08) &amp; Anna Cal, piano
Tenor and composer Isaiah Bell performs an eclectic mix of music — folk songs,
lieder, cabaret, 20s pop tunes, and his own compositions — that reflects the
diverse inspirations for his most recent theatrical work, Mewsy the Adulteress.
Phillip T. Young Recital Hall
TUESDAY, NOVEMBER 1 | 12:30 PM (Admission by donation)
Tuesdaymusic
Take an afternoon break to enjoy a concert of varied repertoire and
instruments featuring UVic School of Music students.
Phillip T. Young Recital Hall
THURSDAY, NOVEMBER 3 | 8 PM ($10–$20)
Guest Concert: Alcan String Quartet
Since its formation in 1989, the Alcan Quartet has forged a reputation
for excellence across Canada and abroad. Performing Haydn’s
String Quartet Op. 76, No. 2, Ginastera’s String Quartet No. 1, Op. 20
and Mendelssohn’s String Quartet Op. 44, No. 1.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 4 | 12:30 PM (Admission by donation)
Fridaymusic
Featuring UVic School of Music woodwind students.
Phillip T. Young Recital Hall
FRIDAY, NOVEMBER 4 | 8 PM (Admission by donation)
Student Composers Concert
Featuring original compositions by students in the
UVic School of Music Composition program.
Phillip T. Young Recital Hall
SATURDAY, NOVEMBER 5 | 2:30 PM (Admission by donation)
UVic Chamber Singers
Susan Young, director
Featuring choral ensemble and solo works by German composers.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

finearts.uvic.ca/music/events

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
MARK TAKESHI McGREGOR
FLUTE
&amp;

KENNETH BROADWAY
PIANO

		

Tuesday, October 18, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
J.S. Bach (1685–1750)
Sonata in E-flat Major, BWV 1031
	
I. Allegro Moderato
	
II. Siciliano
	
III. Allegro

	
	

Natalia Solomonoff (b. 1968)
en cueros for solo flute and bass flute
Alban Berg (1885–1935)
Sieben frühe Lieder (from Seven Early Songs, 1905–1908)
Arranged for flute and piano by McGregor/Broadway
	
I. Nacht (Night)
	
II. Schilflied (Song Amongst the Reeds)
	
III. Die Nachtigall (The Nightingale)
	
IV. Traumgekrönt (A Crown of Dreams)
	
V. Im Zimmer (Indoors)
	
VI. Liebesode (Lovers’ Ode)
	
VII. Sommertage (Summer Days)
I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

César Franck (1822–1890)
Sonata in A major
Originally for violin and piano, arranged for flute and piano (Rampal)
	
I. Allegretto ben moderato
	
II. Allegro
	
III. Recitativo-Fantasia
	
IV. Allegretto poco mosso

�BIOGRAPHIES
Mark Takeshi McGregor, flute
“Well on his way to becoming one of the world’s leading flutists” (Georgia Straight), Mark Takeshi McGregor’s performances have been lauded by
the press as “mind-blowing” (Victoria Times Colonist) and “verging on the
superhuman” (Music in Victoria). He has performed across North America,
Europe, Australia, and Israel, including appearances at Festival MontréalNouvelles Musique, Music Gallery (Toronto), Vancouver New Music Festival,
Music on Main (Vancouver), New Works Calgary, Le Hum (Moncton), Athelas New Music Festival (Copenhagen), the Internationale A•DEvantgardeFestival (Munich), the 2015 Melos Ethos Festival (Bratislava), and the International Symposium of New Music (Curitiba).
An outspoken advocate of new music, Mark is the principal flute of Victoria’s
Aventa Ensemble, one-half of the Vancouver-based Tiresias Duo with Rachel
Iwaasa, and director of the Tempest Flute Ensemble. McGregor has given the
premiere performances of Anna Höstman’s flute concerto, Trace the Gold
Sun, with the Victoria Symphony, concertos by Piotr Grella-Mozejko and
James Beckwith Maxwell with the Aventa Ensemble, and two recent works
by the British composer Michael Finnissy. McGregor’s discography includes
two discs with Tiresias Duo and two solo albums, including the 2013 Sins &amp;
Fantasies (Redshift Records) – praised by WholeNote Magazine as “a brilliant
conceit” and nominated for “Classical Recording of the Year” at the 2015
Western Canadian Music Awards. Dr. McGregor is presently the interim
instructor of flute at the University of Victoria School of Music, in addition
to being on faculty at the Vancouver Academy of Music and the Vancouver
Symphony Orchestra School of Music.
Kenneth Broadway, piano
Pianist Kenneth Broadway’s career has taken him throughout the world as
soloist, accompanist, and chamber musician. He is most recognized for his
work with pianist Ralph Markham as part of one the world’s most accomplished piano duos. Together they performed in most of the major European
and North American concert halls, as well as with many prominent orchestras such as the Royal Philharmonic, Philharmonia Hungarica, and the San
Francisco, Atlanta and Vancouver Symphony Orchestras. As a chamber musician, he has also appeared internationally with many leading instrumentalists
and singers. He now enjoys living in Vancouver and teaching in his private
studio.
finearts.uvic.ca/music

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Kenneth Broadway, piano</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
ARTHUR ROWE
PIANO

		

Monday, October 3, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
Sonata in F major, K.332			
	
Allegro	 					
	Adagio
	
Allegro assai

W.A. Mozart
(1756–1791)

