Edugyan & Price at Russell’s

Good news for local literature lovers—not only is Russell’s Books expanding again, but they’re also kicking off a new reading series! In an age where independent bookstores seem to be vanishing faster than space in newspapers for book reviews, it’s great to see a local outfit like Russell’s breaking new ground.

Edugyan & Price

Edugyan & Price

As part of their latest expansion, Russell’s Books is now opening Russell’s Vintage, which collects all their antiquarian books in one handy spot—the former Fort Café location, downstairs at 742 Fort Street. Better still, Russell’s Vintage will also offer a stage which will host a new reading series. This week, the series kicks off with multiple award-winning author Esi Edugyan (Half-Blood Blues) and local poet and novelist Steven Price (Into That Darkness), plus poet Marita Daschsel, at 7pm Tuesday, May 14.

Books x 2Like Lorna Crozier and Patrick Lane for the next generation, the husband-and-wife team of Edugyan and Price both hail from the Writing program and have both taught for the Writing department. (They’ve even been nominated for the same award at the same time.) Come on out and support them on Tuesday night . . . after you vote. And you are going to vote, right?

Fine Arts at IdeaFest

IdeaFest is coming up soon at UVic and Fine Arts is all over the programming this year!

ideafestWith more than 50 ideas worth exploring, UVic’s second annual IdeaFest looks pretty exciting. Running March 4-15 in every corner of campus, this free festival connects you to experts working on the kind of ideas that really can change everything—whether you’re a rocket scientist, artist, gamer, zombie fan or something else entirely.

New and emerging research will be brought to life in panels, workshops, exhibits, lectures, performances, film screenings and tours. Ideas up for discussion run the gamut of political upheaval, creativity, heart health, Canada’s north, urban planning, big data, #IdleNoMore and whether or not English should emerge as a global language—just to name a handful.

Take a few minutes to browse through the full program on the IdeaFest 2013 website— the hardest part will be deciding which idea to start with!

Here’s a quick breakdown of what Fine Arts has on tap:

Enacting the ArtistEnacting the Artist / Researcher / Educator: Six UVic applied theatre graduate students engaged in a theatre-based PhD research project will discuss utilizing playbuilding as qualitative research, as well as a variety of theatre conventions as a way to generate, interpret and (re)present data. The result is a devised play about enacting the artist/researcher/educator with a post-show dialogue. 2-4pm Monday, March 4, in room 109 of the Fine Arts building.

Jamie Cassels Undergraduate Research Awards: Celebrate some of the outstanding research produced by the 2012 Jamie Cassels Undergraduate Research Awards scholars at this day-long presentation of their work. Here’s a list of who’s representing Fine Arts, but you can read abstracts of their research here: Sara Fruchtman, Alexandra Macdonald and Christine Oldridge (History in Art), Stewart Gibbs, Sarah Johnson and Jennifer Taylor (Theatre), Bronwyn McMillin and Willie Seo (Visual Arts), Claire Garneau and Liz Snell (Writing). The JCURA runs 11am-3pm Wednesday, March 6, in the SUB’s Cinecenta, Upper Lounge and Michele Pujol room.

Film FestMini Film Fest: Join some of the Department of Writing’s emerging filmmakers for a screening and discussion of several recent, award-winning student films—including the Leo Award-winning web series Freshman’s Wharf, and Connor Gaston’s recent TIFF and VFF-screened short, Bardo Light. 7:30 pm Thursday, March 7, in room 162 of the Visual Arts building.

Sonic LabSonic Lab: Join UVic’s contemporary music ensemble as they present two compositions that explore the sound itself as musical material. Imagine a brick wall with a human figure painted on it, which can be taken apart & rebuilt as a fence or a house—meaning the parts of painted body would show up in an unexpected context. The same happens here, where usual & unusual sounds will be taken apart and put together in a new context. 8pm Friday, March 8, in the Phillip T Young Recital Hall.

  “Have you ever had an idea?” Get in on this interactive, community-involving project aimed at enabling ideas to be more accessible and more attainable. Participants become part of Victoria’s biggest idea—a giant run-on sentence created by texting, calling or e-mailing in their ideas. It all culiminates in an installation with video & audio components of real-time projection, discussions, idea-counseling, etc. 7-10pm Friday, March 8, in room A111 of the Visual Arts building.

