Update on Visiting Artists

Collier_Design

A wee sampling of Collier’s current exhibit

If you missed Allan Collier‘s public talk last week—the first visitor of 2013 in the long-running Department of Visual Arts Visiting Artist series—don’t worry: you can still catch his great exhibit of post-WWII Canadian design in the Visual Arts building’s Audain Gallery through to January 25. Collier has curated several exhibitions on the topic in Vancouver, Winnipeg, and Victoria, with the most recent local exhibit being the AGGV’s 2011 The Modern Eye: Craft and Design in Canada 1940-1960. Collier will also be spending some time each day sitting his exhibition, so be sure to drop by the Audain Gallery and say hello. Bet you see something that was in your house when you were growing up!

An installation by Ed Pien

An installation by Ed Pien

This week’s Visiting Artist is Ed Pien. Born in Taiwan, the now Toronto-based artist Pien has been drawing for nearly 30 years, and has exhibited nationally and internationally. He has taught at ECAD, NSCAD and OCAD, and is  currently teaching at the University of Toronto. Pien is in town as part of the AGGV’s January exhibit, Traces: Fantasy Worlds and Tales of Truth. Catch him at 8pm Wednesday, January 16, in room A162 of the Visual Arts building.

blue republicHot on the heels of that session, Visual Arts will have their second Visiting Artist of the year when Blue Republic pops in. Blue Republic—also known as collaborative multidisciplinary artists Anna Passakas and Radoslaw Kudlinski—will talk about their fascinating history working with other artists, groups, and international centres of independent artistic research. That’s at 8pm Wednesday, January 23, in room A162 of the Visual Arts building. They’re in town to open Crystal Palace, an exhibit at Deluge Contemporary, through to March 2.

Baden's "Tender Trepanation"

Baden’s “Tender Trepanation”

While February’s Visiting Artist roster is still being established, we already know that sculptor Mowry Baden will be coming. One of Victoria’s most acclaimed—and often controversial—artists, the Governor General’s Award-winning Mowry Baden has influenced a generation of sculptors in Canada and the U.S. with his engaging, participatory installations. For over 40 years, he has challenged contemporary sculpture through a staggering number of projects and artworks that borrow from psychology, architecture and performance—and he also helped build UVic’s Visual Arts department into the well-respected school it is today, and he remains a Professor Emeritus to this day.

Baden has had solo and group exhibitions across North America, including Los Angeles, Mexico City, Montreal, Vancouver and New York (including MoMA), and his work is represented in collections in Canada and the U.S. He has been commissioned to create public art works in Vancouver, Seattle, San Francisco, Santa Barbara, Pittsburgh, Washington and Victoria, where he lives. Hear him speak at 8pm Wednesday, February 13
Room A162 of UVic’s Visual Arts building.

Robert Chaplin with an enlarged image of his nanobook

Robert Chaplin with an enlarged image of his nanobook

Also appearing in February is Visual Arts alumnus and Guiness Book of World Records record holder Robert Chaplin. The Vancouver-based Chaplin stepped into the media spotlight by creating the smallest reproduction of a printed book. As reported in the Vancouver Sun, Chaplin’s children’s book Teeny Ted from Turnip Town was “etched onto crystal-line silicon using a focused ion beam with the training and equipment of Simon Fraser University scientists in 2007.” But the 1990 Visual Arts graduate only found out this year that he had been honoured by Guinness.

You'd need very, very strong glasses to read this story to your kids

You’d need very, very strong glasses to read this story to your kids

Chapin’s $20,000 one-of-a-kind “nanobook” measures 0.07 mm by 0.1 mm and is made of 30 linked micro-tablets—but no matter how good your vision is, you’ll need an electron microscope to read it. And in order to make a more generally accessible print version of Teeny Ted, Chaplin launched a Kickstarter campaign to create a “large print” version and successfully raised the $17,000 needed to produce it. Talk about thinking big with a small project!

Robert Chaplin will be on campus from 9:30am to noon on Saturday, February 9, in UVic’s David Lam Auditorium as part of the annual Alumni Week events.

Coming up in March: Dave Dyment (March 6) and Sarah Anne Johnson (March 13).

This week’s events: Crozier, Bell & Wright (and The Number 14)

Okay, so what’s the deal with October 3? Not only is that the date of the latest Fine Arts event, but it’s also the date for all three Fine Arts events happening this week! (Sheesh, let’s talk scheduling, people.)

First up is the launch of the latest collection of poetry by Department of Writing professor and beloved poet Lorna Crozier. The Book of MarvelsA Compendium of Everyday Things (Greystone, 131 pages, $19.95) was recently described by Globe and Mail reviewer Diane Schoemperlen as “an irresistible invitation to sit up and take notice, to pay attention to every random thing.” Featuring 85 prose meditations on the mysteries of everyday life, The Book of Marvels kicks off with a reading and signing from 7:30-9:30pm Wednesday, October 3, at UVic’s Bookstore. Could this really be her 18th book, not counting anthologies and essay contributions? That is a marvel!