Sonata in G major, D. 894				 Franz Schubert
	
Molto moderato e cantabile			
(1797–1828)
	
Andante
	
Menuetto: Allegro moderato
	Allegretto
I NT E R M I S S I O N

Sonata in B minor Op.58				 Frédéric Chopin
	
Allegro maestoso				
(1810–1849)
	
Scherzo: Molto vivace
	Largo
	
Finale: Agitato

�BIOGRAPHY
Canadian pianist and Steinway Artist Arthur Rowe is a critically acclaimed recitalist,
soloist with orchestra and chamber musician. Following a New York solo recital, The
New York Times wrote: “The Canadian pianist Arthur Rowe made an immediate
and positive impression...before eight bars had gone by, one knew he was capable
of vigor without heaviness, energy without excess of drive. It was first-rate playing:
a kind of execution tinglingly alive to the shape and contribution of each phrase”.
Reviewing a solo recital in London England, The London Times spoke of his “unusual
clarity of articulation”, and “poetry of expression”, and David Burge, writing in The
San Diego Tribune said, “Rowe is a marvelous pianist…even when he is pushed to
the limit by extreme virtuosic demands...he can concentrate all of his considerable
talents on vital matters of phrasing, tone and ensemble”.
Arthur Rowe has been heard regularly on radio broadcasts in Canada and the
United States, and has recorded with various artists for the Crystal, ebs, Innova, GM
and Fanfare labels. In 2007, he released an all Schubert recording on the Centaur
label (available on iTunes). Fanfare magazine’s review says, “Rowe’s reading (of the
posthumous B flat Sonata) is one of the most beautiful I have heard… The D. 899
Impromptus are equally impressive…his purling right-hand runs recall Schnabel’s
velvety sound…. every harmonic change is underscored by a delicate nuance of
color change. This kind of expression cannot be taught; it is in the bloodstream and
the soul.”
A highly respected chamber musician, Mr. Rowe regularly collaborates with artists
and chamber ensembles across North America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in
France, New Zealand, and Yugoslavia. While at Indiana University, he began his long
association with violinist William Preucil, Concertmaster of the Cleveland Orchestra,
with whom he has concertized for almost four decades. In 2004 The Harrington
String Quartet joined forces with Arthur Rowe and William Preucil in New York for
a performance of the Chausson Concerto for Violin, Piano and String Quartet, which was
reviewed by Harris Goldsmith as a “reading that rivaled the benchmark recordings
by Franzescatti/Casadesus/Pascal, and Heifetz/Sanroma/New Arts”.
Mr. Rowe has recently performed with the Dover Quartet and the Cecilia Quartet,
both recent winners of the Banff International String Quartet competition. Upcoming performances in 2016/17 include recitals with William Preucil, Concertmaster
of the Cleveland Orchestra, Vancouver’s Vetta Ensemble, and Toronto based Mezzosoprano Krisztina Szabo.
Having previously held positions at the University of Iowa and the University of
Western Ontario, Arthur Rowe resides in Victoria, where he is Professor of Piano
at the University of Victoria and the Artistic Director of the Victoria Summer Music
Festival.

finearts.uvic.ca/music

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
CURTIS ANDREWS
PATRICK BOYLE

MRIDANGAM
TRUMPET

VIDYASAGAR VANKAYALA

VOICE

		

Friday, September 30, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria

Adults: $20 / Seniors: $15 / Students &amp; UVic alumni: $10

�PROGRAM
NOTE: There is no intermission. The entire program will last
approximately 1 hour and 20 minutes.

Sri Guruguha

Composer: Muthuswami Dikshitar (1775-1835)
Raga: Devakriya (C D F G A - C G F D C)
Rupaka Tala (3 beat cycle)
Language: Sanskrit

Malabar

Composer: Curtis Andrews
Raga: Mayamalavagaula (C Db E F G Ab B C - C B Ab G F E Db C)
Adi Tala (8 beat cycle)

Ragam-Tanam-Pallavi

Composer: Vidyasagar Vankayala
Raga: Dharmavati (C D Eb F# G A B C - C B A G F# Eb D C)
Adi Tala (Rendu Kalai: 16 beat cycle)
Language: Sanskrit

Thillana (Geethadhuniku)

Composer: Swati Thirunal
Raga: Dhanasri (C Eb F G Bb C - C Bb A G Eb D C)
Adi Tala (8 beat cycle)
Language: Hindi

�PROGRAM NOTES
From Patrick Boyle:
Things haven’t been the same since 1997, when I got a gig playing bass in a new
band and met the drummer, Curtis Andrews. Our musical life is seamlessly integrated into our relationship as “brothers from other mothers” specifically regarding
trust, tolerance, acceptance, whimsy, and love. To me it represents the most liberating qualities of a musical life, where study, practice, performance, and camaraderie
merge. My sincere gratitude goes to Vidyasagar, Curtis, and their respective families
for sharing their music at UVic in this special concert.
Carnatic Music: A Very Brief Primer
The cultures of the Indian subcontinent have produced not one, but two “classical”
(ie: art music) traditions: Hindusthani (originating in the Northern areas) and Carnatic (developed in the Southern reaches). While both have roots reaching back several thousand years, they contain many differences owing to linguistic, political, and
religious diversity. Still, the common denominator of both is a remarkable dedication
to and development of raga, tala and manodharma. Raga is best understood as a
particular collection of pitches, treated uniquely and arranged in a manner to create
a unique impression upon the listener. Tala refers to the general rhythmic aspect of
musical expression, and specifically to defined rhythmic cycles in which compositions
and improvisations occur. Manodharma is improvisation, which is utilized extensively
in both traditions. Carnatic music is further defined by the immense body of compositions, most of which are spiritual and/or philosophical in thematic content, that
form the basis of a performance.

