Victoria Symphony starts 75th season with new Butterfield piece

When the Victoria Symphony opens its 75th anniversary season on September 21, School of Music professor Christopher Butterfield will be helping them celebrate—courtesy of the world premiere of his latest composition.

Christopher Butterfield

Christopher Butterfield

Simply titled Canter, Butterfield’s piece will be conducted by maestra Tania Miller alongside the likes of Aaron Copland’s Fanfare for the Common Man, Prokofiev’s Piano Concerto No. 3, Wagner’s Ride of the Valkries and Gershwin’s Porgy and Bess, among others. Vaunted company, to be sure, but apt considering Butterfield’s latest was commissioned by the Victoria Symphony itself.

“They called me up and asked me to do a piece for their 75th anniversary. The only thing they said was, ‘Don’t make it a dirge.’” Butterfied pauses and laughs. “’Don’t worry,’ I said to them, ‘I don’t do dirges.’”

Butterfield—a School of Music alumnus himself—has been a professor of composition and theory at UVic since 1992. His music has been performed across Canada and in Europe, is recorded on the CBC and Artifact labels, and he’s no stranger to the Victoria Symphony. From 1999 to 2002, he was their first composer in residence and a number of his compositions have been showcased by the Symphony—including his popular WWII inspired Convoy PQ 17 requiem, which has been remounted a number of times since its 2001 debut.

Butterfield describes the eight-minute Canter as being like a concerto for the orchestra. “That just means it’s focussed more on individual players, rather than the orchestra as a whole,” he explains. “Instead of just having the first or second violins playing in unison, for instance, I have a lot of individual string parts—18 separate violin parts, 6 separate viola parts, 6 separate cello parts and 4 separate bass parts. The result will be an impressionistic conveyance of either motion or utterance.”

Did the commission come with any specific requests? “There are orchestras that say they want this kind of a piece or that kind of piece,” he says, “but I’m very lucky. For whatever reason, nobody has ever told me what to do, so I usually just do whatever it is I feel like doing. ”

Victoria Symphony

Victoria Symphony

There are a number of decisions that go into creating a commissioned work, Butterfield explains, ranging from the composer’s circumstances and a symphony’s season context, to the size of the orchestra and what else may be on the program the night the piece debuts. The beauty of a commission, he says, is that it provides a composer with an ideal opportunity to play.

“When you find out you have orchestra to work with, it gives you the chance to try out ideas that otherwise might’ve only done with smaller groups,” he says. “Canter, for instance, has radical dynamic changes in volume within the ensemble—a great scattered sound that creates almost a perspective from very quiet to very loud but happening all at once. I’m very fortunate that I’ve got a bigger orchestra for this one  than I might have . . . I’ve even got a harp.”

And what happens to Canter once it has debuted? “It’ll go to the symphony library,” he says. “When an orchestra commissions a piece, it’s very much part of their artistic capital—it’s been written specifically for them.” Sometimes, he explains, new pieces will languish in the library for years before being dusted off, while others—such as his Convoy PQ 17—goes on to be performed internationally by other orchestras. Butterfiled mentions the first piece he ever wrote for the Victoria Symphony which he was able to revise 10 years later as part of their New Music Festival. “I didn’t change anything structurally at all, just essentially tidied it up, and that worked really well. So sometimes the material goes in the library and gets quite a long life.”

Butterfield is looking forward to hearing the complete Canter . . . especially now that he can move on to other projects. “It’s funny how eight minutes can absorb weeks and weeks and weeks of work,” he chuckles.


Visiting Artists program keeps art on the edge

One of the highlights of any Fine Arts semester is the long-running Visiting Artist program in the Department of Visual Arts. Designed to introduce both students and the general public to some of the top artistic talent at work in the visual arts field today, the Visiting Artist program regularly brings in acclaimed national and international artists working in a variety of mediums.

Visiting Artist Brendan Fernandes

Visiting Artist Brendan Fernandes

For students, it’s integral to engage with contemporary art movements and discover the personalities and work of artists from across Canada and around the world. The Visiting Artist program invites artists, curators, critics and other practicing art professionals to discuss their work and it’s relation to the world of contemporary art. We encourage our students and the greater Victoria arts community to regularly attend this prestigious  program.

While the program has been running in the department since the late 1970s, recent Visiting Artists have included the likes of Haida artist Michael Nicoll Yahgulaanas, National Gallery curator Josée Drouin-Brisebois, interdisciplinary artist Brendan Fernandes, former Visual Arts professor and haptic sculptor Mowry Baden, collaborative art team Blue Republic, projection artist Daniel Barrow, photographer Jessica Eaton, architect Luigi Ferrara, war artist Andrew Wright, art critic Barry Schwabsky, video artist Diedre Logue, sound artist Marla Hlady, installation artist Kevin Schmidt, Seattle curator and writer Eric Fredericksen, intermedia artist Gary Hill, sculptor Liz Magor, multimedia artist Gary Spearin, painter Melanie Authier, sculptor Michel de Broin, and many, many others.

Visiting Artist Mowry Baden, with a recent sculpture in the foreground

Visiting Artist Mowry Baden, with a recent sculpture in the foreground

Visual Arts professor Jennifer Stillwell is currently organizing the series, and she’s booked another dynamic group of artists for this fall.  “We look for a range of experiences, ideas and mediums,” she explains. “The Visiting Artists are initially coordinated through open discussion in the department about who we may want to bring in. It’s important to include a diversity of contemporary approaches to creative practice, as we hope to extend the thinking of our students and provide dynamic learning opportunities on artistic research.”

