Meet the new Acting Dean

For once, a symphonic fanfare is completely appropriate: current School of Music Director Dr. Susan Lewis has been announced as the new Acting Dean of the Faculty of Fine Arts. (Cue the trumpets!)

Acting Dean Susan Lewis

Acting Dean Susan Lewis

Lewis’ appointment will run from July 1, 2015, to June 30, 2016, and she will replace current Acting Dean Dr. Lynne Van Luven, whose term ends on June 30. Van Luven herself was standing in for Dr. Sarah Blackstone, who was on secondment as Advisor to the Provost this past year—but has now resigned due to personal hardship.

“As outgoing Acting Dean, I am delighted to hear that Susan Lewis is going to take on the leadership of the Fine Arts Faculty for the next year,” says Van Luven, noting that Lewis received a positive ratification of 97 percent from the Faculty. “Dr. Lewis brings terrific skills to the position: she is a thoughtful administrator, a critical thinker and a faculty member well versed in the overall operation of the university. She brings grace, a sense of humour and a reassuring calmness to the position.”

For its part, the School of Music will require an Acting Director for a period of one year, and the consultation process for that has now begun.

Susan Lewis (second left) declaring the winner in the Vikes Nation Rally Song contest with UVic President Jamie Cassels (second right)

Susan Lewis (second left) declaring the winner in the Vikes Nation Rally Song contest with UVic President Jamie Cassels (second right)

Prior to becoming Director of the School of Music, Lewis herself was the School’s Acting Director in 2010 and 2012. She joined the School as assistant professor in 2001 and was promoted to the rank of associate professor in 2008. One of her mandates as Director has been increased collaboration with other departments on campus—including recent initiatives with Vikes Athletics as the Vikes Nation Rally Song contest and the brand new Vikes Band elective, which sees the creation of a for-credit varsity band course.

A graduate of Queen’s University (BMus in Performance and BA in Music and Politics), the University of Arizona (Master’s of Music), and Princeton University (Ph.D. in musicology), Lewis’ fields of teaching and scholarship embrace cultural history, music and print technologies, as well as music bibliography and genre studies. Her research profile extends to European and global music of the 17th and 18th centuries, sacred music and spirituality, and the music of Claudio Monteverdi, an early opera composer and advocate for experimental harmony and text-driven music.

baroqueAn accomplished scholar with two multi-year SSRHC grants, Dr. Lewis is the sole author of Editing Music in Early Modern Germany (Ashgate, 2007) and The Madrigal: A Research and Reference Guide (Routledge, 2011). Her textbook Music of the Baroque: History, Culture, Performance will be published by Routledge in 2015.

While most of the faculty were expecting Dr. Sarah Blackstone to resume her duties as Dean of Fine Arts this year, it came as a shock when she instead announced her resignation this past April.

“This is an extremely difficult decision for me, and I have not made it lightly,” she said at the time. “As many of you know, I face a challenging and life-changing situation in my personal life that makes it impossible for me to continue as your Dean. For now, I do not have the emotional capacity or the strength to manage the day-to-day operations and the long term planning that are the responsibilities of a Dean.”

Outgoing Dean Sarah Blackstone

Outgoing Dean Sarah Blackstone

Blackstone became Dean in 2007 and her tenure has been one of growth and strengthening for the Faculty. While she has spent the past academic year working as Advisor to the Provost and had anticipated returning, Blackstone recently recognized she’ll need “extensive time” away from UVic in the near future, and acknowledges that this would be “extremely disruptive” to both the Faculty and the operations of the Dean’s Office.

“It has been a privilege for me to lead the Faculty and I am tremendously proud of the things we have accomplished together,” she continued. “You are an extremely talented and dedicated group of people who provide such critical support to students trying to find their way in very challenging professions. Your own artistic and scholarly work inspires your students and many people on and off the campus. I wish each of you, and the Faculty as a whole, the very best of luck in all your endeavours.”

The entire Faculty offers Dr. Blackstone and her family strength and support in the coming months.

Making movie music

Love films? Love music? If you’re interested in learning more about the world of music scoring for film, television or gaming, you’re in luck—three-time Emmy Award-winning film composer Larry Groupé will be hosting a three-day workshop here at UVic’s School of Music, culminating in a recording session of active participant compositions. But the best part is you don’t have to be a UVic student to enroll—it’s open to anyone in the community.

Film composer Larry Groupe

Film composer Larry Groupe

“Larry is a Hollywood professional in a unique position to offer an in-depth examination on the art and practice of writing music to picture at the highest level,” says workshop organizer and School of Music instructor Kirk McNally.

Running April 23 to 25, Film Composition Workshop with Larry Groupé will offer lectures, masterclasses and recording/mixing sessions on two different levels: active participants (10-12 students) will work closely with Groupé and engage in all events, ultimately doing hands-on mixing of one original cue featuring live musicians; passive participants (10-20 students) will also have access to all events, but won’t be doing any presentation of works or mixing—their role will primarily be limited to observation and questions.

Larry_Groupe workshopThe fee for active participants is $250, while passive participants is only $50. All classes happen at the School of Music’s room B037 of the MacLaurin building B-wing. For more details, contact Kirk McNally at kmcnally@uvic.ca.

“For anyone who’s interested in film and TV scoring, this workshop will be a stellar introduction to the field,” says McNally. “Whether you’re a beginner, a student or a budding music professional, you’ll learn an abundance of valuable information, from artistic considerations, to orchestration techniques, to the more business side of things.”