Games Without• “Games Without Frontiers: The Social Power of Video Games”: Join professors, grad students, undergraduates, high-school students, local game designers and curious citizens of Victoria at this mini-conference to explore, discuss and marvel at the power of video-game technology to bring people together and improve the world. Faculty and students will give demonstrations and offer a Q&A about the innovative use of “gamification” techniques in their research, including games that help to improve the lives of children with autism, teach about First Nations treaties, combat obesity and explore the ocean floor, among others.

Don't miss the Minecraft documentary

Don’t miss the Minecraft documentary

Other events will include demonstrations of new games by students and local designers, a “journalism game jam” to apply game tools to improve public-service reporting, various competitions and panels of local experts to debate the power, the pitfalls and the future of game design. The UVic student music ensemble Flipside will also be performing a selection of video game soundtracks (1:30-3pm), and Cinecenta will be hosting a screening of the documentary Minecraft: The Story of Mojang, a look behind the scenes of the popular online game, with an Orion-sponsored talk and Q&A with the Portland-based filmmakers from 2 Player Productions to follow—that’s at 7:15 pm Friday, March 8, at Cinecenta. Games without Frontiers runs 11:30am-6pm Saturday, March 9, in the David Strong building.

“Is There Still Potential for Human Creativity?” A good question, and one which promises a lively back and forth at this Fine Arts discussion panel featuring Jennifer Stillwell (Visual Arts), George Tzanetakis (Computer Science-Music), Lee Henderson (Writing), Victoria Wyatt (History in Art), Jonathan Goldman (Music). Moderated by the Times Colonist‘s Dave Obee. 7:30pm Monday, March 11,  in B150 of the Bob Wright Centre.

Fine Arts PechaKucha: Unfortunately, this event has been cancelled.

IndiaIntergenerational Theatre for Development in India: After being displaced by the 2006 tsunami, a new community in India is using Applied Theatre to reconnect its citizens. The creation of an intergenerational theatre company to perform the stories of seniors and rural youth of the Tamilnadu community has the potential to create lines of dialogue across generations by positively highlighting the life experiences of residents of Tamaraikulam Elders’ Village and students of the Isha Vidhya Matriculation School. Theatre PhD student Matthew Gusul recently visited India and will tell the story of this developing project. 4:45pm Thursday, March 14, in the Phoenix Theatre’s McIntyre Studio.

BC book prized

Esi Edugyan at the 2011 Giller Prize

Chalk up another win for long-lasting local literary luminary Esi Edugyan, who took home the Ethel Wilson Fiction Prize at the BC Book Prizes on the weekend for her sophomore novel, Half-Blood Blues.

Edugyan’s novel of persecuted black jazz musicians in WWII-era Occupied Europe triumphed over Michael Christie’s The Beggar’s Garden, Frances Greenslade’s Shelter and Once You Break a Knuckle by Department of Writing graduate and next-big-thing author D.W. Wilson. Ironically, the post-earthquake Victoria novel Into That Darkness by Edugyan’s husband Steven Price—also a Writing grad and frequent sessional instructor in the department—was also nominated in the same category.

In addition to the Wilson fiction prize, the BC Book Prizes also include the Hubert Evans Non-Fiction Prize (won by Charlotte Gill for her tree-planting memoir Eating Dirt), the Dorothy Livesay Poetry Prize (crawlspace, by John Pass, which beat out The Collected Poems of Patrick Lane by retired Writing department superstar Patrick Lane), the Roderick Haig-Brown Regional Prize (The Chuck Davis History of Metropolitan Vancouver, by the late Chuck Davis), the Sheila A. Egoff Children’s Literature Prize (Blood Red Roadby Moira Young), the Christie Harris Illustrated Children’s Literature Prize (When I Was Small by Sara O’Leary,illustrated by Julie Morstad) and the Bill Duthie Booksellers’ Choice Award (which also went to The Chuck Davis History of Metropolitan Vancouver). Previously announced was the Lieutenant Governor’s Award for Literary Excellence, which went to Salt Spring Island poet and author Brian Brett.

Hosted by author and comic Charles Demers at a gala in Vancouver on Saturday May 12, the BC Book Prizes each carry a cash prize of $2,000, plus a certificate . . . and, of course, bragging rights.

Still pending for Edugyan? Her nominations for the £30,000 Orange Prize, to be announced May 30, and the £25,000 Walter Scott Prize, coming June 16.