Stillwell notes that the Visiting Artist series helps maintain ties with Victoria’s dynamic arts community, through collaborations and partnerships with the likes of Open Space Arts Society and the Art Gallery of Greater Victoria. “That allow us to bring in higher profile artists,” she says.

MFA student Carly Smith (left) gets some solo time with Marla Hlady

MFA student Carly Smith (left) gets some solo time with Marla Hlady

The best part of the series, however, is the one-on-one time that Visual Arts graduate students get with the Visiting Artists. “It’s a cornerstone of our MFA Program,” says Stillwell, “as the visiting artists, curators and critics actively participate in roundtable
discussions in our graduate seminar and they also provide individual studio visits to our graduate students.”

All Visiting Artist series begin at 8pm on Wednesday evenings in room A162 of the Visual Arts building, unless otherwise noted. And all the lectures are free, of course. Click here to add yourself to the Visiting Artist email list, which will keep you informed of upcoming events.

Mfanwy MacLeod's sculpture in Vancouver's former Olympic Village

Mfanwy MacLeod’s sculpture in Vancouver’s former Olympic Village

First up this season on September 16 is Vancouver-based sculptor Myfanwy MacLeod. In 2008, she was commissioned to create a permanent public work for Vancouver’s Olympic & Paralympics legacy public art program, and she is currently collaborating on a new public sculpture park for the grounds of the BC Children’s Hospital and BC Women’s Hospital & Health Centre. A multiple award-winner, her work has been exhibited throughout Canada, the United States, Australia and Europe and is held in the collections of the National Gallery of Canada, the Vancouver Art Gallery, and in numerous private Canadian collections.

Guillermo Gómez-­‐Peña

Guillermo Gómez-­‐Peña

Next up on September 30 is renowned Mexican-American performance artist Guillermo GómezPeña. A writer, activist, radical pedagogue and director of the San Francisco performance troupe La Pocha Nostra. His artwork has been presented at over 900 venues around the world and his performance work has contributed to debates on cultural and gender diversity, border culture and US/Mexico relations. While at UVic, Gómez-­Peña will be presenting a performance lecture titled “Imaginary Activism: The Role of the Artist Beyond the Art World.” His UVic appearance will also correspond with the Stories From the Edge series featuring Peña, James Luna, Saul Garcia Lopez and Amy Malbeuf, organized by downtown’s Open Space Society.

David Hoffos' "Ghosts of Isachsen" (2013)

David Hoffos’ “Ghosts of Isachsen” (2013)

October 14 sees a presentation by award-winning Lethbridge-based video and installation artist David Hoffos. Since 1992 Hoffos has maintained an active practice with over 50 group shows, hundreds of screenings, dozens of school and community collaborations, a few works for the stage and over 40 solo exhibitions, including a recent survey at the National Gallery of Canada. In 2010 his touring five-­year installation series, Scenes from the House Dream, was showcased at Halifax’s Art Gallery of Nova Scotia, and the Museum of Contemporary Canadian Art, Toronto. In 2014 Hoffos completed permanent public sculpture projects in Grande Prairie and Lethbridge.

Suzy Lake's "Are You Talking to Me?"

Suzy Lake’s “Are You Talking to Me?”

Then on November 4, we have Montreal conceptual artist Suzy Lake. Known for her large-­scale photography dealing with the body as both subject and device, Lake was one of a pioneering group of artists in the early ’70s to adopt performance, video and photography in order to explore the politics of gender, the body and identity. Early examples of her work form part of two touring exhibitions, WACK! Art and the Feminist Revolution 1965-1980, and Identity Theft: Eleanor Antin, Lynn Hershman, Suzy Lake 1972-­1978. Lake’s work continues to use references to the body as a means to investigate notions of beauty in the context of youth and consumer culture. She has a long exhibition career in Canada, and has also shown her work in Europe, the United States, South America and Asia.

Stephen Schofield's "Effigie in progress " (2015)

Stephen Schofield’s “Effigie in progress ” (2015)

Finally, the fall season wraps up on November 25 with Montreal visual artist Stephen Schofield. The materials, procedures and subject of his sculpture, drawing and performance practices spring from the laboratories and private spaces of the home: the kitchen, the bathroom and the garden. Schofield has presented major ensembles of his work at the Power Plant in Toronto, le Musée d’art contemporain, la Biennale de Montréal, the Musée national des beaux-­‐arts du Québec, the Dalhousie Art Gallery, in France at the CAC de Vassivère, l’Aquarium, and the CREDAC. In 2012, he presented new work at the Cue Foundation, New York and recently won the Public Art competition for the Quartier des spectacles in Montréal.

There will be a fresh series of Visiting Artists beginning in January 2016. Be sure to check the Visiting Artist page for updates and new information.

Writing alumni news

Fall is the season for new book launches, and there are a few on the horizon for our busy Department of Writing alumni.

Ali Blythe

Ali Blythe

First up is Ali Blythe, who is launching their first book of poems, Twoism. Recently described as “a stunning debut” and named one of the top-10 hottest books coming out this fall by CBC books, Twoism was also praised by Quill & Quire in their fall preview for how it “questions the validity of gender binaries and bodily limits.” Blythe will be joined by at the launch reading by friends and fellow Writing alumni Garth Martens, Melanie Siebert and Anne-Marie Turza.

Don’t miss Blythe’s launch at 7:30pm Tuesday, September 15, in the Bard and Banker Pub’s Sam McGee room, 1022 Government. Hosted by Russell Books.

