Mowry Baden wins prestigious Guggenheim fellowship

Well-known contemporary artist and sculptor Mowry Baden, a professor emeritus with the Department of Visual Arts, can now add one of North America’s most prestigious awards to his long list of honours. Baden is one of only two Canadians receiving a 2014 Guggenheim Fellowship and is among a diverse group of 178 scholars, artists, and scientists selected from a field of almost 3,000 applicants.

Mowry Baden in his studio, with the start of his Guggenheim-funded sculpture "Trisector"

Mowry Baden in his studio, with the start of his Guggenheim-funded sculpture “Trisector”

Baden is only the sixth UVic scholar to be awarded a Guggenheim and our first creative artist to receive the honour. The John Simon Guggenheim Memorial Foundation announced this year’s recipients on April 10 in its 90th annual competition for the US and Canada.

“I’m very happy,” says Baden of his one-year fellowship worth $55,000 US. “My request was for money to help develop a sculpture that addresses the sense of touch—in art parlance, that’s called haptic. The sculpture will be pretty complex and will, of course, also have a visual component. It is a piece that will be able to be moved from place to place.” His Guggenheim-funded sculpture, titled Trisector (seen here), is already being constructed.

Baden & Meigs' "Revolving Basement" (2013)

Baden & Meigs’ “Revolving Basement” (2013)

Best known locally for his public art sculptures and complex tactile works, Baden is a prolific artist and recipient of numerous grants and awards including a 2006 Governor General’s Award in Visual and Media Arts. He will also be speaking at the upcoming event Reclaim the Streets: A Symposium on Art and Public Space, running April 25 and 26 at Open Space. Baden also contributed the piece “Revolving Basement” to the recent solo exhibition The Basement Panoramas by fellow Visual Arts faculty member Sandra Meigs.

“The Department of Visual Arts is proud to congratulate Mowry Baden on being awarded a prestigious Guggenheim Fellowship,” says department chair Daniel Laskarin. “He was one of two professors who joined UVic in the 1970s and who led the development of our program into what it is today. His students are among the most successful artists across Canada and beyond, and his own artistic work is internationally celebrated.”

Baden's "Upper and Lower Case" (2009)

Baden’s “Upper and Lower Case” (2009)

Notable among Baden’s former students are the likes of Sobie Award winner Christian Giroux, Yale’s director of sculpture Jessica Stockholder, current Visual Arts professor Robert Youds and 2014 Governor General’s Award winner Kim Adams. In his GG interview, Adams mentions the influence Baden had on the development of his work. “When we learned art history, it was through somebody who knew art today—and that was Mowry Baden,” he says. “We started seeing things that were more real—the perception of the colours, the scale and the size, what happens between it and you and that space between. For me, it was the street level, I was trying to pull that into the art.”

You can read more about Baden’s life and artistic legacy in this Canadian Art magazine feature article “The Great One.”

Baden's "Tender Trepanation"

Baden’s “Tender Trepanation” (2005)

“UVic has for many, many years has had a popular and critical sculpture program,” says Baden. “A lot of these people who have done well out in the world are sculptors who have been trained by me, my friend Roland Brener, who passed away, and by Daniel Laskarin . . . it continues to be a very strong program.”

Reflecting on the development of the department under his guidance, Baden feels they created something unique. “I think it’s true that no other department was offering what we could offer—Roland with his uniquely English exposure and me with a Southern California background—that’s kind of a unique combination. I can’t think of another Canadian university or art school that had that kind of blend.”

Opening night of the recent BFA show Split hints at the diversity of the Visual Arts building

Opening night of the recent BFA show Split hints at the diversity of the Visual Arts building

Baden was also instrumental in developing not only the Visual Arts program but the building itself. “When I was the chair of the department in the early ‘90s, we were singularly fortunate in getting a new building, and I had a great deal to do with its design—not that I designed it, but I was the point man for the department,” he recalls.

“A little stroll through the building is important when you want to see how the pedagogy is reinforced by the structure of corridors and studios and shops, the way they are linked and related with one another. It’s not a thousand percent success, you can never achieve that, but I think the building does a great deal to help with practice.”

As mentioned above, Baden will also be participating in Reclaim the Streets: A Symposium on Art and Public Space at Open Space on April 25 and 26. A fascinating and wide-ranging interdisciplinary symposium on art in the public space, Reclaim the Streets will bring together artists, scholars, curators, activists, community organizations, and engaged citizens to examine and discuss the goals, perceptions, problems, and possibilities of public art in Victoria. Along with Baden, Fine Arts will be represented by the likes of Visual Arts MFA Kika Thorne and former Department of Theatre alumni and instructor Dr. Will Weigler.

Past Guggenheim fellows from UVic include climatologist Andrew Weaver (2008), astrophysicist Julio Navarro (2003), English professor Anthony Edwards (1988), ocean physicist Chris Garrett (1981) and biologist Job Kuijt (1964).

Often characterized as “midcareer” awards, the Guggenheim Fellowships are intended for men and women who have already demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts. Scores of Nobel laureates, Pulitzer Prize winners and eminent scientists are past Guggenheim fellows, including Henry Kissinger, Linus Pauling and Ansel Adams.

Visual Arts students ready to Split

Undergraduates in the Department of Visual Arts are similar to students in any department at the University of Victoria: they come here to learn, to think, to research and to incubate their ideas. But what makes Visual Arts students different is that they also come here to create—and that creative difference is showcased in the annual Bachelor of Fine Arts graduating exhibit, this year titled Split.

BFA student Marina Eglis installs her piece in the graduating exhibit Split

BFA student Marina Eglis installs her piece in the graduating exhibit Split

No question, the BFA exhibit is one of the most anticipated events of the Visual Arts academic year. This year featuring the work of 36 students, Split runs from April 17-26 and will feature a tremendous amount of painting, drawing, sculpture, installation, video and media art spread throughout the Visual Arts building.

“For many of the students, the BFA exhibition is an opportunity for them to exhibit their work publicly for the first time,” says Visual Arts professor Jennifer Stillwell, who is coordinating Split with fellow professor Robert Youds. “Each graduating student has created a body of work or a major work that speaks to their individual point of view as an artist. The exhibit marks the achievement of their degree and celebrates and highlights the work they have put into it.”

BFA student Abigail Laycock with her sculptures

BFA student Abigail Laycock with her sculptures

More than just displaying their work, however, the students have also organized most aspects of the exhibition itself—from curatorial decisions and building preparation to organizing the opening night event and creating a colour catalogue that will further support the work and ideas of each artist in the show.

“Most BFA students arrive here not really knowing what contemporary art is, then they have to go through the process of figuring it out and engaging with it,” says Visual Arts professor Paul Walde. “Then they have to decide what they want to work on and move forward with that. This final year really is the tipping point where you see massive development in a student’s work. That’s why UVic is such a great incubator for artists: it gives you time and space, and it has great facilities and a great faculty—but when students graduate, it’s really important for them to get off the island and test the strength of their ideas in other contexts.”

VASA president Graham Macaulay

VASA president Graham Macaulay with one of his installations

Split not only offers a glimpse into the future of visual art but also shows the originality of vision that comes with being mentored by some of Canada’s top contemporary artists. “Taking these courses and working with these professors has given me a way of filtering what I’m taking in and providing effective strategies for creating things,” says graduating Visual Arts Student Association president Graham Macaulay. “The strength of this program is the very direct studio practice—you really get into the meat of your artistic practice. I’ve been exposed to a lot of different ideas and people with different practices.”

BFA student Heather Carter with her wall of nudes

BFA student Heather Carter with her wall of nudes

On one level, the exhibit title Split was inspired by a quote by French theorist Roland Barthes,  which appears in the exhibit catalogue: “It would seem that we are condemned for some time yet to always speak excessively about reality. This is probably because ideologism and its opposite are types of behaviours which are still magical, terrorized, blinded and fascinated by the split in the social world. And yet, this is what we must seek: a reconciliation between reality and men, between description and explanation, between object and knowledge.”

Graduating student Chris Savage matches painted plates to paintings

Graduating student Chris Savage matches his painted dishware to paintings

When asked about this, Macaulay chuckles. “It’s kind of tricky naming a grad show—it’s always a bit of the same thing: a lot of people with very disparate practices. You get some meeting places where people work together but the only real connection point is the location—we’re all here, we’re all Visual Arts students,” he says. “But in her catalogue essay, Jennifer Stillwell said, ‘It’s time to split’—which I thought was so funny, it’s been four years and it’s time to split. It’s such a simple thing, and such a contrast with what Barthes has to say.”

SplitBFAGradShow_PosterSplit also carries on the enviable Visual Arts tradition of producing some of Canada’s most notable contemporary artists—such as 2014 Governor General’s Award winner Kim Adams, as well as the likes of Jessica Stockholder, Gwen Curry, Bill Burns, Marla Hlady, Phyllis Serota, Barbara Fischer, Christian Giroux and many, many others.

If you want to brush up on the future of Canadian art, look no further than UVic’s Department of Visual Arts.

Split opens with a 7pm reception on Thursday, April 17. The exhibit runs daily to April 26 throughout UVic’s Visual Arts Building, and is free to attend. Don’t miss our upcoming MFA  graduating exhibit as well, running May 2-10.

 

Rotating and protecting UVic’s art collection

With 2,200 works of art currently on display—out of more than 20,000 pieces in the university’s overall art collection—UVic has more art on view in public, non-museum spaces than at any other university in Canada. Managing the collection responsibly through the Legacy Art Galleries’ Art on Campus program has also meant that a number of pieces previously on display in public spaces have been deemed to be at risk—and are in the process of being replaced with thematically similar works.

Mary Jo Hughes at the 2013 Legacy exhibit Paradox (photo: Don Denton)

Mary Jo Hughes at the 2013 Legacy exhibit Paradox (photo: Don Denton)

“The Department of Canadian Heritage designate some of our works to be of outstanding national significance,” explains Legacy Art Galleries director Mary Jo Hughes, “so they require we only show and store these pieces in places with ‘Category A’ museum standards—which we unfortunately don’t have in the public spaces and offices on campus.”