U + M = Winners!

Monday Magazine‘s 10th annual M Awards were handed out on April 24 and—no big surprise—a number of Fine Arts faculty and alum were once again among the winners and shortlisted nominees! (Handed out annually to the movers and shakers in Victoria’s arts and cultural scene, these reader-voted awards were actually started back in 2002 by a pair of then-Monday editors with mighty UVic connections: Fine Arts communications honcho John Threlfall and Writing sessional instructor Alisa Gordaneer—both of whom are also UVic alumni.)

Congrats go out this year to Writing prof Lorna Crozier, whose Small Mechanics won “Favourite Book of Poetry”, as well as shortlisted nominees Carla Funk (whose Apologetic was up against Crozier in the poetry category) and Digital Media staffer Dan Hogg (for “Biggest Supporter of Local Film”).

No surprise that a number of alumni were among the winners, too, given our faculty’s ongoing presence in the local arts scene. Big-deal Writing grad Esi Edugyan‘s Half-Blood Blues swept the “Favourite Fiction Book” category (forget about the Giller or that still pending possible Orange Prize—Esi can retire happily now that she’s won an M!), and fellow Writing alum Jeremy Lutter was named “Favourite Filmmaker” (for his recent Victoria Film Festival award-winning Joanna Makes A Friend).

The UVic-heavy Ride The Cyclone

The Department of Theatre also figured prominently in the winner’s list, led by Ian Case, the just-appointed director of our own University Centre Farquhar Auditorium, who was named “Biggest Supporter of Local Theatre” (no doubt for his work with Intrepid Theatre, Victoria Shakespeare Society, William Head on Stage, and Giggling Iguana’s Craigdarroch Castle shows). Britt Small picked up “Favourite Director” in a co-win with Jacob Richmond for their Ride The Cyclone remount; Ride The Cyclone—which starred a number of Theatre alumni (Rielle Braid, Matthew Coulson, Kholby Wardell and Sarah Jane Pelzer)—also picked up “Favourite Overall Production”.

Theatre prof Brian Richmond was shortlisted in the “Favourite Director” category (which he lost to his son, Jacob) for his 2011 Blue Bridge Repertory Theatre production of Who’s Afraid of Virginia Woolf?—the star of which, Meg Tilly, also picked up “Favourite Performer”. Former Theatre student Melissa Blank was also shortlisted in that same category, for her performance in Theatre Inconnu’s A Day in the Death of Joe Egg. (Inconnu is run by Theatre grad and sessional instructor Clayton Jevne.)

Janet Munsil

Finally, the Victoria Fringe Festival won the oddly named “Favourite Non-Music Event or Festival.” The local Fringe is run by Intrepid Theatre, which is itself run by Theatre grad and noted playwirght Janet Munsil (and, until last month, Ian Case). The Victoria Fringe is a regular showcase for Phoenix talent, graduates and students both, including the likes of Fringe gods TJ Dawe (undisputed king of the solo monologue) and Charles Ross (of One Man Star Wars / Lord of the Rings fame).

Winners receive a Phillip’s growler bottle, to be filled (and refilled) with their brew of choice; shortlisted nominees receive the warm, inner glow of a job well done and a hearty round of applause for their continued efforts to keep Victoria’s arts scene healthy and thriving!

Authors, Authors!

Esi Edugyan accepting her Giller Prize last year (Tyler Anderson/National Post)

Perennial headline-maker Esi Edugyan is back in the news this week with word that she’s now on the shortlist for Britain’s Orange Prize, the prestigious writing prize for fiction by women. One of only six finalists—down from 20 on the longlist—Edugyan’s Half-Blood Blues is proving to have real staying power, given its recent nomination for the UK’s Walter Scott Prize for historical fiction as well.The Orange Prize comes with a £30,000 purse, while the Scott nets a sweet £25,000.

For the Orange Prize, Edugyan’s Half-Blood Blues is up against Cynthia Ozick’s Foreign Bodies, Madeleine Miller’s The Song of Achilles, Anne Enright’s The Forgotten Waltz, Georgina Harding’s Painter of Silence and Ann Patchett’s State of Wonder. (Patchett won the prize in 2002 for Bel Canto.)