Arleen Paré

Arleen Paré

Hot on the heels of that comes the latest poetry collection from 2014 Governor General’s Award-winner Arleen Paré, whose latest volume is titled He Leaves His Face in the Funeral Car. Another collection of lyrical poems, but with a darker exploration than her GG winning Lake of Two Mountains, Paré’s Funeral Car is described as “elegiac, lyrical, ironic; a series of reflections, recollections; a collection about relationships—to family, clocks, water, trees, ungulates, endings—recognizing that not all relationships are straightforward.”

Join Paré for her launch at 7:30pm Tuesday, September 29, at Munro’s Books, 1108 Government—and be sure to congratulate her about Lake of Two Mountains being nominated for the 2015 City of Victoria Book Prize!

Frances Backhouse

Frances Backhouse

Another fall launch features the much-anticipated nonfiction book by MFA alumnus and current Writing instructor Frances Backhouse. Once They Were Hats: In Search of the Mighty Beaver examines humanity’s 15,000-year relationship with the beaver, and the beaver’s even older relationship with North American landscapes and ecosystems. Backhouse goes on a journey of discovery to find out what happened after we nearly wiped this essential animal off the map, and how we can learn to live with beavers now that they’re returning.

Don’t miss the launch, 7pm Thursday, October 8, at the Copper Owl, 1900 Douglas.

A scene from Connor Gaston's The Devout

A scene from Connor Gaston’s The Devout

Also debuting this fall is the debut feature film by Connor Gaston. The Devout will be making its world premiere nearly simultaneously at both the Vancouver International Film Festival and Korea’s renowned Busan International Film Festival (aka “the Cannes of Asia”). VIFF comes first on October 2 with Busan following less than 12 hours later on October 3. In Busan, The Devout was selected as one of 10 films in competition for the Busan Bank Award—the festival’s top international prize—and at VIFF it will be appearing in the Canadian Images program, as well as highlighted in the BC Spotlight competition.

Gaston wrote the screenplay for his Master’s thesis, and the story follows a Christian schoolteacher who has a profound crisis of faith after his terminally ill four-year old daughter claims to have had a past life. Obsessively seeking answers, he risks his marriage and his last remaining days with his child to determine is she has lived before, and if she will live again.

Journey Prize longlister K'ari Fisher

Journey Prize longlister K’ari Fisher

In other alumni news, congratulations go out to both alumni Eliza Robertson and Melanie Siebert (also a former Writing sessional instructor) for each winning $5,000 in the Writers’ Trust of Canada “Five x Five” program, sponsored by the RBC Emerging Artists Project. Impressive that two of the five winners both emerged from the Department of Writing! And we’re very excited to announce that former BFA and current MFA K’ari Fisher was named to this year’s Journey Prize longlist. Better still, her nominated story—“Mercy Beatrice Wrestles the Noose”—originally appeared in UVic’s very own The Malahat Review. Writing MFA alumna Yasuko Thanh was a Journey Prize winner in 2009.

Fine Arts at the Fringe Fest

It’s time again for Victoria’s annual Fringe Festival—the 29th annual Fringe Fest, actually, making it the second-oldest Canadian Fringe (next to the mighty Edmonton Fringe). With over 50 shows from across Canada, around the world and all over Victoria, Fringers are primed for 11 days of indie theatre from August 27 to September 6. Remember, the Fringe only comes once a year, so take in as much as you can! Grab a program, get a button and start seeing whatever strikes your fancy.

fringeAs always, Fine Arts is well represented in this year’s Fringe, with a plethora of Phoenix Theatre alumni & students on deck—but there are also a number of Department of Writing alumni active this year too. In no particular order, here’s a quick guide to who’s doing what and when. Just click on the show title and a link will take you to their Fringe page to find out more. Note: any names listed are Fine Arts students or alumni.)

The Dangers of Daphne – Downtown Activity Centre (Venue 2) • Written by Robbie Huebner (Writing MFA), Directed by Melissa Taylor. Projection Design by Max Johnson. Featuring Sarah Cashin, Ian Simms, and Kevin Eade.

The damsel: kidnapped, hogtied, blindfolded, helpless — the old Hollywood standard. Daphne, an aspiring silent film actress, plays the part every day. Sure, she’s getting famous, but what good is fame when you’re always the victim? Nobody loves a woman roped to railroad tracks. If only Daphne could flip the script… A tale of music, celluloid and bigscreen hubris.

Keara Barnes

Keara Barnes

Almost a StepmomWood Hall (Venue 4) • Created by Keara Barnes

A true story:Keara moved to Ireland. She fell in love. Then she became a stepmom…almost. A darkly comic tale about the ups and downs of becoming a stepmother. Multiple characters and a murder attempt round off this tumultuous and touching solo show.

Rumpelstiltskin . . . and Other Tales – Metro Studio Theatre (Venue 3) • Created by & featuring Jeff Leard

Classic children’s stories re-imagined by Fringe Festival favourite Jeff Leard—son of Story Theatre founder & fellow Phoenix alumnus Jim Leard. An exciting solo show of family favourites created for kids, their families and everyone else, too.  “…a young Robin Williams” – LONDON FREE PRESS. “Do yourself a favour and let Jeff Leard spin you his story…” – BEAT MAGAZINE.

Jeff Leard

Jeff Leard

Sperm WarsVictoria Event Centre (Venue 1) • The other Fringe show created by & featuring Jeff Leard!