The risks that Legacy must be concerned about are more than just the possibility of theft. “Art can be damaged from light, temperature, humidity, airborne contaminants, pests and vandalism,” she says.

Canadian Heritage requires nearly 1,000 nationally significant artworks in UVic’s collection to be protected for the benefit and education of both present and future generations. Consider, for example, Legacy’s precious William Morris tapestries. “They are so valuable and so vulnerable to light that we only bring them out for short-term display, and for examination and research,” says Hughes. “We always have to balance preservation with the desire for long-term display; if we were to put them out, they would be so faded after a couple of years that they ‘d be worthless for future generations.”

Legacy curator Caroline Riedel, History in Art Professor Dr. Erin Campbell and History in Art student Holly Cecil (photo by Gary McKinstry)

Legacy curator Caroline Riedel, History in Art Professor Dr. Erin Campbell and History in Art student Holly Cecil (photo by Gary McKinstry)

But while this curatorial shuffle means you’ll no longer find Myfanwy Pavelic’s paintings in the McPherson Library or Robert Davidson’s prints in the Fraser Building, you will now find equally strong and relevant pieces in their place. Pavelic’s portrait of famed conductor Yehudi Menuhin that previously hung outside the library’s Music and Media department has been replaced with alumna Eva Campbell’s portrait of filmmaker Kemi Craig. “Legacy is attempting to match pieces that will continue to speak those messages,” explains Hughes. “Maintaining First Nations prints in the Law faculty, for example, speaks to their respect for and interest in indigenous approaches to law.”

Even though Legacy Art Gallery Downtown and the Legacy Maltwood in the Mearns Centre for Learning are the only “Category A” spaces available, that doesn’t mean the campus will be short on art to display. “We have the most art on public display of any university in Canada,” Hughes says. (By way of comparison, the much larger University of Toronto campus only has 800 pieces on view.) “The Art on Campus program makes a valuable contribution to the educational environment at UVic. It reinforces an interdisciplinary approach in how people work, teach and learnon campus, and recognizes art as a vital part of everybody’s life; it provides invigoration and stimulation wherever it is.”

UVic's Legacy Gallery Downtown

UVic’s Legacy Gallery Downtown

Hughes also points out what our art collection says about the university as a whole. “It reinforces key messages about UVic, about our values, about our culture,” she says. “Think about the remarkable amount of First Nations art we have campus: that speaks to our connection with the Coast Salish people, with being grateful for being on their territory, with recognizing their culture as a vital part of our world right now. That’s very important to UVic, across disciplines. We don’t want to just pigeonhole art in the Fine Arts or Visual Arts buildings.”

Though some key works have been moved out of offices where they were well-loved, protecting the art will create opportunities to share the pieces with a wider audience through the gallery—in our own era and in the decades to come.

Maxwell Bates' "Circus People" (1969) will be seen in Legacy's upcoming Epiphany exhibit

Maxwell Bates’ “Circus People” (1969) will be seen in Legacy’s upcoming Epiphany exhibit

The program is also providing new opportunities for community engagement, as seen in Legacy’s upcoming exhibit Epiphany:Highlights from the Legacy Permanent Collection opening May 1. Featuring artists of national significance like Norval Morrisseau, Lawren Harris, Frederick Varley, Robert Davidson, Emily Carr, Myfanwy Pavelic, Robert Rauschenberg, Jack Shadbolt and Jean-Paul Riopelle, among others, Epiphany will showcase art that may previously have had limited exposure. “This will enable a lot of people to see some of the cultural properties that have been taken off-campus,” she explains. “A piece may have been hanging in someone’s office or a hallway the general public couldn’t get to before. We’re trying to give access to these key pieces in exhibitions like this.”

Hughes also feels it’s important to remember that community engagement is only part of the role of UVic’s art collection—with the other part being experiential learning. “We cater to faculties whenever they want to have artwork as part of their teaching. We offer art for teaching in classes on campus or at Legacy and we provide study access to reseachers . . . what we do is very much linked to the academic mandate, and real-life experience of working with art. ”

“We’re still dedicated to providing access to all our pieces,” Hughes concludes, “through temporary exhibits, research, classroom visits, and through our database. We have to balance the protection of the artwork with access for scholarship, research and exhibition purposes.”

 

Art on the horizon

With classes ending and the semester wrapping up, it’s a good time to pause and take a breather—and what better time to check out some art? There’s a fresh batch of exhibits coming up this and next month, all of which showcase the work of both UVic artists and art historians.

Pub Crawl (2)First up is the PUB(lic) Crawl happening Saturday, April 12. Part walking tour and part film screening and discussion, the PUB(lic) Crawl offers an active, participatory tour of several interarts projects in the public sphere. Led by Art Gallery of Greater Victoria educators, Open Space and visiting artists—including Jackson 2Bears, the current Audain Professor for the Department of Visual Arts, who will be screening a new multimedia work at the end of the tour. This freewheeling appraisal of public space runs rain or shine. Meet outside the Art Gallery of Greater Victoria (1040 Moss) at 3pm for the two-hour walking tour, which will reach the Garrick’s Head Pub (1140 Government) at 5pm, where the screening and discussion will continue till 7pm. Admission is by donation.

The Pub(lic) Crawl is just one of the many exciting events leading up to the April 25-26 event Reclaim the Streets: A Symposium on Art and Public Space.

From Chris Lindsay's "I like the wind"

From Chris Lindsay’s “I like the wind”

Already open is Chris Lindsay‘s latest exhibit,  I like the wind at Xchanges Gallery. A recent Visual Arts MFA alumnus and the current workshops technician for the Department of Visual Arts, Lindsay presents new work exploring the non-conventional mark-making possibilities of the rust process. The inventive attitude of the artist and the dynamic physical character of the rust process are captured, reflecting our connection to the world outside of our selves and our relationship to that which we imagine and bring physically into this world.

Curious about how rust influences the artistic process? Don’t miss Lindsay’s artist talk at 2pm Sunday, April 27. I like the wind continues to April 27 at Xchanges Gallery, 6E-2333 Government St. The gallery is open Saturdays & Sundays noon to 4pm.

SplitBFAGradShow_PosterThe Visual Arts BFA graduation exhibit is always one of the most anticipated events of the Fine Arts academic year. This year’s exhibit is titled Split and will feature the diverse work of 36 graduating BFAs—including painting, photography, sculpture, drawing, installation and extended media works. Split not only offers a glimpse into the future of visual art but also shows the originality of vision that comes with being mentored by some of Canada’s top contemporary artists. Supervised by Visual Arts professors Jennifer Stillwell and Robert Youds Split will fill the entire Visual Arts building and also offer an exhibit catalogue created by the students themselves.

Owen Mathieson's paintings can be seen in "Split"

Owen Mathieson’s paintings can be seen in “Split”

Split also carries on Visual Arts’ enviable tradition of producing some of Canada’s most notable contemporary artists—such as 2014 Governor General’s Award winner Kim Adams, as well as the likes of Jessica Stockholder, Gwen Curry, Bill Burns, Marla Hlady, Phyllis Serota, Barbara Fischer, Christian Giroux and many, many others. If you want to brush up on the future of Canadian art, look no further than the Department of Visual Arts.

Split opens with a 7pm reception on Thursday, April 17, and continues 10am to 6pm daily to April 26 in the Visual Arts Building.

Just in time for Easter weekend is Windows Into Heaven: Religious Icons from the Permanent Collection. Opening April 23 at the Legacy Downtown, this exhibition is curated by History in Art graduate student Regan Shrumm as the result of a directed studies course under the supervision of History in Art professor and exhibit co-curator Dr. Evanthia Baboula.

Windows Into HeavenThese 18th and 19th century icons—created from egg tempera, enamel and silver metalwork—are from the eastern Christian tradition and show how religious imagery maintained a central role in orthodox Christianity. Icons were venerated in churches, private homes or during a journey to provide protection to body and spirit. Images of saints, Christ and the Virgin that date back to the Byzantine tradition, the medieval empire of Constantinople, are also a concrete remnant of how the religious communities of imperial Russia built on these traditions to create a recognizable, yet distinctive and lively art. “The icons in this exhibition are similar in age and importance to others found in major galleries and museums worldwide, including the Metropolitan Museum, the British Museum, and the Ashmolean,” says Baboula.

Learn more about the historical and cultural significance of these icons with the curator’s talk and tour at 7pm Thursday, April 24. The exhibit runs to August 9 at the Legacy Art Gallery Downtown, 630 Yates. Admission is free and the gallery is open 9am to 4pm Wednesday to Saturday.

The button blanket receiving its inaugural dance at UVic's First Peoples House (Photo Services)

The button blanket receiving its inaugural dance at UVic’s First Peoples House (Photo Services)

It’s also worth noting that your last chance to see the Legacy exhibit Adasla: The Movement of Hands is coming up fast—the exhibit must close on Friday, April 25. Featuring the world’s biggest button blanket, Adasla is the culmination of work done by History in Art professor Carolyn Butler-Palmer, HIA sessional instructor Peter Morin and their fall 2013 class. Find out more about the project here, and be sure to see the exhibit before it closes.

Also of note on the Legacy Galleries front are two upcoming on-campus exhibits: Honoris Causa: University of Victoria First Nations Artist Honorands, which runs to the end of May at First Peoples House, and Margaret Peterson: A Search In Rhythm which runs to August 9.

Kwagiulth Chief and Frog, Henry Hunt, 1980

Kwagiulth Chief and Frog, Henry Hunt, 1980

Honoris Causa features the work of First Nations artists who have received honorary degrees from the university. Twice yearly at convocation, UVic awards honorary degrees to those who have demonstrated distinguished and extraordinary achievements—and, during its 50-year history, UVic has granted honours to seven First Nations artists who have contributed not only to the arts but also to the community at large as leaders, activists, visionaries, role models, and groundbreakers. Honoris Causa features works from UVic’s art collection and an excerpt from the citation that was read at the occasion of granting the degree. It continues to May 9 at First Peoples House.

