Last week for Heaven

If you haven’t been to Heaven yet, you’ve still got time. No need to bother St. Peter, however—simply pop into the Legacy Art Gallery Downtown for the final week of the  exhibit Windows Into Heaven: Religious Icons from the Permanent Collection.

Co-curator Regan Shrumm explains the significance of some of the icons

Co-curator Regan Shrumm explains the significance of some of the icons

Running through to Saturday, August 9, Windows Into Heaven is a result of the graduate research of History in Art MFA and exhibit co-curator Regan Shrumm.

Featuring Christian Orthodox icons and crucifixes from the permanent collection of the Legacy Gallery, this exhibition examines religious, historical, and cultural meanings past and present. “A lot of people don’t know what icons are or what they’re used for,” says Shrumm, who originally started exploring the Legacy’s collection for the Jamie Cassels Undergraduate Research Award in 2012.

Frequent readers of this blog may well remember Shrumm’s name as the winner of the 2013 Victoria Medal—awarded annually to the student with the highest GPA in the Faculty of Fine Arts. Describing her as “a remarkable student” with “a lively, vibrant spark,” History in Art chair Dr. Catherine Harding noted Shrumm “made these precious items come alive through her focus on their materiality and their special relationship to other artistic traditions, such as the close visual connections between Greek Byzantine and Russian religious culture.”

Eva Baboula speaks to a packed house at the curator's talk in April

Eva Baboula speaks to a packed house at the curator’s talk in April

Windows Into Heaven is co-curated HIA professor and recently appointed Associate Dean of Fine Arts, Dr. Evanthia Baboula, who also led Shrumm’s directed studies course which led to the creation of this popular exhibit. Over a hundred people turned out for the curator’s talk and tour back in April, showing the continuing interest in this kind of religious iconography.

Just a few of the icons on display

Just a few of the icons on display

The 18th and 19th century icons—created from egg tempera, enamel and silver metalwork—are from the eastern Christian tradition and show how religious imagery maintained a central role in orthodox Christianity. Many of the icons are from the donated collection of Dr. Bruce and Mrs. Dorothy Brown.

Icons were venerated in churches, private homes or during a journey to provide protection to body and spirit. Images of saints, Christ and the Virgin that date back to the Byzantine tradition, the medieval empire of Constantinople, are also a concrete remnant of how the religious communities of imperial Russia built on these traditions to create a recognizable, yet distinctive and lively art.

Viewers at the exhibit

Viewers at the exhibit

“The icons in this exhibition are similar in age and importance to others found in major galleries and museums worldwide, including the Metropolitan Museum, the British Museum, and the Ashmolean,” says Baboula.

Windows Into Heaven must close on August 9 at the Legacy Art Gallery Downtown, 630 Yates. Admission is free and the gallery is open 9am to 4pm Wednesday to Saturday.

“History in Art” soon to be history

Change is afoot in the Department of History in Art . . . a name change, to be precise. Starting next year, HIA will become the Department of Art History and Visual Studies.

“[The name] History in Art is unique—there is no other department in the world with that name,” explains department chair Catherine Harding. “[Department founder Alan Gowans] wanted to signal that we were not about the elite practice of art, but it’s honestly been the bane of our existence. People hear the name and they ask, ‘What’s that? Is it some different branch of history or art history?’”

HIA film listShifting to “Art History and Visual Studies” isn’t just about making fewer explanations, however; Harding says it’s also about being more inclusive within the department itself. “We’ve had people teaching with us for years who are film historians, not really art historians, and they’ve always felt like a bit of a sidecar.”

A new name also provides the opportunity for curriculum revision. “Instead of being focused on geographies and chronologies, we’re now going to have three streams: visual literacy, including all the film courses; intercultural/cultural understanding; and our experiential community base. We’re retooling what we offer, and the name change will be huge for that.”

Medieval coursesHarding points to the recent brouhaha when US president Barack Obama took an offhand swipe at art history: “Folks can make a lot more potentially with skilled manufacturing or the trades than they might with an art history degree”—a remark for which he later apologized. (“As it so happens, art history was one of my favorite subjects in high school.”)

Ironically, she has been looking south of the border for examples of the increasing importance of visual literacy in society. “They do visual literacy In the American secondary school curriculum, but there’s no visual literacy in BC secondaries,” she says. “We can do an important job here advocating for visual literacy in BC’s schools. “

Now that all the planning and paperwork is completed, Harding is looking forward to their new designation. “It still has to go through Senate, but the signs are that everyone really supports it,” she says. “But it probably won’t show up until next year’s calendar—let’s say September 2015 to do all the administrative changes.”

Call for Courses

The Faculty of Fine Arts is requesting expressions of interest for the following sessional assignments:

Got a great course idea?

Got a great course idea?

Fall Term - FA 200 A0: Special Topics in Fine Arts (maximum enrollment: 150 students), September-December 2014.
A multi-disciplinary investigation into various aspects of the arts. Focus may vary from year-to-year. Class runs Monday and Wednesday, 4:30pm – 5:50pm.

Spring Term -FA 335 A01 – Popular Culture (maximum enrollment: 75 students), January – April 2015.
An interdisciplinary examination of the popular arts and their place in society. The topics for
examination will vary in different years and sections. Class runs Monday and Thursday, 8:30am – 9:50am.

Expressions of Interest are due by 4:30pm Thursday, June 19th, 2014. Positions will be assigned no later than June 27, 2014.

Insert your course here

Insert your course here

Please submit a written letter of interest indicating qualifications and experience,
potential course outline along with a current Curriculum Vitae to:
Samantha Knudson, Academic Administrative Officer
Faculty of Fine Arts (Fine Arts Building, Rm 116)
University of Victoria, PO Box 1700 Stn CSC, Victoria BC V8W 2Y2

If you are interested in proposing future courses that fit within the Fine Arts curriculum (see Undergraduate Calendar pg. 310), please contact the Dean of Fine Arts Office to schedule an appointment. Sessional Instructors are CUPE 4163 (Component 3) positions with Sessional Lecturers Certification.

The University of Victoria is an equity employer and encourages applications from women, persons with disabilities, visible minorities, aboriginal peoples, people of all sexual orientations and genders, and others who may contribute to the further diversification of the University. The University reserves the right to fill additional teaching assignments from the pool of applicants for this posting. All positions are subject to enrolment and budgetary approval.

Rotating and protecting UVic’s art collection

With 2,200 works of art currently on display—out of more than 20,000 pieces in the university’s overall art collection—UVic has more art on view in public, non-museum spaces than at any other university in Canada. Managing the collection responsibly through the Legacy Art Galleries’ Art on Campus program has also meant that a number of pieces previously on display in public spaces have been deemed to be at risk—and are in the process of being replaced with thematically similar works.

Mary Jo Hughes at the 2013 Legacy exhibit Paradox (photo: Don Denton)

Mary Jo Hughes at the 2013 Legacy exhibit Paradox (photo: Don Denton)

“The Department of Canadian Heritage designate some of our works to be of outstanding national significance,” explains Legacy Art Galleries director Mary Jo Hughes, “so they require we only show and store these pieces in places with ‘Category A’ museum standards—which we unfortunately don’t have in the public spaces and offices on campus.”

The risks that Legacy must be concerned about are more than just the possibility of theft. “Art can be damaged from light, temperature, humidity, airborne contaminants, pests and vandalism,” she says.

Canadian Heritage requires nearly 1,000 nationally significant artworks in UVic’s collection to be protected for the benefit and education of both present and future generations. Consider, for example, Legacy’s precious William Morris tapestries. “They are so valuable and so vulnerable to light that we only bring them out for short-term display, and for examination and research,” says Hughes. “We always have to balance preservation with the desire for long-term display; if we were to put them out, they would be so faded after a couple of years that they ‘d be worthless for future generations.”