At exactly the same time on Wednesday night is the latest installment of the long-running Open Word: Readings and Ideas author series at Open Space. Featured reader this week is Guelph-based cartoonist and graphic novelist Marc Bell. First recognized for his Shrimpy and Paul comic strips, published in the likes of Exclaim!, Vice and the Montreal Mirror, Bell has also featured his mixed media pieces and watercolour drawings in many solo and group exhibitions. A monograph of his work, Hot Potatoe, was published in 2009 by veteran Canadian graphic publisher Drawn & Quarterly, and his latest—2011’s Pure Pajamas—collects his best material and features reoccurring characters creating symbiotic relationships in his fantasy ecosystems and addressing the big issues of what it’s like to live in today’s world. Bell appears at 7:30pm Wednesday at Open Space, 510 Fort Street, with a live interview to follow by Writing prof Lee Henderson—who, none too coincidentally, teaches a Department of Writing course on the graphic novel.

Bell will also be appearing on campus at 2pm on Tuesday, October 2, in room A150 of the Visual Arts building.

Andrew Wright’s “After Friedrich”

Finally, we also have the latest in the equally long-running Visiting Artist program—this week featuring Ottawa-based photo and installation artist Andrew Wright. An assistant professor of visual art at the University of Ottawa, Wright’s work is described as “multi-tiered inquiries into the nature of perception, photographic structures and technologies, and the ways we relate to an essentially mediated and primarily visual world.” With linkages to practices as diverse as Alfred Stieglitz and Iain Baxter& (with whom Wright worked in the ’90s), Wright’s use of photography is decidedly non-conventional as it eschews lyricism and traditional pictorial aims. The award-winning artist and six-time Sobey nominee has exhibited both nationally and internationally, participated in residencies including the Banff Centre and Braziers Workshop (U.K.), as a war artist with the Canadian Forces Artist Program aboard Canadian warship H.M.C.S. Toronto and is the founding Artistic Director for Contemporary Art Forum Kitchener and Area. Hear him talk at 8pm Wednesday, October 3, in room A162 of the Visual Arts building.

Also well worth a shout-out this week is the University Centre Farquhar Auditorium presentation of The Number 14, the fabulous Axis Theatre piece that has been touring the world for 20 years now. If you’ve never seen this hilarious piece of physical theatre, it’s an amazing theatrical tour-de-force featuring six performers who strut, swing, sing and talk their way in and out of adventures aboard Vancouver’s #14 bus. Part Monty Python, part Mr. Bean, the award-winning Number 14 is wholly engaging. Catch it at 8pm Wednesday, October 3 . . .  of course!

Coming soon: Matt Rader at Open Word (October 9 at Open Space), Peter ‘N’ Chris & The Mystery of the Hungry Heart Motel at the Phoenix (October 11-20), Eve Egoyan 50th Anniversary Signature Event at the Phillip T. Young Auditorium (October 13), the UVic Wind Symphony at Oak Bay High School (October 16) and a double-book launch with Bill Gaston and Giller Prize-nominated Writing grad Marjorie Celona at the Bard and Banker pub (October 17).

Visiting Artist series on now

The ever-popular Visiting Artist free lecture series is back once again, presenting a fascinating series of local, national and international artists and cultural figures guaranteed to make you think. Organized this year by new associate professor Paule Walde and presented by the Department of Visual Arts, we’ve already seen the first lecture of the fall 2012 season—Visual Arts grad and current Thompson Rivers University sculpture and intermedia professor Doug Buis—but there’s a full schedule of artists slated to run through November.

Up next is Nicholas Galanin, the 2012/13 Audain Visiting Professor in Contemporary Arts of the Pacific Northwest. Born in Sitka, Alaska, Galanin is a multi-disciplinary Tlingit/Aleut artist who has struck an intriguing balance between his origins and exploration in new perceptual territory. Galanin studied at the London Guildhall University, where he received a BFA with honours in Jewelry Design and Silversmithing, and at Massey University in New Zealand earning a Master’s in Indigenous Visual Arts. Valuing his culture as highly as his individuality, Galanin has created an unusual path for himself by deftly navigating “the politics of cultural representation” and balancing both ends of the aesthetic spectrum. Hear him speak at 8pm Wednesday, September 19, in room A162 of the Visual Arts building.

The following week sees a special double bill of visiting Orion Lecturer Luigi Ferrara and Irish installation artist Susan MacWilliam. Ferrara—an acclaimed architect, designer, entrepreneur, educator and director of the Institute Without Boundaries—comes to us as part of his participation in History in Art’s annual Faculty Research Symposium (more on that below). MacWilliam—a noted Belfast artist who has an ongoing study of significant events in the history of paranormal research—is in town for a pair of shows at Open Space, F-L-A-M-M-A-R-I-O-N and Persistent Personalities. Ferrara speaks at 6:30pm followed by MacWilliam at 8pm Wednesday, September 26, in room A162 of the Visual Arts building. There will even be a bar on hand so attendees can get a drink between sessions!