Groupé, who last visited campus in November 2013 to present the lecture, “Film Music: An in depth look and discussion on the current state of composing in Hollywood today,” is one of the most talented and versatile composers working in the entertainment industry today. With an impressive musical résumé in film, television, concerts, gaming, documentaries, popular music and cultural events, his achievements have received both critical praise and popular acclaim.

contenderHis recent movie projects include the likes of The Contender with Joan Allen, Gary Oldman and Jeff Bridges, Straw Dogs with James Marsden, Nothing but the Truth with Kate Beckinsale and Resurrecting the Champ starring Samuel L. Jackson, as well as TV shows like Commander in Chief and Line of Fire. Among his gaming credits are NFL Gameday, Major League Baseball and NCAA Basketball, all for SONY PlayStation.

A graduate of the Conservatory of Music at the University of the Pacific, Groupé went on to earn his Masters of Music in Composition at the University of California at San Diego. He just received his fourth Emmy nomination, this time for Best Original Score for the feature film Under the Boardwalk: The Monopoly Story. And Canadian skater Kevin Reynolds earned his silver medal at the 2014 Sochi Olympics in February 2014 skating to Groupé’s title score for Excelsius.

 

Faculty Research Symposium looks at digital scholarship

Digital scholarship is one of the big buzzwords on campuses everywhere these days. But how is scholarship being transformed and expanded by digital possibilities? What are the significant challenges in digital scholarship? Those are some of the key questions being explored by the Department of Art History & Visual Studies in the annual Faculty Research Symposium happening on February 27.

Highway Signpost Mentorship“The digital turn is already here,” says department chair and symposium organizer Catherine Harding. “We need to get in there and really claim a presence as Fine Arts—and that’s the hard part. That’s why we need these conversations at the faculty level, to discusses these questions of what digital scholarship looks like for the fine arts.”

Running from 9:15am to 3:45pm in the Haro Room of UVic’s Cadboro Commons building, New Directions in Digital Scholarship offers a range of interdisciplinary presentations from Fine Arts faculty members plus guests from across campus, as well as a keynote address by guest Orion Lecturer Fabrizio Nevola of the University of Exeter.

“The faculty research symposium used to be just for us, but we’ve expanded out in the past few years and it’s been really cool to hear what other people in Fine Arts are doing,” says Harding.

The day is broken into three programs—Digital Initiatives in Fine Arts, Digital Pedagogy and Digital Initiatives in Fine Arts and Humanities—wrapping up with Dr. Nevola’s final presentation, “Seeing and Being in the Renaissance City: Digital Tools for a Context-aware History of Material Culture.”

Among the Fine Arts presenters are Kirk McNally (School of Music) on “Music Archives in Higher Education: A Case Study”, Associate Dean Eva Baboula with student researcher untitledElsie Mountford (Art History & Visual Studies) on “Design and Process in Building an Online Research Tool: the Ottoman architecture of southern Greece”, Dennine Dudley (Art History & Visual Studies) on “Dr. Strangeworld or: How I Learned to Stop Worrying, and Love the Technology”, Department of Writing chair and gamification expert David Leach on “Enter the Labyrinth: The promise and perils of video games in higher education”and School of Music director Susan Lewis Hammond with student researcher Bradley Pickard on “Searching for Claudio Monteverdi in Cyberspace: Digital Bibliography and Early Music.”

Also presenting are Kim McLean-Fiander (English) on “Something Old, Something New: Digital Innovations in Early Modern Scholarship” and Lisa Goddard (Libraries) with “A Second Look: Library Services to Support Digital Scholarship in the Visual Arts.”

AH FRS_2015Harding says she was inspired by attending a digital scholarship for departmental chairs seminar last summer, although she does admit that she’s “slower to embrace the potential” than some of the newer faculty members. She also points out that digital scholarship is particularly tricky in Art History, given the dynamic work being done by UVic’s own Dr. Ray Siemens in the Digital Humanities.

“We are working on digital projects in Art History, but we’re a bit shy about it because we don’t feel we’ve done anything really extraordinary yet,” she says. “No question, Digital Humanities is way ahead of us. But I wanted to create a space with this symposium where we could safely explore these issues without any performance expectations. Digital scholarship isn’t owned by any one area, as we see by the involvement of the English department and Libraries.”

Harding is particularly looking forward to the presentation by Lisa Goddard, recently appointed as an associate university librarian specializing in digital scholarship and strategy. “The question really is, how do we embrace multidisciplinary knowledges? I’ll be interested to see whether she means just art history or if she is indeed able to platform in a way that works for visual arts too.”

App_use_Florence_1_jpg-1024x576Another highlight of the day will be Nevola’s presentation. The creator of Hidden Florence, a website and free smartphone app that takes you on a unique tour of the Renaissance city through the eyes of a “contemporary” guide—a 1490s wool worker called Giovanni—Nevola’s intention is to use digital scholarship to allow visitors the chance to engage imaginatively with Renaissance Florence as a lived experience, while going to places that most tourist guides tend to neglect.

screen5-en-1397248071Department of Writing professor Kevin Kerr tackled a similar project with his Circa 1948 National Film Board collaboration with multimedia artist Stan Douglas, which allows viewers to virtually explore such former districts and Vancouver landmarks in as Hogan’s Alley and the original Hotel Vancouver in 1948.

“There are digital projects already happening in the fine arts, as evidenced by these presentations,” Harding says. She points to What Jane Saw, a reconstructed digital exhibition based on Jane Austen’s 1813 text of an art exhibit she visited, complete with room diagrams and art. The project was created by the University of Texas at Austin’s Department of English. “It’s extraordinary what people are doing with digital pedagogy.”