Dr. Patrick Boyle is Associate Professor of Jazz Studies at the University of Victoria
School of Music. Among his three critically acclaimed albums is Rock Music: an album
of duets with percussionist Curtis Andrews. In 2009, Patrick was featured at Carnegie
Hall in a concert of North Indian Classical music with Zakir Hussain, Steve Smith,
and Kala Ramnath.
Curtis Andrews is a Canadian-based musician with global persuasions. An awardwinning percussionist/composer, he creates music that is informed by his many years
of experience with West African, South Indian and jazz traditions yet transcends
most categories.
Vidyasagar Vankayala hails from a family of musicians in Andhra Pradesh, India.
Steeped in Carnatic music since age 6, Vidyasagar continued his vocal training for 15
years, in a very formal, rigorous and highly demanding system of learning. Since moving to Vancouver in 1996, Vidyasagar has been active in promoting Carnatic music in
the lower mainland, forming his own non-profit South Indian performing arts society
(SaPaSa), leading a music and dance academy (Sangeetha Maruti Arts), and as a collaborator with a diverse collection of artists.

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Patrick Boyle, trumpet&#13;
Vidyasagar Vankayala, voice</text>
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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
The Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
With

Patricia Kostek, clarinet

		

Sunday, September 18, 2016 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission: $25

�PROGRAM
Clarinet Quintet in B minor, Op. 115
	
Allegro
	Adagio
	Andantino
	
Con moto

Johannes Brahms
(1833–1897)

I NT E R M I S S I O N

Quartet No. 7 in F-sharp minor, Op. 108
	
Allegretto
	Lento
	Allegro

String Quartet No. 11
Composed in 2006 and commissioned by the
Lafayette String Quartet for their 20th anniversary year.

	I.
	II.
	III.
	IV.
	V.

Dmitri Shostakovich
(1906–1975)

R. Murray Schafer
(b. 1933)

�LAFAYETTE STRING QUARTET
In July 1986, four young musicians based in Detroit and just beginning their professional careers, performed together for the first time as the Lafayette String Quartet.
Celebrating their 30th anniversary, the LSQ continues to flourish with its original
personnel: violinists Ann Elliott-Goldschmid and Sharon Stanis, violist Joanna Hood,
and cellist Pamela Highbaugh Aloni.
For five years, the LSQ prospered in Detroit, where its members taught at the Center for Creative Studies/Institute of Music and Dance and Oakland University. The
LSQ itself received coaching from some of the world’s most esteemed quartets—
the Amadeus and the Alban Berg, and Cleveland—and from the violinist Rostislav
Dubinsky, of the legendary Borodin Quartet, who served as the women’s “musical
mentor” until his death in 1997.
The LSQ’s extraordinary musicianship was recognized early on. Already in 1988, it
was ranked among the magazine Musical America’s “Young Artists to Watch,” and
in its first years they won the Grand prize at the Fischoff National Chamber Music
Competition and prizes at the Portsmouth (now City of London) International
String Quartet Competition, and the Chicago Discovery Competition. As winners of
the 1988 Cleveland String Quartet Competition, the LSQ had the opportunity to
study for two years with the Cleveland Quartet at the Eastman School of Music, in
Rochester, New York.
Artists-in-Residence at the University of Victoria’s School of Music since 1991, their
dedication and skill have played a major role in building one of the finest music
schools in Canada. In addition to quartet performances and collaborating with
colleagues in the School of Music, members of the quartet teach individual lessons,
coach chamber music groups, and give studio masterclasses on a weekly basis. They
have been principal players of the Galiano Ensemble of Victoria since its inception
and continue to serve the community promoting strings in the public schools
through outreach programs and the strings mentoring course at UVic. In June, they
offer Quartet Fest West, an intensive quartet seminar that brings together young
musicians from all over the world. Their annual Health Awareness Forum, founded in
2006 offers timely insights from top health experts on a wide range of topics. They
recieved honorary doctorates from University Canada West and were honored with
the inaugural Craigdarroch Award for Excellence in Artistic Expression in 2010 from
the University of Victoria.
The LSQ has performed across Canada, the United States, Mexico and Europe, with
concerts often allied with masterclasses and workshops; they had a close and lasting
relationship with the University of Saskatchewan, in Saskatoon while playing on the
set of Amatis owned by the institution. They have collaborated with distinguished
colleagues including bassist Gary Karr; clarinetist James Campbell; flutist Eugenia
Zukerman; violinists Andrew Dawes and Gary Levinson; violists James Dunham,
Atar Arad, and Yariv Aloni; cellists Paul Katz, and the late Tanya Prochazka; and pianists Luba Edlina Dubinsky, Jane Coop, Robert Silverman, Ronald Turini, Alexander
Tselyakov, Baya Kakouberi and Flavio Varani. They often collaborate with other string
quartets including the Alcan, the New Zealand, the Penderecki, the Molinari, the
Emily Carr, and the Quarteto Latinoamericano.