Legacy curator Caroline Riedel, History in Art Professor Dr. Erin Campbell and History in Art student Holly Cecil (photo by Gary McKinstry)

Legacy curator Caroline Riedel, History in Art Professor Dr. Erin Campbell and History in Art student Holly Cecil (photo by Gary McKinstry)

But while this curatorial shuffle means you’ll no longer find Myfanwy Pavelic’s paintings in the McPherson Library or Robert Davidson’s prints in the Fraser Building, you will now find equally strong and relevant pieces in their place. Pavelic’s portrait of famed conductor Yehudi Menuhin that previously hung outside the library’s Music and Media department has been replaced with alumna Eva Campbell’s portrait of filmmaker Kemi Craig. “Legacy is attempting to match pieces that will continue to speak those messages,” explains Hughes. “Maintaining First Nations prints in the Law faculty, for example, speaks to their respect for and interest in indigenous approaches to law.”

Even though Legacy Art Gallery Downtown and the Legacy Maltwood in the Mearns Centre for Learning are the only “Category A” spaces available, that doesn’t mean the campus will be short on art to display. “We have the most art on public display of any university in Canada,” Hughes says. (By way of comparison, the much larger University of Toronto campus only has 800 pieces on view.) “The Art on Campus program makes a valuable contribution to the educational environment at UVic. It reinforces an interdisciplinary approach in how people work, teach and learnon campus, and recognizes art as a vital part of everybody’s life; it provides invigoration and stimulation wherever it is.”

UVic's Legacy Gallery Downtown

UVic’s Legacy Gallery Downtown

Hughes also points out what our art collection says about the university as a whole. “It reinforces key messages about UVic, about our values, about our culture,” she says. “Think about the remarkable amount of First Nations art we have campus: that speaks to our connection with the Coast Salish people, with being grateful for being on their territory, with recognizing their culture as a vital part of our world right now. That’s very important to UVic, across disciplines. We don’t want to just pigeonhole art in the Fine Arts or Visual Arts buildings.”

Though some key works have been moved out of offices where they were well-loved, protecting the art will create opportunities to share the pieces with a wider audience through the gallery—in our own era and in the decades to come.

Maxwell Bates' "Circus People" (1969) will be seen in Legacy's upcoming Epiphany exhibit

Maxwell Bates’ “Circus People” (1969) will be seen in Legacy’s upcoming Epiphany exhibit

The program is also providing new opportunities for community engagement, as seen in Legacy’s upcoming exhibit Epiphany:Highlights from the Legacy Permanent Collection opening May 1. Featuring artists of national significance like Norval Morrisseau, Lawren Harris, Frederick Varley, Robert Davidson, Emily Carr, Myfanwy Pavelic, Robert Rauschenberg, Jack Shadbolt and Jean-Paul Riopelle, among others, Epiphany will showcase art that may previously have had limited exposure. “This will enable a lot of people to see some of the cultural properties that have been taken off-campus,” she explains. “A piece may have been hanging in someone’s office or a hallway the general public couldn’t get to before. We’re trying to give access to these key pieces in exhibitions like this.”

Hughes also feels it’s important to remember that community engagement is only part of the role of UVic’s art collection—with the other part being experiential learning. “We cater to faculties whenever they want to have artwork as part of their teaching. We offer art for teaching in classes on campus or at Legacy and we provide study access to reseachers . . . what we do is very much linked to the academic mandate, and real-life experience of working with art. ”

“We’re still dedicated to providing access to all our pieces,” Hughes concludes, “through temporary exhibits, research, classroom visits, and through our database. We have to balance the protection of the artwork with access for scholarship, research and exhibition purposes.”

 

Recent Fine Arts media roundup

Whatever the season, our Fine Arts faculty always seem to be in the media. The only trick is keeping up with it all!

EdgeKicking off 2014, History in Art’s Victoria Wyatt was announced as a contributor to the influential Edge blog. For those not familiar with Edge, it’s an ongoing conversation of intellectual adventure. As they say on the Edge website, To arrive at the edge of the world’s knowledge, seek out the most complex and sophisticated minds, put them in a room together, and have them ask each other the questions they are asking themselves.

The 2014 Edge question was, “What scientific idea is ready for retirement?” and it’s a bit  unusual for a History in Art professor to be asked to contribute to the conversation. But Victoria Wyatt was more than game for it, weighing in with her idea that “it’s time for the rocket scientist to retire.” She’s not talking about the folks at NASA, mind you, but that tired old cliche, “It doesn’t take a rocket scientist to . . . ” Read Wyatt’s engaging short essay here. All the responses are compiled in one really long list, so if you want to find hers quickly, just search for “Wyatt”.

The online Edge salon is, as they put it, “a living document of millions of words charting the Edge conversation over the past 15 years wherever it has gone.” In the words of the novelist Ian McEwan, Edge.org offers “open-minded, free ranging, intellectually playful . . . an unadorned pleasure in curiosity, a collective expression of wonder at the living and inanimate world . . . an ongoing and thrilling colloquium.”

JMPS_new_covIn other History in Art news, Allan Antliff recently edited a special issue of The Journal of Modern Periodical Studies focusing on “Anarchist Modernism in Print” (Volume 4, Number 2, 2013). As Antliff says in his introduction, “This issue of the Journal of Modern Periodical Studies examines political engagements with modernism in journals where productive comingling gave rise to new modes of anarchism contiguous with modernism, while modernism itself was propelled in new directions. In this instance we have a critical/creative nexus . . . keyed to values profoundly at odds with modernity, including its ‘socialist’ guise. Anarchism’s modernisms grapple with such issues as power relations, sexual difference, colonialism, and the economics of art—to name a few—with revolutionary intent.” Read more about Antliff’s issue here.

Allan Antliff's latest book, Joseph Beuys (Phaidon Focus)

Allan Antliff’s latest book, Joseph Beuys (Phaidon Focus)

Antliff also has a soon to be released new book about sculptor, painter, draughtsman, teacher, theorist and political activist Joseph Beuys. Simply titled Joseph Beuys, the 144-page book from Phaidon Focus is part of a groundbreaking new series that offers accessible, enjoyable and thought-provoking books on the visual arts. Described as “An enigmatic figure whose complex imagination drew on his research across a wide range of themes . . . Beuys strove to establish a truly democratic approach towards artistic creativity, and prove that modern art need not be confined to the museum or the gallery.”

Phaidon notes, “As Antliff effectively demonstrates, the ecological and political issues that informed much of Beuys’s art can be considered as relevant today as they were in his own lifetime.” You can read more about the art and life of Joseph Beuys in this article and this one. The book will be released on March 23.

A happy—and no doubt relieved—Carolyn Butler Palmer watches as the big button blanket is raised in First Peoples House (UVic Photo Services)

A happy—and no doubt relieved—Carolyn Butler Palmer watches as the big button blanket is raised in First Peoples House (UVic Photo Services)

Still in History in Art, Carolyn Butler Palmer‘s Big Button Blanket project—which earned all sorts of media attention during its fall 2013 creation—continued to make headlines with its 2014 public debut. Times Colonist art writer Robert Amos called the blanket’s exhibit at Legacy Gallery Downtown‘s Adasla: The Movement of Hands (continuing through to April 25) a “stimulating and multi-faceted show” in his review. Following the blanket’s debut at the opening of the Diversity Research Forum, UVic’s Ring newspaper previewed the upcoming performance by blanket co-creator Peter Morin and former Department of Visual Arts Audain Professor Rebecca Belmore in this article, and the Times Colonist also ran this article previewing the February 22 performance, summarizing the history of the button blanket and this blanket’s specific intention.

Peter Morin observes the big button blanket after it has been raised in First Peoples House (UVic Photo Services)

Peter Morin observes the big button blanket after it has been raised in First Peoples House (UVic Photo Services)

Local visual arts writer Robert Amos also ran this Times Colonist article about Adasla, describing it as a “stimulating and multi-faceted show.” The exhibit was also featured in the February/March issue of Preview: The Gallery Guide magazine, was written up in this article for the UVic student newspaper Martlet and appeared in the Victoria News article, “Big Art Emerges From A Big Blanket.”