Department of Art History & Visual Studies Faculty Research Symposium
9:15am – 3:45pm Friday, Feb. 27, Haro Room, Cadboro Commons
All are welcome • Free • Lunch provided

Fine Arts at IdeaFest 2015

IdeaFest 2015_web buttonBack for its fourth year, UVic’s IdeaFest is celebrating ideas that can change everything. Organized by the Office of the Vice President Research, IdeaFest runs March 2 to 7 at various venues across campus and offers over 50 panels, workshops, exhibits, lectures and tours presented by UVic thinkers, innovators and artists. Join us as we explore dozens of world changing ideas!

Fine Arts is heavily involved IdeaFest once again, with five separate presentations as well as participation in two exhibits and the annual Jamie Cassels Undergraduate Research Award fair. (See our full-lineup below.) But with over 50 events at IdeaFest as a whole, the hardest part will be choosing which to attend. Keep in mind, all events are free (unless indicated) and no advance registration is required.

Graphic IdeasGraphic ideas @UVic
12:30-3pm Monday, March 2 • UVic Bookstore

If you love graphic novels, comics, or cartoons, don’t miss this comic book fair with presentations from students, profs and visitors! Writing professor Lee Henderson will be on hand to discuss his new comic strip-focused novel, The Road Narrows As You Go.  Come with your favourite graphic work for a discussion between readers and creators about graphic art. Organized by the departments of French, Curriculum & Instruction, Indigenous Law Research Unit, Hispanic & Italian Studies, Germanic & Slavic Studies, and Pacific & Asian Studies, with support from the Bookstore and Libraries.

new photo_testing 1,2,3Testing 1, 2, 3: New approaches to music courses in the 21st century
6-8pm Monday, March 2 • MacLaurin B037

From Beyoncé and the Beatles to jazz legends and rock divas, our School of Music is always looking for new approaches to its music courses. Through a look at course content, shifting tastes and audience demands in popular music, this illustrated lecture will demonstrate the need for innovative course design. Featuring Music professor Patrick Boyle and instructors Melissa Avdeeff and Colleen Eccleston.

Medieval Minutes
12:30-1:30pm Tuesday, March 3 • McPherson Library A003

Marking an evocative time in history, the medieval period lasted from the 5th to 15th century. Fast-forward to modern day and imagine a large circle of people coming from diverse areas of the campus and the community, some even dressed in medieval attire. All have a medieval story, memory or performance to share. Join the Medieval Studies Program and Art History & Visual Studies professors Jamie Kemp and Catherine Harding for this open-mic event—everyone wishing to step into the circle is welcome and has three minutes to be “medieval”.

The mythology of the mad genius: Five myths about creativity
4-6pm Tuesday, March 3 • MacLaurin D110

Mad GeniusWhere do ideas come from? Do you have to suffer for your art? And are all artists really that eccentric? Find out when moderator and Acting Dean of Fine Arts Lynne Van Luven deconstructs the myths of creativity in this zesty and informative panel discussion featuring one faculty member from each Fine Arts department: Christopher Butterfield (Music), Kevin Kerr (Writing), Brian Richmond (Theatre), Paul Walde (Visual Arts) and Erin Campbell (Art History & Visual Studies).

Jamie Cassels Undergraduate Research Awards symposium
11:30am-3pm Wednesday, March 4 • the SUB’s Michele Pujol room

Join us in celebrating the outstanding research produced by 110 Jamie Cassels Undergraduate Research Awards scholars. Fine Arts will be ably represented by Holly Cecil, Aimee Hawker & Laurie White (Art History & Visual Studies), Jerry Flexer & Cody Gles (Writing), Elizabeth Charters, Hovey Eyres & Olivia Prior (Visual Arts) and Chase Hiebert & Emma Leck (Theatre).

Liar Wins thumbnailThe best liar wins: Hidden information and role-playing
1-3pm Wednesday, March 4 • Phoenix Theatre Lobby

What happens when the audience becomes the performer? Join Theatre professor Anthony Vickery for a fun and dynamic role-playing event where audience members must make a decision with limited information—your figurative life is on the line as you engage in lies, acts of deception and leaps of faith. Members will engage in a battle of wits where they role play a villager in the midst of a crisis and ultimately try to out-perform their peers. This event involves participating in the performance as a villager with guided direction from a leader, followed by a discussion of the performative aspects of role playing.

March 4_Inside JM's DiaryInside JM’s Diary: Researching a WWI “History Mystery”
4:30-6pm Wednesday, March 4 • McPherson Library Special Collections A003

Join Art History & Visual Studies professor Marcus Millwright as he shares clues and tips from around the world that may help him solve a long-standing UVic historical mystery—the search for the true identity of the now-famous “JM,” the author and artist of a World War I diary. The two-volume diary, currently on display at his Legacy-Maltwood exhibit The Arts of World War I, will be on hand so participants can view first-hand over 130 watercolour illustrations and pen and ink drawings detailing the author’s life during the war.

Computers and art_thumbnailCan computers and art produce aesthetic work?
10-11:30am Friday, March 6 • Room 150 of the Visual Arts building

Visual Arts professor Lynda Gammon is joined by colleagues and students from the departments of Computer Science and Visual Arts to discuss projects using computation to produce artwork difficult to make with traditional media. This includes a Flowsnake algorithm that creates detailed single-line drawing with a digital pen, and a composition motivated lighting algorithm that renders animated light patterns from a single sketch. Feel inspired as artists and scientists discuss the symbiosis between the groups and give a demonstration of the creation process.