For the Scott Prize, Edugyan is once again up against Patrick deWitt’s The Sisters Brothers, who was earlier among her competition for the Man Booker Prize (won by Julian Barnes), the Writers’ Trust Fiction Prize and the Governor General’s Literary Award (both won by, deWitt) and the Giller (which Edugyan took home). Other competitors include Sebastian Barry’s On Canaan’s Side, Alan Hollinghurst’s The Stranger’s Child, Andrew Miller’s Pure and Barry Unsworth’s The Quality of Mercy.

The Orange Prize winner is announced May 30, while the Walter Scott Prize winner will be announced June 16.

Lorna Crozier (Gary McInstry)

In other related Department of Writing news, poetry professor Lorna Crozier will be the featured guest at a special Canadian Club evening celebrating arts and culture on April 18, as a way of honouring National Poetry Month. Rightly dubbed a national treasure, the much-lauded and much-published Distinguished Professor will be speaking and reading at this special event, which will also feature music by singer Tim Kyle and pianist Bob LeBlanc. Socializing starts at 5:30pm on April 18, with dinner at 6pm. Tickets are $35, and you can call to register at 250-370-1837.

In other National Poetry Month news, Crozier and Tim Lilburn (as well as sessional instructor Patrick Friesen and Malahat Review editor John Barton) were mentioned in this Vancouver Sun piece about the state of Canadian poetry. And noted alum Billeh Nickerson was profiled in the Sun for his new (and timely) collection of poetry, Impact: The Titanic Poems.

Associate Dean and busy editor Lynne Van Luven will be launching her latest creation, In the Flesh: Twenty Writers Explore the Body (Brindle & Glass, $24.95). Co-edited by Van Luven and Kathy Page, In the Flesh features contributions by the likes of Taiaiake Alfred, Dede Crane, Candace Fertile, Julian Gunn, Margaret Thompson, Brian Brett, Lorna Crozier plus Van Luven and Page themselves (among others).

Described as “an intelligent, witty, and provocative look at how we think about—and live within—our bodies,” In the Flesh offers a series of candid essays that allows each author to focus on one part of the body, and explores its function, its meanings, and the role it has played in his or her life.

The local launch happens at 2:30pm Sunday, April 29, at (appropriately enough) the Fernwood Yoga Den, 1311 Gladstone. Van Luven, Page and Gunn will be on CBC Radio One’s North By Northwest arts & culture show on the weekend of April 28-29 (show airs 6-9am Saturday & Sunday), and will also be on CBC Radio’s The Next Chapter with Sheilagh Rogers on May 21, with a repeat on May 26.

Writing alum Yasuko Thanh is getting good attention for her debut collection of short stories, Floating Like The Dead. She also appeared on North by Northwest—you can listen to the podcast of that interview here—and was profiled by Adrian Chamberlain in the April 22 issue of the Times Colonist, which you can read here.

Finally, the rumour mill confirms that Giller-nominated sessional instructor and short fiction writer John Gould is involved in creating a new Victoria Writers Festival. Details are slim at the moment, but it’s being organized by Gould and local writers Sara Cassidy and Julie Paul, who describe themselves as “a collective of writers who deeply miss the International Literary Arts Festival that was the highlight of spring in Victoria for many years.” The debut fest is slated for October 12-13 at . . . Camosun College, whose English department is sponsoring it.

Voting Time

Nope, this isn’t an advance call for the upcoming fall elections, nor is it a roundup of the Super Tuesday results from south of the border. It’s simply time once again for Monday Magazine‘s annual M Awards—where a healthy crop of UVic talent can again be found among the nominees.

While there is space for write-in nominations in ever category—meaning groups like Philomela Women’s Choir could be nominated as Favourite Vocal Ensemble, busy graduate student filmmaker Scott Amos could be tagged as Favourite Local Filmmaker, or Visual Arts graduate student Dong-Kyoon Nam could be highlighted as Favourite Emerging Visual Artist—listed below are the categories and nominees who have a UVic affiliation.

Deadline for voting is 5 pm Friday, March 23, and you can vote either by picking up a copy of the paper, filling out the ballot and then returning it, or by using the infinitely quicker online ballot. Winners will be announced in April 26 issue of Monday Magazine.