�The four women also maintain separate careers as solo and chamber music performers, teachers, and adjudicators.
The LSQ carries a large, wide-ranging repertoire, from the classical period to the
present, and has commissioned music from (and in some cases collaborated closely
with) composers including Murray Adaskin, John Burke, Justin Haynes, David Jaffe, R.
Murray Schafer, Eugene Weigel, and Kelly Marie Murphy. They have performed the
complete Beethoven cycle, during the 2000-2001 season, the quartets of the Second Viennese school with the Molinari Quartet in 2013, and in celebration of their
thirty years together, will perform the string quartets of Dmitri Shostakovich.
Since 1990, the LSQ has released CDs on the Dorian, Centrediscs, and other labels
(including its own). Its discography includes major quartets by Borodin, Debussy,
Grieg, Shostakovich, and Tchaikovsky; Dvořák’s piano quintets (with Antonin Kubalek);
and four CDs of music by Adaskin, for his AdLar label. Its 2002 CBC Records disc
Death and the Maiden, featuring music by Schubert, Fanny Mendelssohn-Hensel, and
Rebecca Clarke, won the Western Canadian Music Award for Outstanding Classical
Recording. It recorded Michael Longton’s Almost Nothing Like Purple Haze for the
2011 CD Jimi Hendrix Uncovered, and has recently released a CD together with
Alexander Tselyakov of the quintets of Dmitri Shostakovich and the newly commissioned quintet Motion and Distance, by Canadian composer Kelly-Marie Murphy.
The LSQ is the subject of David Rounds’ book The Four and the One: In Praise of
String Quartets published in 1999.

COMING UP!
11th Annual Lafayette Health Awareness Forum
Personalized Medicine: Hype, hope and genuine progress
THURSDAY, OCTOBER 6 | 7 PM
Join the Lafayette String Quartet and their dynamic speakers for the 11th Annual
Lafayette Health Awareness Forum as they explore the topic of personalized
medicine — what it is and where it might take us. The evening will begin and end
with a short music selection by the Quartet. This free forum brings health experts
and community members together each year to discuss and learn about health
issues that affect us all.
Guest speakers include:
Dr. Eike-Henner Kluge, Professor of Philosophy, UVic
Dr. Patrick Macleod, Centre for Biomedical Research, UVic
Dr. Brad Nelson, Director and Distinguished Scientist, Deeley Research Centre, BC
Cancer Agency
Dr. Scott Hofer, Director, Institute on Aging &amp; Lifelong Health, UVic
Free admission
Reserve seats at lafayettestringquartet.ca
David Lam Auditorium, Rm. A144, MacLaurin Building, A-Wing

�PATRICIA KOSTEK
Patricia Kostek is a versatile musician with a diverse and eclectic range of repertoire.
Patricia has given recitals and masterclasses and served as a competition jury member in major cultural centers of Europe, Asia, Canada, the USA, Mexico and South
America. She has adjudicated for international music competitions in Brazil, Belgium,
Paris, Quebec City, Madrid and Buenos Aires. She has performed in many of the
finest international concert halls and in noted international music festivals as well
as with numerous orchestras in North America and Europe including the Chicago
Symphony, Honolulu Symphony and Kansas City Symphony, the Orquestra Sinfonica
de Teatro Colon de Buenos Aires (soloist) and Orquestra Sinfonica da Bahía (soloist). She has performed under the guidance of many eminent conductors such as
Sir George Solti, James Levine, Simon Rattle, Edo de Waart. Patricia was a featured
soloist at the Shanghai International Clarinet Festival and has performed at Encontro
IV Brazilian National Clarinet Festival (Rio de Janeiro ), Buenos Aires International
Festival and in October 2016 at Festival Internacional di Música Loja (Ecuador).
Her love of chamber music has led her to collaborate with many artists and ensembles including the Purcell, ODEON and Lafayette String Quartets, the Kansas City
and Windy City (Chicago) Wind Quintets, Trio Pardalote, Duo Patterson, Northwest
Sinfonia, and pianists Bruce Vogt, Michelle Mares,, Arthur Rowe, Maria Inês Guimaraes among many others.
The Usinger Anzeiger (Germany) spoke of “the perfection of her tone, unbelievably
smooth and amazingly differentiated in its nuance”. The Kansas City Star wrote of
“intelligent and intense musicianship”, “deft, imaginative playing”, “lilting grace” and of
“her command of instrumental color and psychology”. The Bad Nauheim (Germany)
Zeitung wrote “an exquisite evening of chamber music”.
In the Pacific Northwest area Patricia has performed with Pacific Opera Victoria and
the Victoria Symphony, among others. She serves as artistic director of Chamber
Music San Juans and the Winds of Yarrow. An active studio musician, Patricia can be
heard on the soundtracks of many movies and video games. Her principal teachers
include Larry Combs and Robert Marcellus. Patricia is currently a Professor at the
University of Victoria.

�Dmitri Shostakovich:
The Complete String Quartets
February 3–9
The Lafayette String Quartet celebrates its 30th
anniversary with the complete cycle of Shostakovich's
15 String Quartets presented over 5 evenings!