Shifting to the Department of Theatre, professor emeritus  Juliana Saxton was the focus of this March 7 Montreal Gazette op-ed by Andrea Courey about life-long learning. At 80, Saxton certainly knows how to walk the talk! (“When asked to comment on the fun of still ‘coming to class,’ Saxton said she had no time to talk. She was off to teach a class! Bingo. I smiled and remembered the old adage: If you want to learn something, teach it. And if you can, keep learning.”)

Some of the cast of Unity (1918), on to March 22 at Phoenix Theatre (photo by David Lowes)

Some of the cast of Unity (1918), on to March 22 at Phoenix Theatre (photo by David Lowes)

Phoenix Theatre’s last production of the year—the award-winning Unity (1918), written and directed by Department of Writing professor Kevin Kerr—picked up a great deal of media attention in advance of its March 13 opening. The Times Colonist, CTV VI and CFUV’s U in the Ring all featured previews of the production, and the reviews coming in have all been outstanding (“Who knew a play about the flu could be so moving?” writes the Times Colonist). Click to this separate post to read a roundup of the press surrounding Unity (1918).

School of Music instructor Colleen Eccleston was a guest on CFAX 1070′s “Cafe Victoria with Bruce Williams” show (unfortunately not archived online). Eccleston spoke about the recent anniversary of the Beatles appearing on The Ed Sullivan Show in 1964, and the impact they have had since that day 50 years ago. Music’s Wendell Clanton was also featured on CFAX 1070 in February (but also not archived); both he and members of the UVic Vocal Jazz Ensemble were interviewed about their Singing Valentines fundraiser.

12tet-frontThe UVic Wind Symphony and the Naden Band appeared on Shaw TV’s Go Island South show in advance of their Naden Scholarship fundraiser concert on February 7. Also in the brass department, congratulations go out once more to School of Music professor emeritus Ian McDougall on his latest Juno Award nomination! His album The Ian McDougall 12tet LIVE is nominated for “Traditional Jazz Album of the Year.” The winners will be announced on the March 30 broadcast from Winnipeg.

The School of Music’s new live streaming initiative also sparked this Times Colonist article about the pros and cons of digital content when it comes to audience impact. Concert Manager Kristy Farkas was interviewed, saying “she knows of no evidence suggesting that this program compromises attendance at UVic concerts.” The TC’s Kevin Bazzana quoted Farkas on how technology is “broadening our reach with the community” by allowing a student’s family in another city to watch a graduating recital, for example.

Sandra Meigs' "The Basement Panoramas"

Sandra Meigs’ “The Basement Panoramas”

Over in Visual Arts, the Toronto exhibit of Sandra Meigs‘ new series of paintings The Basement Panoramas got a great full-page review in the Toronto Star, which called it “perhaps the most potent work of Meigs’ career.” As anyone who saw the show when it appeared locally at Open Space back in November 2013 will recall, these are really, really big paintings—so large the Toronto exhibit was split between two galleries!

Daniel Laskarin at Deluge

Daniel Laskarin at Deluge

Current Visual Arts chair Daniel Laskarin had his fourth exhibition at downtown’s Deluge Contemporary Art from January 31 to March 8. In fallen and found, Laskarin returned to a decades-old preoccupation with the role of the sculptor as matterist in this solo exhibit, and you can hear him discuss the work in this video interview from ExhibitVic website.

WainoAnd the timing was perfect for Carol Wainio’s March 12 appearance as the latest in the long-running Department of Visual Arts VIsiting Artist series. Wainio had just been announced one of the recipients of the 2014 Governor General’s Awards for Visual & Media Arts on March 4, alongside Visual Arts alumnus Kim Adams. Wainio’s talk was teased by an advance photo in the local Victoria News listings.
Finally, in the Department of Writing, Joan MacLeod‘s latest play The Valley opened in Winnipeg recently, earning her this Winnipeg Free Press article: “Over almost three decades, the Victoria-based MacLeod has won a shelf full of awards for her plays, including the 2011 Siminovitch Prize, Canada’s richest theatre award. She is taken aback by the news that anyone thinks of her as a groundbreaking dramatist. ‘That’s extremely flattering and shocking,’ MacLeod says from her office at the University of Victoria, where she teaches. ‘When I sit down to write, I never feel like a master playwright. It’s nice to hear people think that. I’m blushing.’”
BCB-Feb2014-Cover_5_2Fellow Writing professor and Technology & Society program director David Leach wrote a great piece for BC Business magazine’s special all-TED issue in February. “Over the past 30 years, the annual Technology, Entertainment and Design conference has grown into a media juggernaut, fuelled by “ideas worth spreading” (as its tag line promises) and the most effective marketing on the social web,” writes Leach. “Today, this brand without borders aspires to reprogram our entire global operating system for the greater good.”

And the 2014 Southam Lecturer, Tom Hawthorn, popped up in the news a few times recently—not surprisingly, given that his Southam course focuses on sports journalism, and we’ve just come through a flurry of coverage on both the Super Bowl and the Winter Olympics. While it’s no longer archived, Hawthorn spoke to CBC All Points West host Jo-Ann Roberts—also a former Southam Lecturer herself—about his January 29 public Southam Lecture titled, “In Defence of Sports Writing (Not All of it, Just the Good Stuff)”.

HawthornHawthorn also spoke about the importance of UVic’s new Centre for Athletics, Recreation and Special Abilities (CARSA) in this article for the CARSA website: “When it comes to training facilities, there’s no question: CARSA will attract a very high level of athlete,” he says. “You’re going to attract people who want to succeed in athletics—that will definitely be weighed in their decision of where they’re going to do their studies—and you’ll have more people dedicated to success at that elite level.”

Cleve Dheensaw, sports writer for the Times Colonist, also talked to Hawthorn ahead of his lecture in this article. “Even people who don’t follow sports should read the sports pages because sport tells us a lot about ourselves as a society,” he says. (Plus, who wouldn’t want to take a class where your homework is watching the Super Bowl?) And Hawthorn talked about the likelihood of queer activism at the Olympics in this Victoria News article. “I fully anticipate that some athletes will make a display of solidarity with gay people in the community of Russia,” he said.

Getting medieval

It’s not a time machine per se, but it just might be the next best thing when it comes to art history. The 34th annual Canadian Conference of Medieval Art Historians runs March 7 and 8 right here at UVic, and features a fascinating lineup of speakers and presentations (a full list of which can be found below).

Amidst the faculty and graduate students coming in from universities across Canada, our own History in Art department is well-represented at the CCMAH, including presentations by Evanthia Baboula, Catherine Harding, Marcus Milwright, Erica Dodd and Lesley Jessop, as well as representatives from other UVic departments.

Milwright speaking to the media at 2012's Medieval Workshop

Milwright speaking to the media at 2012′s Medieval Workshop

(Relevant sidenote: Marcus Milwright is also presenting a separate talk this week, titled “The Crafts of Damascus at the Dawn of the Modern Age.” Milwright will be looking at how the Syrian capital achieved fame since the medieval period as a centre of craft excellence, particularly in media such as inlaid metalwork, glazed ceramics, enameled glass and decorative woodwork. These crafts survived into the 19th century, but many were adversely affected by competition with industrially manufactured goods coming from the factories of Europe. Milwright uses evidence from an Arabic dictionary of Damascene crafts assembled between 1890 and 1908 to demonstrate the interdependent nature of the 400 crafts operating in and around the city. 7:30-9:30pm Thursday, March 6, in the University Centre Senate Chambers.)

Former UVic prof John Osborne

Former UVic prof John Osborne

Keynote speakers for the CCMAH include Joe Polzer, associate fellow with UVic’s Centre for Studies in Religion & Society, and Dr. John Osborne. Currently dean of Carleton University’s Faculty of Arts & Social Sciences, as well as a professor of Art History, Osborne is particularly notable for his time as a professor of medieval art in our own History in Art department, as well as being the co-founder (alongside John Tucker) of UVic’s Medieval Studies program.

While there doesn’t seem to be an active link to any wesbite for the 2014 conference, click here to read more about past conferences. The Canadian Conference of Medieval Art Historians runs Friday, March 7, in UVic’s  Arbutus/Queenswood Room and Saturday, March 8 in room 103 of the Fine Arts building.