Here are the relevant nominees and their categories, with some UVic-affiliated alternative choices:

• Favourite New Production
Inside — Phoenix Theatre
(Alternate: SNAFU Dance Theatre’s Little Orange Man, created by and starring Phoenix alum Ingrid Hansen)

Cobi Dayan, Genevieve Dale& Mik Byskov in Twelfth Night (photo: David Lowes)

• Favourite Overall Production
Twelfth Night — Phoenix Theatre
(Alternates: Blue Bridge Repertory Theatre’s Who’s Afraid of Virginia Woolf? directed by Theatre prof Brian Richmond; Theatre Inconnu’s A Day in the Death of Joe Egg, directed by sessional Theatre instructor Clayton Jevne; Atomic Vaudeville’s Ride the Cyclone—which is also up for Favourite Musical—co-directed by Theatre alum Britt Small and starring a whole whack o’ Phoenix alum)

• Favourite Director
Linda Hardy — Twelfth Night
(Alternate: Brian Richmond, Who’s Afraid of Virginia Woolf?; Jacob Richmond and Britt Small, Ride the Cyclone)

He said, she said: Price vs. Edugyan—the literary battle that had to happen!

• Favourite Fiction Book
Half Blood Blues Esi Edugyan
Into That Darkness Steven Price
(Oooh, a husband-and-wife race! How exciting!)

• Favourite Non-Fiction Book
Come From the Shadows — Terry Glavin
(Alternate: Campie by Writing alum Barbara Stewart)

• Favourite Book of Poetry
ApologeticCarla Funk
Small Mechanics — Lorna Crozier
(Oooh, a departmental showdown! How nervewracking!)

Just a reminder that any nominated individuals must live in Greater Victoria—or have lived here for part of 2011—and performances/shows/events must have taken place in Greater Victoria in 2011. For publications and recordings, publisher/label can be outside Victoria, but writer/artist must be from Greater Victoria and the work issued in 2011.

 

Year of Edugyan

In the no-big-surprise department, former Writing instructor, celebrated alumna and 2011 literary It-girl Esi Edugyan appeared in a number of year-end best-of lists for her Giller Prize-winning and Man Booker/ Governor General/ Writer’s Trust-nominated sophomore novel, Half-Blood Blues. (Heck, my mom even got it for Christmas!)

Adrian Chamberlain of the local Times Colonist newspaper noted that “Victoria’s writerly reputation was confirmed dramatically” by Edugyan’s “astonishing year,” Mark Medley of the National Post named her one of the two Canadian authors of the year (along with fellow multi-nominated writer Patrick DeWitt) and John Barber of the Globe and Mail said that, with the collapse of publisher H.B. Fenn and its Key Porter imprint, “2011 began ominously for independent Canadian publishers and then quickly turned to roses. Rescued from the Key Porter wreckage, Half-Blood Blues became the most popular title ever published by Thomas Allen & Son, with 100,000 copies on the market and a stable perch overlooking James Patterson and Stephen King on Canadian bestseller lists.”

Quill and Quire also reports it was the most popular title in the Toronto Public Library in 2011, with Michael Ondaatje’s The Cat’s Table in second place and DeWitt’s The Sisters Brothers rounding out the top three. Alas, if you were hoping to check it out of the Greater Victoria Public Library system, you’d better get in line—as of this post, there are 399 holds on 82 copies . . . but you could always reserve Edugyan’s debut novel, The Second Life of Samuel Tyne, which currently only has 41 holds on five copies.

Edugyan also appeared on the year-end cover of local entertainment weekly Monday Magazine, where writer Reyhana Heatherington said she “learned from some of Canada’s top literary stars” while studying here at UVic.

“I studied with so many great teachers,” Edugyan is quoted as saying. “Patrick Lane was my first great teacher. I found myself following poetry because he was so inspiring. The calibre of guidance was so amazing. Jack Hodgins, Lorna Crozier, Bill Gaston—such a high level of instruction. They can’t teach you to write if you’re not inclined that way. But what [school] does is cut the apprenticeship time down. Peer reviews prepare writers for working with an editor in a professional capacity.”

And in the January 8, 2012, edition of the Times Colonist, Adrian Chamberlain ran a new interview with Edugyan, a long profile featuring insights from her former Department of Writing instructors, Bill Gaston (“You always say, ‘this one could be the next Michael Ondaatje.’ You can’t predict, but she was one of those”) and Jack Hodgins (who was “amazed at her ability to inhabit the voices of vastly different characters authentically.”) Chamberlain also mentions rumours of a Half-Blood Blues film adaptation, about which a “close-lipped” Edugyan says, while noting there is nothing concrete, “There’s some discussion—yeah, actually.”