Journey through Shostakovich’s life as experienced through his quartets —
from the innocent optimism of the first to the desolation and hopelessness
of his final quartet. This cycle documents Shostakovich’s creative life and
spans his compositional career from the late 1930s until his death in 1975.
The Lafayette String Quartet will share its special heritage with this music as
received from their mentor Rostislav Dubinsky who knew and worked closely
with Shostakovich.
Gain further insight into these works in pre-concert talks and lectures by
visiting scholars including Michelle Assay (Université Paris-Sorbonne), David
Fanning (University of Manchester), Judith Kuhn (University of WisconsinMilwaukee), and Patrick McCreless (Yale University).
Tickets $25 / 5 concert festival pass $100
Phillip T. Young Recital Hall
All concerts at 8 PM

FRI, FEB 3
Nos. 1, 2, 3

SAT, FEB 4
Nos. 4, 5, 6

MON, FEB 6
Nos. 7, 8, 9

WED, FEB 8
Nos. 10, 11, 12, 13

THU, FEB 9
Nos. 14, 15

�UPCOMING EVENTS
SEPTEMBER 28–29
Orion Series in Fine Arts presents
Paul Roe, clarinet &amp; bass clarinet
Free admission
Paul Roe (PhD, York) is one of Dublin’s most distinguished musicians. An in-demand
performer, he also works with a wide range of individuals as a coach and mentor.
Clarinet Masterclass: WEDNESDAY, SEPTEMBER 28 | 12:30–2:20 PM
Free admission
Phillip T. Young Recital Hall
Lecture: WEDNESDAY, SEPTEMBER 28 | 3:30 PM
Coaching: A 21st Century Approach to Learning, Growth &amp; Change
Paul Roe discusses the fundamentals of coaching and how this approach can make your life
more rewarding and fulfilling.
Free admission
Rm. B037, MacLaurin Building, B-Wing
Concert: THURSDAY, SEPTEMBER 29 | 7:30 PM
With Anne Grimm, soprano, Patricia Kostek, clarinet &amp; Charlotte Hale, piano
Performing music for solo bass clarinet and bass clarinet with electronics
by contemporary and traditional Irish composers.
Phillip T. Young Recital Hall
SEPTEMBER 30
Orion Series in Fine Arts presents
Paul Merkelo, trumpet
Free admission
Renowned as one of the finest trumpet players of his generation, Paul Merkelo has been
principal trumpet with the Orchestre symphonique de Montréal since 1995.
	

Concert: FRIDAY, SEPTEMBER 30 | 12:30 PM
Phillip T. Young Recital Hall
Trumpet Masterclass: FRIDAY, SEPTEMBER 30 | 1:30–5 PM
Phillip T. Young Recital Hall / Rm. B037, MacLaurin Building, B-Wing

�

To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
May Ling Kwok
PIANO

		

Sunday, February 28, 2016 • 2:30 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $18 / Students, seniors, alumni: $14

�PROGRAM
Sonata in D Major, K. 311 	
			
	
Allegro con spirito
	
Andante con espressione
	
Rondeau Allegro
Humoreske, Op. 20				

W. A. Mozart
(1756–1791)

Robert Schumann
(1810–1856)

I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

Carnaval, Op. 9 	
				
	
Preamble
	Pierrot
	Arlelquin
	
Valse noble
	Eusebius
	Florestan
	Coquette
	Replique
	Sphinxes
	Papillons
	
A.S.C.H.–S.C.H.A. (Lettres dansantes)
	Chiarina
	Chopin
	Estrella
	Reconnaissance
	
Pantalon et Colombine
	
Valse allemande
	Paganini
	Aveu
	Promenade
	Pause
	
Marche des “Davidsbundler” contre les Philistins

R. Schumann

�UPCOMING EVENTS
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Friday, March 4, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music brass students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Saturday, March 5, 8:00 p.m. (Adults $15 / Seniors &amp; Alumni $10 / Students $5)
UVIC CHORUS &amp; ORCHESTRA: Supplicatorium
Ajtony Csaba, conductor &amp; Adam Con, chorus director
Performing:
Maurice Duruflé – Requiem
Dmitri Shostakovich – Symphony No. 5
University Centre Farquhar Auditorium
Sunday, March 6 &amp; 13, 7:00 p.m. (Regular $18 / $15 for Castle members)
CRAIGDARROCH CASTLE IN SONG
Featuring School of Music students.
Tickets available at: https://thecastle.ca/events
Craigdarroch Castle (1050 Joan Crescent)
Tuesday, March 8, 11:00 a.m. to 2:30 p.m. (Free admission)
A DAY IN THE LIFE OF THE LAFAYETTE STRING QUARTET:
Working with UVic’s Artists-in-Residence
Experience a day in the life of one of the most renowned string quartets
in North America. Sessions include an open rehearsal, discussion with string
students, and a masterclass. More info at: finearts.uvic.ca/music/events
Tuesday, March 8, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.

�

To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
The Lafayette String Quartet
Ann Elliott-Goldschmid, violin
Sharon Stanis, violin
Joanna Hood, viola
Pamela Highbaugh Aloni, cello
With

Arthur Rowe, piano

		

Saturday, February 27, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission: $25

�PROGRAM
Octet for Strings: Fanfare for Eight Celebrities	
		

Murray Adaskin
(1906–2002)

With School of Music students:
Brittany Tsui, violin
Natalie Dzbik, violin
Joshua Gomberoff, viola
Alex Klassen, cello
Quartet No. 9 in E flat major, Op. 117	
Dmitri Shostakovich
	
Moderato con moto				
(1906–1975)
	Adagio
	Allegretto
	Adagio
	Allegro

I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge

Quintet in A major, Op. 81	 	
	
Allegro, ma non tanto
	
Dumka: Andante con moto
	
Scherzo Furiant: Molto vivace
	
Finale: Allegro

	

With Arthur Rowe, piano

Antonín Dvořák
(1841–1904)