Here’s the complete list of speakers and their presentations:

FRIDAY, MARCH 7 – Arbutus/Queenswood Room

  • 9:30 Joe Polzer, Professor Emeritus, Calgary & Victoria: “Cimabue Reconsidered”
  • 10:00 Anne Napoli, Master’s student, University of Victoria: “How do you solve a problem like Maria? Examining polymateriality in the Madonna and Child Enthroned of Florence’s Santa Maria Maggiore.”
  • 10:30 Catherine Harding, University of Victoria: “Blood: The Relic of the Corporal at Orvieto Cathedral as Divine Witness”
  • 11:30 John Osborne, Carleton University: “The identification of the pope in the Santa Sabina narthex mural”
  • 12:00 Erica Cruikshank Dodd, University of Victoria: “A Silver Mythological Plate From Tarsos”
  • 2:00 Evanthia Baboula, University of Victoria: “Philagathos on the Cappella Palatina and the Mediterranean silk industry of the twelfth century”
  • 2:30 Munazzah Akhtar, doctoral candidate, University of Victoria: “Piety, Patronage and Politics: Samma Jams of Sindh and the Development of Makli Necropolis, 1380-1524”
  • 3:30 Marcus Milwright, University of Victoria: “Reading in the Round: The Evolution of Concentric Inscriptions in Early Islamic Architecture”
  • 4:00 Anthony Welch, University of Victoria: “A Tiger in Isfahan”
  • 4:30 Barry Magrill, UBC, Centre for Teaching Learning Technology: “MOOC’s Massive Open Online Courses”

SATURDAY, March 8 – Fine Arts building, room 103

  • 9:00  Malcolm Thurlby, York University: “Observations On Structure And Vault Design In Romanesque Italy”
  • 9:30 Caroline Novak, York University: “Gaping Maws: Orality and Oral-Figuration in English Romanesque Sculpture”
  • 10:00 Timothy Ashmore, Master’s student, York University: “Castle Hall of England”
  • 10:30 Valeriya Kotsyuba, York University: “Let me to the Marriage of Great Minds: An Examination of St Peter’s, Northampton”
  • 11:30 Richard A. Sundt, University of Oregon: “Oslo’s Stone Churches at Hovedöya and Gamlebyen and the Tradition of Double-Nave Planning in Scandinavia (11th-15th centuries)”
  • 12:00 Debora Alcide, York University: “Auxerre Cathedral: Innovation in Burgundy”
  • 2:00 C. Ruth Krindle, University of Manitoba: “The Theophilus Relief at Souillac:  The Second Foot of the Devil”
  • 2:30 Jim Bugslag, University of Manitoba: “The Trade Windows of Chartres Cathedral: Historiography and New Approaches”
  • 3:00 Lesley Jessop, University of Victoria: “Trade Images at the Cathedral of Notre-Dame in Paris”
  • 3:45 Jill Bain, University of the Fraser Valley: “Medieval Art and Modern Technology: Image-Enhancing Applications for the Study of Medieval Wall Painting”
  • 4:15 Helene Cazes, University of Victoria: “Tokens of friendship and symbols of erudition: the emblems of Amicitia in sixteenth century Alba Amicorum
  • 4:45 Michael F. Reed, University of Victoria: From Crown Colony to Confederation: Medievalism and Cultural Identity on Vancouver Island

Jamie Kemp wins teaching award

Jamie Kemp is back in the news again. The busy History in Art and Medieval Studies PhD candidate was named one of three recipients of UVic’s Andy Farquharson Teaching Excellence Award for Graduate Students on February 6. Not that this is surprising for the 2012 TEDx Victoria alumna, who also just finished inspiring middle school students in her session for February’s Fresh Minds symposium here at UVic.

Jamie Kemp (left) with Andy Farquharson (Photo Services)

Jamie Kemp (left) with Andy Farquharson (Photo Services)

“Jamie is a gifted teacher who exemplifies the effective learning model, who is passionate about writing and who is a valued member of the History in Art Graduate Student community,” noted Dr. David Capson, Dean of Graduate Studies, in his award presentation. “Her students all attest that not only has she changed the way that they learn by fostering an open and collaborative environment free of boundaries, she also brings a sense of fun and excitement to whatever she is teaching.”

While only three recipients are selected to receive the Teaching Excellence Award, there were 16 nominations—so Kemp is indeed among the most outstanding Graduate Students here at UVic. She has participated in a number of teaching-related conferences and workshops over the past few years, including the 2012 Association of Learning Technology conference at the University of Manchester, and has led workshops for both UVic’s own Learning and Teaching Centre and the annual “Let’s Talk About Teaching at UVic” event. She has also been the Educator in Residence at MediaCore Technologies, an education software company, where she curated and created content for The Flipped Institute, a resource site for both K-12 and post-secondary educators. Clearly, Kemp is serious about her teaching.

Jamie Kemp at TEDx Victoria in 2012

Jamie Kemp at TEDx Victoria in 2012

Kemp’s own teaching philosophy is simple: “In our present ‘Age of Information,’ when students have a seemingly unlimited access to knowledge and ‘information overload’ is often the norm, my role as a teacher can’t revolve around transmitting facts from the front of a darkened room,” she says.

“I believe that in order to offer meaningful education, I need to create engagement in a positive and open learning environment, offer my students practical ways to apply their theoretical knowledge, and provide them with opportunities to share their work with each other, the wider university community, and the rest of the world. My goal is to give my students experiences that will get them as excited about learning as I am. Curiosity and intellectual pleasure push us to develop our minds and improve our work when it would be easier to do just enough to get by.”

Kemp in action with one of her classes (photo: Aurora Allen)

Kemp in action with one of her classes (photo: Aurora Allen)

How exactly does she do all that? “I’m really inspired by the flipped classroom method of teaching,” she says, “which is just an emphasis on making the time you spend in class with students count as much in possible—not always spending the time in front of a class lecturing, but also incorporating interactive projects, discussions and trips to special collections as well. I always ask myself what is my real function as a teacher—what can they do without me, and what do they need me for?”

When asked if she has any advice for other graduate students keen to improve their teaching, she doesn’t hesitate. “The key to effective teaching is actually quite simple,” she says. “You have to do what you can to stay passionate about the material you’re working with—I love the topic of every single course I teach, and that’s where the real passion comes from. If students see you’re enthusiastic about the topic, it’s easy for them to connect, get involved and really make a nice learning community out of the classroom.”

One of Kemp's students examines a medieval text (photo: Aurora Allen)

One of Kemp’s students examines a medieval text (photo: Aurora Allen)

But isn’t there a bit of a disparity between her academic specialization in ancient manuscripts and her yen for using  modern technology in teaching? Not at all, says Kemp. “To me, they’re exactly the same thing—in my research, I work on medieval encyclopedias that were designed as schoolbooks to help students with their reading processes by teachers who didn’t know how to connect with them,” she explains. “These are actually very early kinds of intellectual technologies, used as mind-expanding objects to help with the education process. Manuscripts, videos on iPads . . . all of this is about communicating the initial round of communication so class time can be spent on things like discussion, and really synthesizing the information.”

As the TEDx site notes, “Kemp is tackling some of the oldest problems in education: her mission is to help the world learn more, do more, think more clearly, and manage knowledge in better ways by thinking about what tools, technologies, and situations make this possible—and sharing that knowledge with those who are transforming the educational landscape through technology.”

Be sure to watch her TEDx talk, “Head in the Cloud,” to get a sense of what this award-winning educator is all about.

Fine Arts at IdeaFest

Want to change the world? All you need is the right idea.

ideafestUVic’s third annual IdeaFest is back and ready to expand your mind with fascinating ideas from fascinating people. Running March 3 to 8 at various venues across campus, IdeaFest offers over 50 ideas worth celebrating.

This year’s theme is “Ideas that can change everything,” and Fine Arts is once again in the mix, with every department offering something. Here’s a quick rundown by date of what we’ve got scheduled, but be sure to see the main schedule for complete details. Remember, all events are free and don’t require registration—unless otherwise noted.