Meanwhile, A Search In Rhythm features the artworks and personal papers of  groundbreaking mid-20th century abstract painter, Margaret Peterson. Peterson had a big vision: to search for the spiritual realm, in rhythm with the artistic aims of Indigenous peoples across the world. Peterson’s main medium was egg tempera on plywood panels—striking in size, colour, and form.

Portrait of Margaret Peterson by Curtis Lantinga, 1978

Portrait of Margaret Peterson by Curtis Lantinga, 1978

This is the first in an upcoming series of exhibitions presenting UVic’s Artist Archives and Legacy Art Galleries joint holdings which demonstrates the rich research potential of this recently acquired material. This exhibit runs April 11 to August 9 in the Legacy Maltwood at the Mearns Centre in the McPherson Library.

There will also be a lively panel discussion of the artists’ archives and this exhibit at 2pm Tuesday, May 13, in room A003 of the Mearns Centre. Titled “Working with Artists’ Archives at the University of Victoria,” it will feature UVic archivist Lara Wilson, local art writer Robert Amos,  art historian Nick Tuellie and exhibit curator Justine Drummond.

Work by MFA candidate Neil McClelland

Work by MFA candidate Neil McClelland

Finally, we have the much-anticipated MFA Graduating Exhibit in the Department of Visual Arts. Featuring the work of six graduate students in the Master of Fine Arts program, the exhibit—this year titled In Your Eyes—offers contemporary art in a wide variety of disciplines.

In Your Eyes essentially offers six separate solo exhibits in one, as each graduating student—Megan Dyck, Ethan Lester, Neil McClelland, Kaitlynn McQueston, Carley Smith and Jeroen Witvliet—has their own exhibition space in the Visual Arts building. “We look for artists who want to engage with contemporary art dialogue in an environment that really promotes independently driven, rigorous studio investigation in the service of research creation,” says Visual Arts professor and graduate advisor Paul Walde about the MFA students.

Work by MFA student Carley Smith

Work by MFA candidate Carley Smith

The key to contemporary art, says Walde, is to spend some time with the work. “If you walk into a play or open a book and just spend five minutes with it, you’re probably not going to have a good sense of what the total accomplishment is,” he says. “That’s the same with visual arts—you have to spend some time with the work, maybe do a little reading around it . . . sometimes the content of the art is such that a level of understanding will have to preface it in some way.”

The opening reception for In Your Eyes begins at 6pm, Friday May 2, with opening remarks at 7pm. The exhibit runs 10am to 5pm daily (except Sundays) to May 10 throughout UVic’s Visual Arts Building.

Recent Fine Arts media roundup

Whatever the season, our Fine Arts faculty always seem to be in the media. The only trick is keeping up with it all!

EdgeKicking off 2014, History in Art’s Victoria Wyatt was announced as a contributor to the influential Edge blog. For those not familiar with Edge, it’s an ongoing conversation of intellectual adventure. As they say on the Edge website, To arrive at the edge of the world’s knowledge, seek out the most complex and sophisticated minds, put them in a room together, and have them ask each other the questions they are asking themselves.

The 2014 Edge question was, “What scientific idea is ready for retirement?” and it’s a bit  unusual for a History in Art professor to be asked to contribute to the conversation. But Victoria Wyatt was more than game for it, weighing in with her idea that “it’s time for the rocket scientist to retire.” She’s not talking about the folks at NASA, mind you, but that tired old cliche, “It doesn’t take a rocket scientist to . . . ” Read Wyatt’s engaging short essay here. All the responses are compiled in one really long list, so if you want to find hers quickly, just search for “Wyatt”.

The online Edge salon is, as they put it, “a living document of millions of words charting the Edge conversation over the past 15 years wherever it has gone.” In the words of the novelist Ian McEwan, Edge.org offers “open-minded, free ranging, intellectually playful . . . an unadorned pleasure in curiosity, a collective expression of wonder at the living and inanimate world . . . an ongoing and thrilling colloquium.”

JMPS_new_covIn other History in Art news, Allan Antliff recently edited a special issue of The Journal of Modern Periodical Studies focusing on “Anarchist Modernism in Print” (Volume 4, Number 2, 2013). As Antliff says in his introduction, “This issue of the Journal of Modern Periodical Studies examines political engagements with modernism in journals where productive comingling gave rise to new modes of anarchism contiguous with modernism, while modernism itself was propelled in new directions. In this instance we have a critical/creative nexus . . . keyed to values profoundly at odds with modernity, including its ‘socialist’ guise. Anarchism’s modernisms grapple with such issues as power relations, sexual difference, colonialism, and the economics of art—to name a few—with revolutionary intent.” Read more about Antliff’s issue here.

Allan Antliff's latest book, Joseph Beuys (Phaidon Focus)

Allan Antliff’s latest book, Joseph Beuys (Phaidon Focus)

Antliff also has a soon to be released new book about sculptor, painter, draughtsman, teacher, theorist and political activist Joseph Beuys. Simply titled Joseph Beuys, the 144-page book from Phaidon Focus is part of a groundbreaking new series that offers accessible, enjoyable and thought-provoking books on the visual arts. Described as “An enigmatic figure whose complex imagination drew on his research across a wide range of themes . . . Beuys strove to establish a truly democratic approach towards artistic creativity, and prove that modern art need not be confined to the museum or the gallery.”

Phaidon notes, “As Antliff effectively demonstrates, the ecological and political issues that informed much of Beuys’s art can be considered as relevant today as they were in his own lifetime.” You can read more about the art and life of Joseph Beuys in this article and this one. The book will be released on March 23.

A happy—and no doubt relieved—Carolyn Butler Palmer watches as the big button blanket is raised in First Peoples House (UVic Photo Services)

A happy—and no doubt relieved—Carolyn Butler Palmer watches as the big button blanket is raised in First Peoples House (UVic Photo Services)

Still in History in Art, Carolyn Butler Palmer‘s Big Button Blanket project—which earned all sorts of media attention during its fall 2013 creation—continued to make headlines with its 2014 public debut. Times Colonist art writer Robert Amos called the blanket’s exhibit at Legacy Gallery Downtown‘s Adasla: The Movement of Hands (continuing through to April 25) a “stimulating and multi-faceted show” in his review. Following the blanket’s debut at the opening of the Diversity Research Forum, UVic’s Ring newspaper previewed the upcoming performance by blanket co-creator Peter Morin and former Department of Visual Arts Audain Professor Rebecca Belmore in this article, and the Times Colonist also ran this article previewing the February 22 performance, summarizing the history of the button blanket and this blanket’s specific intention.

Peter Morin observes the big button blanket after it has been raised in First Peoples House (UVic Photo Services)

Peter Morin observes the big button blanket after it has been raised in First Peoples House (UVic Photo Services)

Local visual arts writer Robert Amos also ran this Times Colonist article about Adasla, describing it as a “stimulating and multi-faceted show.” The exhibit was also featured in the February/March issue of Preview: The Gallery Guide magazine, was written up in this article for the UVic student newspaper Martlet and appeared in the Victoria News article, “Big Art Emerges From A Big Blanket.”

Shifting to the Department of Theatre, professor emeritus  Juliana Saxton was the focus of this March 7 Montreal Gazette op-ed by Andrea Courey about life-long learning. At 80, Saxton certainly knows how to walk the talk! (“When asked to comment on the fun of still ‘coming to class,’ Saxton said she had no time to talk. She was off to teach a class! Bingo. I smiled and remembered the old adage: If you want to learn something, teach it. And if you can, keep learning.”)

Some of the cast of Unity (1918), on to March 22 at Phoenix Theatre (photo by David Lowes)

Some of the cast of Unity (1918), on to March 22 at Phoenix Theatre (photo by David Lowes)

Phoenix Theatre’s last production of the year—the award-winning Unity (1918), written and directed by Department of Writing professor Kevin Kerr—picked up a great deal of media attention in advance of its March 13 opening. The Times Colonist, CTV VI and CFUV’s U in the Ring all featured previews of the production, and the reviews coming in have all been outstanding (“Who knew a play about the flu could be so moving?” writes the Times Colonist). Click to this separate post to read a roundup of the press surrounding Unity (1918).

School of Music instructor Colleen Eccleston was a guest on CFAX 1070′s “Cafe Victoria with Bruce Williams” show (unfortunately not archived online). Eccleston spoke about the recent anniversary of the Beatles appearing on The Ed Sullivan Show in 1964, and the impact they have had since that day 50 years ago. Music’s Wendell Clanton was also featured on CFAX 1070 in February (but also not archived); both he and members of the UVic Vocal Jazz Ensemble were interviewed about their Singing Valentines fundraiser.

12tet-frontThe UVic Wind Symphony and the Naden Band appeared on Shaw TV’s Go Island South show in advance of their Naden Scholarship fundraiser concert on February 7. Also in the brass department, congratulations go out once more to School of Music professor emeritus Ian McDougall on his latest Juno Award nomination! His album The Ian McDougall 12tet LIVE is nominated for “Traditional Jazz Album of the Year.” The winners will be announced on the March 30 broadcast from Winnipeg.

The School of Music’s new live streaming initiative also sparked this Times Colonist article about the pros and cons of digital content when it comes to audience impact. Concert Manager Kristy Farkas was interviewed, saying “she knows of no evidence suggesting that this program compromises attendance at UVic concerts.” The TC’s Kevin Bazzana quoted Farkas on how technology is “broadening our reach with the community” by allowing a student’s family in another city to watch a graduating recital, for example.

Sandra Meigs' "The Basement Panoramas"

Sandra Meigs’ “The Basement Panoramas”

Over in Visual Arts, the Toronto exhibit of Sandra Meigs‘ new series of paintings The Basement Panoramas got a great full-page review in the Toronto Star, which called it “perhaps the most potent work of Meigs’ career.” As anyone who saw the show when it appeared locally at Open Space back in November 2013 will recall, these are really, really big paintings—so large the Toronto exhibit was split between two galleries!