Media roundup

From left: Siminovitch jury chair Maureen Labonté with Joan MacLeod, Dr. Lou Siminovitch, playwright and $25,000 Siminovitch Protégé Award recipient Anusree Roy, and BMO Senior Vice-President Andrew Auerbach

No question, it’s been a busy couple of weeks in the media for Fine Arts faculty and alumni. In case you haven’t been able to keep up on it all, here’s a quick roundup of recent media coverage.

Joan MacLeod – As the winner of this year’s $100,000 Siminovitch Prize for Theatre, the acclaimed playwright and acting chair of the Department of Writing was splashed across numerous front pages, including the Globe and Mail, the Times Colonist, the Vancouver Sun and MacLean’s magazine, among others, as well as being interviewed by CBC radio and CBC television.

Lorna Croier receives her Order of Canada from Governor General David Johnston (Photo: Sgt Ronald Duchesne, Rideau Hall © 2011 Office of the Secretary to the Governor General of Canada)

Lorna Crozier – The beloved poet and longtime Writing senior faculty member received her Officer of the Order of Canada on Friday, November 4. Local TV station CHEK provides a clip of the ceremony.

Esi Edugyan – The $50,000 Giller Prize win by this uber-talented Writing graduate and former Writing instructor (mistakenly described as “Vancouver writer” by the Toronto Sun) has earned coverage in most Canadian media outlets, as well as some international headlines, as seen in the New York Observer and this BBC article. Check out the CBC coverage, which features an award clip and a morning-after interview. Geez, who’d wanna get up that early after winning the literary prize of a lifetime? She also talks with Q’s Jian Ghomeshi (November 9 podcast).

Esi Edugyan accepts the Giller Prize on Nov 8 (Photo: Tyler Anderson/National Post)

Plus, the National Post ran a lovely reflection on the crazy year that Edugyan and her husband, Writing instructor Steven Price, have had—including new books by both of them (Price’s was the local earthquake novel, Into That Darkness) and the recent birth of their first child. “You each became the other’s first reader, and most essential editor. You brainstormed together, solved the work together, sought out and quarreled with whatever you were in the thick of over dinner, or while washing up. You remember that first apartment, with the tiny kitchen, where one of you wrote on a card table next to the garbage can in the mornings, the other late into the nights—and how you often left work out for the other to read over, and make suggestions on.”

Sean Holman talks to Andrew MacLeod (A.MacLeod, photo)

Sean Holman – In addition to teaching journalism in the Department of Writing, and filling in as the acting Director of Professional Writing, Holman got plenty of coverage recently with the news that he was shutting down the daily reporting aspect of his infamous investigative journalism watchdog blog, Public Eye Online. After seven years of scrums, breaking a whopping 6,000 stories and dealing with ever-dwindling resources, Holman’s announcement caught more than a few people off-guard. Here, he talks to Andrew MacLeod, legislative bureau chief for the Tyee, about why he’s bowing out. And then the Tyee ran an opinion piece by The Ubyssey student newspaper editor Justin McElroy called, “What Sean Holman Taught Me”. “As journalists, the world of public demand teaches us to focus on our ‘brand’ and our Klout score,” writes McElroy. “We’re told that having the skills of a writer, photographer, editor and on-air talent, all in one, is the best hope for success. But at the same time, we’re also told that investigative journalism skills are important, and that the role of the fourth estate is vital. Holman’s decision gives a hint as to which priorities are winning.”

Holman also offered the Canadian Centre for Investigative Journalism these five lessons learned from his years of doing Public Eye Online. And Shaw TV’s Dan Kahan offered this end-of-an-era interview with Holman. Finally, Vanessa Hawk of UVic’s own Martlet offered this in-house interview with Holman, which also offered some thoughts on the next generation of journalists he’s helping to teach: “It’s so fantastic when I see my students being able to write an exclusive story that could easily be published in any major newspaper across the country. That’s extraordinarily rewarding.”

Frances Backhouse – This MFA candidate in Writing and award-winning writer herself recently penned a fascinating and informative ode to the beaver for the Tyee, in response to Senator Nicole Eaton’s push to have this “dentally defective rat” and “toothy tyrant” removed as our national symbol.