• Get an inside look at how musicians make music with a Cello Master Class featuring School of Music professor Pamela Highbau Aloni. (1:30-2:30pm Tuesday, March 4 in the Phillip T Young Recital Hall, MacLaurin B Wing)

Inside the Kwisitis Visitor Centre

Inside the Kwisitis Visitor Centre

• What do you do when you suddenly find yourself over your head with a creative project? Find out in “A Props Master Out of his Depth”, a slide lecture by Department of Theatre master props artist Bryn Finer. Finer will address how his theatre experiences translated to the development of sculptures and dioramas for the Kwisitis Visitor Centre at Pacific Rim National Park near Tofino. (12:30-1:30pm Wednesday, March 5, in the Roger Bishop Theatre, Phoenix Theatres)

• The annual Jamie Cassels Undergraduate Research Awards feature new research produced by 115 young scholars—of which 10 are from Fine Arts: Caroline Baicy, Justin Barski and Evelyn Brotherston (History in Art); Alannah Bloch and Jocelyne Lamarche (Theatre); Abigail Laycock and Graham Macaulay (Visual Arts); Bethany Hughes and Benjamin Willems (Writing); and Sondra Moyls (Music).  Be sure to check out what they’ve got on hand in this fascinating exhibit. (11:30am-3pm Wednesday, March 5, Michelle Pujol room, SUB)

• Get an inside look at how musicians make music as School of Music professor Patricia Kostek leads a master class on the clarinet in this workshop. (1:30pm – 2:30pm Wednesday, March 5, in the Phillip T. Young Recital Hall, MacLaurin Building)

Lafayette String Quartet

Lafayette String Quartet

• Find out how young musicians hone their craft and learn from master musicians at this string chamber master class with UVic’s own artists-in-residence, the Lafayette String Quartet. (7-9pm Wednesday, March 5, in MacLaurin B016)

• Ever heard of Soundpainting? Find out what it’s all about at this presentation and interactive demonstration by UVic’s new music ensemble, Sonic Lab. All are invited to participate with movement, visual arts, spoken word, acting or music in a real-time, gesture-based group composition. (1-2:30pm Thursday, March 6, in the Phillip T. Young Recital Hall, MacLaurin Building)

• A late addition to our IdeaFest lineup: The 3-Minute Thesis competition! School of Music graduate student Michael Dias will have three minutes to explain the ideas behind “The Creative Process: A Composer’s Sketches and Drafts” with one slide, 180 seconds and no jargon. Can he do it? Find out 7-9pm Thursday, March 6, in the David Lam Auditorium.

IdeaFest_WR1• In this age of digital publishing, you don’t need a printing press to create your own magazine—unless you choose to go the traditional publishing route. So You Want To Launch A Magazine offers an interactive panel discussion and showcase of some of the very successful magazines—both digital and print—created by students in the Department of Writing to address social and literary concerns in society. The panel includes moderator Dr. Lynne Van Luven (Writing), Nadia Grutter (Coastal Spectator), Patrick Close (The Warren), Kimberley Veness (Concrete Garden), Patrick Grace (This Side of West) and Andrea Routley (Plenitude). (noon-1:30pm Friday, March 7, in HSD A270)

• If you’ve ever been to an opera, you’ve heard how the voice can be an instrument in itself. Learn more about this primordially human instrument when professor Benjamin Butterfield leads a master class in voice. (2:30-3:30pm Friday March 7, in the Phillip T. Young Recital Hall, MacLaurin Building)

Biro

Dániel Péter Biró and students

• Unless you’re a musician yourself, the process of creating music can offer be a complete mystery. Discover more in “Exploring Aesthetic Diversity Through Music,” an interactive workshop where you can experience the excitement of live music creation. School of Music composition and performance students will also perform their latest music compositions, created under the guidance of Music professors Dániel Péter Biró (Tsilumos Ensemble) and Joanna Hood (Lafayette String Quartet). The general public is welcome to attend! (7-9pm Friday, March 7 in MacLaurin B016)

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

• This year’s “Concert Without Borders” features the UVic Orchestra, under the direction of Ajtony Csaba, offering a program that includes Berlioz, Grisey and Beethoven and is punctuated by multi-media interventions highlighting Learning Without Borders projects from across campus. Theatre, song, visual art and spoken word shine a spotlight on the many ways in which members of the campus community are working to internationalize the curriculum and campus life. (8-10pm Friday, March 7 in the Farquhar Auditorium. Note: this is a ticketed event, and tickets can be purchased at the UVic Ticket Centre.)

Bruce Vogt

Bruce Vogt

• Finally, we offer the concert, A Night of Schubert. What makes a composer great? Why do we revere the music of one artist over another? Is it the beauty of the melody, a special harmonic sound, or something else? Discover the secrets of the romantic music of Franz Schubert (1797-1828) as explained and performed by pianist and School of Music professor Bruce Vogt. There will be a pre-concert talk at 7:30pm as well. (8-10pm Saturday, March 8, in the Phillip T. Young Recital Hall, MacLaurin Building. Note: this is a ticketed event, and tickets can be purchased at the UVic Ticket Centre.)

Upcoming events

As always, there’s plenty going on in the Fine Arts faculty. Here’s a quick roundup of what’s coming up in the next couple of weeks:

Open Word: Reading and Ideas with Gillian Jerome

Gillian Jerome

Gillian Jerome

The founder of Canadian Women in the Literary Arts and celebrated co-creator of Hope in Shadows: Stories and Photographs from Vancouver’s Downtown Eastside, Gillian Jerome will read from her latest book of poems, Red Nest. A live interview with UVic’s own Melanie Siebert will follow the Open Space reading.

7:30pm Wednesday, January 22, at Open Space, 510 Fort

Adaslā: The Movement of Hands

Thanks to the History in Art department, thousands of buttons and hundreds of metres of thread have now transformed one enormous swath of cloth into one huge button blanket. The companion exhibit, Adasla: The Movement of Hands, centres upon the creation and exhibition of what we’re calling the World’s Biggest Button Blanket. A project of Carolyn Butler Palmer, the Williams Legacy Chair in Modern and Contemporary Art of the Pacific Northwest, and sessional instructor Peter Morin, the blanket was created over the Fall 2013 academic term in collaboration with students at UVic’s First Peoples House. The finished blanket invites new conversations about indigenous button blanket makers and the artistic traditions that surround them.

Sewing button blankets at First Peoples House. (Photo: Michael Glendale)

Sewing button blankets at First Peoples House. (Photo: Michael Glendale)

Morin will offer the inaugural dance of the blanket on Wednesday, January 29, at First Peoples House as part of UVic’s 2014 Diversity Research Forum. There will also be a companion performance on at 2pm on Saturday, February 22, at the Legacy Gallery Downtown with Morin and Governor General’s Award-winning performance artist Rebecca Belmore, a former Audain Professor for the Department of Visual Arts.

Adaslā: The Movement of Hands continues to April 25 at the Legacy Art Gallery Downtown, 630 Yates.

Visual Arts MFA Silent Auction

Just a few of the 60 pieces up for auction

Just a few of the 60 pieces now up for auction

Our Visual Arts MFA students are trying to get to New York City, and you can help by bidding on one (or more) of the 60 pieces on offer in this silent auction. Work by both students and faculty is up for sale, and the event culminates with a 5:30pm performance on Thursday, January 23, by Fantastico! (better known as Visual Arts instructor David Gifford.)

Bidding runs 9am-5pm daily, and up to 6pm Thursday, January 23, in the Visual Arts building’s Audain Gallery. You don’t have to be present to win your bid.

Visual Impetus XVII: Conceived, Created & Consumed

Visual_Impetus_XVII_posterJoin Visual Impetus, the annual History in Art department’s graduate student symposium, and the theme this year is “Conceived, Created & Consumed.” When attempting to analyze and understand the significance of visual culture in society, we must examine the various stages of development as it transitions from the artist’s idea to a tangible manifestation that audiences perceive and respond to. The organizers of Visual Impetus XVII offer presentations addressing visual culture within the moments of conception, creation, or consumption, and how significance and function can shift within these different stages.