Light and Colour
Running March 2-7 • Audain Gallery, Visual Arts Building

Visual Arts instructor and exhibit organizer David Gifford invites you to discover a broader understanding of light and colour through a diverse showcase of student-led exhibits. The exhibit includes a presentation by James Tyrwhitt-Drake on particle wavelength duality, a demonstration on synaesthesia by Music student Gowan McQuarrie, and a workshop on LEDs by Olivia Prior. Interactive elements include a camera obscura tent, a rainbow competition and a device that tells the time through colour.

d. bradley muir, The Supernova Scene

d. bradley muir, The Supernova Scene

In Session – ONE
Running 10am – 4pm March 4-7 • Legacy Art Gallery

Step out of digital overload and explore the significance and power of photo-based art. Come explore a showcase of  new works by Visual Arts sessional instructors Megan Dickie, Laura Dutton, d. bradley muir and Tara Nicholson. Note: this event takes place off campus at the Legacy Art Gallery Downtown, 630 Yates St.

Please come out and support our Fine Arts faculty and students. And be sure to check out the rest of the fascinating options on view at IdeaFest 2015.  What’s your idea that will change the world?

IdeaFest 2015_web banner

 

Notes in motion, and emotion

While many teachers may have words which inspire them, the life, teaching and research of School of Music professor Adam Con are all guided by an apparently simple motto: “Music is more than notes in motion; music is notes in emotion.”

New School of Music professor Adam Con

New School of Music professor Adam Con

But as with every motto, there’s more going on here than first meets the eye. “It’s all about being comfortable with the uncomfortable,“ Con explains. “All things are living, like language is living. Music is the same—you adjust to the moment, how the emotions are affecting you, how the music is working or not working. In Western culture, we think of music being static notes on the page, that we practice them to make them perfect and then perform them, and that’s it. But that doesn’t really make good music.”

The latest professor to join the School of Music, Dr. Adam Con is also a leader in the advocacy of music education, a conductor and a respected teacher of both choral conducting and Tai Chi Chuan. A third-generation Chinese Canadian, his holistic approach to choral music uses a unique blend of kinesthetic whole-body movement and Eastern philosophy to inspire singers of all ages in mind, body and spirit. Con also combines both his Tai Chi Chuan practice and neuroscience research in his choral work.

“It’s all about the flow and balance of harmony, the energy between a singer and conductor as we pass it back and forth,” he says. “The energy relates to how sounds are conveyed, so there’s a connection to what the singer emotes to the audience. My area of research is how neuroscience relates to motor neurons: how the human brain basically fires its synapses as a singer watches a conductor, and a conductor manipulates a singer’s brain, because it’s firing based on what actions they view . . . it’s in that creative process the magic happens.”

Con will be expounding on his practice and research when he presents the latest Dean’s Lecture at 12:30pm Friday, February 13, at the Central Library on Broughton Street. Hosted by UVic Continuing Studies, his free presentation—The Three Components of the Golden Elixir: Mirror Neurons, Tai Chi Chuan and Choral Singing—will explain how he combines and applies his research in those three key elements to provide a powerful elixir fostering a better quality of life.

Learning new things is one of the things Con likes best about the academic environment. “The richness of life is about connecting with other people, and finding your common interests,” he concludes. “It’s about the bigger questions in life—it’s more than about working across disciplines, it’s about thinking beyond our own expertise. How we intersect allows us to find answers to questions that are elusive to us and our society. It’s that constant openness to the possibility and the chance to see what serendipity can bring to the experience.”

Fine Arts Wellness Day

Even though much of academic life is focused on classes, assignments and performances, it’s also important to maintain a sense of wellness. Physical, mental and spiritual wellbeing will keep you in top form to meet the demands of life as a busy university student. It’s especially tough here in the Fine Arts, where we also have the added pressures that come with a creative life—rehearsing for and giving performances, for example, or presenting our creative work to general audiences.

Wellness Day 2015Fortunately, UVic has a full range of wellness resources to assist students and help them maintain a healthy balance in life. From recreation and fitness opportunities to counselling and spiritual services, we are committed to your health and success.

As such, Fine Arts is proud to be hosting our own Wellness Day from 10:30am-1:30pm on Wednesday, February 4. Organized and hosted by the School of Music, there will be a full range of information, drop-in sessions and services for you to discover in the MacLaurin B-Wing lobby & various rooms. Here’s what’s lined up:

• You can speak to friendly and helpful representatives from Health Services, Counselling Services, the Resource Centre for Students with a Disability, Multifaith Services and Peer Helping during our Resource Fair. They’ll all be happy to provide information about their various on-campus wellness options. That runs throughout the event, from 10:30am-1:30pm in the B-Wing lower lobby (downstairs)

puppy• Henri Lock from Multifaith Services will be leading a meditation session from 11am-noon in Mac B115—the upstairs lounge just outside the Phillip T Young Recital Hall.

• What’s the best way to de-stress? Cuddle with a puppy! Yep, you can get some therapy dog lovin’ from 10:30am-12:30pm in B037 (downstairs)

• Take in some free yoga! Two separate sessions will be happening at the same time, 12:30-1:30pm: one with an instructor from Athletics & Recreation in the Phillip T Young Recital Hall, and one with Theatre alumna & sessional instructor Shona Athey in the Phoenix Theatre movement studio. Be sure to bring your own mat!