Daniel Laskarin at Deluge

Daniel Laskarin at Deluge

Current Visual Arts chair Daniel Laskarin had his fourth exhibition at downtown’s Deluge Contemporary Art from January 31 to March 8. In fallen and found, Laskarin returned to a decades-old preoccupation with the role of the sculptor as matterist in this solo exhibit, and you can hear him discuss the work in this video interview from ExhibitVic website.

WainoAnd the timing was perfect for Carol Wainio’s March 12 appearance as the latest in the long-running Department of Visual Arts VIsiting Artist series. Wainio had just been announced one of the recipients of the 2014 Governor General’s Awards for Visual & Media Arts on March 4, alongside Visual Arts alumnus Kim Adams. Wainio’s talk was teased by an advance photo in the local Victoria News listings.
Finally, in the Department of Writing, Joan MacLeod‘s latest play The Valley opened in Winnipeg recently, earning her this Winnipeg Free Press article: “Over almost three decades, the Victoria-based MacLeod has won a shelf full of awards for her plays, including the 2011 Siminovitch Prize, Canada’s richest theatre award. She is taken aback by the news that anyone thinks of her as a groundbreaking dramatist. ‘That’s extremely flattering and shocking,’ MacLeod says from her office at the University of Victoria, where she teaches. ‘When I sit down to write, I never feel like a master playwright. It’s nice to hear people think that. I’m blushing.’”
BCB-Feb2014-Cover_5_2Fellow Writing professor and Technology & Society program director David Leach wrote a great piece for BC Business magazine’s special all-TED issue in February. “Over the past 30 years, the annual Technology, Entertainment and Design conference has grown into a media juggernaut, fuelled by “ideas worth spreading” (as its tag line promises) and the most effective marketing on the social web,” writes Leach. “Today, this brand without borders aspires to reprogram our entire global operating system for the greater good.”

And the 2014 Southam Lecturer, Tom Hawthorn, popped up in the news a few times recently—not surprisingly, given that his Southam course focuses on sports journalism, and we’ve just come through a flurry of coverage on both the Super Bowl and the Winter Olympics. While it’s no longer archived, Hawthorn spoke to CBC All Points West host Jo-Ann Roberts—also a former Southam Lecturer herself—about his January 29 public Southam Lecture titled, “In Defence of Sports Writing (Not All of it, Just the Good Stuff)”.

HawthornHawthorn also spoke about the importance of UVic’s new Centre for Athletics, Recreation and Special Abilities (CARSA) in this article for the CARSA website: “When it comes to training facilities, there’s no question: CARSA will attract a very high level of athlete,” he says. “You’re going to attract people who want to succeed in athletics—that will definitely be weighed in their decision of where they’re going to do their studies—and you’ll have more people dedicated to success at that elite level.”

Cleve Dheensaw, sports writer for the Times Colonist, also talked to Hawthorn ahead of his lecture in this article. “Even people who don’t follow sports should read the sports pages because sport tells us a lot about ourselves as a society,” he says. (Plus, who wouldn’t want to take a class where your homework is watching the Super Bowl?) And Hawthorn talked about the likelihood of queer activism at the Olympics in this Victoria News article. “I fully anticipate that some athletes will make a display of solidarity with gay people in the community of Russia,” he said.

Former Visual Arts student wins Governor-General’s Award

Toronto-based sculptor and former Visual Arts student Kim Adams has been named one of the winners of the 2014 Governor-General’s Awards in Visual and Media Arts.

Kim Adams (photo: Henry Feather)

Kim Adams (photo: Henry Feather)

Recognized internationally for his large sculptures—often created from a mix of eclectic and everyday objects, including vehicles, dolls, toys and bicycles—Adams earns $25,000 for the Governor-General’s Award. This latest honour comes hot on the heels of two other significant awards for Adams: a 2013 Guggenheim Fellowship and the 2012 Gershon Iskowitz Prize from the Art Gallery of Ontario, which came with a $50,000 award.

Adams studied in the Visual Arts department from 1975 to 1980, when he also took courses in Theatre, Art in Education and History in Art. (Score one for interdisciplinarity!) In this video of his work, which features footage of various pieces and a glimpse inside his studio, Adams mentions the influence Visual Arts professor emeritus Mowry Baden had on the development of his work. “When we learned art history, it was through somebody who knew art today—and that was Mowry Baden. We started seeing things that were more real—the perception of the colours, the scale and the size, what happens between it and you and that space between. For me, it was the street level, I was trying to pull that into the art.”

One of eight veteran Canadian artists honoured at the Governor-General’s Awards, which are typically recognized as “lifetime achievement” awards, Kim Adams is an internationally recognized sculptor who has exhibited extensively throughout Canada, across North America and in Europe in both traditional gallery spaces and more public locations. He was also one of the artists included in 2012′s Oh, Canada exhibit at MASS MoCA.

Kim Adams "Autolamp - 2008" (Perforated ’85 Dodge Ram)

Kim Adams “Autolamp – 2008″ (Perforated ’85 Dodge Ram)

As his page at representing gallery Diaz Contemporary notes, Adams’ “challenging aesthetic and sense of humor emerge throughout his diverse practice.” Adams, along with the seven other winning artists, will be honoured at the official awards ceremony on March 26 at Ottawa’s Rideau Hall. There will also be a group exhibit of the winners’ works from March 27 to July 6, 2014, at the National Gallery of Canada.

The Governor General’s Awards in Visual and Media Arts were created in 1999 by the Canada Council for the Arts and the Governor General of Canada. The awards celebrate Canada’s vibrant arts community and recognize remarkable careers in the visual and media arts. Nominations are taken each spring, and winners announced the following March.

Carol Wainio (photo: Martin Lipman)

Carol Wainio (photo: Martin Lipman)

And in the good-timing department, another of this year’s Governor-General’s Award winners is Ottawa-based painter and University of Ottawa visual arts professor Carol Wainio. Known for her large, layered acrylic canvases, Wainio just happens to be the next Visiting Artist for the Visual Arts department. You can hear her speak at 8pm on Wednesday, March 12, in room A162 of the Visual Arts building. It’s free and the general public is welcome.

Fine Arts at IdeaFest

Want to change the world? All you need is the right idea.

ideafestUVic’s third annual IdeaFest is back and ready to expand your mind with fascinating ideas from fascinating people. Running March 3 to 8 at various venues across campus, IdeaFest offers over 50 ideas worth celebrating.

This year’s theme is “Ideas that can change everything,” and Fine Arts is once again in the mix, with every department offering something. Here’s a quick rundown by date of what we’ve got scheduled, but be sure to see the main schedule for complete details. Remember, all events are free and don’t require registration—unless otherwise noted.

• Get an inside look at how musicians make music with a Cello Master Class featuring School of Music professor Pamela Highbau Aloni. (1:30-2:30pm Tuesday, March 4 in the Phillip T Young Recital Hall, MacLaurin B Wing)

Inside the Kwisitis Visitor Centre

Inside the Kwisitis Visitor Centre

• What do you do when you suddenly find yourself over your head with a creative project? Find out in “A Props Master Out of his Depth”, a slide lecture by Department of Theatre master props artist Bryn Finer. Finer will address how his theatre experiences translated to the development of sculptures and dioramas for the Kwisitis Visitor Centre at Pacific Rim National Park near Tofino. (12:30-1:30pm Wednesday, March 5, in the Roger Bishop Theatre, Phoenix Theatres)

• The annual Jamie Cassels Undergraduate Research Awards feature new research produced by 115 young scholars—of which 10 are from Fine Arts: Caroline Baicy, Justin Barski and Evelyn Brotherston (History in Art); Alannah Bloch and Jocelyne Lamarche (Theatre); Abigail Laycock and Graham Macaulay (Visual Arts); Bethany Hughes and Benjamin Willems (Writing); and Sondra Moyls (Music).  Be sure to check out what they’ve got on hand in this fascinating exhibit. (11:30am-3pm Wednesday, March 5, Michelle Pujol room, SUB)

• Get an inside look at how musicians make music as School of Music professor Patricia Kostek leads a master class on the clarinet in this workshop. (1:30pm – 2:30pm Wednesday, March 5, in the Phillip T. Young Recital Hall, MacLaurin Building)

Lafayette String Quartet

Lafayette String Quartet

• Find out how young musicians hone their craft and learn from master musicians at this string chamber master class with UVic’s own artists-in-residence, the Lafayette String Quartet. (7-9pm Wednesday, March 5, in MacLaurin B016)

• Ever heard of Soundpainting? Find out what it’s all about at this presentation and interactive demonstration by UVic’s new music ensemble, Sonic Lab. All are invited to participate with movement, visual arts, spoken word, acting or music in a real-time, gesture-based group composition. (1-2:30pm Thursday, March 6, in the Phillip T. Young Recital Hall, MacLaurin Building)

• A late addition to our IdeaFest lineup: The 3-Minute Thesis competition! School of Music graduate student Michael Dias will have three minutes to explain the ideas behind “The Creative Process: A Composer’s Sketches and Drafts” with one slide, 180 seconds and no jargon. Can he do it? Find out 7-9pm Thursday, March 6, in the David Lam Auditorium.