Sperm Wars takes place in a brutal, futuristic, utterly absurd universe. As sperm and eggs collide in the battle for Uteran supremacy tales emerge of love, loss, betrayal, spaceships, sword fights, life, and death before birth. The result is gametocidal tragedy, sci-fi hilarity, and one surviving oddly placed robot. “5 stars: an epic masterpiece” – Edmonton Journal

The Workingclass CafeFairfield Hall (Venue 7) • Produced by Emma Hughes and Tristan Bacon. Featuring Nicholas Yee, Alexa Carriere, Logan Mitev, Sean Brossard.

The Workingclass Café is a last-minute Fringe show featuring a different performance lineup every night, providing the opportunity to showcase many different artists and their amazing performance talents. Join this celebrate live theatre, local artists and the last minute chances that are always hoped for!

Sam Mullins

Sam Mullins

The Untitled Sam Mullins Project – VCM Wood Hall (Venue 4)  • Created by & featuring Sam S. Mullins

Canadian Comedy Award-winner Sam Mullins (This American Life, The Moth, CBC’s The Irrelevant Show) tells the four stories of his four “truths”. “****1/2 God he’s good. Sam Mullins is a master storyteller.” –WINNIPEG FREE PRESS. “****1/2 Equal parts excruciating and hilarious. Mullins knocks it out of the park.” – EDMONTON JOURNAL

The Problem with Facebook – Downtown Activity Centre (Venue 2) • Created by & featuring Ian Simms

Five teenagers struggle to make the best of the awkwardest time of their life. But thanks to the magic of the internet, they are put in touch with an Iranian rebel with some sage, although offbeat, advice. A show about honesty, the subtext that flows through every social media message, and our perspective through the lens of technology.

4web3webLt.-Nun-Fringe-Image-copy-3Lieutenant Nun – Macaulay Point Park (Venue A) • Directed by Mercedes Bátiz-Benét (Writing) & Kathleen Greenfield. Musical Coaching by Sarah Jane Pelzer. Mask Design by Ingrid Hansen, Bátiz-Benét & Greenfield. Puppet Design by Hansen. Mask & Puppet Construction by Hansen & Andrew Barrett. Stage Management by Delaney Tesch. Featuring Keshia Palm.

The creators of Little Orange Man team up with the makers of El Jinete (Summerworks 2014) to re-imagine this 2004 Theatre SKAM smash hit! In the 17th Century, Catalina escapes the convent and sails to the New World dressed as a conquistador. After years of being male, Catalina’s secret sex is revealed. A true story about gender, identity, war and conquest.

The Daughter of Turpentine – Langham Court Theatre (Venue 6)
Written by Leah Callen (Writing MFA). Directed by Chase Hiebert. Featuring Graham Roebuck, Lindsay Curl, Renee Killough, Pascal Lamothe-Kipness, and Brett Hay.

Meet Pin: a fed up, sexually-frustrated tree nymph who just turned sixteen. Burning to get away from her painted sisters and her guardian Gabriel, she falls for turpentine and a passing arsonist. But will she ever break free from Gabriel’s spell? A flammable fairytale for adults. Originally presented as a Phoenix SATCo production.

3webtwo-copyTwo Metro Studio Theatre (Fringe Venue 3) • Created by Kat Taddei. Directed by Colette Habel. Lighting/set design by Sean Brossard. Sound design by Colette Habel. Featuring Brett Hay, Nicholas Yee, Levi Schneider, Jack Hayes, Sam Lynch.

Ever wondered if out there, in a faraway universe, lives another you? This haunting new work presents two dramatically different versions of one life. Set in parallel worlds, both manipulated by a chorus of mysterious figures, Two blends the unsettling surreal with the familiar hyper-real.

Two St Andrew’s Gymnasium (Venue 5) • Created by Cameron Fraser

The second show in this Fringe so titled, this Two is an unbridled multidisciplinary show centered around a young couple’s evolution from a budding romance through to an established relationship. Combining physical comedy, acrobatics, dance and object manipulation, Two offers a lighter side to the ups and downs of love, lust and peanut butter sandwiches.

3webcasino-royale-copyIan Fleming’s Casino Royale – St Andrew’s Gymnasium (Venue 5) • Directed by Ian Case. Featuring Ellen Law.

Witness the world stage premiere of the first of Ian Fleming’s James Bond novels. Agent 007 declares war on Le Chiffre, French Communist & paymaster of the Soviet murder organization: SMERSH. For incredible suspense, unexpected thrills, and extraordinary danger, nothing can beat James Bond in this, his inaugural adventure.

Band GeeksSt. Michaels University School (Venue 9) • Directed by Cam Culham

Faced with dwindling attendance and funds, a highschool’s beloved marching band is desperate. When a troubled athlete is relegated to their ranks, Elliott, the band captain and Laura, his best friend, must find a way to unite the band, embrace their inner geek, and save the day.

3webthewyrdsisters-copyThe Wyrd SistersMetro Studio Theatre (Venue 3) • Created/Directed by Alannah Bloch. Featuring Colette Habel, Nicola Whitney-Griffiths, Victoria Simpson, Nicolas Yee, Jack Hayes, and Levi Schneider. Costume design by Michelle Bowes. Original sound composition by Carl Keys. Choreographed by Nicola Whitney-Griffiths.

Benevolence and malevolence. Evanescence of smoke whispering across a moor. The glint of a dagger behind a curtain. The Wyrd Sisters is a collective movement theatre piece interpreting the magic of Shakespeare through dance and original sound composition. “Something wicked this way comes…” the Wyrd Sisters are waiting for you.

Fallout – Roxy Theatre (Venue 8) • Written by Shane Campbell (Writing). Featuring Markus Spodzieja, Jenson Kerr.