�LAFAYETTE STRING QUARTET
In July 1986, four young musicians, based in Detroit and just beginning their professional careers, performed together for the first time as the Lafayette String Quartet.
Today the LSQ continues to flourish with its original personnel: violinists Ann ElliottGoldschmid and Sharon Stanis, violist Joanna Hood, and cellist Pamela Highbaugh
Aloni.
For five years, the LSQ prospered in Detroit, where its members taught at the Center for Creative Studies/Institute of Music and Dance and Oakland University. The
LSQ itself received coaching from some of the world’s most esteemed quartets—
the Amadeus and the Alban Berg, and Cleveland—and from the violinist Rostislav
Dubinsky, of the legendary Borodin Quartet, who served as the women’s “musical
mentor” until his death in 1997.
The LSQ’s extraordinary musicianship was recognized early on. Already in 1988, it
was ranked among the magazine Musical America’s “Young Artists to Watch,” and
in its first years they won the Grand prize at the Fischoff National Chamber Music
Competition and prizes at the Portsmouth (now City of London) International
String Quartet Competition, and the Chicago Discovery Competition. As winners of
the 1988 Cleveland String Quartet Competition, the LSQ had the opportunity to
study for two years with the Cleveland Quartet at the Eastman School of Music, in
Rochester, New York.
Artists-in-Residence at the University of Victoria’s School of Music since 1991, their
dedication and skill have played a major role in building one of the finest music
schools in Canada. In addition to quartet performances and collaborating with
colleagues in the School of Music, members of the quartet teach individual lessons,
coach chamber music groups, and give studio masterclasses on a weekly basis. They
have been principal players of the Galiano Ensemble of Victoria since its inception and continue to serve the community promoting strings in the public schools
through outreach programs and the strings mentoring course at UVic. In June, they
offer Quartet Fest West, an intensive quartet seminar that brings together young
musicians from all over the world. Their annual Health Awareness Forum, founded in
2006 offers timely insights from top health experts on a wide range of topics. They
recieved honorary doctorates from University Canada West and were honored with
the inaugural Craigdarroch Award for Excellence in Artistic Expression in 2010 from
the University of Victoria.
The LSQ has performed across Canada, the United States, Mexico and Europe, with
concerts often allied with masterclasses and workshops; they had a close and lasting
relationship with the University of Saskatchewan, in Saskatoon while playing on the
set of Amatis owned by the institution. They have collaborated with distinguished
colleagues including bassist Gary Karr; clarinetist James Campbell; flutist Eugenia
Zukerman; violinists Andrew Dawes and Gary Levinson; violists James Dunham,
Atar Arad, and Yariv Aloni; cellists Paul Katz, and the late Tanya Prochazka; and pianists Luba Edlina Dubinsky, Jane Coop, Robert Silverman, Ronald Turini, Alexander
Tselyakov, Baya Kakouberi and Flavio Varani. They often collaborate with other string
quartets including the Alcan, the New Zealand, the Penderecki, the Molinari, the Emily Carr, and the Quarteto Latinoamericano.

�The four women also maintain separate careers as solo and chamber music performers, teachers, and adjudicators.
The LSQ carries a large, wide-ranging repertoire, from the classical period to the
present, and has commissioned music from (and in some cases collaborated closely
with) composers including Murray Adaskin, John Burke, Justin Haynes, David Jaffe, R.
Murray Schafer, Eugene Weigel, and Kelly Marie Murphy. They have performed the
complete Beethoven cycle, during the 2000-2001 season, the quartets of the Second Viennese school with the Molinari Quartet in 2013, and in celebration of their
thirty years together, will perform the string quartets of Dmitri Shostakovich.
Since 1990, the LSQ has released CDs on the Dorian, Centrediscs, and other labels
(including its own). Its discography includes major quartets by Borodin, Debussy,
Grieg, Shostakovich, and Tchaikovsky; Dvořák’s piano quintets (with Antonin Kubalek);
and four CDs of music by Adaskin, for his AdLar label. Its 2002 CBC Records disc
Death and the Maiden, featuring music by Schubert, Fanny Mendelssohn-Hensel, and
Rebecca Clarke, won the Western Canadian Music Award for Outstanding Classical
Recording. It recorded Michael Longton’s Almost Nothing Like Purple Haze for the
2011 CD Jimi Hendrix Uncovered, and has recently released a CD together with
Alexander Tselyakov of the quintets of Dmitri Shostakovich and the newly commissioned quintet Motion and Distance, by Canadian composer Kelly-Marie Murphy.
The LSQ is the subject of David Rounds’ book The Four and the One: In Praise of
String Quartets, published in 1999.

COMING UP!
Tuesday, March 8, 11:00 a.m. to 2:30 p.m.
A DAY IN THE LIFE OF THE LAFAYETTE STRING QUARTET:
Working with UVic’s Artists-in-Residence
Experience a day in the life of one of the most renowned string quartets in North
America. For nearly thirty years, the Lafayette String Quartet has garnered international acclaim as a talented, all-female string quartet. Since 1991, the LSQ has held
residency at the UVic School of Music, sharing their passion for chamber music with
students and the Victoria community. This event offers a rare opportunity to accompany the LSQ as they rehearse new material, discuss their work, and workshop with
students—all in a day’s work!
Schedule:
•11:00-12:30 PTY Recital Hall   LSQ open rehearsal: “Building the Shostakovich   
Cycle: A Link in a Very Long Chain”
•12:30-1:30    MAC B037          Brown bag lunch: LSQ and their students discuss
their work rehearsing, performing, teaching, and
coaching.
•1:30-2:30      PTY Recital Hall   Masterclass: LSQ and their students workshop
chamber music from the string repertoire.
Free admission. Attend one or all events!
This event is part of UVic’s IdeaFest 2016, which runs from March 7-12.