IdeaFest_WR1• In this age of digital publishing, you don’t need a printing press to create your own magazine—unless you choose to go the traditional publishing route. So You Want To Launch A Magazine offers an interactive panel discussion and showcase of some of the very successful magazines—both digital and print—created by students in the Department of Writing to address social and literary concerns in society. The panel includes moderator Dr. Lynne Van Luven (Writing), Nadia Grutter (Coastal Spectator), Patrick Close (The Warren), Kimberley Veness (Concrete Garden), Patrick Grace (This Side of West) and Andrea Routley (Plenitude). (noon-1:30pm Friday, March 7, in HSD A270)

• If you’ve ever been to an opera, you’ve heard how the voice can be an instrument in itself. Learn more about this primordially human instrument when professor Benjamin Butterfield leads a master class in voice. (2:30-3:30pm Friday March 7, in the Phillip T. Young Recital Hall, MacLaurin Building)

Biro

Dániel Péter Biró and students

• Unless you’re a musician yourself, the process of creating music can offer be a complete mystery. Discover more in “Exploring Aesthetic Diversity Through Music,” an interactive workshop where you can experience the excitement of live music creation. School of Music composition and performance students will also perform their latest music compositions, created under the guidance of Music professors Dániel Péter Biró (Tsilumos Ensemble) and Joanna Hood (Lafayette String Quartet). The general public is welcome to attend! (7-9pm Friday, March 7 in MacLaurin B016)

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

• This year’s “Concert Without Borders” features the UVic Orchestra, under the direction of Ajtony Csaba, offering a program that includes Berlioz, Grisey and Beethoven and is punctuated by multi-media interventions highlighting Learning Without Borders projects from across campus. Theatre, song, visual art and spoken word shine a spotlight on the many ways in which members of the campus community are working to internationalize the curriculum and campus life. (8-10pm Friday, March 7 in the Farquhar Auditorium. Note: this is a ticketed event, and tickets can be purchased at the UVic Ticket Centre.)

Bruce Vogt

Bruce Vogt

• Finally, we offer the concert, A Night of Schubert. What makes a composer great? Why do we revere the music of one artist over another? Is it the beauty of the melody, a special harmonic sound, or something else? Discover the secrets of the romantic music of Franz Schubert (1797-1828) as explained and performed by pianist and School of Music professor Bruce Vogt. There will be a pre-concert talk at 7:30pm as well. (8-10pm Saturday, March 8, in the Phillip T. Young Recital Hall, MacLaurin Building. Note: this is a ticketed event, and tickets can be purchased at the UVic Ticket Centre.)

Upcoming events

As always, there’s plenty going on in the Fine Arts faculty. Here’s a quick roundup of what’s coming up in the next couple of weeks:

Open Word: Reading and Ideas with Gillian Jerome

Gillian Jerome

Gillian Jerome

The founder of Canadian Women in the Literary Arts and celebrated co-creator of Hope in Shadows: Stories and Photographs from Vancouver’s Downtown Eastside, Gillian Jerome will read from her latest book of poems, Red Nest. A live interview with UVic’s own Melanie Siebert will follow the Open Space reading.

7:30pm Wednesday, January 22, at Open Space, 510 Fort

Adaslā: The Movement of Hands

Thanks to the History in Art department, thousands of buttons and hundreds of metres of thread have now transformed one enormous swath of cloth into one huge button blanket. The companion exhibit, Adasla: The Movement of Hands, centres upon the creation and exhibition of what we’re calling the World’s Biggest Button Blanket. A project of Carolyn Butler Palmer, the Williams Legacy Chair in Modern and Contemporary Art of the Pacific Northwest, and sessional instructor Peter Morin, the blanket was created over the Fall 2013 academic term in collaboration with students at UVic’s First Peoples House. The finished blanket invites new conversations about indigenous button blanket makers and the artistic traditions that surround them.

Sewing button blankets at First Peoples House. (Photo: Michael Glendale)

Sewing button blankets at First Peoples House. (Photo: Michael Glendale)

Morin will offer the inaugural dance of the blanket on Wednesday, January 29, at First Peoples House as part of UVic’s 2014 Diversity Research Forum. There will also be a companion performance on at 2pm on Saturday, February 22, at the Legacy Gallery Downtown with Morin and Governor General’s Award-winning performance artist Rebecca Belmore, a former Audain Professor for the Department of Visual Arts.

Adaslā: The Movement of Hands continues to April 25 at the Legacy Art Gallery Downtown, 630 Yates.

Visual Arts MFA Silent Auction

Just a few of the 60 pieces up for auction

Just a few of the 60 pieces now up for auction

Our Visual Arts MFA students are trying to get to New York City, and you can help by bidding on one (or more) of the 60 pieces on offer in this silent auction. Work by both students and faculty is up for sale, and the event culminates with a 5:30pm performance on Thursday, January 23, by Fantastico! (better known as Visual Arts instructor David Gifford.)

Bidding runs 9am-5pm daily, and up to 6pm Thursday, January 23, in the Visual Arts building’s Audain Gallery. You don’t have to be present to win your bid.

Visual Impetus XVII: Conceived, Created & Consumed

Visual_Impetus_XVII_posterJoin Visual Impetus, the annual History in Art department’s graduate student symposium, and the theme this year is “Conceived, Created & Consumed.” When attempting to analyze and understand the significance of visual culture in society, we must examine the various stages of development as it transitions from the artist’s idea to a tangible manifestation that audiences perceive and respond to. The organizers of Visual Impetus XVII offer presentations addressing visual culture within the moments of conception, creation, or consumption, and how significance and function can shift within these different stages.

Included among the presentations is the keynote address by Peter Morin of the Big Button Blanket Project, 4pm Friday, January 24. Click here to see the full schedule of presenters.

Visual Impetus XVII runs January 24 & 25 at the Legacy Art Gallery Downtown, 630 Yates

A double dose of Sonik

Madeline Sonik

Madeline Sonik

Fans of Department of Writing sessional instructor Madeline Sonik will be excited to hear the multi-genre writer has a pair of events on the horizon: first up is her participation in the Malahat Review’s WordsThaw prequel “CNF Night in Canada!” Kicking off at 7:30pm Tuesday, January 28, at Russell Books (734 Fort), Sonk will be joined by Vancouver Island authors Maleea Acker and Jay Ruzesky at this free “intellectual icebreaker,” hosted by Malahat Review editor and fellow Writing instructor John Barton. They’ll all be discussing “the grace and agility of memoir, the essay, and travel writing.”

After that, the award-winning Sonik will be giving an interactive talk on literary magazine and book publishing, designed for new and emerging writers at UVic and the Victoria community at large who are interested in knowing how to make submissions, write pitches and book proposals, and approach literary agents. Other topics will include literary contests, grants, market studies, and how to keep track of it all. This equally free event runs 2:30-4pm Tuesady, February 4, in room A240 of UVic’s HSD Building.

Visiting Artist: Michael Klein

KleinMichael Klein has been exhibiting video and photo-based work for more than 30 years. He has curated, organized and programmed numerous exhibitions and publications. and opened the MKG127 gallery in Toronto in 2007. Recent exhibitions include The Other Side for Scotia Bank Nuit Blanche 2012, All in the Family at the Winnipeg Art Gallery and Family Ties at Daniel Faria Gallery in 2013.

Michael Klein speaks at 8pm Wednesday, January 29, in Room A162 of the Visual Arts building 

Southam Lecture: Tom Hawthorn

Tom Hawthorn is the 2014 Southam Lecturer (Photo: Deddeda Stemler)

Tom Hawthorn is the 2014 Southam Lecturer
(Photo: Deddeda Stemler)

Just in time for the Sochi Winter Olympics, Tom Hawthorn—2014 Southam Lecturer for the Department of Writing—presents his free public lecture, In Defence of Sports Writing (Not All of It, Just the Good Stuff). Not only will Hawthorn discuss the importance of sports writing but also examine the more political side of the Olympics at his public lecture, from the move to boycott the Nazi Olympics and the Black Power salutes of 1968, to the African boycott of the Montreal Olympics and the contemporary protests over Russia’s anti-gay laws.

In addition to having covered the 1996 Olympic Games in Athens, Hawthorn has worked in the sports departments of the Globe and Mail, Province and Times Colonist newspapers, and is a well-respected journalist and magazine writer whose byline has appeared in magazines across the country. He is also the author of the recent book, Deadlines: Obits of Memorable British Columbians.

Tom Hawthorn speaks 7pm Wednesday, January 29, in room A240 of UVic’s Human & Social Development Building

Daniel Laskarin: fallen and found

Laskarin's "fallen and found"

Laskarin’s “fallen and found”

Hot off the Visual Arts faculty exhibition Paradox, Visual Arts chair Daniel Laskarin presents his latest solo show, fallen and found. In this, his fourth exhibition with Deluge Contemporary Art, Daniel Laskarin returns to a decades-old preoccupation with the role of the sculptor as matterist. A mix of sculptural pieces and newer works from an ongoing narrative of small wall pieces, Laskarin’s artistic production is object-based, and uses a diverse range of media including photography and video, optics, robotics systems, installation and sound works, set design and public projections

Opens 7pm Friday, January 31 and continues to March 8 at Deluge, 636 Yates

UVic Orchestra: Don Joyorchestra3.jpg

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

The School of Music’s Ajtony Csaba conducts the UVic Orchestra in a program of Mozart (Overture to Don Giovanni), Maurice Ravel (Piano Concerto in G Major), and Richard Strauss (Death and Transfiguration, Op. 24). Featured in the Ravel piece will be  piano soloist Barry Tan, winner of the annual UVic Concerto Competition.

Don Joy begins at 8pm Friday, January 31, in the University Centre’s Farquhar Auditorium. Click here for ticket information.

The Lafayette String Quartet: Quintets Old and New

Lafayette String Quartet

Lafayette String Quartet

The Shostakovich Op. 57 Piano Quintet has been in the Lafayette String Quartet’s repertoire from the very beginning. As students, three of the quartet members performed this work with the great Rostislav Dubinsky and his wife, Luba Edlina and the Quartet has performed this piece numerous times since. “This piece is an old friend—it’s in our blood,” says Ann Elliott-Goldschmid, violinist with the LSQ. In contrast, the Dvorak Op. 97 String Quintet, which uses idiomatic modalities common in Native American song and African Amercian spirituals, is a fresh undertaking for the group. The Quartet will bring both of these works to the stage with the help of guest performers Alexander Tselyakov (piano) and Yariv Aloni (viola).

The LSQ performs at 8pm Saturday, February 1, in the Phillip T. Young Recital Hall in UVic’s MacLaurin Building. Click here for ticket information

Department of Theatre Open House

Iwanttobeintheatre_HEADER_x508x261Choosing a career in theatre is a big decision, but new students who want to follow in the footsteps of UVic’s successful theatre alumni have a great opportunity to learn more about the program when the Department of Theatre welcomes prospective new students for a behind-the-scenes introduction at the annual I Want to Be In Theatre! event on Saturday, February 1.