At the end of the world, two men are trapped in their basement struggling to pull together a forgotten past. Al, who is suffering from amnesia, is stuck with Nate, his roommate. In this dark comedy the two have to come to terms with how to survive the future they find themselves in.

Andrew Wade

Andrew Wade

The Most Honest Man in the World – Wood Hall (Venue 4) • Created by & featuring Andrew Wade

A life-long love story about the pursuit of honesty over all happiness. Andrew Wade builds a working lie detector and straps himself in. Using stories, music, apps, and tap shoes, Wade looks at old relationships and insecurities as he tries to learn how to honestly let go. “A brave experiment in both theatre and life. 4 stars! – Saskatoon StarPhoenix

The Best Meal You Ever Ate Congregation Emanu-El (Venue B) • Featuring Michael Armstrong (Writing MFA)

Avram and his wife are the last two Jews left alive in the ghetto fighting the Nazis and they are starving. To their astonishment a chef, Jean-Paul, brings a wonderful meal complete with wines. He applauds their courage and has persuaded the German commander to allow them one final, sublime meal before they are destroyed. But is it kosher…?

Get connected with the Integrate Arts Festival

Looking for one final visual arts hurrah before the semester begins? Don’t miss the ninth annual Integrate Arts Festival, running August 28-30 in more than 20 venues around Victoria. Once again, Integrate features students, alumni & instructors of the Department of Visual Arts; among this year’s 20 featured artists are Andrea Soos, Doug Jarvis, Rose Lemonade, Pete Kohut, Yoko Takashima and Ruby Arnold.

integrateFormerly known as “Off the Grid Arts Festival,” Integrate was developed in 2007 and included an en masse art crawl to celebrate the city’s small galleries, artist-run centres and alternative arts venues. Since then, the festival has grown enormously and was re-branded in 2012 as the Integrate Arts Festival—yet it’s focused on providing a unique opportunity to circulate and experience an integrated landscape of the arts in Victoria.

Best of all, everything is free! All participating galleries, parties, events and performances are free during the festival crawl, although some public galleries will revert to admission fees or “by donation” on the festival’s second day.

Don't miss Doug Jarvis in action at Integrate

Don’t miss Doug Jarvis in action at Integrate

All you have to do is pick up or download Integrate’s interactive map, which will guide you  to a variety of exhibitions and events at participating galleries, publicly accessible studios, and various sites throughout the city. There’s even a hop on/hop off bus for Saturday evening’s art crawl so  participants can easily circulate among the venues—don’t miss Visual Arts instructor Doug Jarvis’ ongoing performance in Limbic Media’s parking lot (#2-740 Discovery) from 6-9pm Saturday night—as well as a family-friendly bike tour for participants on Sunday afternoon.

UVic’s own Legacy Art Gallery is once again among the venues, this year offering an interactive printmaking activity during the art crawl, from 6 to 9pm Saturday at 630 Yates. Based on their current exhibition, unlimited edition, which attempts to construct an art historical framework examining how prints by Aboriginal and Inuit artists represented. Featuring work from the Kamloops Art Gallery, Carleton University Art Gallery and UVic’s Legacy, unlimited edition represent a drive to preserve, portray and popularize oral histories and address social inequities in the medium of printmaking.

Bridge Over Troubled Water (Thomas), 2015, Video stillI

Bridge Over Troubled Water (Thomas), 2015, Video stillI

Also on view at Saturday night’s art crawl is Bridge Over Troubled Water, an interactive video & sound installation by Visual Arts instructor and local media artist Yoko Takashima and alumni Ruby Arnold. Check it out from 6 to 9pmat MediaNet’s Flux Media Art Gallery, #110 -2750 Quadra.

Special events this year include the Opening Reception from 7-10pm Friday, August 28 in the the Bay Centre downtown, the Art Crawl itself and the After Party, running from 9:30pm-2am at the Copper Owl (1900 Douglas), which will feature a great range of musical acts and projections, plus performance art by Integrate alum Anna Shkuratoff and Sean Rea. Get all the details here.

Last-minute electives!

Looking for a last-minute Fall elective to replace the course that sounded good in June but now has you scratching your head? (“Uh, did I really intend to register for A History of Molds and Fungi?”) You’re in luck—Fine Arts has you covered with a wide ranging of fascinating electives guaranteed to enhance any degree.

Missy Elliott's in the house for an Intro to Hip Hop

Missy Elliott’s in the house for an Intro to Hip Hop

Check the technique behind An Introduction to Hip Hop (FA 200). As well as looking at the roots of hip hop and groundbreaking originals like Kook Herc, you’ll be doing case studies on artists like Missy Elliot, Kanye West and Jay Z. You’ll also focus on the role of graffiti, turntablism and bboy/bgirl culture. Taught by Melissa Avdeef—the creator of last year’s popular Beyonce course— An Intro to Hip Hop runs 4:30-5:50 pm MW to Dec. 4.

HA200PosterThe creation of art has always been a hands-on process, but now you can look back at the historical roots of arts & crafts with How is Art Made? (HA200) Very much a hands-on course  itself, this Art History elective with Marcus Milwright examines how people actually make beautiful objects and buildings. From the painting of an icon to the casting of a bronze figure, you’ll have the chance to connect and handle a wide variety of ancient and medieval objects. How is Art Made? runs 3:30-4:20 pm MWR to Dec. 4.