�ARTHUR ROWE
Canadian pianist and Steinway Artist Arthur Rowe has received enthusiastic reviews
from his performances in New York, Cleveland, Minneapolis, Seattle, San Diego, as
well as in venues in Europe and New Zealand. Following a New York solo recital, The
New York Times wrote: “The Canadian pianist Arthur Rowe made an immediate
and positive impression…before eight bars had gone by, one knew he was capable
of vigor without heaviness, energy without excess of drive. It was first-rate playing:
a kind of execution tinglingly alive to the shape and contribution of each phrase”.
Reviewing a solo recital in London England, The London Times spoke of his “unusual
clarity of articulation”, and “poetry of expression”, and David Burge, writing in The
San Diego Tribune said, “Rowe is a marvelous pianist…even when he is pushed to
the limit by extreme virtuosic demands…he can concentrate all of his considerable
talents on vital matters of phrasing, tone and ensemble”.
Arthur Rowe has been heard regularly on radio broadcasts in Canada and the
United States, and has recorded with various artists for the Crystal, ebs, Innova, GM
and Fanfare labels. In 2007, he released an all Schubert recording on the Centaur
label. Fanfare magazine’s review says, “Rowe’s reading (of the posthumous B flat
Sonata) is one of the most beautiful I have heard… The D. 899 Impromptus are
equally impressive…his purling right-hand runs recall Schnabel’s velvety sound…every harmonic change is underscored by a delicate nuance of color change. This kind
of expression cannot be taught; it is in the bloodstream and the soul”.
A highly respected chamber musician, Mr. Rowe regularly collaborates with artists
and chamber ensembles across North America. He has been a guest artist at summer festivals in Blossom, Interlochen, Niagara, Santa Fe and Seattle, as well as in
France, New Zealand, and Yugoslavia. While at Indiana University, he began his long
association with violinist William Preucil, Concertmaster of The Cleveland Orchestra,
with whom he has concertized for more than three decades. In 2004 The Harrington String Quartet joined forces with Arthur Rowe and William Preucil in New
York for a performance of the Chausson Concerto for Violin, Piano and String
Quartet, which was reviewed by Harris Goldsmith as a “reading that rivaled the
benchmark recordings by Franzescatti/Casadesus/Pascal, and Heifetz/Sanroma/New
Arts”.
Mr. Rowe has recently performed in New York for the Bargemusic series, at Oberlin
College, and in Washington State with Estonian bassoonist Martin Kuuskmann.
Performances last season included concerts with the Dover Quartet, recent winners
of the Banff International String Quartet competition, the Linden Quartet, cellist
Tsuyoshi Tsutsumi, Jonathan Crow, Concertmaster of the Toronto Symphony, and
William Preucil, Concertmaster of the Cleveland Orchestra.
Having previously held positions at the University of Iowa and the University of
Western Ontario, Arthur Rowe is Professor of Piano at the University of Victoria
and currently the Acting Director of the School of Music.

��UPCOMING EVENTS
Sunday, February 28, 2:30 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES: May Ling Kwok, piano
Esteemed performer, recording artist and instructor, May Ling Kwok
performs works by Mozart and Schumann.
Phillip T. Young Recital Hall
Sunday, February 28, 5:00 p.m. to 7:00 p.m. (Free admission)
GUEST MASTERCLASS: Torrey Kaminski, flute
A sought-after flute instructor and performing artist, Torrey Kaminski
is also a certified yoga teacher. In this masterclass Kaminski will present
ideas on how to incorporate yoga into daily practice as well as
perform Ferroud’s Trios Pièces pour flûte seule, Fantasy on Syrinx by
Bacchus, and Piazzolla’s Tango Etude No. 3.
Phillip T. Young Recital Hall
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Friday, March 4, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music brass students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Saturday, March 5, 8:00 p.m. (Adults $15 / Seniors &amp; Alumni $10 / Students $5)
UVIC CHORUS &amp; ORCHESTRA: Supplicatorium
Ajtony Csaba, conductor &amp; Adam Con, chorus director
Maurice Duruflé – Requiem
Dmitri Shostakovich – Symphony No. 5
University Centre Farquhar Auditorium
Sunday, March 6 &amp; 13, 7:00 p.m. (Regular $18 / $15 for Castle members)
CRAIGDARROCH CASTLE IN SONG
Featuring School of Music students. Tickets available at: thecastle.ca/events
Craigdarroch Castle (1050 Joan Crescent)
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure and newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES

Beautiful Music
by an Unknown Composer
Suzanne Snizek, flute
Harald Krebs, piano
With
Sharon Krebs, soprano
Kathryn Whitney, mezzo-soprano
		

Thursday, February 25, 2016 • 12:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Admission by donation

�PROGRAM
Music by Richard Rößler (1880–1962)
Four Duets
	
Der Vogel
	
Das Leben
	Wiegenlied
	
Wir Drei
Sharon Krebs, soprano
Kathryn Whitney, mezzo-soprano
Harald Krebs, piano