This fun interactive afternoon offers an inside look at life as a theatre student and is ideal for high school students who are deciding about their university studies—or anyone who is interested in studying theatre at a post-secondary level. As well as a tour of the impressive facilities at the Phoenix Theatre, the day provides detailed information about the department’s many theatre specializations: acting, applied theatre, set, costume or lighting design, directing, production and management, and theatre history. Attendees will also see a rehearsal scene of the upcoming play Picnic, have an opportunity to chat with current students over a free pizza lunch, and get advice about choosing courses and the application process. Parents and teachers are welcome to attend with interested students.

I Want To Be in Theatre! runs 11:30am to 3pm Saturday, February 1 in the Phoenix Theatre. Tickets are free, but please register in advance with this registration form before Monday, January 27.

The 27th Annual Medieval Workshop

Medieval WorkshopSpend a full day in two of the most beautiful and prosperous cities of the Middle Ages—Cairo and Venice! Settled at the margins of powerful empires, defying prejudice and authority, both islands of culture and wealth—over the desert in Cairo and over the sea for Venice—these two cities write a story of dialogue, art, and trade. History in Art’s Catherine Harding and Marcus Milwright are both among the presenters.

In this full-day of workshops presented by UVic’s Medieval Studies and History in Art departments, you can explore the former slaves who became rulers under the name of Mameluks (the Jewish community in Cairo), the hostelries for merchants in Egypt, the fashions and trends found at rich Italian merchants’, and the friendship between Boccacio and Petrarch in Venice. You‘ll also discover music from Orient and Occident, performed on Venetian lute and Oriental oud. Most of all, you will be part of the vibrant Victoria community which gathers for the Annual Medieval Workshop. Click here to see the full itinerary.

The 27th Annual Medieval Workshop runs 9am-5pm Saturday, February 1, in Room B150 of UVic’s Bob Wright Centre. Click here for ticket information.

Visiting Artist: Jon Sasaki

Work by Jon Sasaki

Work by Jon Sasaki

Multidisciplinary Toronto artist Jon Sasaki borrows conceptual art strategies to make works with an emotionally resonant core. Sasaki’s work has been exhibited in numerous solo exhibitions across Canada. His work has been seen in several editions of Toronto’s Nuit Blanche, and Sasaki holds a BFA from Mount Allison University and is represented by Jessica Bradley Gallery in Toronto.

Jon Sasaki speaks 8pm Wednesday, February 5, in room A162 of the Visual Arts building

Open Word: Readings and Ideas with Nora Young

Nora Young

Nora Young

Whether hosting CBC Radio’s long-running technology & culture show Spark, creating documentaries for CBC’s Ideas, working online and in television, or in her previous role as the founding host and producer of CBC’s popular culture show Definitely Not the Opera, few know how to reflect life in the 21st Century better than Nora Young.

Now, Young will read from her non-fiction book, The Virtual Self: How Our Digital Lives Are Altering the World Around Us. Young looks at the debates and challenges around virtual data-sharing and its potential for building responsive communities and governments. She has fascinating information at her disposal, unique insights into the intersection of virtual and real worlds, and a wonderful voice for making all of these clear to a general audience.

Following her Open Space reading, Nora Young will be interviewed live by Writing professor David Leach, also the director of UVic’s Technology & Society Program.

Nora Young’s first reading is at 1:30pm Wednesday, February 5, in room 104 of UVic’s Engineering & Computer Science Building. Her second reading is at 7:30pm Wednesday, February 5, at Open Space, 510 Fort.

Distinguished Alumni: Michael Whitfield

With over four decades of designing nationally and internationally for theatre, opera and ballet, Michael Whitfield is one of Canada’s most versatile and experienced lighting designers—and he has also been named the Distinguished Alumni for the Faculty of Fine Arts for 2014. Even better, Whitfield’s career at UVic has gone full circle, from his graduation way back in 1967 to his current work as a sessional instructor with the Department of Theatre. Now, Whitfield will be honoured by UVic Chancellor Murray Farmer at a special evening honouring Distinguished Alumni representing all 12 faculties, divisions and the UVic Libraries, from 7pm Wedneday, February 5 at the Hotel Grand Pacific.

Michael Whitfield

Michael Whitfield

Whitfield went on to become the Resident Lighting Designer at the Stratford Shakespeare Festival for 25 years, where he created the lighting for over 100 productions on the Festival, Avon and Tom Patterson stages. Concurrently with his work at the Festival, Michael also designed for the Shaw Festival and for many of Canada’s regional theatres, particularly the Grand Theatre, London and the Royal Manitoba Theatre Centre. Since the late 1970’s, Michael has designed extensively for the Canadian Opera Company in Toronto as well as for opera companies across the country. His work in the United States has included lighting designs for opera companies in San Diego, San Francisco, Dallas, Houston, Minneapolis and Los Angeles, while overseas his lighting has been seen at the Welsh National Opera and the Netherlands Opera.

Michael’s lighting for ballet and dance has been featured at the Royal Winnipeg Ballet, the National Ballet of Canada, the American Ballet Theatre, the Finnish National Ballet, the Canadian Native Arts Foundation and the Banff Centre. In addition to his extensive professional design career, since the early 1970’s Michael has taught at educational institutions including the University of Windsor, the University of Illinois, York University, Carnegie Mellon University, Pittsburgh and the National Theatre School of Canada. By taking on apprentice designers as his assistants he has also mentored the careers of many young designers who are now illuminating stage productions across Canada.

University of Victoria Wind Symphony & the Naden Band

cal_21_event_93494The Naden Band of the Royal Canadian Navy has been an important part of naval tradition on the West Coast since 1940 and UVic’s School of Music has a long-standing relationship with the group. Many alumni have served as members of the ensemble and in 1994 the Naden Band of Maritime Forces Pacific Scholarship in Music Performance was established. The band, currently under the direction of Lieutenant (Navy) Matthew Clark, will join the Wind Symphony for a special concert supporting this valuable scholarship, awarded annually to second and third year School of Music students who demonstrate excellence in brass, woodwind and percussion performance.

The School of Music’s Eugene Dowling will be conducting the concert, which welcomes back to the Farquhar Auditorium stage bassoon soloist Petty Officer Second Class Robyn Jutras. “Although musicians in the Naden Band are from all over Canada, alumni from the UVic School of Music make up ten percent of their current membership,” says Dowling. “It is wonderful that our featured soloist, Robyn Jutras, was not only trained at UVic, but was a past recipient of the Naden Band Scholarship!” Featured works on the program include David Maslanka’s massive Symphony No. 8 and Eric Ewazen’s Concerto for Bassoon.

The Wind Symphony & the Naden Band perform 8pm Friday, February 7, at the University Centre’s Farquhar Auditorium. Click here for ticket information.

Phoenix Theatre: Picnic

Grant Wood, "Spring in Town" 1941

Grant Wood, “Spring in Town” 1941

On the last day of summer in small town Kansas, unfulfilled dreams and repressed desires come to a head when a charismatic young drifter arrives in town. His combination of rough manners and titillating charm sends everyone reeling, including the Owens sisters (Millie, the smart one, and Madge, the pretty one), their determined mother, Madge’s college-bound boyfriend, the watchful neighbour and the spinster schoolteacher who boards at the Owens’ house. This 1953 Pulitzer Prize-winning drama is an American classic from the post-war/pre-feminist era which speaks to the timeless themes of lost aspirations and the heart’s yearning to leave everything behind for a new adventure.

Directed by Peter J. McGuire with lighting by Allan Stichbury.

Picnic previews February 11 & 12, and runs February 13-22. Click here for more information and tickets.

Media roundup for early January

2014 started off fast and furious for Fine Arts, with a flurry of media coverage coming out of the new year’s gate.

Eva Baboula's interview in The Jewish Independent

Eva Baboula’s interview in The Jewish Independent

Wrapping up 2013, History in Art’s Eva Baboula was interviewed by Vancouver’s Jewish Independent newspaper for this late December article. She was talking about her new course on Jewish art—the first of its kind in Canada!—and discusses the distinctive characteristics of ancient & medieval Jewish art.

Baboula was also asked why, as someone who isn’t Jewish but is Greek, she would teach a course on this subject. “I just love learning,” she explains. “Something that did intrigue me . . . was the history of the Jews of Greece. Up to the Second World War, Greece had very significant ancient Romaniote Jewish communities, as well as Sephardim who had originated in the Iberian Peninsula. The country witnessed an unprecedented loss of its Jewish communities in relation to its general population (about 80 percent were lost in the Holocaust). Often this kind of history, as well as the material remnants of the history of many centuries, is not really known or very visible. I think it is the history of all of us and it has to be preserved.”

Mary Jo Hughes with work by Daniel Laskarin (foreground) and Robert Youds (back). (photo: Don Denton)

Mary Jo Hughes with work by Daniel Laskarin (foreground) and Robert Youds (back). (photo: Don Denton)

VIsual Arts got one more piece on their Paradox faculty exhibit, courtesy of this end of the year story in the weekly Monday Magazine section of the Victoria News. Running just before the exhibit wrapped up at the downtown Legacy Art Gallery in early January, the article quoted curator and gallery director Mary Jo Hughes saying, “The main point of art is to help people look at the world a different way.”

Visual Arts professor Paul Walde‘s video & sound installation “Requiem for a Glacier”—shot last summer on the Farnham Glacier in the Kootenays—opened at Nelson’s Oxygen Art Centre in early January. The Nelson Star ran this article about the exhibit, noting that political motivation and diversity of the numerous collaborators is what gave the work a whole new dimension of social practice. You can read more about the backstory of “Requiem for a Glacier” here, and the exhibit itself runs to February 8.

CdnArt Glacier reviewWalde’s “Requiem” was also recently reviewed by Canadian Art magazine. Describing it as Walde’s “most ambitious work to date”, reviewer TE Hardy noted “it demonstrates an essential progress: the ideas are more expansive than in Walde’s past work; the compositional systems that define his practice create a richer intertextual field; and his efficacy as a multi-disciplinary artist is impressively enhanced.” Hardy also notes that Walde “successfully frames questions of mythic import” and mentions the “stark and beautiful” moments in the video. Read the full review here.