Visual Arts grad Mike McLean in front of his year in photos (Photo: Darren Stone, Times Colonist)

Mike McLean – A Visual Arts alumnus and former sessional instructor, McLean’s new Open Space exhibit, Thirty-Five Thousand Forty, was featured in the Times Colonist. McLean took 96 photos a day for an entire year, from June 2010 to June 2011, which now cover every inch of the gallery’s walls. “Photography in the digital era is developing its own language, forging unique processes and technologies,” writes McLean in the show’s description. “It seems to have reached the democratic potential that George Eastman predicted one hundred years ago, when he took the process out of the studio of the trained craftsman and put it into the hands of the unskilled hobbyist.” As Open Space notes, “McLean turns the idea of digital photography inside out, conferring an analogue physicality and monumentality onto a format that proliferates effortlessly, flooding websites, Facebook, memory cards and hard drives in an unimaginably deep cloak of images.” The exhibit runs to December 10 at Open Space, 510 Fort Street in Victoria.

Will Weigler (Photo: Darren Stone, Times Colonist)

Will Weigler – A sessional instructor in Theatre specializing in Applied Theatre, Weigler’s doctoral dissertation about  why audiences connect to live performances—what he describes as “ah-ha!” moments—was featured in both the Times Colonist and the Calgary Herald, as well as the Victoria News, and was interviewed for CFUV’s campus news show, U in the Ring, and on-air at CFAX 1070. “Weigler asked more than 90 people—including scholars and critics—to describe unforgettable moments they had experienced in theatre,” writes Chamberlain. “He then analyzed these descriptions to see if any identifiable patterns emerged. And they did. A theatre director and actor, Weigler will publish his dissertation in book form to help others create compelling and memorable theatre . . . . Weigler discovered a number of recurring factors that typify ‘ah-ha!’ theatre. For instance, something unorthodox might happen that alters the traditional actor/audience relationship. It works to yank us into the action. An actor may be suddenly held upside down, or have a pie thrown in his face. In his research, Weigler also found other physical things – perhaps an onstage gesture – can embody an emotion, a relationship or some other aspect in a powerful, revelatory manner. This, too, can break down any performer/ audience barrier.”

John Gould, centre, with judges Page (left) and Stenson (photo: Adrian Lam, Times Colonist)

John Gould – This longtime Department of Writing instructor and acclaimed author was one of the three judges for the Times Colonist‘s second annual “So You Think You Can Write?”contest, alongside fellow professional writers Susan Stenson and Kathy Page. This year’s winner was UVic English graduate Maija Liinamaa, about whom Gould said, “A kid’s algebra class—what a superbly unlikely place to experience supernatural intervention! A fresh concept, brought to life with fresh prose and tons of finely observed detail.”

Writing alum Esi Edugyan wins $50,000 Giller Prize

Congratulations to Esi Eudgyan on her Giller Prize win! (photo: Chris Young/Canadian Press)

Whew! What a week for the Department of Writing. First, longtime instructor and beloved poet Lorna Crozier received the Order of Canada at a ceremony in Ottawa Friday night, then acting chair and acclaimed playwright Joan MacLeod won the $100,000 Siminovitch Prize for Theatre on Monday night—now, Writing graduate and former instructor Esi Edugyan has won the Scotiabank Giller Prize for her book, Half-Blood Blues. With a prize of $50,000, the Giller is awarded annually to Canada’s best English-language novel.

“A prize like this does so much to promote literature in Canada and the world,” Edugyan said in her acceptance speech. “It’s been the greatest privilege to be one of the nominees and to be shortlisted with such brilliant writers.” Like Edugyan, fellow nominee Patrick DeWitt was also on the same four-award shortlist—the Giller, the Man Booker Prize, the Writers Trust Award and the Governor General’s Literary Award; DeWitt won the Writers Trust, and the Governor General’s will be announced next week.

Esi Edugyan gives her acceptance speech at the Giller Prize in Toronto (Photo: Tyler Anderson, Postmedia News)

Focusing on four black jazz musicians in Nazi-occupied Germany, Half-Blood Blues is the second novel for the Colwood-based Edugyan, who is married to award-winning poet, author and UVic Department of Writing instructor Steven Price. As well as being a Writing graduate, Edugyan was also a sessional instructor with the Department for two years, specializing in fiction writing. (Edugyan and Price also celebrated the birth of their first child in late August of this year, making the past two months a dizzying time indeed.)