Of course, all Fine Arts students, faculty and staff are welcome to attend all of these sessions.

wellness_wheel_1As Dr. Lara Lauzon of UVic’s School of Exercise Science, Physical and Health Education told the well-attended January 21 lunchtime wellness session, For the WELLth of It, “Wellness is something you shape for yourself, wellness helps you reach your potential. And healthy individuals help to make a healthy community.”

Please join us for this beneficial day for all—a great run-up to Reading Break!

 

 

Visual Impetus returns

How do arts and visual culture affect surrounding location and communities? That’s the question being asked at the 18th annual Visual Impetus Symposium. Organized by the graduate students of the Department of Art History & Visual Studies, this annual conference provides a venue for graduate students in Art History and related fields to present their research to fellow students, faculty and the greater community. Visual Impetus is open to graduate students at any university, and offers participants the ability to gain experience as presenters and receive the critical feedback that is so valuable to their research.

Participants at 2013's Visual Impetus

Participants at 2013’s Visual Impetus

Visual Impetus XVIII will be held January 23 & 24 in room 103 of the Fine Arts Building. It opens at 4pm Friday, January 23, with opening remarks by Acting Dean of Fine Arts Dr. Lynne Van Luven, followed by the introduction of the first panel (Technology & Arts: Engineering the Future) by Art History grad student Regan Shrumm, with a charcuterie-and-cheese reception following at 6:40pm. On Saturday, January 24, sessions start at 9am and will end at 2:30pm and feature four more panels (Craft Communities: Rituals & Collective Memories; Devotion & Violence in Sacred Spaces; Identity in Space & Communities; Imagery Symbolism: Status & Legitimacy in Art).

You can read the full schedule of events and presenters here.

Not a real Cowichan Sweater, but the Olympic-branded knock-off

Not a real Cowichan Sweater, but the Olympic-branded knock-off

“The committee tried to feature an interdisciplinary symposium featuring UVic students, so this year’s presentations are on diverse topics, including on textiles of Oak Bay’s St. Mary the Virgin Anglican Church, understanding aerial images in historic cities and Jewish iconoclasm,” says organizer Regan Shrumm. “Along with nine Art History and Visual Studies graduate students, we also have presenters from Visual Arts, the School of Music, the Department of Theatre and UVic’s English department. Graduate students from as far away as Riverside, California, and Kingston, Ontario, will also be traveling to present.”

For her part, Shrumm will be presenting the paper, “Knitting for Our Lives: The Appropriation of the Cowichan Sweaters by the Hudson’s Bay Company during the 2010 Vancouver Olympics,” on Friday.

A scene from the recent Applied Theatre field school in India (photo: Laura Buchan)

A scene from the recent Applied Theatre field school in India (photo: Laura Buchan)

This year’s Visual Impetus keynote speaker will be Matthew Gusul, PhD candidate in the Department of Theatre. His 1pm Saturday  presentation will offer a survey of his recent Indian Field School, which created India’s first intergenerational theatre company.

The department’s graduate students and the Symposium Committee are also honouring Art History professors Dr. Anthony Welch and Dr. Christopher Thomas, for their long service with the department.

VI-XVIII_2015-x508The subject matter of the presentations delivered at Visual Impetus reflects the department’s dedication to a global art history. Students engage with a wide array of culturally diverse mediums, including architecture, painting, digital media and the ephemeral arts. Presenters from past symposiums have addressed topics ranging from medieval Persian illuminated manuscripts and contemporary First Nation textiles to Baroque Italian chapels. Due to the diverse nature of the topics discussed, students employ a multitude of theoretical approaches to augment their analyses.

Visual Impetus is free and open to the public. It is supported by the generosity of the Department of Art History & Visual Studies, the Dean of the Faculty of Fine Arts, and the University of Victoria Graduate Student Society.

Endowing the Gift of Music

How do you cap a life spent in music? By investing your legacy in future generations. That’s what beloved School of Music brass professor Eugene Dowling is doing with a special January 11 concert inaugurating the Eugene Dowling Scholarship for Tuba and Euphonium. Not only will this kick off fundraising efforts for the scholarship itself, but the concert will also tie together Dowling’s friendships, musical life and his years performing in both the School of Music and the greater Victoria community.

Eugene Dowling

Eugene Dowling

While Dowling officially retired in 2014, he has continued to teach a reduced workload at the School of Music while undergoing chemotherapy for stage four prostate cancer—a harsh reality that Dowling is meeting head-on. “It’s important to approach it realistically, and with a note of optimism,” he says frankly. “You know, one out of every seven men go through these hormonal cancers. I had really planned on working longer, but unfortunately it really moved fast. In fact, I’m getting a chemo treatment then playing this concert five days later.”

Dowling’s cancer has also stirred him to contemplate his own mortality and examine the things that have been most important to him: his love of teaching, the relationships he’s developed with students and colleagues, and the importance of sharing what he had been given as a student so many years ago.

“My teachers gave me a deep, beautiful gift: a love of music, an instinct for musical line and the desire to keep growing as a musician and person,” says Dowling. “By starting a scholarship fund in my primary teaching area, I wish to share with future students of the instruments that I play, the same things that I have tried to pass on to my students for the past 38 years.”

A young Eugene Dowling shows his brass

A young Eugene Dowling shows his brass

A beneficiary of scholarships himself as both an undergraduate and graduate student, Dowling can’t stress enough the importance of these kind of financial incentives to future students. “The older established universities like UBC have more scholarship money than they know what to do with,” he says. “As a school, we have a lot to offer but as a comparably young institution, we don’t have the same alumni base. I thought this would be a way of acknowledging what UVic has meant to my life—these wonderful relationships with students going back to 1976, two years before our current building was even built.”