And in other Paul Walde news, he’s now curating the annual installation Audiospace 10 for downtown’s Open Space arts centre. Opening 7pm Friday, January 17, and running monthly through to Saturday, June 7, Audiospace is an exploration of digital sound, originally created as a venue for sound on the Internet (a novel idea when the series began back in 2003). Walde will bring audio back to the physical realm through the creation of a listening room at Open Space, which will feature a new artist each month. Keep up to date with the series here.

From Althea Thauberger's "Marat Sade Barnace"

From Althea Thauberger’s “Marat Sade Bohnice”

While we’re in Visual Arts, high-profile alumna Althea Thauberger was listed in the Vancouver Sun as having one of the “three of the most influential events in Vancouver galleries” for her show opening January 15 at SFU’s downtown Audain Gallery. The Vancouver-based Thauberger’s video installation Marat Sade Bohnice (first presented at Toronto’s Power Plant contemporary art gallery) examines the staging of Peter Weiss’s famed play Marat/Sade at a mental institution in Prague and questions the meaning of mental illness and art’s role in therapy. As the Sun writes, “Well-known for facilitating collaborative situations with groups such as military families, adolescent girls, and artists of the Downtown Eastside, Thauberger reveals social and political issues as she creates a space for collaborators to express themselves.”

The School of Music had an ambitious first week back in January, thanks to their fascinating Week with Gustav Mahler. A combination of open rehearsals, lectures, listening rooms and a full faculty recital, Mahler Week earned a fair bit of media coverage. As busy local arts blogger Janis LaCouvee noted, it was a great way to learn more about this under-appreciated composer. “My knowledge of Mahler—sadly—is limited to the 1974 biographical film by Ken Russell, so when Kristy Farkas, the Concert Manager for the UVic School of Music, contacted me with news of a week-long Mahler tribute, I knew that I had to add some of the events to my arts calendar.” You can read more about Janis’ Mahlerization here.

Butterfield and Pohran Dawkins talk Mahler (photo: Adrian Lam)

Butterfield and Pohran Dawkins talk Mahler (photo: Adrian Lam)

The Times Colonist did a nice job with a pair of articles about Mahler Week. As TC arts writer Amy Smart noted, “One doesn’t simply say, ‘Hey, let’s play Gustav Mahler’s Das Lied von der Erde,’ on a whim. The large work not only requires a certain number of trained musicians, but a level of commitment to learning the complex rhythms, especially when performed in a chamber arrangement without a conductor.”

The aptly-named Smart then speaks to both Music faculty members Benjamin Butterfield and Alexandra Pohran Dawkins in this article, who noted the concert could only come about because of the size of the School of Music’s performance faculty—the largest in the country—and its emphasis on chamber music. “There aren’t many schools that could pull this off,” said Pohran Dawkins. “I won’t say it exactly fell into place, but the timing was right and there’s a lot of enthusiasm for the project. We’re hoping it will be a bit of a splash.”

The music faculty in rehearsal for Mahler week (photo: Kristy Farkas)

The music faculty in rehearsal for Mahler week (photo: Kristy Farkas)

Classical music columnist Kevin Bazzana also highlighted the final concert of Mahler Week—the faculty performance of Das Lied von der Erde (The Song of the Earth)—in his January 9 column.  (Alas, it’s not available online, but can be read here in the article UVic pays tribute to Mahler.) Bazzana provided the fascinating history of the symphony as well as some insight into the specific arrangement the faculty were performing. As Benjamin Butterfield notes, “It is the ultimate chamber music piece.”

The Times Colonist returned to the School of Music again with columnist Kevin Bazzana writing about the Galiano Ensemble in this article. The Galiano Ensemble includes not only School of Music faculty members but also alumni amongst its players.

But wait, there’s more—the TC also picked up a story about professor Eugene Dowling‘s A Mostly Canadian Recital on January 12. In this article, Dowling describes the many personal connections he has with many of the composers and the stories behind the compositions, noting that he will try to bring all those emotions and friendships to mind as he plays.

Colleen Eccleston

Colleen Eccleston

Music instructor Colleen Eccleston was also interviewed on the CFAX radio show Cafe Victoria with Bruce Williams, speaking about the legacy and role the Everly Brothers had in rock-and-roll history. (Phil Everly passed away on January 3.) Click here to hear a podcast of the show, then fast forward to timecode 16:15. Eccleston teaches the history of rock and roll for Music, among other classes—and she was also announced as the first-place winner of the School of Music/Vikes Rally Song contest on January 10 (but more on that in this separate post). All in all, that’s some outstanding Music coverage for just the first week of classes!

HIA booksBack in History in Art, both Allan Antliff and Erin Campbell have contributed to new books. Antliff’s chapter on “Ezra Pound, Man Ray and Vorticism in America, 1914-1917″ can be found in the new book Vorticism: New Perspectives (Oxford University Press), and Campbell’s is co-editor of The Early Modern Italian Domestic Interior, 1400-1700 (Ashgate), with her specific chapter “Art and Family Viewers in the 17th-century Bolognese Domestic Interior.”

Peter Morin & the world's biggest Button Blanket

Peter Morin & the world’s biggest Button Blanket

History in Art is also gearing up for the unveiling of their Big Button Blanket project, debuting at the Legacy Downtown on September 16 as part of the exhibit Adasla: The Movement of Hands. An ambitious collaborative project between professor Carolyn Butler Palmer, Tahtan Nation artist and sessional instructor Peter Morin, plus local indigenous blanket makers and History in Art students, watch for all sorts of coverage coming up about both the exhibit and the blanket itself. Get a taste of it with this CBC Radio All Points West interview with Morin and host Jo-Ann Roberts (scroll down to the January 7 entry).

Adasla runs January 16 to April 25, with a special performance on February 22 by Governor General’s Award winning performance artist Rebecca Belmore, a former Audain professor for the Department of Visual Arts, and Morin. Morin will also inaugurate the blanket in its debut performance at the start of UVic’s annual Diversity Research Forum on January 29.

Over in Writing, professor Maureen Bradley was featured in this Times Colonist article in late November, being interviewed about her upcoming feature film Two 4 One and the representation of transgendered people in the media. Two 4 One will be the first transgender romantic comedy.

Lee Henderson

Lee Henderson

Meanwhile, both professor Lee Henderson and alumna Eliza Robertson were included on the National Post‘s list of “The 25 most anticipated (Canadian) books of 2014.” Despite doom & gloom in the publishing industry, books writer Mark Medley feels we’re presently in the midst of another Can-lit boom. “While the industry still faces financial challenges, Canadian writers are in the midst of a creative peak that rivals anything we’ve seen before.” Tucked in with such literary luminaries as Michael Crummey, Emma Donoghue, Steven Galloway, Ann-Marie MacDonald and Miriam Toews, Medley includes books by Henderson and Robertson among the books he “can’t wait to devour” in 2014:

Orphans, by Lee Henderson (Hamish Hamilton Canada/August). Not much is known about Henderson’s first novel since 2008’s The Man Game (an audacious, wildly inventive novel that deserved a wider audience), and even the name will likely change. In a 2010 interview he told me it was ‘about creativity.’piece.”
Wallflowers, by Eliza Robertson (Hamish Hamilton Canada/August). A debut collection from a buzzy young author whose work has been shortlisted for the Journey Prize and won the Commonwealth Short Story Prize. Her story ‘My Sister Sang’ is alone worth the price of admission.” But hey, no pressure!
Two other pieces of Writing grad news: Canadian literary biggie Timothy Taylor selected Jenny Boychuk as 2nd runner-up in PRISM literary magazine’s annual creative non-fiction contest for her story, “Notes on Breath” (beating our Writing instructor Madeline Sonik, who was long-listed for the same prize), and poet Kyeren Regher was the only Canadian selected for the American publication Best New
Poets 2013.
Michael Whitfield

Michael Whitfield

Finally, Department of Theatre sessional instructor, former student and veteran lighting designer Michael Whitfield has been announced as this year’s Fine Arts recipient of the Distinguished Alumni Award. Whitfield was a student during the earliest days of UVic and literally got in on the ground floor of the nascent Theatre department. You can read some of his memories in this Torch article from the Spring 2013 issue (skip ahead to page 34). Learn more about the Distinguished Alumni Awards here. Congratulations, Michael!

 

Who’s in the news

Wow, it’s been a busy month for Fine Arts in the news. Not only did we already run this media roundup earlier in November, as well as a post about the fantastic reviews the latest Phoenix show has been getting, but there’s also been a flurry of new media activity well worth blogging about.

Visual Arts alumna Erin Shirreff's winning video

Visual Arts alumna Erin Shirreff’s winning video

First up is the big news that Visual Arts alumna Erin Shirreff has won the Art Gallery of Ontario’s prestigious $50,000 Aimia Photography Prize (formerly known as the Grange Prize). According to the AGO, more than 25,000 public votes—a record number―were cast during the contest’s 10-week voting period. In addition to the cash prize, Shirreff will receive a six-to-eight week fully funded residency across Canada, to commence in early 2014.

Shirreff—who graduated from UVic’s Visual Arts program in 1998 where she sculpture with Roland Brener and Robert Youds—now lives and works in New York City, where she has earned widespread praise for her blending of photography, video and sculpture. As the Aimia Prize organizers note, “Her work raises questions about the often-paradoxical relationship between time and space and the image.”

Erin Shirreff (photo: Tony Smith)

Erin Shirreff (photo: Tony Smith)

When she was longlisted for this year’s prize, Shirreff—the only Canadian nominated—told Canadian Art magazine in this article that she was surprised to be included. “I work very much in sculpture as well as video,” she explained. “The videos I make are photo-based, and I suppose you can also have that discussion about my sculptures. So I was happy that they had expanded their definition of the kinds of artists they wanted in the Prize, as opposed to more conventional photography practice.”