Last year's Phoenix production of A Midsummer Night's Dream (photo David Lowes)

Last year’s Phoenix production of A Midsummer Night’s Dream (photo David Lowes)

Thanks to the likes of the Belfry Theatre, Intrepid Theatre, Theatre SKAM, Theatre Inconnu, Langham Court, UVic’s own Phoenix Theatre and many others, there’s no question that Victoria is a theatre town. But watching—or creating—a stage play can often be daunting if you have no background to it. That’s where An Introduction to Theatre (THEA 101) comes in. Taught by local theatre artist and filmmaker Leslie Bland, you’ll be introduced to practical and theoretical approaches to play analysis, dramatic criticism, theatrical form and to the principles of stage production. Better still, attendance at live performances is required—which means you’ll get to go to plays, for credit! An Introduction to Theatre runs 3:30-4:50 MTH to Dec. 4.–

ICarraccideal for anyone interested in History, Medieval or Italian studies, as well as Art History, consider going for Baroque with the fascinating  Baroque Art in Italy 1550-1700 (HA342A). Taught by Anne Williams, this course explores the innovations in Italian art & architecture at a time marked by clashing dogmas of faith, political upheaval and scientific discovery. We will examine in depth selected works of painting, sculpture, and architecture by artists including Caravaggio, Bernini, and the Carracci. Baroque Art in Italy runs 2:30-3:20pm MWR to Dec. 4.

VA_painting labMore interested in developing your own artistic skills than studying the legacy of others? Check out Foundation Drawing and Painting
 (ART 103), which explores both drawing and painting. Normally reserved for Visual Arts students, ART 103 is now open to general enrollment. Discover how developing basic art skills can contribute to a wide variety of academic pursuits, from anthropology and engineering to law, sciences and more. Through studio exercises and exciting creative projects, you’ll get hands-on with a wide variety of methods and materials. Foundation Drawing and Painting
 runs to Dec. 4 at a variety of times.

Experimental photography by Victoria's own Hannah Maynard

Experimental photography by Victoria’s own Hannah Maynard

We live in a world ruled by Facebook, Instagram and Snapchat, but how did we get to the point where everyone always has a camera with, or on, them? Find out with the History of Photography (HA369). Taught by Menno Hubregste, you’ll discover how this medium has developed since its invention in 1839, both technically and aesthetically, as well as the different types of images created by artists, journalists and scientists. From travel and documentary photography to Dada, Surrealism and conceptual art, you’ll also look at the rise of women photographers and how photography changed in the age of Postmodernism and advertising. The History of Photography runs 12:30-1:20pm TWF to Dec. 4.

Interested in learning why people practice thea394.2theatre in places of conflict and war? Want to know how theatre can be used in international development settings? Wondering what kind of techniques work in conflict zones? Back by popular demand, Theatre professor Kirsten Sadeghi-Yekta still has space in her popular Applied Theatre elective, Theatre, Conflict & Development (THEA 394). This exploration into the practice of theatre in places of conflict and war—a topic Sadeghi-Yekta knows well—will include examples from the likes of Cambodia, Sudan, Kosovo, Nicaragua, the Congo and Brazil. Theatre, Conflict & Development runs 9-10:20am MR to Dec. 4. To register, contact the Theatre Department secretary directly at

Joseph Salem joins School of Music

The School of Music is pleased to announce the appointment of its latest faculty member, Dr. Joseph Salem.

Joseph Salem

Joseph Salem

Originally from Cincinnati, Ohio, Salem studied piano at the University of Cincinnati College-Conservatory of Music, and holds a BM in Piano from the University of Texas at Austin and an MA in Music Theory from the University of Wisconsin-Madison. As a lover of new and old traditions, Joe pursues topics at the boundaries of the musicological discourse: musical/intellectual history, analytical studies of post-Wagnerian music and writings, semiotics, music aesthetics, and hermeneutic trends in the arts.

“Dr. Salem comes to us from Yale University, where he completed a doctoral degree with a dissertation on Pierre Boulez,” says Susan Lewis, Director of the School of Music. “A scholar with expertise in music after 1950, he brings a strong analytical focus to his approach to music. He is a passionate teacher who will ignite the classroom and instill a love for music our students.”

French composer, conductor, writer & pianist Pierre Boulez

French composer, conductor, writer & pianist Pierre Boulez

Salem’s dissertation examines the development of Boulez’s serial techniques between 1948 and 1962, through a close examination of the composer’s manuscripts housed at the Paul Sacher Stiftung. “Recent scholarship on Pierre Boulez has emphasized the rigorous, thoroughly serial nature of the composer’s music during the 1950s and the corresponding shift toward more transparent compositional techniques in later works due to Boulez’s increasing interest in musical perception,” writes Salem in this abstract.

“My paper nuances this perspective by arguing that practical compositional concerns (commissions, deadlines, and the like) led Boulez to reuse compositional material in ways that contradicted his early serial aesthetics while also expanding the expressive range of his compositional style—all well before his post-1970s writings and compositions . . . . Changes to this essential compositional process reveal Boulez’s shifting priorities as a serial composer well before the publication of Boulez on Music Today, such as his changing conception of structural coherence and musical organicism.”

Salem’s previous studies have focused on the manuscripts of Francesco Cavalli and WA Mozart, among others. He will be filling the Assistant Professor position vacated by Jonathan Goldman, who has now moved over to the Université de Montréal.

Joe is also a cat lover and describes himself as being “silly for culinary delights”—so we’re sure he’ll enjoy discovering Victoria’s epicurean treats.