Dowling chuckles as he recalls his early days on campus, back when the MacLaurin building only had an “A” wing and the School of Music was limited to just three classrooms, two practice rooms and no dedicated auditorium. “It was nuts,” he laughs. “People had to practice in washrooms or in storerooms!”

MacInnes (second from left) and Dowling (far right) in the Pinnacle Brass Quintet

MacInnes (second from left) and Dowling (far right) in the Pinnacle Brass Quintet

The concert, he notes, “is largely based on friendship.” Dowling will be joined on stage by some of his closest colleagues, including most of the Victoria Symphony brass section (“half of which I’ve taught,” he chuckles), two local bands he regularly performs with—The Bastion Jazz Band and The Pinnacle Brass Quintet—as well as a range of students and alumni.

Notably, the program will include School of Music instructor Scott MacInnesQuintet No. 1, a piece he composed last year in honour of his long time mentor, colleague and friend. “The piece is divided into three movements that each visits a wide-ranging spectrum of emotions,” explains MacInnes. “Although saturated with sorrow, there is the ever present sense of hope and even joviality that triumphs over all else.”

515D8TF783LAs a young man, Dowling studied with euphonium virtuoso Leonard Falcone at Michigan State, as well as at Northwestern with legendary pedagogue Arnold Jacobs, former principal tubist with the Chicago Symphony Orchestra. A Yamaha Artist, Dowling was himself principal tubist with the Victoria Symphony for 25 years, and his recording of The English Tuba (Fanfare/Pro Arte) was nominated for a Juno Award.

Dowling leads 2014's TubaChristmas event to a packed house at Market Square (photo: Robert Davy)

Dowling leads 2014’s TubaChristmas event to a packed house at Market Square (photo: Robert Davy)

Another Dowling legacy is the Victoria TubaChristmas Ensemble which, under his direction, has raised thousands of dollars for local charities over the past 36 years—including $2,600 in two hours this year alone. Looking to the future, Dowling co-conducted the 2014 TubaChristmas event with former student and 2011 Distinguished Alumni recipient Paul Beauchesne. Beauchesne, who stepped into Dowling’s shoes as the Victoria Symphony’s current principal tubist, will not only be taking over TubaChristmas but also Dowling’s teaching load. “We’re really looking towards the future—that’s why I’ve taken steps for Paul to succeed me with TubaChristmas and sessionally at UVic.”

But for now, Dowling is primarily focusing on his cancer treatments and the scholarship fund. “We’re going to kick off the scholarship with this concert, and then my estate will pony up the money for the yearly scholarship until it gets to the $25,000 level in perpetuity,” he says. “It’s been a wonderful career, a wonderful life and a wonderful chance to work with some really, really great people.”

—with files from Kristy Farkas

The Eugene Dowling Scholarship for Tuba and Euphonium concert begins at 2:30pm Sunday, January 11, in UVic’s Phillip T. Young Recital Hall (MacLaurin Building B Wing), featuring performances by tubist Eugene Dowling with pianist Charlotte Hale, violinist Ann Elliott-Goldschmid, tenor Benjamin Butterfield, the Bastion Jazz Band, the UVic Student & Alumni Tuba & Euphonium Ensemble, and the Pinnacle Brass Quintet. Tickets are $18 & $14 and available at the door or through the UVic Ticket Centre (250-721-8480).

Donations to the scholarship can be made here using this online donation form.

A Life in Music

It isn’t always the best-known works of art that make the strongest impression. For School of Music professor and trumpeter Louis Ranger, some of the music that has most inspired him throughout his lifetime are pieces that fall a little under the radar. He has thoughtfully assembled some of these works for his January 10 Faculty Chamber Music concert, Favourites From a Life in Music—but for Ranger, a more accurate theme for the concert would be “music that I find interesting and rewarding that does not get performed frequently enough.”

Retiring trumpet professor Louis Ranger

Retiring trumpet professor Louis Ranger

The concert marks a double milestone for Ranger—36 years of teaching at the School of Music, as well as his forthcoming retirement—and features many current students, alumni and faculty colleagues, including Benjamin Butterfield, Susan Young, the Lafayette String Quartet and the UVic Chamber Singers. “Ironically, the best thing I can do is make myself unnecessary,” says Ranger in this video about his approach to teaching music. “When a student leaves here, they should understand their strengths, what they need to work on and how they’re going to get where they want to be.”

Ranger’s concert in the Phillip T. Young Recital Hall is the latest in the School of Music’s ongoing Faculty Chamber Music series. “It has become a bit of a tradition to honor various milestones in our colleagues’ lives in these concerts,” says Pamela Highbaugh Aloni, co-head of performance and cellist for the LSQ. “Lou has been a key inspiration and leader in our faculty since I can remember. His insights as a musician, educator and member of the university community at large have so positively impacted all of us. We look forward to sharing an evening of music that he loves.”

Lou Ranger in action (photo: Kristy Farkas)

Lou Ranger in action (photo: Kristy Farkas)

Looking back, Ranger can’t emphasize enough the importance of the chamber music experience to developing musicians. “The chamber music aspect is one of the strongest things about the School,” he says. “It’s kind of rare—very few schools offer faculty coaching of small groups, but this is where people really learn to listen and take responsibility. You can sit in a large ensemble and not necessarily know what’s going on all the time . . . but in a small group, if you don’t do it, it doesn’t happen. It does a lot to make students independent musicians.”