Recent solo exhibitions include Vancouver’s Contemporary Art Gallery, London’s White Cube; and Kingston’s Agnes Etherington Art Centre. Shirreff’s work is also in the permanent collections at New York’s Guggenheim Museum and the Metropolitan Museum of Art, Houston’s Museum of Fine Arts, among others. Runners-up in this year’s Aimio Prize included Mexico’s Edgardo Aragón, America’s LaToya Ruby Frazier and Japan’s Chino Otsuka.

From Sandra Meigs's current exhibit (photo: Francis Sullivan)

From Sandra Meigs’s current exhibit (photo: Francis Sullivan)

In other Visual Arts news, the current exhibit by painting professor Sandra Meigs was recently reviewed by Canadian Art magazine’s John Luna. Running through to December 14 at Victoria’s Open Space, Meigs’ The Basement Panoramas earned Luna’s praise, with the respected local art writer noting, “Meigs’s basement is a metacognitive space, a set of generative coordinates in which—as in Matisse’s clock face without hands—the explicit depiction of action (past-present-future) is withheld.”

The Meigs exhibit was also featured in this article in the UVic community newspaper, The Ring.

Enterprising BFA Kelly Dunning

Enterprising BFA Kelly Dunning in New Zealand

Visual Arts graduate Kelly Dunning has earned praise as one of “21 Location-Independent Women” by Worldette.com for her work as a travel writer with her own blog, Global Goose. Dunning, who graduated with a BFA in 2008, focused on visual arts, art history and art education while at UVic, and is typical of many of our graduates who combine their academic training with their own creative passions to carve out a place in life.

Over in the Writing department, the Toronto debut of The Valley—the latest play by Writing professor and noted playwright Joan MacLeod—has been getting good notices. Originally mounted earlier this year at Alberta Theatre ProjectsplayRites Festival of New Canadian Plays, the remount currently running at Tarragon Theatre has Toronto Star critic Robert Crew saying, “few Canadian playwrights are as acutely tuned to contemporary issues as Vancouver’s Joan MacLeod.” (We’ll forgive that little geographic gaffe, even though it’s been over a decade since MacLeod has lived in Terminal City.)

Susan Coyne & Colin Mercer in Joan MacLeod's The Valley (Cylla von Tiedemann photo)

Susan Coyne & Colin Mercer in Joan MacLeod’s The Valley (Cylla von Tiedemann photo)

Saying the show is “not to be missed,” Crew’s four-star review says her script “could not be more topical: mental illness and the challenges that police face in dealing with situations involving those suffering from that illness . . . as always, MacLeod is clear-sighted and even-handed, unsentimental yet huge of heart. It’s a wonderful piece of writing – as good as any you will see all season.” Meanwhile, J. Kelly Nestruck of The Globe & Mail gave The Valley 3 1/2 stars out of 4 and described it as being “relentlessly topical” while noting “MacLeod is equally interested in character here . . . there’s a lot of empathy in the writing and between the characters.”

bradleyTCnov222013It’s been a busy couple of weeks for Writing professor and filmmaker Maureen Bradley. Not only did she speak about cinematic representations of transgender people ahead of the screening of the Israeli film Melting Away for the Transgender Day of Remembrance at UVic’s Cinecenta (presented by UVic’s own Transgender Archives), but she was also profiled in the local Times Colonist about her own upcoming bittersweet romantic-comedy Two 4 One. Describing the rom-com as being “in the tradition of Woody Allen and Billy Wilder, but with a modern twist” in this article, Bradley explained the story focuses on “two oddballs” . . . who both wind up pregnant. “I think audiences are ready to see more transgendered people as three-dimensional people with lives,” she says.

You can also help support Two 4 One, which will be shooting in Victoria in early 2014, by donating to this Indiegogo campaign. Just $75 gets you an on-camera walk-on as an extra, or you can pony up $10,000 for an executive producer credit—but donations start at $5. (Update: Bradley did raise the needed $20,000!)

But Bradley isn’t the only filmmaker in the Writing department to attract some attention. Fine Arts digital media staffer and Writing alum Dan Hogg‘s film Floodplain (produced with support from National Screen Institute and BravoFACT) won Best Cinematography and Best Use of Location at the recent Vancouver Short film Festival. Floodplain was also directed by Writing alum Jeremy Lutter and based on a short story by fellow alum D.W. Wilson—we’ve been following the development and success of the film on this blog for some time now, and you can find out more about it on this post.

'Til Death is another outstanding Writing-created short film project

‘Til Death is another outstanding Writing-created short film project

And the short film ‘Til Death—directed by current Writing graduate student Connor Gaston—won Best Student Film and Best Screenplay for alumni Ryan Bright at the same Vancouver Short film Festival. ‘Til Death will also screen at the Whistler Film Festival from December 4 to 8. The insider word is that the WFF has grown in prominence and is now seen as the key industry festival on the Canadian landscape—which is good for Bright, Gaston and assistant producer and UVic alum Amanda Merritt, will be attending the Whistler screening.

Bradley & Hogg in the Torch

Bradley & Hogg in the Torch

‘Til Death was produced as the 2013 Writing 420 project and was created by over 20 students from Writing, Theatre and Music—that’s the same course that created the award-winning Freshman’s Wharf web series back in 2009, as well as three other films now. (Class mentor Bradley describes it as “a fantastic, chaotic and inspiring experience.”) Be sure to check out this making-of video, created through a directed study with current student Lachlan Ross. Gaston also launched a successful Indiegogo campaign to raise $2,500 to finish the film after the class ended. Finally, Bradley and Hogg were both profiled, alongside Gaston, for their work with Writing 420 in UVic’s alumni Torch magazine. Click here to read the article, and flip ahead to page 32.

Donovan Bailey champions Esi Edugyan

Donovan Bailey champions Esi Edugyan

More Writing news for both current students and alumni: Fourth year student Benjamin Willems was recently named a winner of EVENT magazine‘s annual creative non-fiction contest; big-deal alumna Esi Edugyan‘s Giller Prize-winning novel Half-Blood Blues is one of CBC’s 2014 Canada Reads contenders—championed by no less than stellar runner Donovan Bailey; and alumnus Arno Kopecky recently appeared on CBC Radio’s The Sunday Edition talking about his new book Oil Man and the Sea, which tracks his journey sailing the same routes as the tankers will take if the Northern Gateway pipeline goes ahead. Click here to listen and scan ahead to timecode 01:29:58. And the fall launch of the Writing department spawned Concrete Garden magazine and the annual Writing faculty reading night were both featured in this September 26 segment from the CFUV radio show, U in the Ring.

Patrick Lane at November Convocation

Patrick Lane at November Convocation

Former Writing professor Patrick Lane was given an Honourary Doctor of Letters by UVic at November’s convocation, and his convocation speech “An Open Letter to All the Wild Creatures of the Earth” was such a hit that the Times Colonist printed it here—and it became a viral sensation! You can also listen to it as a iTunes U podcast here.

And the Lorna Crozier Literary Celebration earned some good media attention, with Amanda Farrell-Low of CBC Radio’s All Points West focusing her new column “Creative Class” on the event which you can hear by clicking here, and the Times Colonist running this short piece on it. UVic’s community newspaper The Ring also featured this article on the event as well.

Legacy Galleries art book exhibit 24Nov2013 Page C9UVic’s Legacy Art Galleries earned some attention from the Times Colonist in this article about their current Art of the Book exhibit in the McPherson Library’s Maltwood Gallery. “These artists are kind of challenging what our expectations of a book are,” says Legacy curator of collections Caroline Riedel. (Take that, Kindle!) Organized by the Canadian Bookbinders and Book Artists Guild, this will be the third time the exhibit will be hosted at UVic. The exhibit runs through to March 14.

EDGE_Sept2013History in Art professor Carolyn Butler-Palmer and her work with the Big Button Blanket project was recently profiled in the Times Colonist in this UVic knowlEDGE piece. Butler-Palmer and her students have been busy creating the world’s biggest button blanket this semester, which will debut in January 2014 as part of a featured exhibit at UVic’s Legacy Galleries  Downtown. The blanket will also receive its inaugural dance by no less than Governor General’s Award winning aboriginal artist Rebecca Belmore, who was a past Audain Professor for the Department of Visual Art.

History in Art alumna Lindsay Anderson is also featured in the most recent issue of the Torch, for her work as both a busy food writer and the official food blogger for the City of Richmond. Click here to read the article, and flip ahead to page 34.

Mares TCSchool of Music professors and instructors Anne Grimm, Alexander Dunn, Michelle Mares and the Lafayette String Quartet were all mentioned in this recent Times Colonist column by classical musical writer Kevin Bazzana about their collective A Britten Celebration concert.

Music instructor Michelle Mares got her own feature article in the Times Colonist for her recent concert performing the complete sets of Chopin Etudes (Op.10 and Op. 25). The TC piece focused on how a broken wrist nearly sidelined Mares’ performance career, and how the Chopin Etudes pushed her to overcome her injury.

Finally, brassy Music prof Eugene Dowling attracted a good deal of attention with the 35th anniversary of Tuba Christmas in Victoria—due in no small part to the declaration of Tube Christmas Day by Victoria’s mayor.  In addition to this Victoria News article (“It’s been a marvellous 35 years . . . They say it’s not Christmas until you’ve had Tuba Christmas”), Dowling also spoke to the Times Colonist in this piece, which noted that he’s the School of Music’s “most senior faculty member,” having been at UVic for 37 years now.

School of Music instructor Scott MacInnes on Shaw TV

School of Music instructor Scott MacInnes on Shaw TV

Dowling was also mentioned, alongside fellow School of Music instructor Scott MacInnes, as part of the Pinnacle Brass Quintet in this separate Times Colonist article. The Pinnacle Brass were also featured in a 10-minute segment on Shaw TV’s Go Island  show, which you can watch here, in advance of their Christmas concerts on December 14 (Sidney’s Charlie White Theatre) and 20 (Victoria’s St. John the Divine). Full concert details can be found on their website.