Two new professors in Visual Arts

The Department of Visual Arts is proud to announce the appointment of two new members to their acclaimed teaching faculty. Joining Visual Arts from the University of Manitoba is sculptor and photographer Cedric Bomford, and stepping up from her longtime position as a sessional instructor is sculptor Megan Dickie.

Cedric Bomford joins the Visual Arts faculty

Cedric Bomford joins the Visual Arts faculty

Cedric Bomford is leaving an Assistant Professorship at the University of Manitoba, a position that he has held since 2012, to join us at UVic to teach photography,” notes Visual Arts chair Paul Walde. “Professor Bomford’s career is on a upward trajectory as evidenced by an international exhibition record and his work being recently nominated for the prestigious 2014 Sobey Award.”

Bomford’s elaborate installation Bamberton: Contested Landscape ran locally at Open Space in January 2010. An immersive installation that reused materials from the artist’s building demolitions and previous work, the installation confronted land-use issues on the Vancouver Island site of Bamberton and Malahat Mountain through architectural references in the individual structures—which visitors were able to physically move through, over, under and around, allowing for a tactile interaction with the artists’ interventionist strategies and theme of contested space.

Bomford's "Bamberton: Contested Landscape" at Open Space in 2010

Bomford’s “Bamberton: Contested Landscape” at Open Space in 2010

“We believe Bomford’s high profile projects—most recently in Vancouver—will raise the profile of the Department and attract students to the program,” Walde continues. “Bomford’s practice is rooted in West Coast culture and he often collaborates with the brother Nathan and father Jim who live in on Vancouver Island. Additionally, Bomford is known for his curatorial projects, particularly his work with the collective aedc which produced a number of exhibitions in Berlin.”

Megan Dickie teaching the Foundation class in Visual Arts

Megan Dickie teaching the Foundation class in Visual Arts

And it’s a pleasure to see Megan Dickie move up to a faculty position, after her many years teaching with the department. “Megan has been teaching with Visual Arts for 10 years now,” says Walde. “She is consistently one of our most highly ranked instructors and is extremely popular with our students. In the past four years, Megan’s studio research has developed in new and innovative ways bringing her more exhibition opportunities both nationally and internationally.”

Known for her objects and images that are humorous, tactile and interactive, Megan investigates ideas of artifice by making sculptures out of sensuous materials that turn functional forms into exaggerated novelty gadgets. She finds novelty compelling in how it rejoices in excess and is truthful about its moral shortcomings; it’s a form that promotes curiosity over intimidation which allows the viewer to lean in and discover through touch.  Through this tactile experience the viewer ends up struggling between their desire for amusement and their desire for reason.

Megan Dickie's "The Gleamer," last seen at Legacy Gallery

Megan Dickie’s “The Gleamer,” last seen at Legacy Gallery

Megan has exhibited her work across Canada and has had recent exhibitions at Victoria’s Deluge Contemporary, Vancouver’s Grunt Gallery, the Nanaimo Art Gallery, the Art Gallery of Greater Victoria, the Ministry of Causal Living and Saskatoon’s Kenderdine Art Gallery. She was also the recipient of a Canada Council emerging artist creation grant in 2004 and a BC Arts Council grant in 2007 & 2009. Most recently, she contributed a piece to Legacy Gallery’s In Session: One, an exhibit focusing on UVic’s sessional instructor

“Megan has also curated exhibitions in Victoria, which have contributed to the vibrancy of the community by bringing in the work of national and international artists,” says Walde. “And, for seven years, she has been leading our Foundations Program—we are currently looking to re-design this area, as was recommended by our Academic Program Review. Megan’s experience within the Department makes her a natural fit for this position. She will continue to work and develop our Foundations Program, but also teach video which is an increasingly important part of her practice.”

Victoria Summer Music Festival celebrates 20 years

Twenty years is a long time in the life of any festival, and it’s especially exciting when it’s a music festival. As such, this summer marks the 20th anniversary of the Victoria Summer Music Festival, which has been presenting a series of chamber music concerts every summer since July 1996.

School of Music professor & VSMF artistic director Arthur Rowe

School of Music professor & VSMF artistic director Arthur Rowe

VSMF Artistic Director and School of Music professor Arthur Rowe has lined up a fantastic celebration for their anniversary: the artistry of some of North America’s finest soloists and chamber musicians performing music that resonates in UVic’s intimate Phillip T. Young Recital Hall with its terraced, comfortable seating, excellent sightlines and warm acoustic.

Rowe has arranged seven great concerts featuring sublime music by a range of favourite artists from previous seasons and outstanding new talent. Back again too are the popular pre-concert talks, in which the artists get personal about their music and their repertoire (starting at 6:40pm on most evenings).

Returning to the VSMF stage this year are Gary Karr and Harmon Lewis with their amazing evening of 18 double basses, the Alcan Quartet, cellist Eugene Osadchy with pianist Arthur Rowe, and the amazing Dover Quartet, back for two concerts. New for the 20th anniversary are the internationally renowned Gryphon Trio as well as Victoria’s dynamic violin duo, the Chooi Brothers.

All concerts take place at 7:30 pm in the UVic’s Phillip T. Young Recital Hall, School of Music’s Maclaurin B-wing.Tickets range from $10 to $30, with a 10% discount for tickets to four or more concerts. Here’s the complete schedule:

Basses Loaded 19 • 7:30pm Tuesday, July 28

In the traditional festival opener, Gary Karr, double bass, and Harmon Lewis, piano, introduce 18 double bassists from around the world who have spent July at the KarrKamp summer workshop. Audiences will marvel at the deep, resonant sound of heartfelt music-making.