Included among the presentations is the keynote address by Peter Morin of the Big Button Blanket Project, 4pm Friday, January 24. Click here to see the full schedule of presenters.

Visual Impetus XVII runs January 24 & 25 at the Legacy Art Gallery Downtown, 630 Yates

A double dose of Sonik

Madeline Sonik

Madeline Sonik

Fans of Department of Writing sessional instructor Madeline Sonik will be excited to hear the multi-genre writer has a pair of events on the horizon: first up is her participation in the Malahat Review’s WordsThaw prequel “CNF Night in Canada!” Kicking off at 7:30pm Tuesday, January 28, at Russell Books (734 Fort), Sonk will be joined by Vancouver Island authors Maleea Acker and Jay Ruzesky at this free “intellectual icebreaker,” hosted by Malahat Review editor and fellow Writing instructor John Barton. They’ll all be discussing “the grace and agility of memoir, the essay, and travel writing.”

After that, the award-winning Sonik will be giving an interactive talk on literary magazine and book publishing, designed for new and emerging writers at UVic and the Victoria community at large who are interested in knowing how to make submissions, write pitches and book proposals, and approach literary agents. Other topics will include literary contests, grants, market studies, and how to keep track of it all. This equally free event runs 2:30-4pm Tuesady, February 4, in room A240 of UVic’s HSD Building.

Visiting Artist: Michael Klein

KleinMichael Klein has been exhibiting video and photo-based work for more than 30 years. He has curated, organized and programmed numerous exhibitions and publications. and opened the MKG127 gallery in Toronto in 2007. Recent exhibitions include The Other Side for Scotia Bank Nuit Blanche 2012, All in the Family at the Winnipeg Art Gallery and Family Ties at Daniel Faria Gallery in 2013.

Michael Klein speaks at 8pm Wednesday, January 29, in Room A162 of the Visual Arts building 

Southam Lecture: Tom Hawthorn

Tom Hawthorn is the 2014 Southam Lecturer (Photo: Deddeda Stemler)

Tom Hawthorn is the 2014 Southam Lecturer
(Photo: Deddeda Stemler)

Just in time for the Sochi Winter Olympics, Tom Hawthorn—2014 Southam Lecturer for the Department of Writing—presents his free public lecture, In Defence of Sports Writing (Not All of It, Just the Good Stuff). Not only will Hawthorn discuss the importance of sports writing but also examine the more political side of the Olympics at his public lecture, from the move to boycott the Nazi Olympics and the Black Power salutes of 1968, to the African boycott of the Montreal Olympics and the contemporary protests over Russia’s anti-gay laws.

In addition to having covered the 1996 Olympic Games in Athens, Hawthorn has worked in the sports departments of the Globe and Mail, Province and Times Colonist newspapers, and is a well-respected journalist and magazine writer whose byline has appeared in magazines across the country. He is also the author of the recent book, Deadlines: Obits of Memorable British Columbians.

Tom Hawthorn speaks 7pm Wednesday, January 29, in room A240 of UVic’s Human & Social Development Building

Daniel Laskarin: fallen and found

Laskarin's "fallen and found"

Laskarin’s “fallen and found”

Hot off the Visual Arts faculty exhibition Paradox, Visual Arts chair Daniel Laskarin presents his latest solo show, fallen and found. In this, his fourth exhibition with Deluge Contemporary Art, Daniel Laskarin returns to a decades-old preoccupation with the role of the sculptor as matterist. A mix of sculptural pieces and newer works from an ongoing narrative of small wall pieces, Laskarin’s artistic production is object-based, and uses a diverse range of media including photography and video, optics, robotics systems, installation and sound works, set design and public projections

Opens 7pm Friday, January 31 and continues to March 8 at Deluge, 636 Yates

UVic Orchestra: Don Joyorchestra3.jpg

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

Csaba rehearsing the UVic Orchestra (UVic Photo Services)

The School of Music’s Ajtony Csaba conducts the UVic Orchestra in a program of Mozart (Overture to Don Giovanni), Maurice Ravel (Piano Concerto in G Major), and Richard Strauss (Death and Transfiguration, Op. 24). Featured in the Ravel piece will be  piano soloist Barry Tan, winner of the annual UVic Concerto Competition.

Don Joy begins at 8pm Friday, January 31, in the University Centre’s Farquhar Auditorium. Click here for ticket information.

The Lafayette String Quartet: Quintets Old and New

Lafayette String Quartet

Lafayette String Quartet

The Shostakovich Op. 57 Piano Quintet has been in the Lafayette String Quartet’s repertoire from the very beginning. As students, three of the quartet members performed this work with the great Rostislav Dubinsky and his wife, Luba Edlina and the Quartet has performed this piece numerous times since. “This piece is an old friend—it’s in our blood,” says Ann Elliott-Goldschmid, violinist with the LSQ. In contrast, the Dvorak Op. 97 String Quintet, which uses idiomatic modalities common in Native American song and African Amercian spirituals, is a fresh undertaking for the group. The Quartet will bring both of these works to the stage with the help of guest performers Alexander Tselyakov (piano) and Yariv Aloni (viola).

The LSQ performs at 8pm Saturday, February 1, in the Phillip T. Young Recital Hall in UVic’s MacLaurin Building. Click here for ticket information

Department of Theatre Open House

Iwanttobeintheatre_HEADER_x508x261Choosing a career in theatre is a big decision, but new students who want to follow in the footsteps of UVic’s successful theatre alumni have a great opportunity to learn more about the program when the Department of Theatre welcomes prospective new students for a behind-the-scenes introduction at the annual I Want to Be In Theatre! event on Saturday, February 1.

This fun interactive afternoon offers an inside look at life as a theatre student and is ideal for high school students who are deciding about their university studies—or anyone who is interested in studying theatre at a post-secondary level. As well as a tour of the impressive facilities at the Phoenix Theatre, the day provides detailed information about the department’s many theatre specializations: acting, applied theatre, set, costume or lighting design, directing, production and management, and theatre history. Attendees will also see a rehearsal scene of the upcoming play Picnic, have an opportunity to chat with current students over a free pizza lunch, and get advice about choosing courses and the application process. Parents and teachers are welcome to attend with interested students.

I Want To Be in Theatre! runs 11:30am to 3pm Saturday, February 1 in the Phoenix Theatre. Tickets are free, but please register in advance with this registration form before Monday, January 27.

The 27th Annual Medieval Workshop

Medieval WorkshopSpend a full day in two of the most beautiful and prosperous cities of the Middle Ages—Cairo and Venice! Settled at the margins of powerful empires, defying prejudice and authority, both islands of culture and wealth—over the desert in Cairo and over the sea for Venice—these two cities write a story of dialogue, art, and trade. History in Art’s Catherine Harding and Marcus Milwright are both among the presenters.

In this full-day of workshops presented by UVic’s Medieval Studies and History in Art departments, you can explore the former slaves who became rulers under the name of Mameluks (the Jewish community in Cairo), the hostelries for merchants in Egypt, the fashions and trends found at rich Italian merchants’, and the friendship between Boccacio and Petrarch in Venice. You‘ll also discover music from Orient and Occident, performed on Venetian lute and Oriental oud. Most of all, you will be part of the vibrant Victoria community which gathers for the Annual Medieval Workshop. Click here to see the full itinerary.

The 27th Annual Medieval Workshop runs 9am-5pm Saturday, February 1, in Room B150 of UVic’s Bob Wright Centre. Click here for ticket information.

Visiting Artist: Jon Sasaki

Work by Jon Sasaki

Work by Jon Sasaki

Multidisciplinary Toronto artist Jon Sasaki borrows conceptual art strategies to make works with an emotionally resonant core. Sasaki’s work has been exhibited in numerous solo exhibitions across Canada. His work has been seen in several editions of Toronto’s Nuit Blanche, and Sasaki holds a BFA from Mount Allison University and is represented by Jessica Bradley Gallery in Toronto.