As a young man, Ranger studied with the noted likes of late Boston University orchestral trumpeter Armando Ghitalla and Juilliard’s William Vacchianoformer principal trumpet of the New York Philharmonic. From 1970 to 1978, he then performed internationally as a brass chamber music clinician with the acclaimed American Brass Quintet.

Ranger CDHe has also performed with such orchestras as the New York City Ballet, the New York City Opera, Radio City Music Hall, the Boston Symphony, the Berlin Philharmonic and the New York Philharmonic, where he followed in Vacchiano’s footsteps as co-principal trumpet. Ranger was also first trumpet with the Musica Aeterna orchestra and, during the summer months, he is principal trumpet of the Aspen Festival Orchestra. He has released a CD entitled The Trumpet Comes of Age: 1940-1980 (with School of Music colleague Bruce Vogt).

Among Ranger’s Favourites From a Life in Music are the likes of the Capricorn Concerto (Samuel Barber’s homage to Bach), and Serenata by Alfredo Casella—a piece that entered Ranger’s repertory in the 1960s while studying with brass players of the Boston Symphony. Ranger gives credit to the music of Igor Stravinsky as one of his primary reasons for becoming a musician, and has dedicated the majority of this program to his works, including In Memoriam Dylan Thomas, The Owl and the Pussycat, and his Mass for Mixed Chorus and Double Wind Quintet.

Louis Ranger’s Favourites From a Life in Music
8pm Saturday, January 10 in the Phillip T. Young Recital Hall
MacLaurin Building B-Wing, University of Victoria
Tickets are $18 regular / $14 students, seniors or alumni and are available at the door or through the UVic Ticket Centre or 250-721-8480).

—Kristy Farkas, with files from John Threlfall

Top 10 Fine Arts stories for 2014

2014 sees the end of another busy year here at the Faculty of Fine Arts, where there was always something afoot. Five departments and hundreds of annual concerts, theatrical productions, readings, exhibits and lectures by visiting artists, academics and professionals means Fine Arts is always one of the busiest faculties on campus when it comes to community engagement. Here’s a quick wrap-up featuring some—but certainly not all—of the leading Fine Arts stories of the year.

“Hear us roar!”

UVic President Jamie Cassels and Vikes mascot Thunder present Rally Song winner Colleen Eccleston with her iPad  (photo: Armando Turo)

UVic President Jamie Cassels and Vikes mascot Thunder present Rally Song winner Colleen Eccleston with her iPad (photo: Armando Turo)

To the cheers of a tight game and the applause of a packed house, the winner of the School of Music / Vikes Nation Rally Song Contest was decided at the Vikes men’s basketball game way back on January 10—and first prize went to the School of Music’s own songwriting instructor Colleen Eccleston. With 18 submissions from across campus—including entries by students, faculty and administration alike—the top three finalists were performed live at half-time by fourth-year Music student Josh Lovell. Eccleston picked up a brand new iPad for her winning song, “Vikes Nation” (“We are Vikes Nation, hear us roar!”) as chosen by judges UVic President Jamie Cassels, Director of Athletics and Recreation Clint Hamilton, Director of School of Music Dr. Susan Lewis Hammond and varsity athlete Kyle Irvine. Attendees now hear a recorded version of Lovell’s rendition before the starting lineups of each Vikes home game.

On the button blanket

The button blanket receiving its inaugural dance at UVic's First Peoples House (Photo Services)

The button blanket receiving its inaugural dance at UVic’s First Peoples House (Photo Services)

It may have been nicknamed “the big button blanket project” by Art History & Visual Studies, but the creation and subsequent exhibit of Adasla: The Movement of Hands at the Legacy Galley garnered a great deal of attention in the community and the media. Both the blanket’s inaugural dance at the opening ceremonies of UVic’s annual Diversity Research Forum in February at First People’s House and the accompanying exhibit—featuring a special contemporary performance collaboration between Governor General’s Award-winning performance artist Rebecca Belmore, former Audain professor for the Department of Visual Arts, and blanket co-creator, Tahtan Nation artist Peter Morin—represented one of the strongest examples of community engagement of the year.

A name you can trust

Chancellor-designate Shelagh Rogers meets the media. Credit: UVic Photo Services

Chancellor-designate Shelagh Rogers meets the media. Credit: UVic Photo Services

It was the kind of news that would warm the heart of any arts supporter when famed CBC Radio host Shelagh Rogers was named the University of Victoria’s 11th Chancellor in May. “To speak in a very non-chancellorian way, I’m thrilled out of my bean,” Rogers said at the time. “I feel like over the last little while I’ve been dating UVic—I’m glad now to be in a relationship with you.” Nominated by Fine Arts Dean Dr. Sarah Blackstone and Associate Dean Dr. Lynne Van Luven, Rogers’ term begins in January 2015. “As UVic’s chancellor, Shelagh Rogers will enhance the excellence of our university,” said Blackstone. “She will bring tremendous energy and great insight to her new role. Her national reputation as an advocate for Canadian arts and culture will serve the university well. UVic could not ask for a better ambassador as we build on our reputation for excellence in teaching, research, and community engagement.”

Getting an A in Queen B

Melissa Avdeeff

Melissa Avdeeff

There’s nothing like a little controversy to spark interest in a course, as School of Music instructor Melissa Avdeeff discovered when word broke in July that she’d be teaching a course on the music of Beyoncé at UVic, resulting in some less than positive comments (“I think I just gave up on Western culture!” “Truly a waste of education and money!”). It didn’t take long for media outlets ranging from the CBC, CTV and Macleans to the Globe and Mail and the Huffington Post to jump on the Beyoncé bandwagon. “I don’t see studying popular culture as any less academically or socially relevant than studying other forms of musicology like historical musicology or music theory,” Avdeef told the Globe. “It’s important to have these courses. They get people thinking more critically about how they are engaging with media.”