The Alcan String Quartet

The Alcan String Quartet

The Alcan Quartet • 7:30pm Thursday, July 30

Featuring Laura Andriani and Nathalie Camus (violins), plus Luc Beauchemin (viola) and David Ellis (cello),the Alcan Quartet performs quartets by Haydn (op.52 no.1) and Beethoven (op. 135); Borodin’s A-flat Major Scherzo, and Andrew MacDonald’s Perfect Day—a work specially commissioned for their 25th anniversary.

Eugene Osadchy and Arthur Rowe • 7:30pm Tuesday, August 4

Eugene Osadchy (cello), former principal cello of the CBC Radio Orchestra, joins the Festival’s artistic director Arthur Rowe (piano) in sonatas by Beethoven (G Minor op. 5, no.2), Debussy, and Rachmaninoff (G Minor, op. 19).

The Chooi Brothers

The Chooi Brothers

Nikki and Timothy Chooi • 7:30pm Friday, August 7

Victoria natives Nikki and Timothy Chooi (violins) and Lorraine Min (piano) join forces in a wide-ranging program of works for one or two violins and piano by Saint-Saëns, Prokofiev, Sarasate, and Arcuri. All three have been on the wish list for a few seasons, and it will be thrilling to have these dynamic performers together in one program.

The Gryphon Trio • 7:30pm Saturday, August 8

Long-overdue to the VSMF, this performance by Annalee Patipatanakoon (violin), Roman Borys (cello) and Jamie Parker (piano) highlights the 20th anniversary celebration with piano trios by Haydn and Mendelssohn, as well as Wijeratne’s Love Triangle.

The Dover String Quartet

The Dover String Quartet

The Dover String Quartet • 7:30pm Monday, August 10 & 7:30pm Tuesday, August 11

After two sold-out VSMF concerts last season, the Dover String Quartet—Joel Link and Bryan Lee (violins), Milena Pajaro-van de Stadt (viola) and Camden Shaw (cello)—returns with Wolf’s Italian Serenade, Dvorak’s American Quartet, and Shostakovich’s Quartet No. 2 on August 10, then perform with guest artists Arthur Rowe (piano), David Harding (viola) and Ariel Barnes (cello) as they present Shostakovich’s Piano Quintet and Tchaikovsky’s stirring Souvenir de Florence string sextet.

Voices Without Borders

Looking for the finest in new music? Add a taste of SALT to your musical diet—with an international flair! This year’s fifth annual SALT New Music Festival & Symposium focuses on “Voices Without Borders” and will present a diverse and exciting range of global talent. Running July 23 to 27, SALT will focus around the voice and will provide an opportunity to hear a variety of new and recently composed work for voice and vocal ensemble.

The Tsilumos Ensemble

The Tsilumos Ensemble

This fifth annual SALT festival will feature five concerts at Open Space, as well as a series of lectures, masterclasses and open rehearsals at the School of Music. The Festival’s Hosted by the Tsilumos Ensemble—made up of School of Music professors Ajtony Csaba, Joanna Hood and Dániel Péter Biró, plus Kris Colvin—is pleased to collaborate with the internationally acclaimed German vocal ensemble Neue Vocalsolisten, Austrian flautist/ composer Sylvie Lacroix, School of Music technician Kirk McNally, and local vocalist & School of Music alumna Cathy Fern Lewis. Concerts will feature new works by Biró, plus Canadian and international composers Charles-Antoine Fréchette, Annesley Black, Justin Christensen, Georg Friedrich Haas, and Samir Odeh Tamimi.

All concerts will be performed at downtown’s Open Space and the masterclasses will be here in UVic’s School of Music. Tickets range from $11 to $20 and you can get a festival pass for $55 to $75. View the full schedule of events here.

The festival opens with a performance by the Tsilumos Ensemble on Thursday, July 23, followed by Sylvie Lacroix on July 24, Neue Vocalsolisten on July 25, Cathy Lewis on July 26 and the UVic Alumni Ensemble on July 27.

SALT-2015-brochure-500x647Since 2011, the Tsilumos Ensemble has been performing chamber music ranging from duos to large instrumental combinations. Its main objective is to give new and little-known Canadian and international works an optimal performance, regardless of technical and intellectual demands or compositional style. Since its inception the ensemble has brought high quality, challenging new music to the larger community of British Columbia.

The Neue Vocalsolisten established as an ensemble specializing in the interpretation of contemporary vocal music in 1984. Founded under the artistic management of Musik der Jahrhunderte, the vocal chamber ensemble has been artistically independent since the year 2000. Each of the seven concert and opera soloists, with a collective range reaching from coloratura soprano over countertenor to “basso profondo”, shapes the work on chamber music and the co-operation with the composers and other interpreters through his/her distinguished artistic creativity.

Sylvie Lacroix is an accomplished flute soloist and chamber musician with a special emphasis on contemporary and new music. The freelance flutist lives in Vienna, Austria and works regularly with composers side-by-side, searching for new sounds and expressions all the way through until their first performances. This interest in working with living composers has accompanied Sylvie Lacroix since the beginnings of her career. A founding member of Klangforum Wien, she remained an active member until 1997.

School of Music alumna Cathy Fern Lewis is an ambassador and active exponent of the professional new music and art scene in Canada since 1974, versatile and experimental soprano/voice artist Catherine Fern Lewis graduated from UVic’s School of Music, where she specialized in contemporary music. Lewis spent a further three years in Europe, predominantly in Paris, studying French song with the noted Peirre Bernac, Madame Chereau and Winifred Radford.