Jon Sasaki speaks 8pm Wednesday, February 5, in room A162 of the Visual Arts building

Open Word: Readings and Ideas with Nora Young

Nora Young

Nora Young

Whether hosting CBC Radio’s long-running technology & culture show Spark, creating documentaries for CBC’s Ideas, working online and in television, or in her previous role as the founding host and producer of CBC’s popular culture show Definitely Not the Opera, few know how to reflect life in the 21st Century better than Nora Young.

Now, Young will read from her non-fiction book, The Virtual Self: How Our Digital Lives Are Altering the World Around Us. Young looks at the debates and challenges around virtual data-sharing and its potential for building responsive communities and governments. She has fascinating information at her disposal, unique insights into the intersection of virtual and real worlds, and a wonderful voice for making all of these clear to a general audience.

Following her Open Space reading, Nora Young will be interviewed live by Writing professor David Leach, also the director of UVic’s Technology & Society Program.

Nora Young’s first reading is at 1:30pm Wednesday, February 5, in room 104 of UVic’s Engineering & Computer Science Building. Her second reading is at 7:30pm Wednesday, February 5, at Open Space, 510 Fort.

Distinguished Alumni: Michael Whitfield

With over four decades of designing nationally and internationally for theatre, opera and ballet, Michael Whitfield is one of Canada’s most versatile and experienced lighting designers—and he has also been named the Distinguished Alumni for the Faculty of Fine Arts for 2014. Even better, Whitfield’s career at UVic has gone full circle, from his graduation way back in 1967 to his current work as a sessional instructor with the Department of Theatre. Now, Whitfield will be honoured by UVic Chancellor Murray Farmer at a special evening honouring Distinguished Alumni representing all 12 faculties, divisions and the UVic Libraries, from 7pm Wedneday, February 5 at the Hotel Grand Pacific.

Michael Whitfield

Michael Whitfield

Whitfield went on to become the Resident Lighting Designer at the Stratford Shakespeare Festival for 25 years, where he created the lighting for over 100 productions on the Festival, Avon and Tom Patterson stages. Concurrently with his work at the Festival, Michael also designed for the Shaw Festival and for many of Canada’s regional theatres, particularly the Grand Theatre, London and the Royal Manitoba Theatre Centre. Since the late 1970’s, Michael has designed extensively for the Canadian Opera Company in Toronto as well as for opera companies across the country. His work in the United States has included lighting designs for opera companies in San Diego, San Francisco, Dallas, Houston, Minneapolis and Los Angeles, while overseas his lighting has been seen at the Welsh National Opera and the Netherlands Opera.

Michael’s lighting for ballet and dance has been featured at the Royal Winnipeg Ballet, the National Ballet of Canada, the American Ballet Theatre, the Finnish National Ballet, the Canadian Native Arts Foundation and the Banff Centre. In addition to his extensive professional design career, since the early 1970’s Michael has taught at educational institutions including the University of Windsor, the University of Illinois, York University, Carnegie Mellon University, Pittsburgh and the National Theatre School of Canada. By taking on apprentice designers as his assistants he has also mentored the careers of many young designers who are now illuminating stage productions across Canada.

University of Victoria Wind Symphony & the Naden Band

cal_21_event_93494The Naden Band of the Royal Canadian Navy has been an important part of naval tradition on the West Coast since 1940 and UVic’s School of Music has a long-standing relationship with the group. Many alumni have served as members of the ensemble and in 1994 the Naden Band of Maritime Forces Pacific Scholarship in Music Performance was established. The band, currently under the direction of Lieutenant (Navy) Matthew Clark, will join the Wind Symphony for a special concert supporting this valuable scholarship, awarded annually to second and third year School of Music students who demonstrate excellence in brass, woodwind and percussion performance.

The School of Music’s Eugene Dowling will be conducting the concert, which welcomes back to the Farquhar Auditorium stage bassoon soloist Petty Officer Second Class Robyn Jutras. “Although musicians in the Naden Band are from all over Canada, alumni from the UVic School of Music make up ten percent of their current membership,” says Dowling. “It is wonderful that our featured soloist, Robyn Jutras, was not only trained at UVic, but was a past recipient of the Naden Band Scholarship!” Featured works on the program include David Maslanka’s massive Symphony No. 8 and Eric Ewazen’s Concerto for Bassoon.

The Wind Symphony & the Naden Band perform 8pm Friday, February 7, at the University Centre’s Farquhar Auditorium. Click here for ticket information.

Phoenix Theatre: Picnic

Grant Wood, "Spring in Town" 1941

Grant Wood, “Spring in Town” 1941

On the last day of summer in small town Kansas, unfulfilled dreams and repressed desires come to a head when a charismatic young drifter arrives in town. His combination of rough manners and titillating charm sends everyone reeling, including the Owens sisters (Millie, the smart one, and Madge, the pretty one), their determined mother, Madge’s college-bound boyfriend, the watchful neighbour and the spinster schoolteacher who boards at the Owens’ house. This 1953 Pulitzer Prize-winning drama is an American classic from the post-war/pre-feminist era which speaks to the timeless themes of lost aspirations and the heart’s yearning to leave everything behind for a new adventure.

Directed by Peter J. McGuire with lighting by Allan Stichbury.

Picnic previews February 11 & 12, and runs February 13-22. Click here for more information and tickets.

Media roundup for early January

2014 started off fast and furious for Fine Arts, with a flurry of media coverage coming out of the new year’s gate.

Eva Baboula's interview in The Jewish Independent

Eva Baboula’s interview in The Jewish Independent

Wrapping up 2013, History in Art’s Eva Baboula was interviewed by Vancouver’s Jewish Independent newspaper for this late December article. She was talking about her new course on Jewish art—the first of its kind in Canada!—and discusses the distinctive characteristics of ancient & medieval Jewish art.

Baboula was also asked why, as someone who isn’t Jewish but is Greek, she would teach a course on this subject. “I just love learning,” she explains. “Something that did intrigue me . . . was the history of the Jews of Greece. Up to the Second World War, Greece had very significant ancient Romaniote Jewish communities, as well as Sephardim who had originated in the Iberian Peninsula. The country witnessed an unprecedented loss of its Jewish communities in relation to its general population (about 80 percent were lost in the Holocaust). Often this kind of history, as well as the material remnants of the history of many centuries, is not really known or very visible. I think it is the history of all of us and it has to be preserved.”

Mary Jo Hughes with work by Daniel Laskarin (foreground) and Robert Youds (back). (photo: Don Denton)

Mary Jo Hughes with work by Daniel Laskarin (foreground) and Robert Youds (back). (photo: Don Denton)

VIsual Arts got one more piece on their Paradox faculty exhibit, courtesy of this end of the year story in the weekly Monday Magazine section of the Victoria News. Running just before the exhibit wrapped up at the downtown Legacy Art Gallery in early January, the article quoted curator and gallery director Mary Jo Hughes saying, “The main point of art is to help people look at the world a different way.”

Visual Arts professor Paul Walde‘s video & sound installation “Requiem for a Glacier”—shot last summer on the Farnham Glacier in the Kootenays—opened at Nelson’s Oxygen Art Centre in early January. The Nelson Star ran this article about the exhibit, noting that political motivation and diversity of the numerous collaborators is what gave the work a whole new dimension of social practice. You can read more about the backstory of “Requiem for a Glacier” here, and the exhibit itself runs to February 8.

CdnArt Glacier reviewWalde’s “Requiem” was also recently reviewed by Canadian Art magazine. Describing it as Walde’s “most ambitious work to date”, reviewer TE Hardy noted “it demonstrates an essential progress: the ideas are more expansive than in Walde’s past work; the compositional systems that define his practice create a richer intertextual field; and his efficacy as a multi-disciplinary artist is impressively enhanced.” Hardy also notes that Walde “successfully frames questions of mythic import” and mentions the “stark and beautiful” moments in the video. Read the full review here.

And in other Paul Walde news, he’s now curating the annual installation Audiospace 10 for downtown’s Open Space arts centre. Opening 7pm Friday, January 17, and running monthly through to Saturday, June 7, Audiospace is an exploration of digital sound, originally created as a venue for sound on the Internet (a novel idea when the series began back in 2003). Walde will bring audio back to the physical realm through the creation of a listening room at Open Space, which will feature a new artist each month. Keep up to date with the series here.