Sonate für Flöte und Klavier, op. 15
	
Allegretto grazioso
	Adagio
	Intermezzo
	
Grave—Allegro Assai
Suzanne Snizek, flute
Harald Krebs, piano

�UPCOMING EVENTS
Friday, February 26, 12:30 p.m. (Admission by donation)
FRIDAYMUSIC
Featuring School of Music voice students in a concert of varied repertoire.
Phillip T. Young Recital Hall
Friday, February 26, 8:00 p.m. (Admission by donation)
STUDENT COMPOSERS CONCERT
Featuring original compositions by students in the
School of Music Composition program.
Phillip T. Young Recital Hall
Saturday, February 27, 8:00 p.m. ($25)
FACULTY CONCERT SERIES
Lafayette String Quartet &amp; Arthur Rowe, piano
Performing Fanfare by Adaskin, Shostakovich’s String Quartet
No. 9, Op. 117, and Dvořák’s Piano Quintet in A Major, Op. 81.
Phillip T. Young Recital Hall
Sunday, February 28, 2:30 p.m. (Adults $18 / Seniors, students &amp; alumni $14)
FACULTY CONCERT SERIES: May Ling Kwok, piano
Esteemed performer, recording artist and instructor,
May Ling Kwok performs works by Mozart and Schumann.
Phillip T. Young Recital Hall
Sunday, February 28, 5:00 p.m. to 7:00 p.m. (Free admission)
GUEST MASTERCLASS: Torrey Kaminski, flute
A sought-after flute instructor and performing artist, Torrey Kaminski
is also a certified yoga teacher. In this masterclass Kaminski will present
ideas on how to incorporate yoga into daily practice as well as
perform Ferroud’s Trios Pièces pour flûte seule, Fantasy on Syrinx by
Bacchus, and Piazzolla’s Tango Etude No. 3.
Phillip T. Young Recital Hall
Tuesday, March 1, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

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                    <text>School of Music

MUS C

Faculty of Fine Arts
University of Victoria

�UNIVERSITY OF VICTORIA • SCHOOL OF MUSIC

FACULTY
CONCERT SERIES
BRUCE VOGT
PIANO

		

Friday, February 19, 2016 • 8:00 p.m.
Phillip T. Young Recital Hall
MacLaurin Building, University of Victoria
Adults: $18 / Students, seniors, alumni: $14

�PROGRAM
Sonata in A flat Major, Hob. XVI:46 (1767–70)	
Joseph Haydn
	
i. Allegro moderato	(1732–1809)
	
ii. Adagio
	
iii. Finale: Presto
Sonata in D Major, Op. 10, No. 3 (1797-98)
	
i. Presto
	
	
ii. Largo e mesto
	
iii. Menuetto: Allegro
	
iv. Rondo: Allegro

Ludwig van Beethoven
(1770–1827)

I NT E R M I S S I O N
Beverages and snacks available at the
concession located in the lounge.

Sonata in C minor, Hob. XVI:20 (1771)
	
i. Moderato
	
	
ii. Andante con moto
	
iii. Allegro

		

Haydn

Sonata in A flat Major, Op. 110 (1822)	
Beethoven
	
i. Moderato cantabile molto espressivo
	
ii. Allegro molto
	
iii. [Arioso] Adagio ma non troppo
	 iv. Fuga: Allegro ma non troppo
	 v. [Arioso] L’istesso tempo di Arioso: Perdendo le forze, dolente
(losing strength, sorrowfully)
	 vi. L’istesso tempo della Fuga: poi a poi di nuovo vivente
(gradually coming to life)
			

�UPCOMING EVENTS
Saturday, February 20, 2:30 p.m. (Admission by donation)
PIANO CLASS RECITAL
Featuring students from the studio of Arthur Rowe.
Phillip T. Young Recital Hall
Saturday, February 20, 8:00 p.m. (Admission by donation)
PIANO CLASS RECITAL
Featuring students from the studio of Eva Solar-Kinderman.
Phillip T. Young Recital Hall
Sunday, February 21, 2:00 p.m. (Admission by donation)
CLARINET CLASS RECITAL
Featuring students from the studio of Patricia Kostek.
Phillip T. Young Recital Hall
Monday, February 22, 8:00 p.m. (Free Admission)
GRADUATING RECITAL: Kassandra Schantz, voice
Vocalist Kassandra Schantz presents her Bachelor of Music graduating recital.
Phillip T. Young Recital Hall
Tuesday, February 23, 12:30 p.m. (Admission by donation)
TUESDAYMUSIC
Take an afternoon break to enjoy a concert of varied repertoire
and instruments featuring School of Music students.
Phillip T. Young Recital Hall
Wednesday, February 24, 8:00 p.m. (Admission by donation)
VIOLA CLASS RECITAL: Viola Madness
Viola students from the studio of Joanna Hood
performing works by Bach, Brahms, Kurtág, and more!
Phillip T. Young Recital Hall
Thursday, February 25, 12:00 p.m. (Admission by donation)
FACULTY CONCERT SERIES: Beautiful Music by an Unknown Composer
Suzanne Snizek, flute, and Harald Krebs, piano
With guests Sharon Krebs, soprano, and Kathryn Whitney, mezzo-soprano
Featuring chamber music and vocal duets by Richard Rößler (1880–1962).
Phillip T. Young Recital Hall
Tickets available at the UVic Ticket Centre (250-721-8480),
online (www.tickets.uvic.ca) and at the door.
To receive our On the Pulse brochure &amp; newsletter by email, contact: concert@uvic.ca

www.finearts.uvic.ca/music/events

�</text>
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