Art on view

"Hit for the sculpture!" Stillwell's piece in context of the baseball diamond

“Hit for the sculpture!” Stillwell’s piece as it appears from the baseball diamond

It was a busy year for professors in the Department of Visual Arts, with a number of exhibits and new sculptures being unveiled. Both Jennifer Stillwell and Robert Youds debuted new pieces of public art—Stillwell’s High Five began reaching for the sky in Winnipeg back in August and Youds’ For Everyone a Sunset was unveiled at the Vancouver Art Gallery’s Offsite in October—while departmental chair Paul Walde‘s Requiem For A Glacier installation appeared in Nelson in January, was written up in a  Times Colonist UVic Research feature in July, ran from September to November at the Evergreen Cultural Centre in Coquitlam, then ran at Laval University Art Gallery in Quebec City until the end of December. Meanwhile, photographer Vikky Alexander opened two photography exhibitions this fall—a show of new work Theatergarden Bestiarium in Los Angeles and the retrospective The Temptation of St Anthony in Vancouver—and will have two more shows opening in early 2015 in both Calgary and Montreal.

All for Two 4 One

Bradley considering a shot on set  (photo: Arnold Lim)

Bradley considering a shot on set (photo: Arnold Lim)

Department of Writing professor Maureen Bradley‘s locally lensed debut feature film, Two 4 One, had  its world premiere at the 2014 Calgary International Film Festival in September, before moving on to its BC premiere at the Vancouver International Film Festival in October, and the Eastern Canada premiere at Montréal’s Image + Nation Film Festival in November.
Coming up in February 2015, it will be the opening gala film at the Available Light Film Festival in the Yukon and local audiences will be able to see the film—described as Canada’s first transgendered romantic comedy—as part of the Victoria Film Festival, also in February. Two 4 One is written and directed by Bradley and produced by digital media staffer Daniel Hogg.

The best exotic intergenerational theatre company

Theatre PhD Matthew Gusul (centre) at the field school in India

Theatre PhD Matthew Gusul (centre) at the field school in India

Department of Theatre PhD candidate Matthew Gusul attracted attention with his field school to India in October. Gusul and 13 undergraduates spent two months in the Tamil Nadu and Pondicherry regions to create the country’s first intergenerational theatre company. By positively highlighting the life experiences of residents at the Tamaraikulam Elders’ Village and the students of the Isha Vidhya Matriculation School, Gusul and his students worked with a team of Indian directors to encourage these seniors and rural youth to perform their own stories, develop strong community relations and create new lines of dialogue across generations. Stay tuned for an update on their efforts, coming the first week of January.

World War I history mystery

Marcus Milwright with JM's diaries

Marcus Milwright with JM’s diaries

When Art History and Visual Studies professor Marcus Milwright began planning his November exhibit The Arts of World War I, he had no idea that his use of a two-volume leather diary set featuring illustrations of life during the Great War—signed only by the initials “JM”—would generate so much publicity. But Milwright’s search for JM’s identity sparked a flurry of international media attention, which you can read about here. His hunt for JM’s identity also earned Milwright a spot on UVic’s own Top 10 News Stories for 2014. The Arts of World War I continues to March 2, 2015, in the McPherson Library’s Legacy Maltwood Gallery, and will be a featured part of UVic’s IdeaFest in March.

National honours

Arleen Paré accepts her award from the Governor General

Arleen Paré accepts her award from the Governor General

The Faculty of Fine Arts was remarkably well-represented in national awards this year, thanks to the nomination of five Fine Arts faculty and alumni in the 2014 Governor General’s Literary Awards—Writing professor Bill Gaston, Writing alumni Garth Martens & Arno Kopecky, and Department of Theatre aluma & playwright Janet Munsil, as well as eventual Poetry winner and Writing alumna Arleen Paré. But there was also Writing professor Tim Lilburn‘s induction as a Fellow of the Royal Society of Canada, retired Writing professor Patrick Lane receiving the Order of Canada and Department of Visual Arts student Kim Adams winning the 2014 Governor-General’s Award in Visual and Media Arts. “Having so many areas of the Faculty of Fine Arts recognized illustrates the strength and vibrancy of fine arts at the University of Victoria in particular and in British Columbia generally,” says Dr. Lynne Van Luven, Acting Dean of Fine Arts. “Such achievements are all the more impressive given budget cuts for fine arts programs overall.” Add to that new books by Writing professors Lee Henderson (The Road Narrows As You Go), Bill Gaston (Juliet Was a Surprise) and Kevin Kerr (Tear The Curtain).

Fine Arts can be a picnic

Evocative 1940s costumes made Picnic a winner in the Spotlight Awards (photo: David Lowes)

Evocative 1940s costumes made Picnic a winner in the Spotlight Awards (photo: David Lowes)

Finally, Phoenix Theatre rounded out another busy year of productions in the Department of Theatre with their 1970s revamp of A Midsummer Night’s Dream, directed by professor Fran Gebhard, which followed their latest Spotlight on Alumni production The Lion, The Witch and The Wardrobe—which was so popular that it had to be held over! Both their spring productions—Picnic (directed by professor Peter McGuire) and Unity (1918) (written and directed by Writing professor Kevin Kerr)—were well-received and recently earned nominations and a win for Best Costumes in Victoria’s annual Critic’s Choice Spotlight Awards.

Here’s looking forward to an equally busy 2015!