After that comes Ottawa-based photo and installation artist Andrew Wright. An assistant professor of visual art at the University of Ottawa, Wright’s work is described as “multi-tiered inquiries into the nature of perception, photographic structures and technologies, and the ways we relate to an essentially mediated and primarily visual world.” With linkages to practices as diverse as Alfred Stieglitz and Iain Baxter& (with whom Wright worked in the ’90s), Wright’s use of photography is decidedly non-conventional as it eschews lyricism and traditional pictorial aims. The award-winning artist and six-time Sobey nominee has exhibited both nationally and internationally, participated in residencies including the Banff Centre and Braziers Workshop (U.K.), as a war artist with the Canadian Forces Artist Program aboard Canadian warship H.M.C.S. Toronto and is the founding Artistic Director for Contemporary Art Forum Kitchener and Area. Hear him talk at 8pm Wednesday, October 3, in room A162 of the Visual Arts building.

Following up the next week is Toronto video and installation artist
Deirdre Logue. Her performance-based film, video and installation works are self-portraits uniquely located between comfort and trauma, self-liberation and self-annihilation. By using domestic objects and spaces to contrary ends, Logue’s works capture gesture, duration and the body as both subject and object. Her practice is not production or “master narrative” driven nor is it dependent on the use of tools typically applied in conventional film and video; rather her work is made in a direct move away from an industry model and is expressly personal, emotional and political. Solo exhibitions of her award-winning work have taken place in Canadian, American and European film festivals.   Deirdre is also the co-founder and director of the Feminist Art Gallery in Toronto where she lives and works. See what she’s all about at 8pm Wednesday, October 10, in room A162 of the Visual Arts building.

Still to be confirmed is the actual date in October when noted curator Denise Markonish will be visiting.  Markonish is the curator at MASS MoCA, where she has curated the exhibitions Petah Coyne’s Everything That Rises Must Converge; Inigo Manglano-Ovalle’s Gravity is a force to be reckoned with; and These Days: Elegies for Modern Times and Badlands. Markonish has also curated exhibitions at Artspace (New Haven, CT), the Fuller Museum (Brockton, MA) and the Main Line Art Center (Haverford, PA), and has taught at University of New Haven, Stonehill College and the Rhode Island School of Design. Markonish recently completed Oh! Canada, one of the largest survey shows of Contemporary Canadian Art ever presented outside of Canada. Once the date is set, Markonish will also be in room A162 of the Visual Arts building.

Come November, you can expect a lively evening with well-known British art critic Barry Schwabsky.
The London-based Schwabsky is the art critic for The Nation and has been writing about art for the magazine since 2005; his essays have appeared in many other publications, including Flash Art (Milan), Artforum, the London Review of Books and Art in America. His books include The Widening Circle: Con­sequences of Modernism in Contemporary Art, Vitamin P: New Perspectives in Painting and several volumes of poetry. Schwabsky has contributed to books and catalogs on artists such as Henri Matisse, Alighiero Boetti, Jessica Stockholder and Gillian Wearing, and has taught at the School of Visual Arts, Pratt Institute, New York University, Goldsmiths College (University of London) and Yale University. Hear him at 8pm Wednesday, November 7, in room A162 of the Visual Arts building.


Our final Visiting Artist of 2012 will be New Yorker Brendan Fernandes.
Born in Kenya of Indian descent, Fernandes immigrated to Canada in 1989, then completed the Independent Study Program of the Whitney Museum of American Art (2007), earned a BFA from York University (2002) and his MFA from the University of Western Ontario (2005). He has exhibited nationally and internationally, including exhibitions at the Solomon R. Guggenheim Museum, the Museum of Art and Design (New York), the Musée d’art contemporain de Montréal, the National Gallery of Canada, Mass MoCA, the Andy Warhol Museum, Deutsche Guggenheim, the Third Guangzhou Triennial and the Western New York Biennial through The Albright-Knox Art Gallery, among others. Currently splitting his time between Toronto and New York, Fernandes has participated in numerous residency programs including The Canada Council for the Arts International Residency in Trinidad and Tobago (2006), The Lower Manhattan Cultural Council’s Work Space (2008) and Swing Space (2009) programs, and invitations to the Gyeonggi Creation Center at the Gyeonggi Museum of Modern Art, Korea (2009) and ZKM, Karlsruhe, Germany (2011). Catch him at 8pm Wednesday, November 21, in room A162 of the Visual Arts building.

There will be a new slate of Visiting Artists in 2013. Stay tuned for details!