From Althea Thauberger's "Marat Sade Barnace"

From Althea Thauberger’s “Marat Sade Bohnice”

While we’re in Visual Arts, high-profile alumna Althea Thauberger was listed in the Vancouver Sun as having one of the “three of the most influential events in Vancouver galleries” for her show opening January 15 at SFU’s downtown Audain Gallery. The Vancouver-based Thauberger’s video installation Marat Sade Bohnice (first presented at Toronto’s Power Plant contemporary art gallery) examines the staging of Peter Weiss’s famed play Marat/Sade at a mental institution in Prague and questions the meaning of mental illness and art’s role in therapy. As the Sun writes, “Well-known for facilitating collaborative situations with groups such as military families, adolescent girls, and artists of the Downtown Eastside, Thauberger reveals social and political issues as she creates a space for collaborators to express themselves.”

The School of Music had an ambitious first week back in January, thanks to their fascinating Week with Gustav Mahler. A combination of open rehearsals, lectures, listening rooms and a full faculty recital, Mahler Week earned a fair bit of media coverage. As busy local arts blogger Janis LaCouvee noted, it was a great way to learn more about this under-appreciated composer. “My knowledge of Mahler—sadly—is limited to the 1974 biographical film by Ken Russell, so when Kristy Farkas, the Concert Manager for the UVic School of Music, contacted me with news of a week-long Mahler tribute, I knew that I had to add some of the events to my arts calendar.” You can read more about Janis’ Mahlerization here.

Butterfield and Pohran Dawkins talk Mahler (photo: Adrian Lam)

Butterfield and Pohran Dawkins talk Mahler (photo: Adrian Lam)

The Times Colonist did a nice job with a pair of articles about Mahler Week. As TC arts writer Amy Smart noted, “One doesn’t simply say, ‘Hey, let’s play Gustav Mahler’s Das Lied von der Erde,’ on a whim. The large work not only requires a certain number of trained musicians, but a level of commitment to learning the complex rhythms, especially when performed in a chamber arrangement without a conductor.”

The aptly-named Smart then speaks to both Music faculty members Benjamin Butterfield and Alexandra Pohran Dawkins in this article, who noted the concert could only come about because of the size of the School of Music’s performance faculty—the largest in the country—and its emphasis on chamber music. “There aren’t many schools that could pull this off,” said Pohran Dawkins. “I won’t say it exactly fell into place, but the timing was right and there’s a lot of enthusiasm for the project. We’re hoping it will be a bit of a splash.”

The music faculty in rehearsal for Mahler week (photo: Kristy Farkas)

The music faculty in rehearsal for Mahler week (photo: Kristy Farkas)

Classical music columnist Kevin Bazzana also highlighted the final concert of Mahler Week—the faculty performance of Das Lied von der Erde (The Song of the Earth)—in his January 9 column.  (Alas, it’s not available online, but can be read here in the article UVic pays tribute to Mahler.) Bazzana provided the fascinating history of the symphony as well as some insight into the specific arrangement the faculty were performing. As Benjamin Butterfield notes, “It is the ultimate chamber music piece.”

The Times Colonist returned to the School of Music again with columnist Kevin Bazzana writing about the Galiano Ensemble in this article. The Galiano Ensemble includes not only School of Music faculty members but also alumni amongst its players.

But wait, there’s more—the TC also picked up a story about professor Eugene Dowling‘s A Mostly Canadian Recital on January 12. In this article, Dowling describes the many personal connections he has with many of the composers and the stories behind the compositions, noting that he will try to bring all those emotions and friendships to mind as he plays.

Colleen Eccleston

Colleen Eccleston

Music instructor Colleen Eccleston was also interviewed on the CFAX radio show Cafe Victoria with Bruce Williams, speaking about the legacy and role the Everly Brothers had in rock-and-roll history. (Phil Everly passed away on January 3.) Click here to hear a podcast of the show, then fast forward to timecode 16:15. Eccleston teaches the history of rock and roll for Music, among other classes—and she was also announced as the first-place winner of the School of Music/Vikes Rally Song contest on January 10 (but more on that in this separate post). All in all, that’s some outstanding Music coverage for just the first week of classes!

HIA booksBack in History in Art, both Allan Antliff and Erin Campbell have contributed to new books. Antliff’s chapter on “Ezra Pound, Man Ray and Vorticism in America, 1914-1917″ can be found in the new book Vorticism: New Perspectives (Oxford University Press), and Campbell’s is co-editor of The Early Modern Italian Domestic Interior, 1400-1700 (Ashgate), with her specific chapter “Art and Family Viewers in the 17th-century Bolognese Domestic Interior.”

Peter Morin & the world's biggest Button Blanket

Peter Morin & the world’s biggest Button Blanket

History in Art is also gearing up for the unveiling of their Big Button Blanket project, debuting at the Legacy Downtown on September 16 as part of the exhibit Adasla: The Movement of Hands. An ambitious collaborative project between professor Carolyn Butler Palmer, Tahtan Nation artist and sessional instructor Peter Morin, plus local indigenous blanket makers and History in Art students, watch for all sorts of coverage coming up about both the exhibit and the blanket itself. Get a taste of it with this CBC Radio All Points West interview with Morin and host Jo-Ann Roberts (scroll down to the January 7 entry).

Adasla runs January 16 to April 25, with a special performance on February 22 by Governor General’s Award winning performance artist Rebecca Belmore, a former Audain professor for the Department of Visual Arts, and Morin. Morin will also inaugurate the blanket in its debut performance at the start of UVic’s annual Diversity Research Forum on January 29.

Over in Writing, professor Maureen Bradley was featured in this Times Colonist article in late November, being interviewed about her upcoming feature film Two 4 One and the representation of transgendered people in the media. Two 4 One will be the first transgender romantic comedy.

Lee Henderson

Lee Henderson

Meanwhile, both professor Lee Henderson and alumna Eliza Robertson were included on the National Post‘s list of “The 25 most anticipated (Canadian) books of 2014.” Despite doom & gloom in the publishing industry, books writer Mark Medley feels we’re presently in the midst of another Can-lit boom. “While the industry still faces financial challenges, Canadian writers are in the midst of a creative peak that rivals anything we’ve seen before.” Tucked in with such literary luminaries as Michael Crummey, Emma Donoghue, Steven Galloway, Ann-Marie MacDonald and Miriam Toews, Medley includes books by Henderson and Robertson among the books he “can’t wait to devour” in 2014:

Orphans, by Lee Henderson (Hamish Hamilton Canada/August). Not much is known about Henderson’s first novel since 2008’s The Man Game (an audacious, wildly inventive novel that deserved a wider audience), and even the name will likely change. In a 2010 interview he told me it was ‘about creativity.’piece.”
Wallflowers, by Eliza Robertson (Hamish Hamilton Canada/August). A debut collection from a buzzy young author whose work has been shortlisted for the Journey Prize and won the Commonwealth Short Story Prize. Her story ‘My Sister Sang’ is alone worth the price of admission.” But hey, no pressure!
Two other pieces of Writing grad news: Canadian literary biggie Timothy Taylor selected Jenny Boychuk as 2nd runner-up in PRISM literary magazine’s annual creative non-fiction contest for her story, “Notes on Breath” (beating our Writing instructor Madeline Sonik, who was long-listed for the same prize), and poet Kyeren Regher was the only Canadian selected for the American publication Best New
Poets 2013.
Michael Whitfield

Michael Whitfield

Finally, Department of Theatre sessional instructor, former student and veteran lighting designer Michael Whitfield has been announced as this year’s Fine Arts recipient of the Distinguished Alumni Award. Whitfield was a student during the earliest days of UVic and literally got in on the ground floor of the nascent Theatre department. You can read some of his memories in this Torch article from the Spring 2013 issue (skip ahead to page 34). Learn more about the Distinguished Alumni Awards here. Congratulations, Michael!