The Giller jury praised Half-Blood Blues as a “joyful lament,” noting that “any jazz musician would be happy to play the way Edugyan writes.” Ironically, while Half-Blood Blues had been released in England earlier this year, it was almost not published in Canada following the bankruptcy of original publisher Key-Porter Books. “The book was actually homeless for a few months until it was bought by Thomas Allen Publishers,” Edugyan said back in August. “It was intensely worrying; I love the Brits, and I love my editor there, but when you write a book, you really want to be published in your own country, to make an impact in your own sphere.”

In addition to her BA from UVic, Edugyan has a Masters in Writing from Johns Hopkins University and she has held fellowships in the US, Scotland, Iceland, Germany, Hungary, Finland, Spain and Belgium. Her well-received debut novel, The Second Life of Samuel Tyne, was also published internationally, and her work has appeared in several anthologies, including Best New American Voices 2003 and Revival: An Anthology of Black Canadian Writing (2006).

The other Giller Prize finalists, each of whom receive a $5,000 prize, include David Bezmozgis (The Free World),  Lynn Coady (The Antagonist), Patrick deWitt (The Sisters Brothers), Zsuzsi Gartner (Better Living Through Plastic Explosives) and Michael Ondaatje (The Cat’s Table). The Giller was founded by Jack Rabinovitch in 1994 in memory of his late wife, literary journalist Doris Giller.

Other notable prizes for the Department of Writing this year include alumnus DW Wilson‘s
£15,000 win of the BBC National Short Story Prize (nearly $24,000 Canadian) and current student Erin Fisher‘s $2,000 first-place win in the PRISM International poetry and fiction contest, plus retired Writing prof Jack Hodgins recent City of Victoria Butler Book Prize win. Congratulations to all!

Media Check-Up

Christian Giroux, left, with artistic partner Daniel Young, accepting the 2011 Sobey Art Award (photo: Steve Farmer/Art Gallery of Nova Scotia)

Anyone who likes to keep track of our Fine Arts alumni will be forgiven if they’re having trouble keeping up with all the media coverage of late—fortunately, that’s why we’re here!  Here’s a few links to check out:

CBC recently picked up the news about Visual Arts alum Christian Giroux‘s $50,000 Sobey Award win. Giroux, together with artistic collaborator Daniel Young, picked up the prize on October 13, with the jury noting, “Young and Giroux reflect a curious world where digital interfaces have become an inextricable part of our lives.” Giroux attended UVic’s Visual Arts program back in the late ’90s.

Proudly wearing Canadian plaid, D.W. Wislon in London (photo Edmond Terakopian/Globe and Mail)

Hot on the heels of his recent £15,000 BBC National Short Story Award, writing grad Rosemary Westwood has written about Writing grad D.W. Wilson for the Globe & Mail. Wilson’s winning short story, “The Dead Roads”, can also be found in his newly published debut, a collection of short stories called  Once You Break a Knuckle. Wilson was also featured on CBC Radio’s North by Northwest on October 23, talking about his recent win with host Sheryl MacKay.

You can also read a review of Wilson’s debut courtesy of Jim Bartley in the Globe and Mail. (“‘Write what you know,’ the old-school saw to aspiring authors, has taken knocks over the years, but Wilson does a stunning job of resurrecting its prescriptive force. His fractious Kootenay town of Invermere rings with authenticity.”) And, not to be left out, the National Post ran this interview with Wilson on October 28. (“Wilson’s version of [Kootenay] Valley is a slightly mad and lawless place, full of senseless violence, petty vandalism and long-running feuds.”)

And the media machine that is Writing grad and former Writing instructor Esi Edugyan continues to provide headline fodder, despite not winning the Man Booker Prize this week. A recent piece in the Vancouver Sun previews her appearance at the Vancouver International Writers Festival. Expect more pieces about Edugyan as the dates approach for her standing nominations in the $25,000 Governor General’s Literary Award, the $50,000 Giller Prize and the $25,000 Writer’s Trust prize. Not that it’s all about the cash, of course . . . it’s also about the fame.

If you’ve only read about it but not cracked the actual book yet, the Globe and Mail has kindly provided an excerpt from Half-Blood Blues for your enjoyment.